Pyrimidine이 치환된 새로운 Tetrahydrophthalimide 유도체의 합성과 제초활성

이민주,류재욱,정근회,고영관,우재춘,구동완,김태준,최정섭,박채현,김대황 한국농약과학회 2005 한국농약과학회 학술발표대회 논문집 Vol.- No.-

眉巖日記를 통해 본 복식의 유통 양상과 그 특징

이민주 한국역사민속학회 2006 역사민속학 Vol.0 No.23

Diary is a practical characteristic data which is very closely connected with daily life and it is defined as a personal life record experienced everyday. Diary made general rule or structure repeating an ordinary affair. And it is an basic data understanding the changes of life appearing as existence form or behaviour form repeating permenetly by penetrating various social levels. This paper study the written in hand MIAM diary by Yu Hee-Chun recoding the facts between Oct.1st 1567(enthronement year of SUNJO) and May 13th 1577(10th year on the throne of SUNJO). Aslo it is aiming that apprehending an influence which effects human thinking & behaviour as a substancial culture of clothes after analyzing the distribution trend of clothes. In order to reach the goal, I have searched clothes related contents in advance classifying the text as date order then the contents was classified as distribution trends, distribution goods & distribution principal. The distribution trends classified as royal grant, buying & selling, lending, giving & receiving again. Through the process, we knew that preparing clothes and knew the changes of distribution trends according to the periods. Also, based on these data, knowing what is the meaning of clothes at that times and it is an opportunity that apprehending detailed action by a purpose of distribution. Firstly, An official uniform shows various kinds of distribution trends. At early stage the uniform was lend to the official person. Sometimes they buy an uniforms. However in most of cases it was given as presents. Secondly, Pyunbok was mainly prepared by wife or concubine, it was given as present persuant to promotion of MIAM's official position. Thirdly, fabric was a standard of money based on Oseungpo, used in buying expensive materials such as clothes or marten, also given as present in most cases.

‘모던 춘향전’ 계열 ‘춘향전’의 특징과 의미-<방자와 향단이>를 중심으로-

이민주 한국언어문화학회 2020 한국언어문화 Vol.0 No.71

<방자와 향단이>는 이형표가 연출하고 합동영화주식회사에서 제작한 영화로 1972년 3월 25일 아카데미 극장에서 개봉하였다. 이 영화는 ≪춘향전≫의 기본 서사를 따르고 있지만 배경을 1970년대로 바꾸고 있는데, 특히 ‘돈[자본]’과 ‘성(性)’을 통해 당대의 문화 코드를 충실히 재현하고 있다. <방자와 향단이>의 이러한 특징은 김규택의 ≪모던 춘향전≫, 조풍연의 ≪나이론 춘향전≫에서도 확인된다. 이 글은 <방자와 향단이>를 ‘모던 춘향전’ 계열 ‘춘향전’에 추가하고 이 작품을 중심으로 ‘모던 춘향전’ 계열 ‘춘향전’ 작품들의 특징과 의미를 고찰하고자 하였다. ‘모던 춘향전’ 계열 ‘춘향전’ 작품은 당대의 문화적 코드를 작품에 두드러지게 배치하여 ≪춘향전≫을 재창작했다는 점, 문화적 코드가 웃음을 통해 전달되고 있다는 점에서 공통점을 갖는다. 하지만 <방자와 향단이>는 앞선 두 작품과는 달리 독자의 선택을 받지 못한 것으로 생각된다. 이는 1920년대 이후로 고정된 영화 <춘향전>의 시퀀스, ≪춘향전≫의 정전화, TV 보급 등으로 익숙한 형태의 ‘춘향전’이 존재하는 상황이 영향을 준 것으로 판단된다. 1970년대 독자들에게 익숙한 ‘춘향전’에서 벗어나는 형태의 ‘춘향전’은 매력적인 선택지가 되지 못한 것이다. 비슷한 방식으로 재창작되었지만 서로 다른 독자의 반응을 얻고 있다는 점에서 ‘모던 춘향전’ 계열 ‘춘향전’은 ‘춘향전’에 대한 대중의 인식을 확인할 수 있는 작품이라고 판단된다. 동시에 ‘모던 춘향전’ 계열 ‘춘향전’은 ‘춘향전’ 작품군(群)에서 적극적인 개작이 일어난 작품으로 정전화된 ‘춘향전’의 고정된 형태에서 만족하지 못했던 적극적인 독자의 존재를 상정하게 한다. 즉, ‘모던 춘향전’ 계열 ‘춘향전’ 작품들의 작가[감독]는 ≪춘향전≫의 개작자이기 이전에 적극적 독자로서 고정된 ≪춘향전≫을 거부하고 새로움을 추구하려 했던 것이다. “Bang-ja and Hyangdan” was directed by Lee Hyung-pyo. It was released on March 25, 1972, at The Academy Theater, in Seoul. The plot of the piece is like “Chunhyangjeon,” but it has fully utilized the cultural codes of the time, the period at the 1970s. In particular, it faithfully recreates the cultural code of the 1970s through ‘money[capital]’ and ‘sex.’ This feature of “Bang-ja and Hyangdan” is also found in “Modern Chunhyangjeon” written by Kim Gyu-taek and “Nylon Chunhyangjeon” written by Cho Pung-yeon. Therefore, this article added “Bang-ja and Hyangdan” to the ‘Modern Chunhyangjeon’ category. After then based on this work, to examine the characteristics and meanings of the works of the ‘Modern Chunhyangjeon’ category. The ‘Modern Chunhyangjeon’ category uses the contents of “Chunhyangjeon” as a basic, but change its background to reflect faithfully the cultural situation of the day. And then the cultural situation is delivered through the laugh. However “Bang-ja and Hyangdan” is believed to have not been chosen by readers, unlike the previous two works. This is because the sequence of the movie “Chunhyangjeon,” which has been fixed since the 1920s, the canon formation of “Chunhyangjeon,” and the spread of TV are believed to have affected it. In other words, readers seem to have chosen a familiar form of “Chunhyangjeon.” “Bang-ja and Hyangdan” are meaningful in that it can confirm the public's perception of “Chunhyangjeon.” At the same time, considering the situation in which “Chunhyangjeon” was created in a similar form that repeats the basic narrative, the ‘Modern Chunhyangjeon’ category is an active adaptation of “Chunhyangjeon.” This presupposes the existence of active readers who were not satisfied with a canonical form of “Chunhyangjeon.” In short, the author[director] of the ‘Modern Chunhyangjeon’ category rejected “Chunhyangjeon,” which was fixed as an active reader, and sought to pursue novelty.

일제하 조선어 민간신문의 검열에 대한 연구 : 신문검열텍스트를 중심으로

이민주 한국언론학회 2010 한국언론학회 학술대회 발표논문집 Vol.2010 No.10

이등방성 콘크리트 모델을 이용한 폭발하중을 받는 철근콘크리트 슬래브의 비선형 동적해석

이민주,곽효경 한국전산구조공학회 2019 한국전산구조공학회논문집 Vol.32 No.6

본 논문에서는 폭발하중을 받는 철근콘크리트 슬래브의 비선형 해석을 위한 개선된 수치 모델을 제안한다. 제안된 모델은 2축 응력 상태를 반영한 등가 강도에 의해 정의된 응력-변형률 관계를 사용하여 응력 상태를 직접 결정하는 변형률 속도 의존 이등방성 구성 모델을 다룬다. 또한, 균열 발생 후 콘크리트와 철근 사이의 부착 슬립이 점차 확대되어 소성힌지 영역으로 집중된다. 2축 응력 상태에서 콘크리트의 균열 방향은 주응력 방향에 따라 달라지므로 이를 고려한 부착 슬립 모델을 해석에 도입하였다. 해석 모델의 검증을 위해 수치해석과 실험결과의 상관관계 연구(correlation studies)가 수행되었다. 해석 결과는 재료모델의 2축 거동과 부착 슬립의 영향을 고려하는 것이 해석결과의 정확성 향상에 중요함을 보여주며 제안된 해석 모델이 철근콘크리트 슬래브 부재의 폭발해석에 효과적으로 사용될 수 있음을 확인하였다. An improved numerical model for non-linear analysis of reinforced concrete (RC) slabs subjected to blast loading is proposed. This approach considers a strain rate dependent orthotropic constitutive model that directly determines the stress state using the stress-strain relation acquired from the data obtained using the biaxial strength envelope. Moreover, the bond-slip between concrete and reinforcing steel is gradually enlarged after the occurrence of cracks and is concentrated in the plastic hinge region. The bond-slip model is introduced to consider the crack direction of the concrete under a biaxial stress state. Correlation studies between the numerical analysis and the experimental results were performed to evaluate the analytical model. The results show that the proposed model can effectively be used in dynamic analyses of reinforced concrete slab members subjected to explosive loading. Moreover, it was determined that it is important to consider biaxial behavior in the material model and the bond-slip effect.

南江流域 靑銅器時代 磨製石器 硏究

이민주 한국청동기학회 2015 한국청동기학보 Vol.16 No.-

주지하다시피 청동기시대는 신석기시대보다 정형화된 석기인 磨製石器가 성행하였으며, 청동기시 대에서 당시인들의 주요 도구였던 석기에 대한 이해는 필수적이라고 할 수 있다. 그러나 비교적 지역연구가 활발하다고 할 수 있는 남강유역의 청동기시대 연구는 아직까지도 토기 나 특정 유구 중심의 연구가 대부분이고, 그에 비해 석기연구는 미진하다고 볼 수 있다. 그나마 최근 에 나온 남강유역 석기연구는 석기의 개별 기종만을 분석한 연구이기 때문에 남강유역의 전체적인 석 기양상을 알기에는 무리가 있다. 필자는 이에 영남지역의 청동기시대 대표 동일문화지역권이라 할 수 있는 南江流域을 연구대상지 역으로 하여 최근까지 확인된 다수의 자료를 바탕으로 형식 분류가 가능한 대표 마제석기들의 편년과 단계설정을 실시하고, 이를 바탕으로 이 지역 석기문화가 가진 특징과 시간의 흐름에 따른 변천과정 을 파악하고자 하였다. 그 결과, 본고는 기본적으로 기존에 연구가 상당히 진행되어 시간성을 잘 알 수 있고, 공반관계 검 토가 용이한 출토유구인 주거지와 무덤과의 비교 검토 및 각 기종별 마제석기의 공반양상을 통해 남 강유역 청동기시대를 총 5단계로 구분할 수 있었다. 남강유역 석기에서 보이는 특징적인 형식을 기종별로 살펴보자면, 석검은 무덤에서만 출토되는 병 부가 직선형인 ⅡC식, 단부돌출형 석촉 ⅢA5식과 촉신의 형태가 방패형인 ⅢBㄱ식, 한쪽 단부가 부 푼형태의 석도 Ⅳㄷ식 등이 있다. 이러한 형식들은 남강유역의 지표형식으로서 추후 다른 지역과의 상관관계 및 영향력까지도 상정할 수 있을 것이다. 이뿐만 아니라 본고의 석기연구를 통하여 남강유 역이라는 동일문화지역에서 확인되는 諸석기 양상을 살펴보고, 청동기시대의 문화상과 관련된 선행 연구의 공백을 메울 수 있는 주요한 고고학자료로서 가진 의미를 상기할 수 있을 것이라 생각한다. Nam-river basin is located in the southwest Gyeongsangnam-do which has been recognized archaeologist by large-scale excavation through Nam-river Dam project in 1990’s, also where has attracted the notice of the world. It have been a lot of previous studies about archaeological materials of Nam-river basin. Among others, Bronze age achieved considerable research. In order to excavated a lot of relics of Bronze Age, it have served as not only chronological study based on Mumun pottery but also improved polished pottery and extensive studies of settlement on Nam-river, new study to restoration of dwelling site and other various studies have gone through significant growth consistently. Based on the achievements of such researches, we could be confirmed that Nam-river basin had the distinguished and regionalized cultural cluster. In spite of many meaningful attempts, there are focused on certain remains or pottery. While researches of stone tools had been limited. Though, recently studies related to Nam-river basin stone tools are unreasonable for figure out through phase of stone tools due to analyse of each separated item. The stone tools study of Nam-river basin as a cultural cluster, represented the Bronze age, has not been sufficiently made. It is thus necessary to recognize them to be reinforced. This study aims to analyzed cultural features and historical changes by over time; and concentrate on classified polished stone tools of representative; and established stages in chronological order that have been recently excavated and reported. This paper consists of three major parts. In the second chapter, stone daggers, stone arrowheads, stone knives and stone axe as major represented by reviewing prior studies of and the overall research on the status of stone age analysis for the polished stone tools. In the third chapter, it were established stages in chronological order by referred to the overlapping relation in the accompanying relationship, in the stone tools based on the classified type. In the four chapter, the cultural features by period on the basis of the changing aspect by period, analyzed and compared to other regions. As a result, extensive reviews bound to improve Nam-river basin of bronze age by divided into 5 stages. Stone daggers and stone arrows heads getting more and more various and different aspects by relics’s trait. It determine that the tools had been reflected opinion of the people. On the contrary, In EarlyㆍFirst, stone knives and polished stone axe kind of work tools had various types that stone knives had been dropping steadily except for explosively increased triangle stone knife. A certain tool had been stereotyped through designed to maximize efficiency. The need for mass production had increased when expanded the settlement site demanded a standardizing crop tool as social backgrounds. The advent of‘ full equipped stone tools set’ was considered defining point in time to be remarkable progress in Bronze age. It had a important thing to their around lives when they concentrated on the selected efficient model by enable to convenient work than previous tools in the era. According to the progress, it seems to be specialized and standardized many models by purposes in the late Bronze age.

애장왕대 ‘新創佛寺’ 금지령과 그 의미

이민주 영남대학교 민족문화연구소 2020 민족문화논총 Vol.75 No.-

The early 9th century was a period when the late Silla era(下代) had just begun, and it was a time when the whole society was not properly maintained. King Wongseong, who practically reformed the late Silla era (下代), tried to strengthen his kingdom by serving his prince because he was abnormally crowned. However, unlike his willing, Silla society in the late 8th c entury to early 9th c entury was politic ally very c onfused. Apart from the political situation, there was a peculiar phenomenon in Buddhism at this period. Monuments were built to establish temples or memorials of the ancient monarchs around King Wonseong. Before the crowning of King Wonseong, the father and mother of King Wonseong built Mujang Temple(鍪藏寺) and Galhang Temple(葛項寺), and their descendants continued to do Buddhist activities even after they came to the throne. King Ejang, who banned Shinchangbulsa(新創佛寺), also founded Haein Temple in his third year of reign(802). A year earlier, Gyeonghwa(桂花夫人), the mother of King Ejang, also built Amitabha in the Mujang Temple(鍪藏寺) worship her husband. The ancestors of King Wonseong were the forces that were pushed out of the mainstream throughout the middle period of Silla(中代). The middle period of Silla(中代) was a period in which power was secured around the direct descendants of King Muyeol, and the forces that were pushed out of the mainstream were born. Kim Kyungshin(King Wongseong) set up a transitional period for his ascension by placing King Yangsang(King Seondeok), who is close to the royal family at that time, in the confused gap of the King Hyegong. King Seondeok dies without aftermath and defeated Kim Joowon, eventually himself became the king. Therefore, King Wongseong had to present the vision of a new Silla society different from the previous era. It was Buddhism that King Wongseong presented as a vision of a new society. King Wongseong had to claim that the late period of Silla(下代) was different from the middle period of Silla(中代) and in that way, he pursuit the Middle-Ancient period of Silla(中古期). It is a remembranc e phenomenon of Lee Chadon, Ado, Wonhyo and Shinheng. So, the prohibition of Shinchangbulsa(新創佛寺) in the 7th year of King Ejang (806) can also be understood in the same context as the policy of King Wonseong. The time of prohibition of Shinchangbulsa(新創佛寺) and the time when remembrance was made about Lee Chadon(異次頓), Ado(阿道), Wonhyo(元曉) and Shinheng(神行) were same period. In addition, the ban on the usage of luxury goods, along with the prohibition of the Shinchangbulsa(新創佛寺), was intended to control the ec onomic base of the Jingol aristoc rats. This was due to the lac k of justification for the right of kings who had suffered in common with kings of the late period of Silla(下代) including King Wonseong. Because they were all threatened by kingship for different reasons, there were forces that threatened their throne. By regulating them, we can see that the intention was to increase the king's authority by distinguishing the king from the Jingol(眞骨) aristocrats.

『是議全書』에 나타난 조선시대 염색에 관한 연구 - 향일화를 중심으로 -

이민주 한복문화학회 2005 한복문화학회 학술대회 Vol.- No.-

조선시대 방령의 확산과정과 그 의미

이민주,최은수 한복문화학회 2007 韓服文化 Vol.10 No.2

There was confusion has been arisen in the study of Bangryeong(方領) due to the lack of formal term or standard for classification while there has been various types of Bangryeong throughout Joseon period. Thereupon, research material was decided as twenty three relics of Bangryeong together with literature data of Simeui(深衣) and Hakchangeui(鶴衣) as well as pictorial data such as portraits and genre pictures. Bangryeong is defined as a style of right-angled collar with a square neckline for the comfort of the wearer. Subdivision is conducted under existing standard of clothes terms ; Bangryeong-Sangeui(方領上衣), Bagnryeong-Po(方領袍), and Bangryeong-Deograe. Following shows the result of the research on the characteristics and foundation of their diffusion.First, Bangryeong-Sangeui is found from the relics from the late 15th C. to the early 17th C. The robe has sleeves and Seop with a characteristic Hudan style - shorter back length than the front. Second, Bangryeong-Po, worn around the Imjinwaeran period (Japanese invasion of Joseon dynasty (1592-1598)) till the early 18th C., is a long robe with long sleeves, Seop and Mu, and even length front and back. Third, Bangryeong-Deograe has no sleeves, Mu, and Seop. It was worn from the late 16th C till the mid 18th C. Dapho as well as Jeonbok, Banbi, and Baeja come under this category. Bangryeong-Deograe was recognised as a new design and diffused to various types of robes of mostly officials and Confucians throughout Joseon period.

The Practice and Recording of Censorship in Colonial Korea: A Critical Review of the Chosǒn Publication Monthly Police Report

이민주,Keunsik JUNG 성균관대학교 동아시아학술원 2016 Sungkyun Journal of East Asian Studies Vol.16 No.2

Recent studies on media censorship in colonial Korea have converged on the newly discovered Chosǒn Publication Monthly Police Report, published from 1928 to 1938 by the colonial government’s censorship bureau. These new studies do not explicitly problematize the issue of whether the Monthly Report is an accurate and comprehensive record of censorship activity or not. However, the record’s official stature does not necessarily guarantee accurate representation of the actual practice of censorship in that period. We found that the numbers of seized or erased articles recorded in the Monthly Report do not correspond with the numbers of articles actually expunged from newspaper pages. This study begins by problematizing the accuracy and comprehensiveness of the Monthly Report censorship records. In addition, it undertakes a comparative analysis of the Monthly Report and contemporary newspapers, employing both record-centric and page-centric approaches. This research also examines how the presence of censorship traces served as tangible evidence of colonial power. Recent studies on media censorship in colonial Korea have converged on the newly discovered ChosǒnPublication Monthly Police Report, published from 1928 to 1938 by the colonial government’s censorship bureau. These new studies do not explicitly problematize the issue of whether the Monthly Report is an accurate and comprehensive record of censorship activity or not. However, the record’s official stature does not necessarily guarantee accurate representation of the actual practice of censorship in that period. We found that the numbers of seized or erased articles recorded in the Monthly Report do not correspond with the numbers of articles actually expunged from newspaper pages. This study begins by problematizing the accuracy and comprehensiveness of the Monthly Report censorship records. In addition, it undertakes a comparative analysis of the Monthly Report and contemporary newspapers, employing both record-centric and page-centric approaches. This research also examines how the presence of censorship traces served as tangible evidence of colonial power.