http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
국내 아웃도어 브랜드 등산복 재킷의 기능별 디자인 특성
이영화(Young Wha Lee),서문정(Moon Jung Seo),서인경(In Kyung Seo),김영인(Young In Kim) 한국복식학회 2013 服飾 Vol.63 No.7
The objective of this study is to analyze the characteristic of a functional design for a commercial outdoor brand jacket based on 3 types of functions : windproof, waterproof, and cold proof. To analyze the design and fabric characteristics of outdoor jackets by function, 903 men`s and women`s outdoor jacket images were selected from the catalogues during S/S 2009 - F/W 2011 of the 6 brands: The North Face, Columbia Sports Wear, Kolon Sports, K2, Arcteryx and Mont-Bell. These brands were selected based on their high market share and brand awareness of the outdoor brands in Korea. In this study, design elements analysis was conducted as following 8 elements: hood/collar height/central front flap/waistline/pocket location/ventilation for the body part/sleeve patterns/cuff for the sleeve part. Fabrics were analyzed by the frequency of fabric types used in the 3 jacket types. According to the result derived from the analysis of the six brands of outdoor wear jacket design trends by year, detachable hood and a co-use of velcro and elastic bands have been mainly designed for all of windproof, waterproof, and cold proof jacket to all in order to respond quickly to changes in the external environment. For reinforced storage function on trekking, the number of pockets has been gradually growing, and a function was being developed to connect an electronic device to a pocket. The method, result, and collateral observations relevant to each of these phases are described. Outdoor jacket design characteristics were investigated for outdoor brands, which can provide data to suggest more accurate functional design, and satisfy functional design needs. In this regard, this research was significant in the sense that it suggested preliminary data to reconsider competitiveness of the brand products.
유기적 디자인 ( Orgenlc Design ) 의 맥락에 관한 분석 연구 양식 (樣式) 외적 (外的) 맥락을 중심으로
이영화(Young Wha Lee) 한국기초조형학회 2001 기초조형학연구 Vol.2 No.1
This study is an analysis of the contexts of Organic Design or Biomorphism, which was prevalent in all design fields in the United States in the post-war period. Although the historical context of the design language itself of Organic Design, curvilinearity, has been already discovered by historians, the author of this paper found this context too weak to explain the prevalency of Organic Design in those days and specifically in that country, the United States. Thus, the author focused on the extra-design contexts including sociological, economic and psychological background. The argument is that American tradition of commercialism and consumerism was the diachronic context of Organic Design: this tradition made American designers relinquish European Modernist language, which were introduced by avant-garde designers, and adopt the concept of styling in order to increase sales. Synchronic context of Organic Design is affluence of post-war period through, for example, multi-national corporations. Abstract Expressionism, specifically post-war period American, also contributed to the boom of Organic Design in terms of its evocation of emotion in arts.
허자그와 데 머론 건축에 나타난 미니멀리즘의 특징 연구 - 파사드를 중심으로 -
이영화(Young Wha Lee) 한국기초조형학회 2002 기초조형학연구 Vol.3 No.1
This study is an analysis on Minimalistic features that appear in Herzog & de Meuron`s works, focusing on the facade design. To pursue this study, preliminary studies on Minimalism both in Art and in Architecture were conducted in order to obtain general characteristics of Minimalism. Based on the knowledge obtained from the preliminary studies, analysis on Herzog & de Meuron`s works were conducted. Twelve works were selected for the analysis. The criteria for the selection were realization of the project and the size: in order to get a close look at the facade detail the project had to be materialized and small enough. The first step of this study was to examine the architects` backgrounds including their native country, philosophical background, and etc. The second step was to conduct analysis on the facade design and, in several cases, construction detail of the twelve selected works. The conclusion was that Herzog & de Meuron had been inventing and developing their own language inherently architectural and preceded by Structural Rationalism, and this unique language differentiated them from other Minimalism architects. They use common materials, articulate them, and manipulate them in a tectonic way. Consequently, through this materiality, they were found to search for concreteness, not abstractness.