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유다건(劉多虔) 한국일본문화학회 2017 日本文化學報 Vol.0 No.74
The study analyzed the works of a TV Comedy Jidaigeki dealing with historical figures. SinKaishaku · Nihonsi is part of a comedy genre, but it does not have a happy ending because it deals with historical figures. It is distinguished from many different types of comedy genres. Also, laughter is created through comical characters in addition to a new etc. For example, there is use of satire, repetition, reversals, gag techniques, Laughter is also created through instruments or makeup. Such laughter always begins with a departure from common sense or conventional values. Accordingly, it can be said that it is a laugh of Jouissance and based on the concept of carnival. The production of history and comedy can be expected to appeal to the public regardless of the existing Jidaigeki, and it can also enhance interest in history among the public. Since the 2000s, both production of TV Jidaigeki and demand have been declining. One way to break down this social atmosphere is to find a way to look at the new genre. In this sense, it is very meaningful to combine comedy with history.
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유다건(劉多虔) 한국일본문화학회 2016 日本文化學報 Vol.0 No.70
Jidaigeki is a genre of film, television, and theatre in Japan. Literally "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Many dramas are also produced every year by a television station. Since 2000, in particular, work made in their narrative structure has changed drastically. TV Jidaigeki one of the biggest changes was the extinction of the hero and fusion of transformation. I analyzed a broadcast TV Jidaigeki aired in the 2000"s by this research and found out the feature of the narrative structure. And a product of a change and a point of a TV Jidaigeki were derived through the above mentioned discussion. NHK Taiga Dramas are making a heroic myth of a stereotype at a boundary of a fiction and nonfiction. And information near authentic history is being sent through historical investigation. When such thing will be compared, TV Jidaigeki breaks from the universal hero creation narrative structure and is making a hero myth become extinct. This is the big outcome the genre as the television Samurai movie accomplished. There is big significance to show relative and fluid historical perspective to a change in the hero myth which became more adherent. Another big change in a television Samurai movie has contact with a historical person and is that not an observation person of history, but the personality in which I participate aggressively is being produced.
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