陳獻章의 飮酒詩고찰

신민야 한국중국문학이론학회 2009 중국문학이론 Vol.11ㆍ12 No.-

『규수시평』을 통해 본 강영과의 여성시에 대한 관점

신민야 국민대학교 중국인문사회연구소 2020 중국지식네트워크 Vol.15 No.-

『Guixiu ShiPing(閨秀詩評)』 is a note on poets and poetry compiled by Jiang Yingke (江盈科, 1553-1605), a leading figure of the Gong'an School(公安派) in the late Ming Dynasty, in 1604 and is the first book criticized specializing only in ‘Feminine Poetry’ compiled in Ming Dynasty. Jiang Yingke, as a member of the Gong'an School, thought that the literature express Yuan Shen(元神) to say true feelings without any false. This Jiang Yingke’s literary view has resulted in the compilation of 『Guixiu ShiPing』 because he believed that the feminine poetry had ‘True’ characteristic expressing true feelings not being influenced by the trend of imitation. 『Guixiu ShiPing』 contains 41 poems and 3 lyric poems of 28 female poets from the Tang to the Ming Dynasty and it also includes 29 poetry reviews on 28 poets. The composition of the book is in the order of the writer's name, brief introduction of writers, poetry reviews, and each part involves his perspective on the feminine poetry. In 『Guixiu ShiPing』, Jiang Yingke valued ‘moral character(品性)’ and ‘scholastic attainments(學力)’ that woman poets have. He also valued the characteristics of ‘true(眞)’ of the feminine poetry as ‘Really Ancient(眞古)’ and “true feelings(眞情)”. 『규수시평』은 명후기 공안파의 주요 인물 강영과(1553-1605)가 1604년 편찬한 시화로 명대시화 중에서 처음으로 여성시만을 전문적으로 평론한 책이다. 강영과는 공안파의 일원으로서 인간 본연의 마음인 ‘원신(元神)’ 즉 ‘진정(眞情)’이 표현된 문학이 거짓없는 참된 문학이라 보았다. 강영과의 이러한 문학관은 『규수시평』의 편찬이라는 결과로 나타나는데 이는 여성시가 모방의 풍조에 물들지 않고 진정을 표현한 ‘진(眞)’의 특성을 가지고 있다고 보았기 때문이다. 『규수시평』은 당나라부터 명나라까지 28명의 여성시인의 시 41수와 사 3수를 수록하고 있으며, 28명의 시인에 대해 29개의 시평(詩評)을 달고 있다. 책 체재는 작가명, 간단한 작가소개, 작품, 시평의 순서로 되어 있는데 각각의 부분에 다 그의 여성시에 대한 관점이 개입되고 있다. 『규수시평』에서 강영과는 여성시인이 가진 ‘품성(品性)’과 ‘학력(學力)’의 자질을 중시했다. 또 그는 여성시가 가진 ‘진’의 특성을 모방의 습관에 물들지 않고 ‘진정’을 진솔하게 표현한 것과 고악부와 오언고시 등이 가진 질박한 풍격의 시가를 쓴 ‘진고(眞古)’로 이해했다.

元稹의 애정시 연구 : 앵앵과의 애정시를 중심으로

신민야 중국문화연구학회 2012 중국문화연구 Vol.0 No.20

陳獻章의 山水詩 고찰

신민야 중국어문학연구회 2005 중국어문학논집 Vol.0 No.34

≪明語林≫의 <企羨>篇譯註

신민야 중국어문연구회 2020 中國語文論叢 Vol.0 No.100

Since Liu Yiqing(劉義慶) wrote Shishuoxinyu(≪世說新語≫) during Song Dynasty (420-479) in Southern Dynasties, the shishuoti(世說體) novels had been published which resembled its form. During Ming and Qing dynasties, the shishuoti novels were steadily published starting from He Liangjun(何良俊)’s Heshiyulin(≪何氏語林≫) during the mid-Ming dynasty to the period of Kangxi in Qing Dynasty. Mingyulin(≪明語林≫) is a shishuoti style novel published by Wu Sugong(吳肅公, 1626 ~ 1699) who was an adherent of Ming Dynasty in 1681 (20th year of Kangxi Emperor). Mingyulin is the first shishuoti styled work which was published in Qing dynasty. Its compiler, Wu Sugong, was a Confucian scholar, literary man and historian who chose to remain as an adherent of Ming Dynasty during the period of upheaval when the dynasty changed from Ming Dynasty to Qing Dynasty. Accordingly, Wu Sugong complied the book in order to keep the record of Ming dynasty, help the readers to reflect the history of dead dynasty, and pass down the history of indigenous Han people against the culture of other ethnic people. Mingyulin contains the description of 930 and more persons who lived from late Yuan Dynasty to early Qing Dynasty by classifying them into 38 items and listing 900 and more articles. As Mingyulin has a lot of episodes on the people of various classes, it can be described as encyclopedia of personal episodes for the people who lived in Ming dynasty. As the shishuoti style novel is made of the real life stories of people who lived in the past, thus having the nature of historical record. This study is the interpretation of Qixian Part out of 38 items recorded in Mingyulin. Qixian(<企羨>) means “to hope and want to be so”. In the Qixian Part, there are the episodes of the people who the complier Wu Sugong respected. Through the people introduced in the episodes, it is possible to take a look literature and life of Ming Dynasty’s literati. In addition, as the Mingyulin contains the description of the literati such as Yang Shiqi(楊士奇), Xue Xuan(薛瑄), Li Dongyang(李東陽), Chen Xianzhang(陳獻章), Tang Shunzhi (唐順之), Kang Hai(康海), Li Dongyang(李夢陽), Xu Wei(徐渭), Yuan Hongdao(袁 宏道), this interpretation paper helps to widen our understanding of Ming Dynasty’s literati.

《文心雕龍》第二十一 <封禪> 篇 解題 및 譯註

신민야 한국중국문학이론학회 2010 중국문학이론 Vol.13 No.-

왕치등의 「馬湘蘭挽歌詞十二首」 고찰

신민야 중앙대학교 외국학연구소 2017 외국학연구 Vol.- No.41

The Mingji (名妓) culture bloomed in the later stages (後期) of the Ming dynasty (明代). The women of the Mingji culture in this period were accomplished in the arts, were women of high character, and had gracious and graceful style and features. This appearance of the Mingji women was closely related to the tastes and aesthetic ideals of the writers of the time. 「Ma Xiang Lan Wangeci Shi’ershou (馬湘蘭挽歌詞十二首)」, a monody (挽詩) written by the writer Wang Zhideng (王穉登, 1535-1612), mourns the death of Jinü (妓女) Ma Xianglan (馬湘蘭, 1548—1604). Wang Zhideng also wrote prefaces for her collections of poems and tishi (題詩) for her paintings, becoming an artistic collaborator and her soul mate during her lifetime. After Ma Xianglan died, he left behind important records about her by writing her biography, 「Maxizhuan (馬姬傳)」, in addition to 「Ma Xiang Lan Wangeci Shi’ershou (馬湘蘭挽歌詞十二首)」 . This paper analyzes 「Ma Xiang Lan Wangeci Shi’ershou (馬湘蘭挽歌詞十二首)」, focusing on the contents of the work. To provide background, Chapter 2 examines the friendship between Wang Zhideng and Ma Xianglan, which they maintained for 30 years. Ma Xianglan had Wang Zhideng in mind until she died, even though he declined her request to become his concubine. Ma Xianglan died of an illness at the age of 57, shortly after she had been to Su Zhou (蘇州) to celebrate Wang Zhideng's 70th birthday. Chapter 3 examines the contents of 「Ma Xiang Lan Wangeci Shi’ershou (馬湘蘭挽歌詞十二首)」 by dividing it into “a eulogy to her accomplishments (才藝),” “a eulogy to her style and features (風貌),” “reminiscences of her love for Wang Zhideng,” and “speculation about the three lives of rebirth (三生).” In these 12 monodies, Wang Zhideng expressed his sorrow over her death, eulogized her talent, style and features, and sang her love for him and her life. The contents of Wang Zhideng’s praise for Ma Xianglan in 「Ma Xiang Lan Wangeci Shi’ershou (馬湘蘭挽歌詞十二首)」can also be found in the work of writers from the later stages (後期) of the Ming dynasty (明代) who highly appreciated the then Jinü's accomplishments (才藝) and high character.

楊慎의 雲南讚歌 ― <漁家傲⋅滇南月節詞> 譯解

신민야 중국어문연구회 2021 中國語文論叢 Vol.- No.104

Yang Shen(1488∼1559) was a scholar and writer in the mid-Ming Dynasty. Yang Shen with brilliant background such as premier’s son and winning the first place in a state examination, was involved in an incident called ‘Daliyi(大禮議)’ related to the emperor’s blood lineage issue at his age of 37, and then was exiled to Yunnan. After that, He lived as exile literati in Yunnan for 35 years in the latter half of his life. At his age of 72, he died in Yunnan without being pardoned. For 35 years in Yunnan, Yang Shen left numerous writings and literary works. A lot of his writings and works are related to Yunnan, which becomes valuable data for understanding Yunnan about 500 years ago. <Diannanyuejieci> examined by this thesis is a work created in around 1544 which was 20 years after Yang Shen was exiled to Yunnan. In <Diannanyuejieci>, Yang Shen vividly described the landscape of Yunnan for 12 months from January to December by mentioning Yunnan as his second home. <Diannanyuejieci> abundantly contains the four seasons, landscape, humanistic scenery, folklore, and customs. In <Diannanyuejieci>, Yang Shen showed the look of Yunnan about 500 years ago.

劉基의 「感時述事十首」에 보이는 사회비판의식 고찰

신민야 대한중국학회 2022 중국학 Vol.78 No.-

Liu Ji(1311∼1375) is a politician, military expert, thinker, and writer in the end of the Yuan Dynasty and the beginning of the Ming Dynasty. Liu Ji lived in the period when the Yuan Dynasty was changed to the Ming Dynasty, so his life and literature were also deeply influenced by it. Liu Ji left about 1,300 poems, and most of his poems could be divided into the former and latter periods on the basis of 1360(20th year of Zhizheng), the next year when he was invited by Zhu Yuanzhang. His poems in the former period regarded the social criticism, allegory, and edification as important while his poems in the latter period tended to mainly show the description of personal emotions. As a set of poems created in 1358 when Liu Ji was 48 years old, 「Ganshishushishishou」 fully shows the main tendency of his poems in the former period when he paid attention to the reality of society. Liu Ji who spent most of his life under the Yuan Dynasty witnessed the people’s pains and chaotic situations in the end of the Yuan Dynasty, and then vividly contained them in 「Ganshishushishishou(感時述事十首)」. In 「Ganshishushishishou」, Liu Ji criticized many social evils such as corrupt government officials, military deep-rooted evils, incompetent emperor, and overissue of money during the years of Zhizheng in the end of the Yuan Dynasty, and also fully showed the people’s lives suffering from such evils. This was not only to inherit the tradition of ‘taking discussion as poetry’ of Song poetry, but also to express his own Confucian literary perspective on practical use of literature in the world.

「관잠」과 「이귀」에 보이는 유기의 정치이상과 좌절

신민야 국민대학교 중국인문사회연구소 2023 중국지식네트워크 Vol.22 No.-

유기(劉基, 1311-1375)는 원말명초 정치가이자 시문대가다. 그는 23세 때 원나라의 진사가 되어 26세 때 처음 관직생활을 시작했다. 「관잠」 세 편은 유기가 관직생활을 시작할 때 쓴 것으로 관리로서 명심해야 할 점과 그의 정치이상을 잘 보여준다. 원왕조에서 유기의 벼슬길은 순탄치 않아서 관직에 여러번 나갔다가 현실의 벽에 부딪쳐 모두 그만두었다. 이후 부패한 원왕조에 실망한 유기는 주원장에게 초빙되어 명나라 건국을 돕는다. 명나라에서도 유기의 관리로서의 생활은 여의치 않았다. 주원장의 공포정치와 승상 호유용의 중상모략으로 인해 개국공신으로서의 정당한 대접도 못받고 정치적인 타격을 받게 된다. 유기는 죽기 2년전에 자신의 억울한 마음을 장편시 「이귀」에 담아 표현했다. 본고는 유기의 생애 중 특히 정치인으로서 그의 정치이상과 좌절에 주목했다. 유기가 정치를 시작하면서 쓴 「관잠」과 말년에 정치를 마무리하면서 쓴 「이귀」를 살펴봄으로써 그의 정치이상이 어떠했고 또 어떻게 정치적으로 좌절했는지를 살펴보았다. Liu Ji(1311-1375) was a politician and literary master in the late Yuan & early Ming Dynasties. After passing the examination for official post at the age of 23, he initially started his career of government post at the age of 26. The three pieces of 「Guanzhen」 that Liu Ji wrote when he started working as a government official, fully show his political ideal and what should be kept in mind as a government official. In the Yuan Dynasty, Liu Ji’s way into the government service was not smooth. Even though he entered the government service several times, he quit all after getting into the wall of reality. Liu Ji who was disappointed at the corrupt Yuan Dynasty, was invited by Zhu Yuanzhang and then helped the foundation of the Ming Dynasty. Liu Ji’s life as a government official was not smooth either in the Ming Dynasty. Due to the reign of terror by Zhu Yuanzhang and slander by Prime Minister Hu Weiyong, he got a political hit without receiving a fair treatment as a founding contributor. Liu Ji expressed his bitterness in his long poem 「Ergui」 two years before his death. This thesis paid attention to Liu Ji’s political ideal and frustration as a politician in his lifetime. This thesis examined his political ideal and political frustration by examining 「Gwanzhen」 he wrote when starting his political career and 「Ergui」 he wrote when wrapping up his political life in his latter years.