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이부세 마스지(井伏鱒二)론 『깊은 밤과 매화 꽃(夜ふけと梅の花)』의 경위
신현태 중앙대학교 일본연구소 2016 日本 硏究 Vol.0 No.43
I have reviewed the bare face of misfortune of 「I」, a nameless young writer of Tokyo, shown in 『Plum Blossom by Night』 while comparing it to the real life of Ibuse. For him, complex of all the suffering of youth, except romantic feeling, has become the motif of his early works. Afterwards, he recognized that his egoism(obsession), his characteristic demerit, was the main factor causing tragedy and from that recognition, he started to realize the misfortune as an avoidable fact of life and ceased useless emotional exhaustion. That is, the sensual enlightenment letting him recognize all the reality in a positive attitude was naturally occurred from of inner side of him. Since then, the works showing formula that 「I」 am Ibuse" has been almost disappeared. Even though 「I」 showed his presence in the novel, he only faithfully redendered narration but exerted no impact to it; a literary youth in the early days, filled with agony, could not be found anywhere. Ibuse has overcome the tragedy of youth appeared in earlier works and has steadily grown up while making real life of ordinary people main theme of life on the enriched base of painful personal experience.
신현태 중앙대학교 일본연구소 2013 日本 硏究 Vol.0 No.35
We could say that the reason why there are relatively much articles related to 『Sanshiro』 among lots of achievements based upon so-called early trilogy of Natsume Soseki is that the episodes occurred to Sanshiro, a village youth from the time he got on the train does not ends as a mere story of suffering a village youth experienced in big city. It is also because that the events and happenings Sanshiro experienced while facing plunging world were telling the look of Japan as it has been then. It will be the share of readers to choose read this book in which the spirit of Sanshiro grows up, modernity and pre-modernity coexist in the code of lovelornness or read as a course of growing pain. However, if we read again this book focusing on Mineko and Mr. Hirota, two decisive characters to Sanshiro, and assuming that we are not afraid to be cajoled by thoroughgoing strategy of storyteller, we can newly construe this book with the concepts of Sanshiro captivated by himself, Mineko objectificated by Mr. Hirota not Sanshiro and the position of Mr. Hirota critically managed in downright concealment. This is the power of Soseki’s literature and at the same time, the possibility of 『Sanshiro』.