텔레비전을 이용한 영어교육

이완기 한국교육개발원 1985 한국교육 Vol.12 No.2

초등영어 담당교사의 양성 및 임용 체제의 기본 방향

이완기 한국초등영어교육학회 1996 초등영어교육 Vol.2 No.-

제7차 교육과정 초등학교 영어 교육 목표와 내용 구성의 개선 방향

이완기 한국초등영어교육학회 2004 초등영어교육 Vol.10 No.1

This paper is an attempt to suggest some constructive guidelines on revising the 7th national curriculum of primary English. For this, a reflection on primary ELT in Korea was made by 278 primary school teachers across Korea who have been involved in teaching primary English. On the basis of the primary teachers' reflections on the eight years' implementation of primary ELT, some points that need redressing in the current primary ELT are discussed, and accordingly some suggestions or recommendations for the future direction of the primary ELT in Korea are made. It is suggested that 1) the objectives be more specifically targeted, giving more emphasis on language achievement for years 5 & 6, and 2) the contents be reorganized by making the year 3 course a readiness program consisting mainly of basic English words and some key prefabricated expressions, and by giving more emphasis on written English in years 5 & 6.

영어교육의 현안과 경정 방향

이완기 한국초등영어교육학회 2016 KAPEE International Conference Vol.2016 No.-

위성DMB의 지상파TV 재전송의 문제점과 매체정책

이완기 한국방송학회 2004 한국방송학회 학술대회 논문집 Vol.- No.-

한국초등영어교육학회 회원님 여러분께

이완기 한국초등영어교육학회 2008 한국초등영어교육학회회보 Vol.- No.23

초등영어 문화교육의 내용과 지도방법 연구

이완기,차경환 한국영어교육학회 1999 ENGLISH TEACHING(영어교육) Vol.54 No.1

The Formation of the Economic Value and Subsumption Mechanism under Financial Capitalism: On the Cultural Problem of Distance in the Making of the Economic Subject

이완기 한국사회역사학회 2012 담론 201 Vol.15 No.1

Analyzing the aspects of cultural practice of financial capitalism from the perspective of reconfiguration of temporality and representation of information, I already underscored that contemporary financial capitalism is an apparatus of cultural operations beyond economic mechanism insinuating and thus internalizing the necessities of cognitive and behavioral transformations of the actor for furtherance of dominant economic value. In this paper, in critical extension of the theoretical concerns, I particularly adduce the notion of ‘distance,’ originally proposed by Simmel, to delve into the process of formation of subjectivity and objectivity in contemporary financial arrangements,reinterpreting the notion as the cultural device of representation and definition of the economic value in which the distance between the subjective value and the objective value is critically informed and suggested to overcome for identification with the main value. Marx’s inquiry of value forms, which are relative and equivalent form, along with Lenin’s consideration of finance capital is revisited to illuminate the relationship between the production of the subjective value and the subsumption mechanism. In this regard, financial crises are investigated as the critical point of framing for a new objectifying field with the new modalities as the refined methods of imperial drives through which the subsumption of the object is ceaselessly re‐described to exist in the making of the new subjectivity. The Korean financial crisis and the Brady Plan are specifically exemplified as the financial strategy of containment to subsume the local object allowing the subject effect with restrictedness in transformation of the object as the bearer of the new economic value. A local financial crisis in the contemporary financial system is a critical point to establish financial imperialism, even redefining the condition of the object with the radical distancing and its overcoming game plan for the politics of inclusion by depolitisizing the object.

Value, Performance and Narrative: Cultural Politics of Narrative as the Meta Frame of Value Transference in Financial Capitalism

이완기 영미문학연구회 2008 영미문학연구 Vol.15 No.-

Value is the crucial locus where politics, economy and culture converge. Exploring possibilities of cultural theory of value, this article focuses upon the question of value and actual process of value formation related, in particular, to operativity and performativity of narrative as the cognitive operation constitutive of financial narrative politics for value transference in the discourse of financial crisis. It revisits value theory of Simmel and Marx to articulate economic theory of value into cultural politics of narrative, following Ricoeur, as a mechanism of value transference which is correlated with the financial doctrine of entanglement and contagion. Through narrative where utterances and statements perform as collective operativity of information, a value is constructed and transferred to inform and motivate actors. Narrative structure is thus a meta frame of cultural valorization of the economic value. At the stage of financial capital a systematic interpretation over a specific instance takes a form of narrative through which actors resort to perform, constructing the notion of the sensible in value realization. It is a crucial aspect of cultural production under financial capitalism, valorizing the uncertainty of financial flows by producing signifying chain of value through narrative process. Therefore to answer the "onto-phenomenological question" of value, the value production in economic sphere should be necessarily articulated into "an adequate analogy to the psychoanalytic narrative" that explains how economic value can acquire meanings beyond economy in individual mind as well as in social relation. As "the question of value necessarily receives a textualized answer," as Spivak penetrates, it is narrative as the subsumption mechanism through which a notion or consciousness of value is accompanied in the construction of value as Simmel and Ricoeur emphasize on how a value can be represented in sequence or narrative process. It is cultural studies' share to analyze the dominant value politics conveyed in the textuality of everyday narrative. By dissecting its operativity and performativity the dominant value politics operates as an effective activation of real subsumption, cultural theory, in an effort to conceptualize another possibility of value transference, can demystify and thus can disrupt the chain of cultural valorization of the economic value under financial regime.

Culture and Finance - Cultural Logic of Financialization and the Performativity of Financial Crisis in Korea

이완기 한국사회역사학회 2011 담론 201 Vol.14 No.2

This paper, in an attempt to approach finance from a cultural perspective,investigates the cultural logic of financialization in terms of (re)configuration of temporality and (re)presentation of information, both of which are, as it upholds, critically undertaken and maintained by the operativity of investment banking which functions, following Bourdieu, as “the sign of wealth” in our times. It is time for cultural theorists and practitioners to revisit finance as the set of epistemic culture that modulates epistemological and ontological contexts affecting the actors’ cognition and behaviors in value production and realization. Financialization here, is suggested as a disinformation campaign through which cognitive dissonance of financial mania is effectively contained, concealing its damaging effects and thus valorizing the inherent bubble mechanism as the legitimate way of value production and circulation. Sustaining and amplifying transactional orientation of investment banking among the actors in the financial markets, the financial system seams the cognitive dissonance through its operativity of information for the construction of financial reality stimulating beliefs and guiding action without which financial integrity, credit relations, and transactional orientation cannot be sustained. To reveal the actual aspects of cognitive dissonance and its overcoming operation by the cultural performativity of the financial economic, this article first proposes that from the perspective of general economy, financialization, which is critically motivated and generated through the engine of the investment banking model and technique, is detrimental to the growth of the nation’s economy. Here, from the perspective of cultural performativity, the transactional orientation of investment banking is analyzed as the system of temporal articulation of human relationships in which a series of transient combinations of human resources, experience, knowledge, and information is encoded and implemented for a transaction, which thus incorporates other forms of value production into its rhythm. Demonstrating the process of widespread establishment of investment banking in commercial banking, non‐financial corporations, and individual actors through major financial shake‐ups after the Korean financial crisis, this article shows how the code of investment banking becomes the symbolic as well as the material code functioning as the sign of authority and communication in motivating the process of financialization. In the accentuation of financialization, as the process accompanying the bubble mechanism with its transactional orientation as the legitimate process in realization of dominant value, this paper finally suggests that financial capitalism as the set of epistemic operation that overcomes the cognitive dissonance with its operativity of information. The collective information produced by financial narrators transcoding the dissonance into the consonance grounds the field of cognitive operation as the cultural logic of financialization beyond the economic diagnosis and thus functions as the source of cognition and action for actors.