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방사선조사된 가토에서 어비윰야그 레이저를 이용한 조사시 수분유무가 골에 미치는 효과
최영옥 ( Young Ok Choi ),허영철 ( Young Cheol Hur ),정태영 ( Tae Young Chung ),이준길 ( Joon Gil Lee ),조경안 ( Kyung Ahn Cho ),이철우 ( Cheol Woo Lee ),김수흥 ( Soo Heung Kim ),안영재 ( Young Jae Ahn ),오선영 ( Seon Young Oh ) 조선대학교 구강생물학연구소 2003 Oral Biology Research (Oral Biol Res) Vol.27 No.2
최영옥(Young Ok Choi),이영(Young Lee) 한국아동학회 2000 아동학회지 Vol.21 No.2
The level of representation, exploration and artistry by age and sex was examined in twenty children in each of 4-, 5-, and 6-year old groups attending an early education facility in Pundang City, Kyong`gi Province. Evaluation was by the scoring system used in the Project Spetrum(Krechevsky, 1994) with children`s drawings of an animal, person, imaginary animal and 3D work with clay. Data were analyzed by 2-way ANOVA and Duncan test. The level of representation was lower than exploration and artistry in the 4-year-old groups. Level of artistry was lower than representation and exploration in the 5-and 6-year-old groups. The older children and girls showed higher scores than the younger children and boys in representation and exploration. There were differences between 4-and 5-year old children in artistry development.
최영옥(Choi, Young-ok) 동양한문학회(구 부산한문학회) 2012 동양한문학연구 Vol.35 No.-
Kim Taek-young showed a deep concern for An Jung-geun, which is appeared in An Jung-geun jeon and other works. His An Jung-geun jeon was written in 1910 based on the report of Chinese newspaper at first, and extensively adapted after the report of Park Eun-sik in 1916. I aim to research the change of Kim Taek-young’s recognition appeared by the figuration of An Jung-geun through the aspect of adapting An Jung-geun jeon included in his anthology in this article. The works in Gyeongsulnyeon(1910) and Byeongjinnyeon(1916) are composed by same structure as “About Person-Activity-Trial Process-editor's judgement” but show some differences on selecting detailed motifs of each paragraph. The most characteristic aspects is that the motif related to ‘Catholic’ was unselected in Byeongjinnyeon work. This is the special character of Kim Taek-young’s work compare to the works of Park Eun-sik and Lee Kun-seung. It is a reflection of Kim Taek-young’s recognition as a Confucian intellectuals who regarded the recovery of the Confucian order as a solution for a actual problem. In the works in Byeongjinnyeon, ‘An Jung-geun’ the way an individual chooses to focus on and omitted a motif about ‘Kando’ region in the works in Gyeongsulnyeon( 1910). This is attributed to differences of the basic materials. The works in Gyeongsulnyeon is reflect the tone of Chinese newspapers that exposed Japanese ambition to make Manchuria for the base of aggressing China so waking up Chinese. In the other side, the works in Byeongjinnyeon was relied on Park Eun-sik’s An Jung-geun. The people around An Jung-geun was deleted and some motives are added in order to highlight An Jung-geun’s extraordinary heroism. In particular, motives about the conciliatory and persuasive of Japan repeatedly presented. So An Jung-geun was figured as a a patriot, patriotic martyr, and leader of the righteous armies of Chosun and stand out as representative of nation through the motif of overseas Korean’s support in addition. Kim Taek-young’s adaption of An Jung-geun jeon was based on the work of Park Eun-sik and shows connectivities to Lee Kun-seung’s An Jung-geun jeon. The process of Kim Taek-young’s adaption of An Jung-geun jeon shows the change of his recognition. Furthermore, it gives us a clue how Confucian intellectual in China make An Jung-geun embodied by the hero of the nation in addition. 김택영은 안중근에 대한 깊은 관심을 보였는데, 이는 「안중근전」을 비롯한 여러 작품으로 나타난다. 그의 「안중근전」은 1910년 중국 신문의 보도를 근거로 처음 저술되었고, 이후 1916년 박은식의 저술을 보고 대대적인 개작이 가해졌다. 이 글은 김택영 문집에 수록된 「안중근전」의 개작양상을 통해 ‘안중근’ 형상화에 나타난 김택영 인식의 변화를 살피는 것을 목적으로 한다. 경술년(1910)작과 병진년(1916)작은 ‘인물소개-활동-재판과정-논찬’이라는 전체적인 구성은 동일하지만, 각 단락의 세부적인 화소의 취사에 있어 차이를 보인다. 가장 특징적인 면모는 병진년작에서 안중근의 ‘천주교’관련 화소가 산삭되었다는 점이다. 기초자료로 삼은 박은식의 저술과 이후 이건승의 저술에도 나타난 천주교 관련 부분이 산삭된 것은 김택영 작만의 특징으로, 이는 유교질서의 회복을 현실문제의 타결책으로 여겼던 유교지식인 김택영의 의식이 반영된 부분이라 하겠다. 그리고 경술년작에서 비중 있게 다룬 ‘간도’지역에 대한 화소가 생략되고 병진년작에서는 ‘안중근’ 한 개인에 집중하는 방식을 선택한다. 이는 기초자료의 차이에 기인하는 것으로써, 경술년작이 만주를 중국진출을 위한 기지로 삼으려는 일본의 야욕을 폭로하고 중국인들을 각성시키려는 중국언론의 논조가 반영된 것이라면, 병진년작은 박은식의 『안중근』에 기대어 있다. 안중근의 비범함과 영웅성을 부각시키기 위해 주변인들에 대한 모습은 산삭되는 한편 경술년작에서는 없던 화소들이 추가된다. 특히 일제의 회유와 설득에 대한 화소를 반복적으로 제시함으로써 志士ㆍ烈士, 대한의 의병장으로 안중근을 형상화하고, 아울러 해외 한인들의 지지를 보여주는 화소를 통해 한 개인이 아니라 민족을 대표하는 인물로 부각시켰다. 김택영의 「안중근전」 개작은 박은식의 저술을 기초로 하였고, 이는 다시 이건승의 「안중근전」과도 연계성을 보인다. 즉 김택영의 「안중근전」 개작과정은 단지 김택영의 인식변화뿐만 아니라 당시 중국으로 망명한 재중 유교지식인이 안중근을 어떻게 민족의 영웅으로 형상화했는지를 보여주는 단초 역할을 하고 있다.
최영옥(Choi, Young Ok) 한국디지털디자인협의회 2013 (사)한국디지털디자인협의회 conference Vol.2013 No.4
Vision is the most important function among the five senses of the human being. Today is also called “the era of color.” The color is becoming more important to the consumers living in the times of consumption with ‘feeling’. Therefore, there is no need to mention about the necessity and importance of ‘color’ marketing. This study focused on the color theoretically, consumers’ psychology and actions about the color, and the concept of marketing. Also, the necessity and strategy of the color marketing were studied, and its strategy was studied from designers’ point of view. Examples of the strategy were introduced and analyzed as well. These will have to be studied in depth throughout various fields and visions.