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조숙자(Sook Ja Cho) 한국기독교학회 2000 한국기독교신학논총 Vol.19 No.-
This paper takes the position that church music is a ministry toward Christian maturity. Christian maturity may be helped or hindered, strengthened or weakened by music. If the church music frustrates the growth and encourages the immaturity of believers in their discipleship with the Lord, then it misses the theological point of its existence in church. This is the heart of Christian criticism of church music. Church musicians need to have a clear understanding of -the connection between the church, as in the expression "church music," and Christ, who is the Head of the Church. St. Paul states that the connection is so close that it can be expressed in the phrase "the body of Christ." The gift of God to the church is this union with Christ. It is therefore to be expected that in all matters of behavior the church will show the humiliation and the resurrection of Christ. The fundamental question concerning music ministry is: what is the purpose of church music? Church music is, without question, functional. But function of church music must grow out of a well-conceived, biblically based objective. The purpose of church music should be determined by the nature and mission of the church itself. The church`s mission is Christian maturation. Maturity is the degree to which we have become like our Lord. All three of the main activities of the church, evangelism, teaching, and worship, aim at maturing God`s saints. Evangelism is the beginning of Christian maturation. Teaching is a maturation help. Worship is a maturing process. Each in its own way serves to conform us increasingly to the perfect revelation of God, Jesus Christ. If the church takes seriously God`s plan for the maturation of his people, it must embrace that music which will help accomplish that goal. The adoption and adaptation of secular pop music does not fulfill church music`s overall purpose because it is incapable of doing so. Religious pop music contributes to spiritual immaturity. Its musical and textual ethos subverts one of the church`s basic tasks: helping people to grow up in Christ. Secular pop music is not a mature music. In the 19th century many branches of the evangelical church in America adopted a musical posture of embracing the pop style gospel song. Korean churches have a tradition of gospel song(gospel hymn) usage to the exclusion of the church`s normal hymnody. Criticism of the gospel song tradition is that it is dissuasive to growth and maturity; it is too undemanding, too likely, in words and music which conform so closely to a single style, to restrict a believer`s view of his faith to a very narrow compass. Korean hymnody needs maturity. If maturity is our goal, we should move to a more penetrating, developed, and informed hymnody including full gospel. The church musician called to a pastoral ministry of music has a most rewarding vocation ahead of him. Music ministry`s fundamental task is the maturing of the people of God.
조숙자(Sook Ja Cho) 한국기독교학회 2002 한국기독교신학논총 Vol.26 No.-
The first Korean Holiness Hymnal 『Pok Um Ka』(Gospel Songs) was published by the Oriental Missionary Society in Japan. One of the Korean students of Tokyo Bible Institute, Janghua Li translated over 100 of evangelistic hymns from Japanese 『Songs of Salvation』 and 『Gospel Song Book』 into Korean in 1907. In 1919 『Pok Um Ka No.2』(New Gospel Songs) which includes 121 gospel songs of Janghua Li` s translation was published in Korea. 『Boo Hung Sung Ka』(Holy Revival Hymns)(1930) is a new edition of 『Pok Um Ka No.3』(New Gospel Songs)(1924) which has thirty-one additional new translations of evangelistic hymns. Through the early Holiness Hymnal 165 new Gospel songs were introduced in Korea, and 153 Gospel songs from 『Boo Hung Sung Ka』 were included in 『Hapdong Chan Song Ka』(1949). In present 『Chan Song Ka』(1983) 93 Gospel songs from Holiness Hymnal were included, and 50 of them are Janghua Li s translation. The object of the Oriental Missionary Society is to emphasize scriptural repentance and regeneration for sinners, and the baptism of the Holy Ghost and fire for believers; the return of the Lord; Divine Healing and all the gifts and graces of the Holy Spirit. These four emphasis of Gospel messages are basic ordering principle of the table of contents of the Holiness Hymnal. In 1907 the first Mission Hall of the Oriental Missionary Society was opened in Seoul, Korea. To prepare a bride for the coming of Christ by calling sinners to repentance and believers to Holiness, and to publish a Full Gospel to the ends of the world by direct evangelism, Gospel meetings, Evangelistic and Holiness meetings were held in the Mission Hall. For these meetings Gospel Songs from 『Pok Um Ka』 were used most effectively. For the open-air gospel meeting the trumpet was blown, and there was a lively full salvation song. People gathered to hear the first messages in the open-air, and they were invited into the Gospel meeting at the Mission Hall. Hearty singing of Gospel songs and the truths in the Holiness hymns brought deep conviction to many hearts. The Korean Holiness hymnal is therefore a handbook of theology of the Korean Holiness Church, as well as being a song-book, since it covers all the major theological and confessional categories of faith.