http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
원근 혼합환경에서 간단한 닫힌 형식을 이용한 단일 음원 위치 추정 기법
정태진,이균경,Jung, Tae-Jin,Lee, KyunKyung 한국음향학회 2016 韓國音響學會誌 Vol.35 No.1
본 논문에서는 상관함수와 최소자승 기법에 기반하여 단일 음원의 위치가 원거리 혹은 근거리 모두 가능한 경우, 이에 상관없이 닫힌 형태로 위치를 추정하는 기법을 제안한다. 최근 균일 환영 배열에서 상호상관함수를 이용하여 원거리 단일 음원의 위치를 2차원으로 추정하는 기법이 제안되었으며, 이를 확장하여 근거리 단일 음원의 위치를 3차원으로 추정하는 기법이 제안되었다. 그러나 기존 기법은 음원의 위치가 원거리, 혹은 근거리로 제한된 상황만 다루고 있다. 반면 제안 기법은 먼저 원거리 음원으로 가정하여 거리 독립적으로 방위와 고각을 구하고 이후 거리 추정에서 원거리와 근거리 음원을 구분하여 혼합 환경에 적용가능하다. 시뮬레이션에서는 두 가지 경우 모두에 대해 실험하여 제안 기법의 타당성을 검증하였다. Based on correlation and least square method, a closed-form algorithm for estimating the location of mixed far-field and near-field source is presented using the Uniform Circular Array (UCA). Recently, for a homogeneous circular arrangement case, a correlation based closed-form algorithm is proposed to estimate 2-D angle (azimuth, elevation) and the extended algorithm is proposed to 3-D location (azimuth, elevation, range). These algorithms assume the far-field source or near-field source only. Therefore, for mixed source localization, the proposed algorithm estimates source location with the assumption of far-field source, and then estimates the range to distinguish the far-field from the near-field source. For both cases, numerical experiments have been performed, which confirmed the validity of the proposed algorithm.
Hamlin Garland의 初期 作品世界 : Mrs. Ripley's Trip를 中心으로
鄭泰鎭 서울대학교 교육대학원 학술연구회 1965 論文集 - 서울대학교 교육대학원 Vol.2 No.-
한 작가의 type를 정하는 작업이란 퍽 위태로운 일이다. 작가 자신으로써도 그가 어떤 type이라 자처하게 되면 자기 사상이나 문학관을 어떤 고정된 pattern에 고수하게 되어 더 이상 작가적 발전의 기회를 상실하게 되는 결과를 자초하게 되거니와 비평가 역시 한 작가의 type을 정하는데도 그의 독단이나 편견이 개입되어 한 작가의 진상(상)을 흐리게 하는 경우가 많기 때문이다.
鄭泰鎭 圓光大學校 1988 論文集 Vol.22 No.1
New Criticism develops in three stages; first , the making of the critical charter in the twenties, principally by T.s .Elliot, but also by the poet-critics Allen Tate and John Crowe Ransome; second , The Age of Explication, from 1938 to 1948, when Cleanth Brooks, R.P. Blackmur, Yvor Winters, R.P. Warren displace the New Critics' doctrines into the practice through the explicastion of individual poems in an academic setting, most notably in Books and Warren's Understanding Poetry(1938); third, the Age of Theory, when New Critics' doctrines are developed theoretically bt Rene Welleck, W.K.Wimsatt, Cleanth Brooks, Murray Krieger, and by their collaborators Austin Warren and Monroe Brooks, Murray Krieger, and by their collaborastors Austin Warren and Monroe Beardsley, in works like Krieger's The New Appologists for Poetry (1957), and Wimsatt and Brooks's Literary Criticism; A Short History(1957), and Theory of Literature(1949) by Welleck and Warren . The aim of this theis is to testfy the cruxn of New Criticism which is summarized from the works of the major New Critics. The great master of New Criticism, T.S.Eliot repeatedly called for a fresh and active confrontation of specific literary texts, and for a more sensitive awareness of the poet's linguistic medium in his famous definition of the "objective correlative" and in his equally famous discussion of "Tradition and the Individual Talent." Ransom described poetry as a logical structure which is not closely determined by it. And his sense of dualistic tension between structure and texture leads him to a preference for the irony and wit of the metaphysical poets; his special asversions are the emotional excess and formal loosenss of the Romantics. Allen Tate had argued that literature gives us the completest knowledge we can hope for by catching the extensional and intensional aspects of experience in the "tension" of the poetic structure. And he insists that the insights of the undissociated sensibility must be sought, not in some detachable paraphrassable content, but in the contextual interaction of all the linguistic and literary conventions which discover the meanings of any particular verbal structure. The New Critics' contextualism is even clearer in the works of Cleanth Brooks, whose series of textbooks has had enormous impact on the teaching of literature in colleges and universities. Books seems to argue that litary language is non-referential ;what a poem says can be renderd only by the poem itself. Brooks's special method for getting at the untranslatable meaning of poems is to search out the irony and paradox which he takes to be characteristic of poetic discourse. R.P. Blackmur's pluralistic critism leads to the asbundant evidence that New Criticism did not wish to understand literature soley by literary means. So Blackmur's earlier technical emphasis gave way more than more to an emphasis on literatur's cultural relations. Yvor winters argued that the technical resources of literary language, from meter to the conventions of genre, are simply instruments for extending the range and precision of our general language so that it may discover, define, explore and criticize the rational and emotional dimensions of general human experience with greater treatment of various specialized fields of knowlege. Literature is thus for Winters an enriched means of moral comtemplation in the broad sense of the that term.
정태진,유종준,Chung, T.J.,Yoo, J.J. 한국전자통신연구원 1994 전자통신동향분석 Vol.9 No.3
퍼지집합은 언어의 의미와 개념속에 포함되어 있는 모호성을 정량적으로 표현하기 위한 집합개념으로서 매우 자연스럽고 어느 누구나 쉽게 이해할 수 있는 이론이다. 일반적으로 퍼지집합은 기존의 Crisp 집합을 확장한 것으로서 부분집합과 정의함수를 1대 1로 대응시키는 것이다. 본 고는 퍼지집합론과 퍼지논리에 대한 기본적인 개념과 퍼지제어이론을 적용한 산업용 응용사례에 대하여 기술한다.