士禍期 관료문인의 形象과 漢詩史的 의미

이재숙(Lee, Jae-sook) 동양한문학회(구 부산한문학회) 2009 동양한문학연구 Vol.29 No.-

본 논문은 연산·중종 연간 士禍와 政爭이 지속되었던 정치적 격동기를 살다간 관료문인의 현실 인식과 문학적 배경을 살피는 것을 목적으로 작성되었다. 이 시기는 士禍라는 정치적 굴곡을 거치면서 문인들이 각기 다양한 현실대응 자세를 보였다. 기존의 연구들은 대체로 훈구와 사림이라는 이분법적 구도로 진행되어 왔기 때문에 보편적인 관료문인들에 대한 충분한 구명이 이루어지지 못한 면이 있다. 혹은, 성종조 신진사류의 명맥을 이은 道學派 시인들의 범주 안에서 연구가 진행되어 왔다. 본고는 시각을 약간 달리하여 士禍라는 특수한 문학 배경을 통해 당시 관료문인들의 갈등과 고뇌, 현실에 대한 인식이 詩文에 어떠한 양상으로 표출되었는지 살핀 것이다. 士禍期 시인들은 성종조 신진사류의 문인들에 의해 많은 영향을 받았음은 물론이거니와, 成宗朝 다양한 문집의 편찬으로 인해 詩作의 경향이 매우 다양화되면서 특히 杜甫를 學詩의 전범으로 삼았다. 따라서 사화기 관료문인들에게서 杜甫의 영향과 수용을 살펴보는 일은 漢詩史의 흐름에 있어서 매우 의미 있는 일이다. 士禍期 시인들에게 있어서 유배와 죽음 등, 불가항력적인 정치적 좌절과 고통들은 오히려 적극적인 문학제재가 되었다. 사화기 시인들은 불합리한 현실을 강렬하고 예리하게 시로 형상화하고 있으며, 특히 두보의 憂國忠節과 不遇를 自己化하여 정신을 수용하고 있다. 시의 표현면에서도 사화기 시인들은 다양성을 구현하고 있다. 經國濟世가 이루어지지 않는 불합리한 현실을 개탄하고 처절한 고통들을 유학의 범주 안에서 莊子的 思考에 의지해 극복하는 긍정적 자세를 보여주고 있다. 이러한 문학 배경에서 성취된 작품들은 자연스러운 정감의 토로와 함께 長篇의 古詩를 대거 생산해 내는 바탕이 되었다. 현실의 울결함에서 오는 자신의 심경을 보다 효과적으로 발휘하기에 용이한 장편 고시를 의도적으로 택한 것이라고 하겠다. This research is aimed at looking into the consciousness of reality and literary background of a bureaucratic man of letters who went through the period of a political turbulence in which the purge of literati and a political strife lasted during the reign of Yeonsan and King Jungjeong. This period witnessed the men of letters showing a variety of postures to cope with realities individually while undergoing political ups and downs of a massacre of literati. There remain some parts of the existing research works that failed to sufficiently inquire into popular bureaucratic men of letters because they generally did research in a dichotomous frame of Hoongu and Salim. In some cases, the existing research works have put their focus in the category of poets belonging to Confucian moralist school who retained the life of the rising scholars during the period of King Jungjong. This research, from a little different angle, intended to take a look at in what aspect the conflicts, agonies, and the consciousness of reality which the bureaucratic men of letters had at that time were exhibited in their poetry and prose through the special literary background of a massacre of literati. It is needless to say that the poets in the period of the purge of literati were much influenced by the men of letters belonging to the rising sorts of scholars, and with the diversification of the trend of poetry-writing due to the compilation of diverse collections of literary works during the period of King Seongjong, they had Dubo, more than anyone else, as their standard of poetry-learning. Accordingly, taking a look at the influence and acceptance of Dubo through the works of bureaucratic men of letters during the purge of scholars is really significant in the stream of the history of Chinese poetry. To the poets during the period of the purge of scholars, irresistible political frustration and affliction, such as exiles and death, became a rather aggressive literary subject themes. The poets during the purge of scholars are found to configurate irrational reality in an intense and pungent form of poetry; particularly, they accepted the spirit of Dubo by identifying themselves with his intense patriotism and misfortune. Even in the expressions in their poems, the poets during the purge of scholars are found to embody a diversity. They are showing a positive attitude of tiding over their gruesome afflictions by relying on Zhungz's ideology in the category of Confucianism while deploring irrational reality of non-fulfillment of the right administration and peaceful ruling. The works achieved in such a literary background, together with their outpouring of natural sentiment, became the basis of creating long pieces of ancient poems (free verses) in great numbers. It can be concluded that they seemed to select long pieces of free verses intentionally that made it easier for them to more effectively display their own state of mind arising from being feeling unbearably heavy with reality.

In vitro 웰니스 화합물 (Ochnaflavone)에 의한 암세포 성장 저해

이재숙,최화정,김명주,박장순,Lee, Jae-Sook,Choi, Hwa-Jung,Kim, Myung-Ju,Park, Jang-Soon The Society of Digital Policy and Management 2015 디지털융복합연구 Vol.13 No.5

많은 식물들은 부작용이 적고, 가격이 저렴하며, 다양한 웰니스 융복합 화합물들을 함유하고 있기 때문에 다양한 제재에 이용되고 있다. 이 연구에서 뉴질랜드 식물인 Quintinia acutifolia (Q. acutifolia)로부터 쥐 백혈병 세포(P388 murine lymphocytic leukemia cells)의 성장을 저해하는 활성을 MTT [3-(4,5-dimethylthiazol-2-yl)- 2,5-diphenyl-tetrazolium bromide] assay에 의해 평가하였다. P388 murine lymphocytic leukemia 세포의 성장을 저해하는 2,3,2'',3''-tetrahydroochanaflavone (1)과 2'',3''-dihydroochana-flavone (3)을 1D/2D-NMR와 다른 분광학적 분석법에 의해 분리하였고, 구조를 규명하였다. 이 두 화합물은 두 개의 플라보노이드 기본구조를 갖는 바이플라보노이드 (biflavonoid)로써 2,3,2'',3''-Tetrahydroochnaflavone (1)과 2'',3''-dihydroochana-flavone (3) 화합물은 P388 murine lymphocytic leukemia세포에 대해 50%의 성장저해를 나타내는 농도가 각각 $8.2{\mu}g/mL$와 $3.1{\mu}g/mL$로 나타났다. 특히 2'',3''-dihydroochana-flavone (3) 화합물은 2,3,2'',3''-tetrahydroochanaflavone (1)의 B 링(ring)에 쌍으로 결합되지 않은 플라본 구조 (unconjugated flavonone system)를 갖는 것으로 나타났다. 그럼으로 두 화합물은 향후 항암 치료제 개발에 이용될 수 있으며, 더 많은 연구가 요구된다. Medicinal plants containing wellness-fusion-complex compound are increasingly being pursued as suitable alternative sources of various biological properties. In this study, inhibitory effect of Quintinia acutifolia, which is a New Zealand plant, on P388 murine lymphocytic leukemia cells using MTT [3-(4,5-dimethylthiazol-2-yl)- 2,5-diphenyl-tetrazolium bromide] assay. Based on $^1H-NMR$, $^{13}C-NMR$ spectral data and other spectral analysis, 2,3,2'',3''-tetrahydroochanaflavone (1) and 2'',3''-dihydroochana-flavone (3) inhibited the leukemia cells were purified from the plants. 2,3,2'',3''-tetrahydroochanaflavone (1) and 2'',3''-dihydroochana-flavone (3) are biflavonoids possessing two basic flavonoids and actively inhibited growth of P388 murine lymphocytic leukemia cells with a 50% inhibitory concentration ($IC_{50}$) of $8.2{\mu}g/mL$ and $3.1{\mu}g/mL$, respectively. Specially, 2'',3''-dihydroochana-flavone (3) possessed unconjugated flavonone system, which isn't consist of a pair with B ring of 2,3,2'',3''-tetrahydroochanaflavone (1). Therefore, the two compounds could be considered as a candidate for development of anticancer drugs and need to much studies in the future.

급성 호흡기 감염증 소아에서 Human metapneumovirus 감염의 임상 양상

이재숙,서현주,우정주,장성희,이진아,송미옥,박화영,안영민,Lee, Jae Sook,Seo, Hyun Joo,Woo, Jeong Ju,Jang, Sung Hee,Lee, Jin A,Song, Mi Ok,Park, Hwa Young,Ahn, Young Min 대한소아감염학회 2007 Pediatric Infection and Vaccine Vol.14 No.1

목 적 : hMPV는 paramyxovirus에 속하는 RNA 바이러스로 2001년 van den Hoogen 등에 의해 처음으로 보고되었으며 늦은 겨울이나 이른 봄에 영아와 노인에서 호흡기 감염을 일으키는 바이러스로 알려져 있으나 아직 우리나라에서의 보고는 많지 않다. 최근 호흡기 증상을 보이는 환아들에서 hMPV를 확인한 바 있어 이에 보고하는 바이다. 방 법 : 2004년 10월부터 2005년 5월까지 을지병원, 서울의료원, 보라매병원 소아과에 호흡기 증상을 주소로 방문한 443명의 비인두 흡인물에서 hMPV RT-PCR을 시행하였고, 양성인 15명의 임상 양상과 검사 소견을 의무기록을 통해 후향적으로 조사하였다. 결 과 : 443명 중 15명에서 hMPV PCR 양성을 보여 양성율은 3.4%이었다. 남아가 7명, 여아가 8명이었고 연령은 1개월에서 62개월(정중값 31.5개월)이었다. 이중 24개월 미만의 환아가 53.3%(8/15)이었다. 진단명은 폐렴 9명, 모세기관지염 3명, 상기도염 2명, 후두염 1명이었다. 그 중 1명에서 천식이 있었고 나머지 환아에서는 기왕력이 없었다. 임상 증상으로는 기침이 15명(100%)으로 가장 많았고 그 외 열감 12명(80%), 콧물 10명(67%), 구토 4명(27%), 호흡 곤란 4명(27%), 설사 3명(20%), 발진 1명(7%)이 있었다. 신체 검진 상 인두 발적이 가장 흔하게 보이는 소견이었으며 나음 6례, 흉부 함몰 4례, 빈호흡 2례, 천명 2례, 천음 1례가 관찰되었다. 말초 혈액 검사만으로 hMPV 감염을 시사하는 특징적인 소견은 없었다. 15명 중 2명에서 아데노바이러스와 중복감염이 있었다. 평균 발열 기간은 $4.9{\pm}2.8$일이었으며 입원 치료를 하였던 13명의 평균 재원 기간은 $5.6{\pm}0.9$일이었고 모두 대증적 치료 후 합병증 없이 증상 호전을 보여 퇴원하였다. 결 론 : hMPV는 상기도 및 하기도 호흡기 감염의 중요 원인 바이러스 중 하나로 생각되며 우리나라에서의 임상적, 역학적 특징을 규명하기 위해서는 향후 더 많은 환자를 대상으로 한 연구가 필요할 것으로 사료된다. Purpose : Human metapneumovirus (hMPV) is a newly identified paramyxovirus that causes a variety of clinical syndromes in children, including upper and lower respiratory tract illnesses. hMPV is considered an ubiquitous virus causing respiratory tract diseases among children especially during late winter and spring seasons. We report clinical features of human metapneumovirus infection in Korean children. Methods : hMPV infection was diagnosed by reverse transcriptase-polymerase chain reaction (RT-PCR) in respiratory specimens obtained from patients with acute respiratory tract infections from October, 2004 to May, 2005. Medical records of all hMPV-positive patients were reviewed, retrospectively. Results : A total of 15 hMPV were identified from 443 nasopharyngeal aspirations by RT-PCR (3.4%). The range of age of the patients with hMPV infection was from 1 month to 62 months (median age, 31.5 months), with similar numbers of females (8/15) and males (7/15). Among hMPV-positive children, 53.3% (8/15) were aged less than 24 months. Fever, cough, rhinorrhea, vomiting, diarrhea, tachypnea, and chest wall retractions were common findings. Most common clinical diagnosis was pneumonia (60%). Two of the 15 hMPV-positive patients were also positive for adenovirus. Fever persisted from 0 to 10 days (mean 4.9 days). The duration of hospitalization ranged from 4 to 7 days (mean 5.6 days). Conclusion : hMPV accounted for a small but significant proportion of respiratory tract infection in infants and children. Future development and application of diagnostic tools will determine the burden of disease caused by this newly discovered pathogen.

東岳 李安訥의 哀悼詩 硏究

이재숙(Lee, Jae-sook) 동양한문학회(구 부산한문학회) 2012 동양한문학연구 Vol.34 No.-

본고는 석주의 죽음을 소재로 한 동악 이안눌의 哀悼詩를 중심으로 고찰하였다. 어렸을 때부터 석주와 절친한 벗이었던 동악은 석주의 죽음과 관련하여 많은 시를 남겼는데, 조선 후기 필기류 인신돈복의 ≪左溪浮談≫ 중에 별도로 “哀權韠詩”라는 항목으로 따로 회자되기도 하였다. 동악은 석주가 잡혀가 국문을 당한 소식을 접하고 석주의 부음(訃音)을 듣기까지의 과정을 서사적 기록을 통해 탄식하며 시로 형상화하였고, 석주가 세상을 떠난 후에도 오랜 동안 벗에 대한 잔상과 그리움을 토로하였다. 석주의 죽음은 동악에게 오랫동안 영향을 끼치면서 동악 시세계 국면에 일정한 殘像을 남겼다. 궁극적으로 詩作에 대한 그의 의식세계에 변화를 가져오게 된 점, 詩語의 배치와 일상의 감정의 분출, 돌출되거나 자유로운 형식의 시 창작 등을 주목해볼 수 있다. 동악의 석주 애도시에는 詩會를 열고 동지적 결속을 다졌던 과거에 대한 회고가 강하게 표출되었다. 동시에 당대 정치적 굴곡을 겪으며 죽음을 당한 동료들에 대한 비탄이 함축되어 있다. 한편, 두보를 추숭한 용재 이행의 시풍을 닮으려 한 동악 이안눌은 애도시 창작에 있어서도 증조의 것을 많은 부분 본받으려 한 것을 알 수 있다. 자신과 석주를 용재 이행-읍취헌 박은, 중국의 두보-이백에 관계에 비유하였다. 석주의 죽음과 관련한 동악의 애도시에는 喪失感에서 오는 삶의 허망함과 좌절, 凋落의 意象들이 표출되었다. 그러나 경물을 통해 여과시켜 죽음을 통해 다시 상생하는 이치를 찾는 달관된 경지를 찾아보기 어렵다. 오히려 당대의 정치적 상황과 행태에 대해 역설적으로 풍자하는 “굴복하거나 체념하지 않으려는 의식”이 엿보인다. This writing considered Dongak Lee, Ahn-nul's monody about the death of Seokju, Kwon, Pil. Dongak, who had been a great friend with Seokju from childhood, left a lot of poems in relation with the death of Seokju, and his poems were once on everyone's lips separately as the heading of “Aejeonpilsi” out of the contents included in ≪Juahgyebudam≫―a kind of writings in the latter period of the Joseon Dynasty. Through the epic narrative recording of the process ranging from the time when Dongak heard of the news that Seokju was taken to the national interrogation of a suspect under torture to the time of hearing of Seokju's death, Dongak embodied Seokju's misfortune in a poem sighing for a grief, and gave vent to his feelings about afterimage and yearning for his bosom buddy for a long time. Since then, Seokju's death left a certain afterimage to Dongak's world of poetry while impacting on Dongak for a long period of time. Ultimately, it's worthwhile to take note of bringing changes to his world of consciousness of writing poetry; the arrangement of poetic words and a gush of emotion in everyday life, and unexpected or freewheeling form of creative poetry, etc. Dongak's monody for Seokju strongly expressed his recollection of the by-gone days when he held a poetic meeting and firmed up a comradely solidarity with its members. In addition, the monody implied his grief over his colleagues who lost their lives while going through political ups and downs of the day. And this research result shows that Dongak, Lee, Ahn-nul, who tried to take a leaf out of the poetic style of Yongje, Lee, Haeng with great admiration for the poet Dubo, tried to follow his great grandfather's poetic style in many portions even in writing a monody. Dongak compared the poetic relationship between himself and Seokju to the relationship between Yongjae Lee, Haeng and Eupchiheon Park, Eun, and the relationship between Dubo and Lee, Baek in China. In the monodies by Dongak, Dongak expressed the vanity and frustration of life arising from the sense of loss, and image of downfall in relation to the death of Seokju. However, it's hard to find the philosophical state in pursuit of the reason of win-win by filtering the life and death through the scenery of the season. Rather, there is a suggestion of “the consciousness of trying not to yield or resign to reality” paradoxically lampooning the political situation and behavior of the day.

논문 : 삼괴당 신종호(三魁堂 申從濩)의 생애 및 교유

이재숙 ( Jae Sook Lee ) 율곡학회 2005 율곡학연구 Vol.11 No.-

프랙털 기하학을 활용한 헤어 디자인 교육 연구

이재숙(Jae-Sook Lee),김복환(Bok-Hwan Kim) 한국인체미용예술학회 2015 한국인체미용예술학회지 Vol.16 No.4

In modern society, the development of fractal geometry has played a critical role in creating a beautiful, convenient, and abundant human life by having a significant effect on many design fields. In fact, it is a genre of practical arts, which has a significant effect on the development of civilization. Influenced by modernism, hairstyling now seeks a new paradigm, seeing its limitations. In foreign countries, there have been educational guidance plans on the creation of new hairstyles using fractal geometrical patterns, in which art and science are combined. In fact, various fractal geometrical designs have been created using computer technology. Even though fractal geometry is essential to stay competitive in a new globalized cosmetology market,there have been few studies on fractal geometry-based hairstyles in South Korea. Therefore, this study attempted to propose an educational guidance plan to create hairstyles that can satisfy diverse consumer needs and demands in the new hairstyling market by guiding education on potential and applicability in fractal geometry-based creative hairstyling. Considering that it is urgent for cosmetology-related departments in college to cover formative education on hairstyling, therefore, this study aims to give students an opportunity to develop their potential and become a competent hairstylist in the world with fractal geometry-based formative educational courses.

기획논문: 문학의 통속화, 통속의 문학화 : 삼괴당신종호한시(三魁堂申從濩漢詩)의 풍류적(風流的)면모 -염정시(艶情詩)를 중심으로-

이재숙 ( Jae Sook Lee ) 근역한문학회 2014 한문학논집(漢文學論集) Vol.39 No.-

본고는 15세기 관료문인인 삼괴당 신종호의 염정시를 대상으로 작품 창작 동기를 살펴보고 관능적 여성의 형상화에 나타나는 통속성과 문예미를 고찰하였다. 이를 통해 정통 한시에서 빗겨있거나 가치 폄하된 통속적 염정시의 미적 특질과 한계성을 정리해보고자 하였다. 신종호의 염정시는 15세기 관료문인의 자유분방하고 탄력적인, 또 雅俗의 경계를 넘나드는 다양성이 주목된다. 사대부들에게 있어 사랑의 감정과 여성 육체에 대한 탐닉, 性의 표현은 일반적으로 자유롭지 못했으나, 신종호의 문집에는 다수의 애정시가남아있다. 첫째, 신종호의 염정시는 함께 격의 없이 지냈던 벗들과 일탈적 유흥을 배경으로 장난기 가득한 戱作的경향이 두드러진다. 이에 연정의 풍류를 즐기며 아름다움을 찾는 면면의 애착이 염정시 창작으로 이어지고, 관인으로서의 형식적인 문학 활동과 구별되는 문예미를 추구한 흔적이 엿보인다. 둘째, 신종호의 염정시는 관능적 여성의 아름다움을 머리 모양과 머리 장식을 통해 섬세한 문예미를 함축하고 있다. 이들은 여성의 정조와 관련해 중요한 상징적 의미를 지니는데, 이를 바라보는 남성 시인의 시선은 본능적 욕망과 함께 은유적으로 표현된다. 또한 사랑의 공간과 침실에 배치된 다양한 여성들의 소품을 섬세하게 묘사함으로써 관능적 여성의 俗趣를 함축적으로 전달한다. 염정시를 통해 표현된 화려하고 고운 것들에 대한 섬세한 문예미는 그와 반대되는 작자의 심경을 역설적으로 돌이 켜보게 한다. 일반적으로 염정시는 시어의 운용과 선택에 있어 규방의 소품과 여성의 장신구 등이 빈번하게 등장하는 전형적인 양상을 보인다. 이러한 소재들은 기본적으로 남성이여성에 대한 속물적 연정과 탐닉의 俗性을 내포하고 있다. 염정시에 사용된 시어와故事는 정통 한시의 다양한 양상과 표현기법에 비해 상투적인 언어와 기법을 주축으로 한다. 그럼에도 불구하고 유희성과 해학성에 의해 일상의 긴장과 엄정성에서 벗어나 자유로운 인간의 감정을 허심탄회하게 펼쳐 풍부한 美感을 함축하고 있다. 또 사대부로서 사랑의 감정과 여성에 대한 표현은 주로 ‘꽃’을 매개로 이중적 함의를 갖고 있다. 이러한 유희성과 이중적 함의가 가져다주는 모호성은 속물적 남성의 염정을 문학적으로, 심미적 시세계로 한 단계 끌어올리는 중요한 부분이라고 할 수 있다. This piece of writing looked into the motive of creative writing targeting Yeomjungsi (Love Poem) by Samgoedang Shin, Jong-ho who was an official-literary person in the 15th century, considered the popular nature and beauty of literary art that are exposed in the embodiment of a voluptuous woman. Through this, this writing is intending to organize aesthetic characteristics and limitations of a popular love poem which was deviant from a legitimate Chinese poem or whose value was denigrated. It has been brought to this author’s attention that the love poem written by Shin, Jong-ho represents the 15th century official-literary writers’ carefree, flexible traits and diversity which crossed the borderline between something lofty and something vulgar. To the Literati Society, a feeling of love, indulgence in a woman’s body and sex expression weren’t free in general, but there still remain a large number of love poems in Shin, Jong-ho’s collection of literary works. First, Shin, Jong-ho’s love poems stand out as writing-for-amusement-based tendency full of mischief against a backdrop of deviant amusement with his friends, to whom Shin, Jong-ho was free and open. Hereupon, every single aspect of attachment of seeking beauty while enjoying the taste for burning love was linked to creative work of love poems, and seen are the vestiges of pursuing the beauty of literary art distinct from formal literary activities as an official. Second, Shin, Jong-ho’s love poems connotes delicate beauty of literary art by describing a sensual woman’s beauty through hairstyle and tire. They have an important symbolic meaning in relation to a woman’s chastity, and a male poet’s eyes are expressed metaphorically together with his instinctual drive. In addition, Shin, Jong-ho renders a voluptuous woman’s vulgar taste connotatively by describing a women’s various small articles placed in the love space and bedroom. The subtle beauty of literary art of gorgeous and lovely things expressed through love poems makes us paradoxically look back on the writer’s feelings which are opposite to it. Generally, a love poem shows a typical aspect where small articles in women’s quarters and a woman’s accessories frequently appear in the application and choice of poetic words. Basically, such materials connote a man’s snobbish affection and attribute of indulgence for a woman. The poetic words and ancient events used in love poems are formed around stereotyped languages and techniques in comparison with diverse aspects and expression techniques of orthodox Chinese poems. Nevertheless, they connote a rich aesthetic feeling by spreading out a free human’s feelings open-mindedly away from tension and exactness of a daily routine by virtue of pleasure and a vein of humor. In addition, the expression of romance and a woman as the gentry(Sadaebu) has the dual implication This piece of writing looked into the motive of creative writing targeting Yeomjungsi (Love Poem) by Samgoedang Shin, Jong-ho who was an official-literary person in the 15th century, considered the popular nature and beauty of literary art that are exposed in the embodiment of a voluptuous woman. Through this, this writing is intending to organize aesthetic characteristics and limitations of a popular love poem which was deviant from a legitimate Chinese poem or whose value was denigrated. It has been brought to this author’s attention that the love poem written by Shin, Jong-ho represents the 15th century official-literary writers’ carefree, flexible traits and diversity which crossed the borderline between something lofty and something vulgar. To the Literati Society, a feeling of love, indulgence in a woman’s body and sex expression weren’t free in general, but there still remain a large number of love poems in Shin, Jong-ho’s collection of literary works. First, Shin, Jong-ho’s love poems stand out as writing-for-amusement-based tendency full of mischief against a backdrop of deviant amusement with his friends, to whom Shin, Jong-ho was free and open. Hereupon, every single aspect of attachment of seeking beauty while enjoying the taste for burning love was linked to creative work of love poems, and seen are the vestiges of pursuing the beauty of literary art distinct from formal literary activities as an official. Second, Shin, Jong-ho’s love poems connotes delicate beauty of literary art by describing a sensual woman’s beauty through hairstyle and tire. They have an important symbolic meaning in relation to a woman’s chastity, and a male poet’s eyes are expressed metaphorically together with his instinctual drive. In addition, Shin, Jong-ho renders a voluptuous woman’s vulgar taste connotatively by describing a women’s various small articles placed in the love space and bedroom. The subtle beauty of literary art of gorgeous and lovely things expressed through love poems makes us paradoxically look back on the writer’s feelings which are opposite to it. Generally, a love poem shows a typical aspect where small articles in women’s quarters and a woman’s accessories frequently appear in the application and choice of poetic words. Basically, such materials connote a man’s snobbish affection and attribute of indulgence for a woman. The poetic words and ancient events used in love poems are formed around stereotyped languages and techniques in comparison with diverse aspects and expression techniques of orthodox Chinese poems. Nevertheless, they connote a rich aesthetic feeling by spreading out a free human’s feelings open-mindedly away from tension and exactness of a daily routine by virtue of pleasure and a vein of humor. In addition, the expression of romance and a woman as the gentry(Sadaebu) has the dual implication mostly by a medium of ‘flower.’ Ambiguity brought by such pleasure and dual implication could be judged as an important part that takes a snobbish man’s love to one step higher level of the aesthetic poetic world in a literary sense.

靈川子 申潛의 삶과 詩世界 - 幽人의 삶과 意識 變化 樣相을 중심으로

이재숙(Lee Jae Sook) 동양한문학회(구 부산한문학회) 2006 동양한문학연구 Vol.23 No.-

  본고는 靈川子 申潛(1491~1554)의 삶과 시세계를 새 자료 『高靈世稿』續編을 통해 살펴보았다. 靈川子는 조선 중기의 詩書畵 三絶로서 자는 元亮, 호는 靈川子 또는 峨嵯山人으로 叔舟의 증손자이며 從濩의 아들이다. 1519년 중종 14년에 조광조가 실시한 현량과에 급제하였으나 己卯士禍로 인해 파방되었고 그 후 辛巳誣獄으로 전라도 장흥에 유배된 후 17년간 귀양살이를 하고 나서 서울 아차산에 은거하였다. 거의 평생을 벼슬 없이 지내다가 53세에 泰仁縣監ㆍ杆城縣 牧使ㆍ尙州牧使 등 초라한 벼슬을 지냈으며, 申澍ㆍ申從濩ㆍ申沆 등 고령신씨 삼대의 문집 『高靈世稿』을 편찬하였다. 그는 高靈申家 문벌의 자제였으나, 16세기 혼란한 정치 상황 중에 기묘사화와 신사무옥으로 인해 50평생을 궁벽한 곳의 축객으로 지내는 울울하고 쓸쓸한 삶을 살았다.<BR>  유배지에서 대부분 지어진 그의 시세계의 주제양상은 주로 ① 쓸쓸한 유배생활에서 느끼는 悲感과 혈육에 대한 간절한 그리움을 읊은시, ② 山中의 일상사를 읊으며 감회를 서술한 시, ③ 零落하는 노년기에 인생 回顧와 은거의 뜻을 표현한 것으로 정리할 수 있다.   This article is the review of the life of Youngcheonja Shin Jam and his poetic world that has been made through the new material of “The Successive Collection of Goryeongsego.” As one of the three most prominent persons of poem writing painting in the mid Joseon Dynasty, his ‘Ja’(a scholar’s nickname) is Wolliang while his ‘Ho’(another type of scholar’s nickname) is Youngcheonja or Acha mountain man and he is one of the great grandsons of Shin Sookjoo and a son of Shin­Jongho. (Note: Shin is their family name.)<BR>  In 1519, the 14th year of Joongjong (the King), he passed the examination of Hyeoliang­Class that was administered by Jo Gwangjo, but it was cancelled as a result of the Kimyo Year Massacre of Scholars. After that, due to the Sinsa Year False Imprisonment, he was exiled to Jangheung of Jeolla Province, where he had been living in exile for 17 years, and later he lived in hermitage in Acha­Mountain in Seoul.<BR>  For almost all his life, he was living without taking any government positions, however, later from his age of 53, he took such poor positions of government as Taein­Hyeungam, Ganseonghyeun Moksa, and Sangjoo Moksa and during this period, he could compile the Goryeongsego, which is the collection of works of the three generations of the Goryeong Shin’s families, namely, Shin Joo, Shin Jongho, and Shin Hang. Although he was one of the Goryeong Shin’s scholarly families, he lived a melancholy and lonely life of over 50 years as an abandoned guest at a remote place due to the Kimyo Year Massacre of Scholars and the Sinsa Year False Imprisonment in the midst of the confused political situation of the 16th century.<BR>  The aspects of his poems which had been created while he was living in exile may be summarized, mainly, to be ① poems describing the grief of the exiled life and the yearning for families, ② poems describing the emotion while reciting the day by day matters in the mountain, and ③ expressions of the meaning of retrospect and retirement of life at a down falling old age.

한문학(漢文學)에 투영된 홍주(洪州)의 문화적 위상 고찰

이재숙 ( Jae Sook Lee ) 근역한문학회 2013 한문학논집(漢文學論集) Vol.36 No.-

This study has carried out research on the Sino-Korean classics and Sino-Korean poetry of traditional intellectuals centering around Hongju, one of four moks, or counties, in Chungcheong-do. First, with a focus on men of letters who served as heads of Hongju-mok, I investigated Sino-Korean poems that recited feelings of gladness on being appointed as head of Hongju-mok. Hongju has local characteristics that are rich enough to attract civil officials as it has plenty of local produce, manners, and customs, along with beautiful scenery in proximity to islands and the sea. Second, I looked into poetic works related to General Choi Young and ``Songs of Peaceful Hongju`` to find out about manners, customs, and relics of Hongju. Through this investigation, I was able to take a glance at the contemporary cultural aspects of Hongju as it was a big mok, rich in local produce with a wealth of fish and salt, being encircled by mountains and close to the sea, from ancient times. Third, I examined nujeong-si (``pavilion poems``) related to scenic spots of Hongju, with a focus on Sadal-jung and Yeongbo-jung where ancient poets produced the most works. The research has found that Hongju was a post that men of letters preferred because of geographical characteristics and cultural environment though it was an external post (i.e., a provincial post), and that men of letters, particularly drawn to mountains and streams, and seasonal scenery, left many poetic works. It is necessary to accumulate more data and perform further research into the culture, history, geography, etc of naepo (``coastal area``) in Hongju-mok that has not been covered in this study.

앵포르멜 회화의 조형적 특성을 모티브로한 헤어아트분석

이재숙(Jae-Sook Lee),이정례(Jung-Rye Lee) 한국인체미용예술학회 2020 한국인체미용예술학회지 Vol.21 No.3

In modern capitalism, logical and rational thinking and philosophical thought are emphasized. Therefore, modern people ask for an ordered system under strict rules and regulations. Since World War II, European abstract expressionism, ‘art informel’, developed in search of a worldly and fundamental meaning against the inhumane aspects brought about by a geometric world, which emphasized strict and balanced order through reason and rationality. The formative characteristics and colors of such art informel painting patterns can be the origin of new ideations in hair art. Therefore, this study attempted to escape from the traditional order of hair art using formative characteristics after the analysis of art informel artists’ works and liberate human emotions by altering situations. To this end, this study analyzed the formative characteristics of art informel paintings and created formative hair artworks using them as a motive. It is anticipated that there would be further studies on art informel and creative hairstyles through broad and in-depth analysis.