헤밍웨이의 「사랑의 종말」: 탈식민주의적 관점으로 본 마조리에의 ‘종말’의 의미

심상욱 ( Shim Sangwook ) 대한영어영문학회 2010 영어영문학연구 Vol.36 No.4

This paper is to examine the meaning of Majorie’s end of love in Hemingway’s “The End of Something,” which is a love affair of Nick and Marjorie by the postcolonial view. Carlos Baker said Nick bluntly concludes his serious love affair with her through a previous agreement with his friend Bill. Before the end of the love affair, Nick rows Marjorie past a landscape romantically associated with their love. Then rejecting her gentle and affectionate reminders, he tells her, “It isn’t fun any more.” Yet when she leaves after hearing the end of their love from him, he feels neither joy nor release, only that “everything was gone to hell inside of me.” Consequently, we can understand the Indian in this work is a rise in positional situation than the previous work such as “Indian Camp.” (Jeonju University)

동양이 서양문학에 준 영향 ; " Teddy " : Teddy 의 환생과 포스트모더니티

심상욱(Sang Wook Shim) 韓國世界文學比較學會 1996 世界文學比較硏究 Vol.0 No.-

등방성 운동에너지 탄두의 교전 효과 예비 분석

심상욱(Sang-Wook Shim),홍성민(Seong-Min Hong),서민국(Min-Guk Seo),탁민제(Min-Jea Tahk) 한국항공우주학회 2015 韓國航空宇宙學會誌 Vol.43 No.5

운동에너지 막대 탄두 시스템은 기존 시스템의 장점을 결합한 새로운 형태의 요격탄두 시스템으로서 직격 파괴방식에 비해 표적 유도 정밀도에 대한 의존도가 낮을뿐더러, 고폭파편 탄두 방식보다 더 높은 관통력을 제공해 준다는 장점이 있다. 본 논문에서는 다양한 운동에너지 탄두의 사출 방식 중 등방성운동에너지 탄두의 기폭, 전개모델을 소개하고, TATE 관통방정식을 이용하여 사출된 관통자의 관통 효과를 계산하였다. 또한 교전 성능분석을 위한 방법을 제시하였으며, 다양한 교전 상황에 대한 몬테-칼로 시뮬레이션을 통해 최적의 교전 기하 및 기폭 시점을 도출하였다. Kinetic energy(KE) rod warhead system is a new interceptor which combines advantages of existing ones. This system is less dependant on a precision guidance than direct hit type warhead and gives high penetration rates than blast fragmentation type warhead. In this paper, isotropic KE rod warhead system is introduced with detonation/deployment model. A penetration effects of the deployed rods are calculated using TATE penetration equation. Also, an engagement performance analysis method is suggested. Finally, an optimal detonation time and engagement geometry is derived by Monte-Carlo simulation in various engagement situation using the performance analysis factor.

샐린저의 「테디」: 한 손으로 손뼉치기의 화두 풀이

심상욱 ( Shim Sang Wook ) 대한영어영문학회 2012 영어영문학연구 Vol.38 No.2

Salinger’s “Teddy”(1953) in Nine Stories is the first chance to meet Orientalized persona by a Zen koan, which is “We know the sound of two hands clappings. But what is the sound of one hand clapping?” “Teddy” is composed of a dialogue between the ten-year-old child prodigy Teddy McArdle and a skeptical education professor Bob Nicholson. Though some critics saw the title character of Teddy as an obnoxious, psychotic brat. a astute reader recognized that Salinger was sympathetic to Teddy’s a Vedantic vision of life, and later critics recognized that God-seeker Teddy is the prototype from the re-designed Seymour in the Glass Family Series. Meditation is a direct challenge to our narrow rationalistic habits, and education also should be based on meditation since Zen is an anti-rational Buddhist sect which means meditation. and koan is central to the Zen practice. Accordingly Salinger’s Oriental religious ideas have made him an important figure showing Teddy’s reincarnation in the Oriental religion, (Jeonju University)

「삼일 간의 폭풍」: 마조리에의 닉과 헤어짐의 의미

심상욱 ( Sang Wook Shim ) 한국현대영어영문학회 2011 현대영어영문학 Vol.55 No.3

This paper is to examine the meaning of parting Marjorie from Nick in "The Three-Day Blow". It was a story about separation of Marjorie against Nick, but critics understand it as a story of Nick`s initiation. We can see Marjorie Bump, an Indian girl as Nick`s lover, in the work. and she determined parting from Nick by herself and went to Italy. In the process of all she determined parting from Nick without a talking with him. Here we can know Marjorie`s appearance of transformation differently after the earlier Indian woman in his stories. So we can understand that ``blow`` in "The Three-Day Blow" means an event, a situation, into a particular extreme state like Marjorie`s attitude toward Nick. (Jeonju Univerity)

이상의『김유정』과 서구의 자연주의와의 관계

심상욱(Sang-wook Shim) 한국동서비교문학학회 2014 동서 비교문학저널 Vol.0 No.30

This paper is to examine Yi Sang’s “Kim You Jeong” in terms of Western naturalism, since Yi Sang, as an experimental writer, wrote the graduated album’s memo, ‘exposure’, a theme of naturalism, focused on ‘a discovery rather than an invention’ in 1928. His ‘exposure’, found in Western naturalism, especially American naturalism, is the origin of his works. It is certain that naturalism is a deceptive term, which is not fixed meaning. He wrote the real description using a scientific method which is affinity to science. Western naturalists took a definite concept of man which aimed to express in the writing the scientific thought in literature. Korean scholars in 1930s didn’t drew a sharp line between realism and naturalism like Western scholars, and so, Choi Jai Suh wrote Yi Sang’s works as ‘more deepening and expending than realistic method.’ According to the above, we can say Yi Sang wrote his works with more naturalism than realism.

필립 로스의 『샤일록 작전』: 유대인의 이중적인 의식

심상욱 ( Shim Sang-wook ) 대한영어영문학회 2001 영어영문학연구 Vol.27 No.2

This paper is to examine the double consciousness of Jews in Philip Roth's Operation Shylock (1993). This novel revolves around the ironic use of doubles and postmodernist bluring of the boundaries between fact and fiction, all related from Roth's particular Jewish perspective. He developed his art of impersonation into Operation Shylock's most excessive and audacious form. In Operation Shylock, subtitled with "A Confession", Philip Roth, author, insists that "it is not truth, but fiction." The novel describes an adventure in which Philip Roth, who is the main character of the novel and the same name with author, encounters Philip Roth, an impostor who claims himself as the novelist. The struggle between them, enacted mainly in Jerusalem, involves much verbal argument and soliloquy about the past, present, and future of the Jew, and it is full of controversial. As some critics said fiction is a world made of words, Roth wrote Operation Shylock in this manner with words. From this, we can see that he created the double consciousness of Jews, which is Zionism to build a new country in Jerusalem with the greatest hope for Jews in the past, and the Diaspora to rebuild a country in Europe through the history of Jews on the earth. We can also see he wrote it by using the main character Shylock in The Merchant of Venice written by William Shakespeare as a parody for metafiction, which is fiction itself, that is, fiction with self-consciousness. < Jeonju University >

웰즈(H. G. Wells)와 엘리슨(Ralph Ellison): 『보이지 않는 인간』(The Invisible Man)의 불가시성의 은유

심상욱 ( Sang Wook Shim ) 세계문학비교학회 ( 구 한국세계문학비교학회 ) 2007 世界文學比較硏究 Vol.19 No.-

This paper is to examine the metaphors of invisibility in The Invisible Man. by H. G. Wells and Ralph Ellison. The former, Wells, a British writer, wrote it as a scientific fiction, which described Griffin as an "invisible man" by an experiment to "himself". After he realized he was uncomfortable with it, he was being in process of return to the original; fought with Kemp, his counterpart, and finally died. As a scientific fiction writer he had always thought "the human" in the future world. The later, Ralph Ellison, an African-American, also wrote it as a conforming novel, which pictured a narrator without name and "invisible man" in the White American society. As they described "man" as "invisible" we are involved in a vast counterfeit world. This is not to assert that Ellison`s invisible man is himself counterfeit, but to suggest he undermines whatever he says or does by his insistence on invisibility. In it the protagonist remains faceless, even nameless. Ellison has made us recognize the black in the Age of Conformity, though Karl designates 1950s is the age of counterfeit and invisibility. Consequentially, though each Wells and Ellison wrote The Invisible Man using the same title, we can read them as the former interpreted it negatively while the latter author did it positively.

이상 문학과 신화

심상욱 ( Sang Wook Shim ) 세계문학비교학회 ( 구 한국세계문학비교학회 ) 2007 世界文學比較硏究 Vol.18 No.-

Lee Sang(1910-1937) practiced paintings, novels, poems and essays, when Korea was a colonial country. Especially he participated Guinhoi(Nine Members Circle) discussing literary topics, which introduced to the Western modernism to Korea. As Bulfinch said that mythology is the handmaid of literature, the traditional myths form the backbone of the world literature. Creating his works I think Lee Sang used Sam Jog O(三足烏), a kind of mythic birds as the messenger living in the sun in the Oriental and Korean myth. It is similar to Phoenix in the Western myth, and when the young Phoenix has grown up and gained sufficient strength, it lifts its nest from the tree which is its own cradle and its parent`s sepulchre and deposits it in the temple of the sun. As Joyce` novels are the immediate example of the reinvestment of mythology in modernistic art at the colonial period of Ireland, through Guinhoi in the colonial period of Korea, Lee Sang interested in Joyce`s mythic narrative and in the process of writing he recognized a Korean traditional myth, Sam Jog O, the crow with three legs living in the sun. This myth was disappeared in the colonial period, however, it is refreshing now. At the colonial period Choi Nam-Sun researched the old Korean myth with Northern Asian and he asserted its importance. Like him Lee Sang also probably knew it. Kim Ki Rim, a Korean modernist, called him "Jupiter" of Greek-Roman myth in a poem of reconsidering Lee Sang. Through the above we know that Lee Sang composed his works by bird images in myths.

독서 전략에 대한 비판적 검토와 새로운 전략 제안 : 콘텍스트 개념의 변화에 따른 독서 전략

심상욱 ( Sang Wook Shim ) 한국독서학회 2011 독서연구 Vol.0 No.25