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청정 제주 자연 이미지 효과적 표현 - (주)고내촌 '한라보리 고추장' 베스트패키지디자인어워즈 대상수상
신지영,Sin, Ji-Yeong (사)한국포장협회 2009 包裝界 Vol.190 No.-
한국상품문화디자인학회는 국내 기업의 상품 개발 의욕과 인력을 고취시키겠다는 취지 아래 1995년부터 베스트 패키지디자인어워드를 제정, 브랜드 아이덴티티, 제품 그래픽스, 용기디자인 부문으로 수상자를 선정하고 있다. 지난해 12월 6일 코리아디자인센터에서 열린 2008 베스트패키지디자인어워즈에서는 (주)고내촌의 '한라보리 고추장'이 대상을 차지했다. 이번 패키지디자인을 진행한 (주)오너디자인연구소 신지영 차장에게 제품 패키지 특성에 대한 설명을 들어보았다.
신지영 한국미술사교육학회 2007 美術史學 Vol.21 No.-
This paper examines the Art and Craft movement in its historical and cultural context where the discourse of the Utopia has risen. Despite its maximum visibility in the history of art, the 19th century historical and cultural context of Art and Craft movement is not well known. The Art and Craft movement is generally considered the milestone of the dominant Art History discourse, the modernist formalist art history. Registered in the linear progressive history of the modern, the modernist art history puts emphasis on the achievement of autonomy of the pictorial elements such as colour and forms. The formalist art history is in the same vein as other progressive modern discourses, the modern period in the history of art has shown the development of the independent pictorial language as opposed to the traditional art, which generally concentrated on the subject or message rather than the pictorial harmony. From the perspective of the modern art history, the peculiar style of art and craft works, the linear lines and the bright colors have been considered to be a monumental move toward to the autonomy of modern art. However, when the art and craft movement is relocated in the historical and cultural context of 19th century Britain, the movement has special social and historical meanings which have been excluded from the dominant art history. Far from the mythology of modern art, the Art and Craft movement was an intensively socially conscious art movement rather than exclusively aesthetically oriented. Art and Craft movement has been known for its revival of the medieval mode of art production, the ‘Guild’. This change of mode of production is rooted in the socialist consciousness, sprouting in the age which recognised the negative side of the mass production system. The 19th century discourse of Utopia represented by John Ruskin had been raised in the same vein of social consciousness which eventually lead into the 20th century Marxist revolution. This paper looks at the complicated historical and social context overlooked by the modernist discourse, to give a new mapping of the modern art.
식민지 농민들의 ‘棄民化’와 탄광 소설 - 안회남의 탄광귀향소설 및 우에노 에이신[上野英信]의 「집오리의 노래」(1953)를 중심으로 -
신지영 동아대학교 석당학술원 2015 石堂論叢 Vol.0 No.63
This paper makes a research on the lives of the coal-miners conscripted from the southern part of Korea during the colonial period and ask a question how they fell into a deserted or forsaken status. After the Independence, the miners found their dream to go home shattered up, and they couldn't find any state-nation which they could affiliate to. Thus they had to form heterogeneous communes with poor Japanese in the coal mining regions like so-called Arirang Village, when they were left without any place to go. To show these processes, I treat the short-stories of An Hoe-nam published from September, 1945 to August, 1946 and Songs of Ducklings and Underground Fronts written by Ueno Eisin (March, 1954), all of which deal with conscripted coal miners and their homecomings in the period. The writers described the processes autobiographically in the form of reportage. According to the short stories of An Hoe-nan, the conscripted coal miners in Chikuho coal mines were mainly from the southern part of Korea. Those farmers unfamiliar with coal mining had to meet with embarrassing colonial and imperial educations (Japanization education) and hard working in the labor camps. The unexpected and forced migration of the farmers of the colonial Korea put them into the status of coal laborers and the forsaken people simultaneously. Here and there, the short stories describe the reckless but continuous attempts of flights or abscondences that the ex-farmers and mine-workers made without knowing about the outside world of coal-mines. And the descriptions are consistent with those of the witnesses. The flights were their attempts to escape from the forced hard labor which was leading them toward death and to seek out new forms of lives. The news of the attempted flights awakened the will to live in the minds of the draftees as well. Shortly after the Independence, the miners who had been conscripted but now forsaken could not avoid obstacles and hardships when they tried to go home or to their own country. I deal with the many aspects of the (im)possibilities to return home. In Songs of Ducklings, and Underground Fronts, Ueno Eisin describes the Korean people who had to come back again to the mining regions since they had no money to go home, they were physically handicapped, or some of those who had married Japanese women could not desert their Japanese wives and families. They gathered around the mining regions again and formed new villages. Furthermore, into the villages came the Japanese miners who were dismissed after facing redundancy at the end of the Korean War. So the villages with unemployed, dismissed, laid-off workers were intermingled with ethnically different people and formed themselves into multi-ethnic communes. The frequently attempted flights and the ethnically intermixed communes involve the way in which the Korean farmers became mine laborers and again forsaken people. The failures and rare successes in flights gave rise to disturbances in the labor camp and the multi-enthic villages developed new relationships between Korean and Japanese. The disturbances and relationships were interiorized in the minds of villagers. And, in turn, the failure and frustration of flight/returning-home drove the forsaken to "take flight" or to "escape" or hide into the very heart of the village. Thus we can also find the potentialities for the affects to change the inner communal structures here. 본 논문은 식민지기 조선의 탄광 징용 노동을 통해, ‘식민지의 농민들은 어떻게 (노동자가 되는 동시에) 기민이 되는가’ 라는 질문을 던진다. 그리고 해방 후 귀향의 꿈이 좌절당하고 국민국가에 속할 수 없는 기민이 된 이들이 탄광 주변의 ‘아리랑 고개’에 흘러들어 異族 간의 코뮌을 형성하는 과정을 보여준다. 연구 대상은 식민지기 탄광 징용 및 귀향의 양상을 다룬 안회남의 단편소설(1945년 9월~1946년 8월)과 일본의 영세한 탄광이나 탄광 주변부를 주제로 소설을 쓴 우에노 에이신[上野英信]의 「집오리의 노래[あひるのうた]」(『地下戦線』, 1954.3)이다. 이 두 소설은 식민지 말기~해방직후의 시기를 자전적이고 르포적인 방식으로 그리고 있다. 탄광 강제 노동을 다룬 안회남의 해방직후 단편들의 주인공들은 주로 남쪽 농민들로 갑작스럽게 탄광의 이질적인 노동, 식민지배의 황민화 교육, 강제 수용소 같은 주거환경에 놓여진다. 즉 식민지 조선의 농민들은 이러한 갑작스런 ‘이동’에 의해 노동자가 되고, 그 순간 기민이 된다. 강제 노동의 외부를 상상할 수 없는 상황에서 소설 속에는 끊임없이 ‘도주’의 이야기가 나오고 이는 실제로 탄광 징용 노동을 했던 사람들의 증언들과 일치한다. 이때의 ‘도주’란 벗어날 수 없는 ‘죽은 노동’에서 벗어나 또 다른 삶을 추구하는 것이자 그러한 감각을 일깨우는 행위였다. 한편, 해방 직후 고국이나 고향으로 귀향을 시도했던 자들이 부딪혔던 귀향 불/가능성의 여러 양상을 제시했다. 또한 우에노 에이신의 「집오리의 노래」의 배경이 된 ‘아리랑 고개’에는 해방 후 탄광에서 갑자기 쫓겨났으나 여비가 모자라서, 불구자가 되어서, 탄광에 부인이나 가족이 있어서 귀향할 수 없는 기민들이 모인다. 또한 1953년 조선 전쟁 휴전 이후 탄광 생산량이 저하됨에 따라 구조조정 당한 일본인 탄광 노동자들이 아리랑 부락으로 흘러 들어와 재일 조선인과 뒤섞여 이족간의 코뮌을 형성한다. 이처럼 탄광 징용 노동에서 빈번히 발생한 ‘도주’, 해방직후 형성된 이족 코뮌은 조선의 농민이 노동자가 되는 동시에 기민이 되어가는 상황을 드러낸다. 또한 ‘도주’가 탄광 노동 전체에 야기했던 동요와 이족 코뮌 속 조선인과 일본인 사이의 관계성은 ‘도주/귀향(의 좌절)’이 공동체 내부로의 ‘도주/탈주’가 되어 공동체 내부를 변화시켰을 잠재성을 드러낸다.
‘대동아 문학자 대회’라는 문법, 그 변형과 잔여들 -타자는 타자와 만날 수 있는가?-
신지영 동국대학교 한국문학연구소 2011 한국문학연구 Vol.0 No.40
In the early 1940's, Japan began to expand its sovereignty over Asian Bloc with the aim of establishing a powerful economic empire, euphemistically described as a Greater East Asian Co-Property Sphere. It led to the change in the way of domination from discrimination (dissociation) to appeasement (assimilation). For the latter, imperial Japan forced the colonial peoples to migrate in the region. With the result, it brought about a variety of cultural borderlands. Among others were East Asian Literary Rallies, in which participants, what may be called representatives of Japanese colonies, internalized imperial textures or grammars directed by the Empire and propagated them. However, we can find that, by carefully reading their accounts, narratives, afternotes, round-table talks and the like concerning the rallies, the participations did not consist only in the following of the given directions and the rivalry in showing allegiance to the empire among the colonial peoples. Each participant was eager to interpret and transfigure the word, East Asia Co-property, in their respective situations. Chosun described itself as a transitional intermediary place. Taiwan argued that it was an outpost for the advance to the South-Eastern Asia and a colony which had a long history of being cooperative in Co-Property. Manchukuo boasted that it took the initiative in harmonizing five races. China placed itself in the rallies by showing indifference in a subtle way. In short, they shared the same characteristic with one another in that they all transformed or transfigured the subject word, East Asian Co-Property, to their respective tastes. However, they left behind residues which could not go hand in hand with the imperial constitution at the same time. For example, they acted as if they were Japanese; rather, they were more Japanese that the Japanese themselves. They wobbled at the very word Chosun or at the long colonial history of Taiwan. They made round-about criticisms by using ambiguous literary words or by pretending to be ignorant or handicapped. Those who showed these residues made themselves OTHERS who could not reconcile with the empire in any way. And the OTHERS shared empathy and compassion in the encounters of one another which could not be found in the imperially forced situations. 1940년대 초 일본은 “대동아 공영권론”에 기반하여 통치범위를 아시아 블록 전체로 확장하고, 각 지역을 포섭/관리하는 시스템을 구축하기 시작한다. 그에 따라 식민지배의 방식도 “차별(이화)”에 따른 제국주의적 방법에서 “포섭(동화)”에 따른 제국적 방법으로 변화되었다. 대동아를 포섭/통합하기 위해서 일본은 “대동아”에 포함된 피식민지들 사이의 “이동”을 증가시키고 다양한 “문화접경지대”를 낳았다. 대표적인 예로 대동아 문학자 대회를 들 수 있다. 이 대회에 참여한 피식민자 대표들은 일본 제국의 문법을 내면화하고 선전하는 스피커들로 단련되었다. 그러나 그들이 대동아 문학자 대회를 둘러싸고 썼던 기행, 후기, 감상, 좌담회 등을 살펴보면 그들의 참여가 단순한 모방이나 경쟁에 그치지 않았음을 알 수 있다. 그들 각자는 자신의 민족이 처해 있는 위치에서 ‘대동아’라는 주어들을 적극적으로 번역/변형시켰다. 즉 조선은 ‘대동아의 중계지’로, 대만은 ‘남방으로의 전진기지이자 협화의 긴역사를 지닌 지역’으로, 만주는 ‘오족협화를 선취한 대동아의 기원’으로, 중국은 미묘한 무관심으로 스스로의 발화위치를 확보하는 동시에, “대동아”라는 주체/주어를 변형시킨다. 그리고 과정 속에는 제국질서에 포섭될 수 없는 잔여(殘餘)들이 남는다. 일본인 보다 더욱 더 일본인이 되거나, 조선이라는 말과 대만의 긴 식민지 경험 앞에서 주저하거나, 우회적 비판을 문학적으로 시도하거나, 스스로를 시골사람이나 병자로 표현하면서. 이러한 잔여의 순간들은 제국질서 속에서 결코 연대할 수 없는 타자와 타자가, 제국과는 다른 방식으로 만나거나 공명하는 순간들을 보여주고 있다.
신지영,손영석,이대영 대한설비공학회 2003 설비공학 논문집 Vol.15 No.8
Recent trends in the electronic equipment indicate that the power consumption and heat generation in a chip increase as the components are miniaturized and the computing speed becomes faster. Suitable heat dissipation is required to ensure the guaranteed performance and reliable operation of the electronic devices. The aim of the present study is to investigate the forced-convective thermal-hydraulic characteristics of a pin-fin heat exchanger as a candidate for cooling system of the electronic devices. The influence of the structure of the pin-fin assembly on heat transfer is investigated by porous medium model. The results are compared with the experimental data or correlations of several researchers for the heat transfer coefficients for the channel flow with pin-fin arrays. Finally, the effects of design parameters such as the pin-fin diameter and the spacing are examined.
신지영,김민수,Sin, Ji-Yeong,Kim, Min-Su 대한기계학회 1996 大韓機械學會論文集B Vol.20 No.2
An analysis of convective boiling heat transfer for refrigerant mixtures is performed for an annular flow to investigate the degradation of the heat transfer rate. Annular flow is selected in this study because a great portion of the evaporator in the refrigeration and air conditioning system is known to be in the annular flow regime. Mass transfer effect due to composition difference between liquid and vapor is included in this analysis, which is considered to be one of driving forces for the mass transfer at the interface. Due to the concentration gradient at the interface the mass transfer is interfered, so is the evaporative heat transfer at the interface. The mass transfer resistance makes the interface temperature slightly higher and, as a result, the heat transfer coefficients decrease compared with those without mass transfer effects. The degradatioin of the heat transfer rate reaches its maximum at a certain composition. The composition difference between vapor core and vapor at the interface has a direct effect on the temperature difference between the vapor core and the interface and the degradation of the heat transfer rate. Correction factor $C_{F}$ for the mixture effects is added to the correlation for pure substances and the flow boiling heat transfer coefficients can be calculated using the modified equation.n.
신지영,김민수,Sin, Ji-Yeong,Kim, Min-Su 대한기계학회 1996 大韓機械學會論文集B Vol.20 No.2
Boiling heat transfer coefficients of pure refrigerants (R22, R32, R134a, R125, R290, and R600a) and refrigerant mixtures (R32/Rl34a, R290/ R600a, and R32/R125) are measured experimentally and compared with Chen's correlation. The test section is a seamless stainless steel tube with inner diameter of 7.7mm and uniformly heated by applying electric current directly to the tube. Heat fluxes range from 10 to 30kW$^2$. Mass fluxes are set to 424 ~ 742kg/m$^{2}$s for R22, R32, R134a, R32/R134a, and R32/Rl25 ; 265 ~ 583kg/m$^{2}$s for R290, R600a, and R290/R600a. Heat transfer coefficients depend strongly on heat flux at a low quality region and become independent as quality increases. Convective boiling term in the Chen's correlation predicts experimental data of the pure refrigerants fairly well (relative error of 12.1% for the data of quality over 0.2). The correlation for pure substances overpredicts the heat transfer coefficients for nonazeotropic refrigerant mixtures.
다양한 형상의 판형 휜을 장착한 원통다관형 열교환기의 열성능 해석
신지영,손영석 한국마린엔지니어링학회 2004 한국마린엔지니어링학회지 Vol.28 No.4
In this study, a highly efficient shell-and-tube heat exchanger with plate fins is considered to improve thermal performance of the conventional shell-and-tube heat exchanger. This type of shell-and-tube heat exchanger with plate fins of various shape is simulated three-dimensionally using a commercial thermal-fluid analysis code. CFX4.4. The effect of the shape of the plate fin on heat transfer characteristics is also investigated by the simulation. Plate fins of four different shapes. plane, plane-slit. wave. and wave-slit fins, are considered. The flow fields, pressure drop and heat transfer characteristics in the heat exchanger are calculated. It is proved that the shell-and-tube heat exchanger with plate fins is superior to the conventional shell-and-tube heat exchanger without plate fins in terms of heat transfer. The shape of the plate fin is important in the performance of a heat exchanger such as heat transfer and pressure drop.