온라인 대화 교육 연구 -중학생의 온라인 대화 양상에 대한 자기 분석 자료를 중심으로-

이지선 ( Lee Jeesun ),김윤정 ( Kim Yunejung ) 한국언어문화학회(구 한양어문학회) 2019 한국언어문화 Vol.0 No.70

이 연구는 중학생들이 스스로의 온라인 소통 양상을 메타적으로 분석한 자료를 바탕으로 온라인 대화 교육 내용을 제안한 연구이다. 이에 중학교 3학년 147명의 카카오톡에서의 대화 경험에 대한 자기 분석 자료를 수집하였다. 분석 결과 학습자들은 카카오톡을 주로 친구와의 소통을 매개하는 기능을 한다고 인식하였으며, 이모티콘이 소통에 주로 활용되는 기호라고 응답하였다. 또한 친소 관계에 대한 고려가 담화 관습을 형성하는 데 큰 영향을 미치는 것으로 나타났다. 이를 바탕으로 본고는 다음과 같은 교육 내용을 제안하였다. 첫째, 온라인 대화는 카카오톡과 같은 특정 플랫폼을 매개로 하므로 기술이 대화의 형식과 관습에 큰 영향을 미친다. 따라서 온라인 대화 장르에 대한 교육은 의사소통 교육과 플랫폼 등 미디어의 특성에 대한 교육이 통합적으로 구성될 필요가 있다. 둘째, 친소 관계 등은 대화상황에서 담화 관습을 형성하는 데 영향을 미친다. 따라서 학습자들이 스스로의 대화 양상을 살펴 담화 관습을 확인하며, 담화 관습에 영향을 미치는 주요 변인을 메타적으로 인식하고, 이를 바탕으로 스스로의 대화 양상을 성찰하는 성찰 중심의 교육 내용을 구성하는 것이 필요하다. 셋째, 온라인을 통해 일어나는 부정적인 소통 경험을 교육의 장면으로 적극적으로 들여와서, 소통 경험의 원인과 양상을 실제적으로 분석하여 교육 내용을 구성할 필요가 있다. The purpose of this study is to clarify the discourse customs in online conversation of middle school students and to form contents of online conversation education from the viewpoint of speech education based on them. In the meantime, the content of conversation education has been composed mainly of offline conversation situation. In this study, we used the actual conversation custom of online conversation through KakaoTalk to improve the actuality of the contents of education. The analyzed data is meta - dialogue analysis data that analyzed first - grade students’ self - talk customs based on the data of the mind map composed of key word KakaoTalk and their relationship. Through the mind map, I looked at the awareness of the platform called KakaoTalk. Meta-Dialogue data were collected by suggesting semi-structured questionnaire so that students could reflect on their own discourse custom by referring to impression management theory, and analyzed the relationship of apes according to social infiltration theory. Based on these data, we analyzed the conversation customs formed in KakaoTalk by comparing them with existing dialogue education contents, and constructed education contents based on this analysis.

실시간 디지털 프로젝션 무용작품의 표현특성 연구 - 「바디 네비게이션 Body Navigation」(2008)을 중심으로 -

이지선 ( Jeesun Lee ) 한국무용예술학회 2013 무용예술학연구 Vol.45 No.6

This study aims to discuss synesthetic characteristics shown in works utilizing projection technology among digital media technologies from the perspective of media aesthetics. While assuming that dance movements in traditional aesthetics have been construed and depreciated on the basis of phantasmal and unreasonable standards from the ocularcentrism, the researcher attempted to discuss that the mediation of digital media technology enabled the extension of sensuous characteristics and the re-interpretation of valuation of dance. For this, the study analyzed 「Body navigation」 (2008) of the Danish Recoil-performance group which has been actively utilized digital promotion technology. In the work, a choreographer mediates using the digital the movements of a dancer through interfaces such as ‘Isadora’ and ‘Processing’ computer programs, infrared CCTV camera, infrared flood light, high efficiency video projector, digital image grabber, and white stage which replaces a screen.The movements of a dancer are captured in a digital camera and are projected to a space of a screen on the stage in real-time, and the dancer begins to explore a simulacre space as mixed reality in which existential and phantasmal senses coexist by dancing in a real physical space and also in a virtual space which is created as a result value of his/her movements. Digital mediation forms revealed in 「Body navigation」unearth a synesthetic attribute involving metakinesis which is a motor sensation of dance which is based on vision by visualizing quality such as an effort or a shape of movements. Given the fact that the aesthetic sense of digital mediated art which is discussed in media aesthetics is haptic, which means to be palpable with eyes, the digital mediation of dance illustrates that the synesthetic attribute of dance movements match the sense of media art and that the kinetic characteristics of dance becomes the data source of the primary digital art in the digital media era.

신체적 사고: 윌리엄 포사이드의 안무 오브제 개념에 관한 고찰

이지선 ( Lee Jeesun ) 한국무용예술학회 2016 무용예술학연구 Vol.62 No.5

The purpose of this study is to analyze a meaning of William Forsythe’s concept of choreographic object. Through this concept, Forsythe suggests a new meaning of choreography as a translation of ideas. The three of Forsythe’s works, White Bouncy Castle(1997), You Made Me a Monster(2005), and Doing and Undergoing(2016) are exemplified to navigate his ideas such as that dance is a model of physical thinking and dancing or moving can allow a new perception to the world.

전통 색채 감성이 문화가치 인식에 미치는 영향

이지선(Lee, JeeSun),이윤진(Lee, YounJin) 한국색채학회 2021 한국색채학회 논문집 Vol.35 No.3

This study attempted to present a new perspective on traditional color sensibility by grasping the effect of monochromatic sensibility and cultural product color sensibility on value perception. To this end, a questionnaire consisting of 13 emotional vocabulary items based on color sensibility and 37 items of traditional culture value recognition was analyzed by a statistical method, and the results were as follows. First, the higher the color sensibility of cultural products, the higher the perception of aesthetic value, and this tendency was more pronounced when the profession was not in art. Second, the higher the color sensibility of Dancheong and cultural products, the higher the mental value perception, and this tendency was higher for women and for non-artistic professions. Third, the higher the color sensibility of Dancheong, the higher the social value perception, and the higher the age, the greater this tendency. Fourth, the higher the color sensibility of cultural products, the higher the perception of historical value, and this tendency was more pronounced for women. Fifth, the higher the color sensibility of Dancheong and cultural products, the higher the perception of cultural content value, and this tendency was found to be greater with women and older ages. Sixth, the higher the color sensibility of Dancheong and cultural products, the higher the symbolic and well-being/Lohas value perception, and this tendency was more pronounced for women. The analysis results of this study are differentiated from previous studies in that the relationship between the color sensibility and value perception of cultural products and the monochromatic color that connects the tradition of tradition was specifically grasped for each type of value perception and considered individual level will be.

백스테이지 뮤지컬에 나타난 영화매체적 무용 표현 특성 - 버스비 버클리(Busby Berkeley)와 프레드 아스테어(Fred Astire)를 중심으로 -

이지선 ( Jeesun Lee ) 한국무용예술학회 2014 무용예술학연구 Vol.46 No.1

In the early 20C, Busby Burkeley and Fred Astaire newly introduced backstage musical. This study aims not only comparing two musicals to show how backstage musical have been studied and developed, and also to research what the early history of dance film is. For the study, it reviewed the books which explain the character of popular entertainment and film at the time when backstage musical initiated. To analyse the specific expression of dance, I choose three scene of works, Gold Diggers(1933), Footlight Parade(1933), Dames(1934), Flying Down to Rio(1933), Swing Time(1936) and Royal Wedding(1951). The analysis is focused on style of dance, how the dancer involved, and techniques of camera. At result, Burkeley’s style is spectacle. He separate spectacle from narrative using a dancer as a tool of visual composition. On the contrary, Astaire’s style is narrative. He interweave narrative with spectacle using a dance as a part of the narrative structure in the film.

베트남 한자성어의 형태 의미적 특징 연구 -중국 성어와 비교하여-

이지선 ( Jeesun Lee ) 경남대학교 인문과학연구소 2015 人文論叢 Vol.38 No.-

베트남은 중국과 국경을 접하는 지리적 근접성으로 인하여 수천 년 동안 중국 문화의 영향을 받았다. 중국 문화 중 베트남에 유입된 대표적인 문화는 바로 한자와 한자어, 그리고 한자를 매개로 하여 유입된 유교였다. 기원전 111년부터 베트남은 중국의 직접 통치를 받게 되는데, 특히 당시 문자가 없었던 베트남이 중국 한자를 베트남 문자로 사용하게 되면서 한자는 베트남 문화의 저변에 자리 잡게 되었다. 그리고 베트남 봉건왕조들이 베트남인들을 대상으로 한자 교육과 유학 교육을 장려하면서 베트남에서 한자와 한자어는 더욱 폭넓게 전파되었다. 그 때문에 현대 베트남어 어휘 중에 중국 한자에서 유래하여 베트남어화 된 한자어가 약 70% 이상을 차지하고 있다. 이들 베트남 한자어 중 중국 성어에서 기원한 베트남 한자성어가 차지하는 비율도 낮지 않다. 간결한 형식이지만 의미를 전달함에 있어서는 일반 어휘에 비해 보다 효과적인 성어의 특징 때문일 것이다. 본 연구는 현대 베트남 한자성어를 연구 대상으로 하여 중국 성어와의 동형동의형, 이형동의형, 동형이의형을 비교 분석하여 현대 베트남 한자성어의 형태 의미적 특징을 고찰하는데 연구의 목적이 있다. 연구 목적을 수행하기 위하여 우선, 베트남 한자성어의 유래에 대해살펴보고, 베트남 성어에 대한 베트남 언어학자들의 견해를 종합하여 베트남 한자성어의 개념을 규정한 후, 중국 성어와의 비교를 통한 베트남 한자성어의 형태 의미적 특징을 분석할 것이다. Vietnam has been influenced by the Chinese culture for thousands of years due to the geographical proximity to the Chinese border. The most representative Chinese culture that came into Vietnam is the Chinese language and Chinese characters. Confucianism was introduced along with the Chinese characters. Vietnam had been controlled by China since 111 BC. Since then, the Chinese characters have been introduced and selected as the official characters in Vietnam. Even after its independence from China, the feudal dynasties of Vietnam encouraged Vietnamese people to learn Chinese characters and confucianism. This has made the Chinese characters widespread across the country. As a result, about 70% of the Vietnamese lexicons in the modern Vietnamese language have stemmed from the Chinese language. Particularly, the Chinese character idioms in modern Vietnamese have accounted for a large percentage of the Vietnamese words. It may be due to features of idioms for delivering means more effectively than the general vocabulary while having a simple form. The purpose of this paper is to analyze the morphology and semantics of the Chinese- character idioms in Vietnamese through the study on idioms with the same shapes and meanings, idioms with different shapes and the same meanings and idioms with identical shapes and different meanings in Vietnamese and Chinese. In order to conduct the research, firstly, this study examines the origins of the Chinese-character idioms in Vietnamese, synthesize the opinions of Vietnamese linguists on the Vietnamese idioms, and defines the Chinese character idioms in Vietnamese. In comparison with the Chinese idioms, finally, this study analyzes the morphology and semantics of the Chinese character idioms in Vietnamese.

제주용암해수로 숙성된 병풀 추출물의 항염 및 보습 효과

이지선 ( Jeesun Lee ),명철환 ( Cheol Hwan Myung ),이지은 ( Ji Eun Lee ),조미래 ( Mi-rae Jo ),김홍석 ( Hong-suk Kim ),이나영 ( Na-young Lee ),우희동 ( Heedong Woo ),유재은 ( Jaeeun You ),조해 ( Hae Jo ),황재성 ( Jae Sung Hwang ) 대한화장품학회 2019 대한화장품학회지 Vol.45 No.4

병풀의 잎과 줄기는 오랜 기간 궤양, 건선과 같은 피부질환 치료를 위한 약재로 사용되어왔으며, 병풀의 유효성분인 asiaticoside, madecasosside, asiatic acid, madecassic acid와 같은 triterpenoids는 피부 항염 및 피부 광 노화 개선 등의 효능이 밝혀져 있다. 본 연구의 목적은 인체에 유익한 미네랄을 많이 함유하고 있는 제주용암해수로 병풀을 숙성한 뒤 추출하여 피부 항염 및 보습 효능을 확인하는 것이다. 제주용암해수로 병풀을 숙성한 뒤 추출물을 HPLC에 분석하였을 때 triterpenoids의 농도가 더 증가하는 것을 관찰하였다. 숙성한 병풀 추출물의 항염증 효능을 확인하기 위해 LPS로 활성화된 RAW 264.7 세포에서 NO의 생성과 PM10 혹은 UV에 의해 유도된 HaCaT 세포에서 염증성 사이토카인들의 발현을 확인하였다. 실험 결과, 숙성한 병풀 추출물이 NO와 IL-6, IL-8, TNF-a의 발현을 저해하였고 숙성하지 않은 군에 비해 숙성한 군에서 억제 효능이 더 높은 것을 확인하였다. 또한, 피부 보습 효능을 확인하기 위해 HaCaT 세포에서 HA의 합성을 확인한 결과 숙성하지 않은 군에서는 효능이 없는 것에 반해 숙성한 군에서 농도 의존적으로 HA 생성이 증가하는 것을 확인하였다. 따라서 본 연구 결과를 바탕으로 제주용암해수로 숙성한 병풀 추출물은 항염과 보습에 유효한 소재임을 확인하였고 숙성하지 않은 병풀 추출물보다 효능이 우수할 것으로 판단된다. The leaves and stems of Centella asiatica have a long history of their usage as a medicine for the treatment of skin diseases such as ulcers and psoriasis, especially in Asia. Triterpenoids, the active components of Centella asiatica including asiaticoside, madecasosside, asiatic acid and madecassic acid, have shown to inhibit skin inflammation as well as improve skin photoaging. The main objective of this study is to investigate whether the Centella asiatica ripened with lava seawater which is rich in minerals known to be beneficial to human body can provide anti-inflammatory and moisturizing effects to skin. HPLC analysis showed that the concentration of triterpenoids increased further after ripening Centella asiatica with lava seawater. In order to confirm the inflammatory efficacy of the extract of the extract of the ripened Centella asiatica, the production of NO in LPS-activated RAW 264.7 cells and the expression of inflammatory cytokines in PM10 or UVB-induced HaCaT cells were observed. We found that the extract of the ripened Centella asiatica inhibited the expression of NO, IL-6, IL-8, and TNF-a and had higher inhibitory effect compared to the extract of the non-ripened Centella asiatica. In order to confirm the skin moisturizing effect, we investigated the synthesis of HA in HaCaT cells. The result showed HA production was enhanced in a concentration-dependent manner from the ripened group, while there was no efficacy from the non-ripened group. Taken together, it is concluded that the extract of the Centella asiatica ripened with lava seawater was effective in anti-inflammation and moisturization.

신입생 기초 학업 능력 교육을 위한 교양 글쓰기 교육과정 연구

이지선(Jeesun Lee) 숙명여자대학교 글로벌거버넌스연구소 2023 대학 연구 Vol.2 No.2

영화관 대안 콘텐츠로서의 무용

이지선 ( Lee Jeesun ),이지원 ( Lee Ji-won ) 한국무용예술학회 2014 무용예술학연구 Vol.51 No.6

Recently, a variety of live contents, raging from the performances of operas, plays, dances, and pop songs to sport games have been screened in theaters. The new concept of “alternative content”, “event cinema” or “ODS(other digital stuff)” has come to the fore. These contents integrate live and the recorded contents through a filmic language and 3D technology. Alternative content provides differentiated experience to audience by maximizing the sense of realism by using the upgraded 3D technology. In addition, it explores its possibilities as a new content by presenting them as new profit model to theater owner. This study aims to discuss the aesthetic changes or prospects and the trends of producing the art of dance as alternative content in the new film market.

포스트모던 댄스에 나타난 비표현(anti-expression)에 관한 논의 -이본느 레이너의 「트리오 A」(1966)를 중심으로

이지선 ( Jeesun Lee ),김말복 ( Malborg Kim ) 대한무용학회 2015 대한무용학회논문집 Vol.73 No.5

This study begins with an idea on postmodern dance which differs from modern dance as a counter concept is a binary opposition in the American political, aesthetical and dance historical point of view. I analyze the Sally Banes’ definition of post-modern dance which brought a general understating of it and widen it by applying the Hal Foster’s. In order that, I assort and reconsider the mainstream of dance expressionism as follows. One is an expression of modernist presented by M. Graham and M. Cunningham, the other is an anti-expression of postmodernist presented by Y. Rainer.