韓國의 政黨政治에 의한 政治發展

이태숙 대한신학대학 행정학회 1989 행정학보 Vol.4 No.-

환경교육목표 분류 체계 개발

이태숙,서우석 한국실과교육연구학회 2009 實科敎育硏究 Vol.15 No.4

이 연구는 국내․외의 교육목표와 환경교육목표를 분석하여 환경교육목표 분류 체계안을 개발하고 타당성 검토를 통하여 환경교육목표 분류 체계를 확정하는 데 그 목적이 있었다. 이 연구의 목적을 달성하기 위하여 문헌연구와 조사연구 및 전문가협의회 등의 방법을 이용하였다. 연구 결과를 통하여 얻은 주요 결과는 다음과 같다. 첫째, 환경교육목표 분류에서의 영역은 인지적 영역, 정의적 영역, 심동적 영역의 3개 영역으로 분류하였다. 둘째, 대영역에 있어서 인지적 영역은 지식과 지적능력으로, 정의적 영역은 관심과 반응, 내면화로, 심동적 영역은 지각, 조작, 적용으로 분류하였다. 셋째, 중영역에 있어서 인지적 영역의 지식은 사실과 일반화로, 지적능력은 문제 해결력으로, 정의적 영역의 관심은 인식과 수용으로, 반응은 외적반응과 내적 반응으로, 내면화는 가치화와 인격화로 분류하였다. 심동적 영역의 지각은 기능인식과 태세로, 조작은 단순동작과 숙련동작으로, 적용은 단순적용과 창의적 적용으로 분류하였다. 이 연구 결과를 토대로 추후 연구를 위한 몇 가지 제언을 하였다. The objective of the study was to develop classification system of environmental education objectives. In order to accomplish this objective, research methods such as literature review, survey and expert panel discussion etc. was used. First, for a literature review, major international and domestic literatures related to the environmental education objectives and education objectives, along with reports, theses, and scientific journals were collected and classified and analyzed. Second, a survey was executed twice to verify the validity of a tentative classification systems of environmental education objectives, which were drawn from the previous literature review. Major findings of the study were as follows; The classification system of environmental education objectives was divided into three areas; cognitive, affective and psycho-motor domain. Each area was also divided into sub-areas; the cognitive domain were categorized two areas knowledge, intellectual ability), the affective domain were categorized three areas (concern, counteraction, internalization), and the psycho-motor domain were categorized three areas(perception, operation, application); the sub-area was categorized again a total of 15 areas (three in cognitive domain, six in affective domain, six in psycho-motor domain). Based on the results of the study, some recommendation were suggested.

명예혁명과 휘그, 그리고 휘그 역사해석

이태숙 영국사학회 2006 영국연구 Vol.15 No.-

근대출판과 베스트셀러: 노자영을 중심으로

이태숙 한중인문학회 2008 한중인문학회 국제학술대회 Vol.2008 No.1

아시아 지중해 패러다임과 ‘효녀’ 서사의 재창조 - 심청이가 쓰는 아시아 지중해사

이태숙 한국여성문학학회 2019 여성문학연구 Vol.46 No.-

Literature is based on the contemporary discourse. Although the origin of the ‘filial piety’ ideology has a long history of convergence until the Three Kingdoms period, it is in the late Joseon period that it is enjoyed by many people of the contemporary and it became a narrative literary genre. In particular, <Simchungjeon> is a work that can discuss the value as a discourse in relation to its long life force in that it has a strong expanding power that continues until the modern era. Hwang Seok-young's <Simchung> is a re-creation of the classic <Simchungjeon>, and it is a work to be discussed in relation to the process of the change of the discourse of ‘filial piety’ ideology in that the background space is extended to Asia Mediterranean rather than Joseon. As for the background, the aspect of the discourse that changes due to the change of the spatial background of <Simchungjeon> are similar to that of Hwang Seok-young's <Simchung> and its starting point should be discussed in relation to the spatial background. Despite the fact that studies on the existing <Simchung> have been studied with emphasis on the relation with the traditional narrative, the necessity of such research is raised in that the difference of the spatial background can not be linked with the inner narrative and discourse. The 'Asian Mediterranean' paradigm seeks not to view one space centered on the nation, but to focus on the functional flow in that space. This work, in which the central character of 'Simchung' is the center of human movement in the space, is therefore the most effective way to understand this space from the perspective of microsociology. The 'Odyssey of prostitution' view, which is revealed on the surface of the work by the author, can reveal the surface of the narrative, but it cannot read the process of changing the paradigm in connection with space. At the time when the paradigm of the period changes from tribute trade to treaty trade, each space makes different choices according to the historical and cultural backgrounds of each region, and the lives and thoughts of the central characters who she had met in such spaces changed Simchung. Although the 'filial piety paradigm' of the classic <Simchungjeon> seems to disappear at the beginning of the work, the filial piety paradigm did not disappear but change. <Simchung> should be read as a narrative of salvation of 'filial piety' paradigm beyond the narrative of salvation to 'filial daughter', and as a salvation narrative of the Asian Mediterranean space called Joseon that created such a paradigm. In Foucault's <L‘Hermeneutique du sujet>, self-consideration and care for oneself is refused to be the object of the other, and declares that man should exist only for themselves, self-object. However, 'self-consideration' is no longer a matter of finding truth in the subject. The important thing is that armed with truth which is not in subject. In other words, the quasi-subject that Foucault speaks not only resists being the object of power, but also the object of reason for rational subject. It is also a subject to resist. It is not a modern subject, a subject who recognizes oneself, but a subject who makes oneself through the truth that was not found in the subject. After leaving the road as a ‘filial daughter’, Chung, who came back after a long, long journey, was able to come back with the truth of the time and space in which it created the ‘filial piety’ at the same time as the subject who survived on her own. We can find out the truth in a lonely way of Simchung why so ‘filial piety’ ideology should be strong, and why is it that Joseon had to walk into the history of the humiliation of colonialism. 황석영의 『심청』은 작가가 고전 <심청전>의 재창조라는 관점에서 내놓은 작품이다. 이 작품은 고전 <심청전>과 출발점으로서의 시대적 배경을 같이 하고 있지만 작품 내 공간을 조선에서 아시아 지중해라는 영역으로 확장하고 있다. 『심청』에 관한 기존의 연구들은 이러한 공간 영역 확장의 의미를 읽어내지 못하였다. 이 연구는 미시사의 관점에서 심청이 만들어내는 인적 이동의 기능적 의미를 규명하고 전통서사가 이러한 변화에 따라 어떤 방식으로 재창조되고 있는지를 밝히고 있다. 이 시기 아시아 지중해는 조공무역에서 조약무역으로 이동하는 거대한 변화의 흐름에 직면해 있었으며, 동인도회사를 중심으로 역사적 격변을 만나는 난징, 싱가포르와 일본의 제국주의 침탈에 맞서는 지룽, 류큐, 조선으로 나눌 수 있다. 새로운 시대로 들어가는 대응력에 따라 각 지역이 맞아야 하는 미래도 달라질 수밖에 없었고, 그러한 새로운 시대가 제시하는 패러다임은 고전 <심청전>의 ‘효’의 이데올로기를 개인적 구원의 서사에서 미래를 향한 구원의 약속으로 변화시키고 있다. 『심청』은 심청 개인의 구원의 이야기이면서 열다섯에 떠나 70년 만에 다시 돌아온 ‘효’의 공간, 조선에 대한 구원의 서사가 된다.

저항의 담론과 <오적(五賊)>

이태숙 한국어문학회 2005 語文學 Vol.0 No.88

The attempt that determines the meaning of ‘resistance’ in the space of discourse don't use the text of literature as an implement in analyzing of society. The literary sociology in 80's is the method of analyze that emphasize an angle of the reflection theory in literary production. But the analysis of discourse in a literary text is a work of defining the sociality of language. Faucault gave his attentions to a distinctive feature of a literature that refined and excluded a special text as a literature or non-literature. He focused that system and structure in literary production. He thought the function of literature was a self-technique. In his point of view, the practical feature of literature that ignore a social standard and violate a social convention is the important factor that define a phase of an author. The attempt that analyze the literature of ‘Kim Ji-ha’ in the point of ‘resistance’ searches a special feature of ‘resistance’. That attempt searches the relationship between Power and literature.The discourse of modernization and ideology is a representation in the literature in 70's and the way of existence in the literature of ‘Kim Ji-ha’. His theory of popular literature presented a direction of popular literature in 80's. But that presentation preserved a concept of people that based on reality in 70's. not a concept of people in the development of Marxist history. His literature deposits on a past and his ‘resistance’ cover the future with present. In that way, his literature explains the existence of literature. In the space of discourse, analyzing his phase of literature is very useful. Because it can overcome the breaking theory of connections in 80's and explains his literature in a absolute paradigm.

김유정 소설의 근대성과 여성의 신체

이태숙 한국여성문학학회 2017 여성문학연구 Vol.42 No.-

Modernity in the Korean modern history of literature started from modernity of identity. To overcome the modernity of ‘transplant literature,’ the immanent development theory requires a methodological transition. From that viewpoint, accessing a new perspective of Gim Yu-jeong, who is classified as a modernist in relation to Guinhoe, will demonstrate the possibility of a variety of interpretations. The modern body of Foucault is a useful method that can explain modernity, because it is made by a political regulation in discipline and control. '들병이', who is a wife of a peasant farmer, is driven into prostitution. She is a characteristic element in Gim Yu-jeong’s novel, and her existence shows the situation of the farmers. They were kicked out of the country and forced into the city under the colonial economic policy during the Japanese colonial period. The body of ‘들병이’ is not everyone’s possession, but under everyone’s ownership; this shows the process of forming a quasi-subject. Her identity is different from that of the waitress in the cafe or traditional gisaeng; her character and power are regulated and formed at networking. This is similar to the boundary body of Agamben. The body of ‘들병이’ is regulated by politics, that is, it is connected to bio-power. Out of power, she is materialized, and then she can live as a ‘pure form.’ Her location makes meaning, and this allows her existence to manifest and expend modernity. 한국근대문학사에서 근대성은 동일성의 근대성으로 시작되었다. ‘이식문학’으로서의 근대성을 극복하고자 하는 내재적 발전론이 받아들여지기 위해서는 근대성을 차이를 통해서 고찰하는 방법론적 전환이 필요하다. 이러한 관점에서 구인회와 관련하여 모더니즘 작가로 분류되어 왔던 김유정 소설에 대한 새로운 시각에서의 접근은 그의 문학을 다양한 관점에서 해석할 수 있는 가능성을 보여줄 수 있을 것이다. 푸코의 근대적 신체는 그것이 규율과 통제라는 정치적 규정성을 통해 만들어진다는 점에서 근대성을 설명할 수 있는 가장 유용한 방법이다. 유랑농민의 아내로서 성매매에 내몰렸던 ‘들병이’는 김유정 소설의 가장 특징적인 요소이다. ‘들병이’는 일제강점기 식민지 경제정책의 왜곡과정에서 농촌에서 내몰리고 도시로 들어올 수 없었던 농민들의 상황을 보여주는 존재이다. 누구의 소유도 아니면서 모두의 소유이기도 한 유랑농민의 아내로서 들병이의 신체는 푸코의 유사-주체가 형성되는 과정을 보여준다. 카페의 여급이나 기생과 달리 신체를 통한 권력의 형성이 망 속에서 규정된다는 점에서 아감벤의 경계적 신체로서의 성격도 보인다. 정치적으로 규정된 신체라는 의미에서 들병이의 신체는 생명권력과 연결되고, 권력으로부터 벗어나 사물화 된다. 이렇게 하나의 ‘순수 형태’로 삶을 영위하게 되는 들병이는 그의 위상이 가지는 의미 때문에 근대성이 발현하고 확장되는 존재가 된다.

고백체 문학과 여성주체-김명순을 중심으로

이태숙 우리말글학회 2002 우리말 글 Vol.26 No.-

보수주의 사상가 에드먼드 버크의 명예혁명 해석

이태숙 경희사학회 2006 경희사학 Vol.24 No.-

저항의 담론과 <오적<(五賊)>

이태숙 한국현대문학회 2004 한국현대문학회 학술발표회자료집 Vol.- No.-