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간호대학생의 그릿(Grit)과 비판적 사고성향이 임상수행능력에 미치는 영향
조숙희,윤경순 보건의료산업학회 2020 보건의료산업학회지 Vol.14 No.2
Objectives: A descriptive survey was used in this study to identify the relationship between nursing students’ grit, critical thinking disposition, and clinical competence and to examine factors that influence clinical competence. Methods: Data were collected from 241 nursing students and analyzed using t-test, ANOVA, Scheffé test, Pearson correlation, and stepwise multiple regression analysis with the SPSS/WIN 24.0 PC program. Results: Clinical competence was found to have significant pure correlations with critical thinking disposition (r=.49, p<.001), and grit (r=.31, p<.001). The most influential factors influencing nursing students’ clinical competence were critical thinking disposition (β=.35, p<.001), and grit (β=.28, p<.001), and these factors explained 33% of the variance in clinical competence. Conclusions: The findings indicate the need to develop and apply strategies and educational programs to enhance individual nurse's critical thinking disposition and grit. Furthermore, exploration is needed on ways to enhance clinical competence.
『메리 트레버스의 우아함』에 나타난 제 3의 공간 연구
조숙희,홍현선 중앙대학교 외국학연구소 2010 외국학연구 Vol.14 No.2
In this paper, we try to analyze the corelation of Timberlake Wertenbaker's heroine's moment of awakening with Julia Kristeva's theory of "the third space". Kristeva insists that the third space removes the distance between two rival entities, such as man/woman and ruling class/not ruling class. The new feministic approach by Kristeva rejects the dichotomy created by the extremely stubborn attitude of binerism. While Kristeva insists on the experience of the third space and personal development, Wertenbaker's The Grace of Mary Traverse presents the heroine who moves into the cognitive third space through a journey. Mary, the heroine, has a chance to experience the power of man's world-sexual pleasure, gambling and politics. After the journey, she gets the cognitive third space with Sophie's help who has a simple and sincere view for the world. "The third space" which does not contain the strict boundary between sexes and classes and any other two opposite world enables the Wertenbaker's characters to establish their identity and hope safely.
위험의 시대와 문학의 상관관계: 『머스그레이브 하사의 춤』연구
조숙희 중앙대학교 외국학연구소 2015 외국학연구 Vol.- No.32
One of the most prominent characteristics of the modern age is the ubiquity of peril and danger. Even though humankind enjoys the fruits of scientific and technological development, it faces the ubiquitous presence of far greater danger than ever before. As a result, more and more people suffer from posttraumatic stress disorder (PTSD), having been overwhelmed emotionally and spiritually by unforgettable, threatening, and dangerous experiences. The most common symptoms are severe depression, sleep disorders and aggressive and destructive responses. Sergeant Musgrave’s Dance is one of the precursors in literature that deals with this syndrome. Sergeant Musgrave and his men have been exposed to extremely perilous circumstances during which they feared being killed, and then they suffered for the violence they themselves had committed to the civilians in the territory occupied by the British soldiers. In the process of deserting from the battlefield and trying to finding a way to stop the atrocities of war, they become the miserable victims of PTSD, to the extent that they are unable to fulfill their goal of bringing peace to the world.
인공지능과 특이점의 시대: 파우스트 신화와 <트랜센던스>
조숙희 중앙대학교 외국학연구소 2019 외국학연구 Vol.- No.50
Posthumanism as one of the major issues in the area of the humanities, was developed from Transhumanism which was first discussed by a futurologist, Max More. Since then many futurologists have worked to define the concept of posthumanism. It is generally accepted that a posthuman is a new kind of human being, equipped with new technologies such as AI, robotics, IT, cognitive science, nanotechnology and so on. Ray Kurzweil suggests that posthumanism will ultimately face the moment of "Singularity" which means the moment when the speed and influences of future technologies work together to make a totally different environment never experienced before. Then a posthuman is transformed to an omniscient and omnipotent entity--almost like God. Indeed, humanity has desired to achieve the superpower possessed by God from time immemorial, which is reflected in the myth of Faustus. This paper delves into the human desire by comparing Faustus myth with a film, Transcence, mainly using Ray Kurzweil's theories on futurology.
조숙희,하해준 중앙대학교 외국학연구소 2012 외국학연구 Vol.- No.22
There is a certain process of evolution to any group of authors of Diaspora. For example, Jewish writers or black writers are classified into two categories; the group of the 1st generation tries to record their own ethnic heritage with a nostalgic and positive viewpoint, while the group of the 2nd generation tries to move away from their own cultural backgrounds as far as possible and to establish their own literary world without any specific ethnic color. In the process, some authors of 2nd generation even try to attack or criticize their own cultural sources. Interestingly, Korean-American writers—including playwrights—seem to tread the same path. Young Jean Lee, as one of the 2nd generation of Korean-American writers, makes use of Korean heritage only to distort and attack her own Korean root. Her strategy is to provoke self-complacent audience to look into its own prejudices against any unfamiliar culture or race and to trigger a change from bigotry to openness. To make her attempt more effective, Young Jean Lee borrows the title of her play, Songs of Dragons Flying to Heaven from the namesake grandiose epic created by the scholars at Se-Jong period of Korea. The main objective of this paper is to trace the common background of both works and to extend the range of understanding of the play. There is a certain process of evolution to any group of authors of Diaspora. For example, Jewish writers or black writers are classified into two categories; the group of the 1st generation tries to record their own ethnic heritage with a nostalgic and positive viewpoint, while the group of the 2nd generation tries to move away from their own cultural backgrounds as far as possible and to establish their own literary world without any specific ethnic color. In the process, some authors of 2nd generation even try to attack or criticize their own cultural sources. Interestingly, Korean-American writers—including playwrights—seem to tread the same path. Young Jean Lee, as one of the 2nd generation of Korean-American writers, makes use of Korean heritage only to distort and attack her own Korean root. Her strategy is to provoke self-complacent audience to look into its own prejudices against any unfamiliar culture or race and to trigger a change from bigotry to openness. To make her attempt more effective, Young Jean Lee borrows the title of her play, Songs of Dragons Flying to Heaven from the namesake grandiose epic created by the scholars at Se-Jong period of Korea. The main objective of this paper is to trace the common background of both works and to extend the range of understanding of the play.