http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
송윤미 한국중국소설학회 2000 中國小說論叢 Vol.12 No.-
通過以上的硏究可以了解到『玄怪錄』不僅是一部帶着濃厚道敎色彩的幻想小說, 而且是一部浪漫的 唐代神怪類小說. 雖然歷代王朝都以儒敎作爲政治理念, 但唐代初期皇帝爲了鞏固自己的政治地位而崇尙道敎, 開始樹立, 推崇幷敬仰與皇帝有相同李氏姓氏的老子. 這樣自然使道敎在社會文化各個方面得到 發揚光大. 所以, 出現了反映這種社會傾向的『玄怪錄』一書, 書名中的“玄”字, 與『老子』第一章中的“玄之又玄, 衆妙之門.”和第六章中的“谷神不死, 是謂玄牝. 玄牝之門, 是謂天地根.”等處的“玄”字是一樣的. 都以“道”字的同義詞來使用. “怪”字就象明代胡應麟的『少室山房筆叢』第三十六章中說的“唐人作意好奇, 假小說以寄筆端.” 那樣, 以小說的形式充分表現了該時期好奇的社會狀況. 『玄怪錄』各篇作品的結構大多採用了史傳式, 按照敍述時間及人名和地名, 作品中間利用詩來增加小說的效果. 흔多情況下在末尾補充了理論的內容. 例如: 趙彦衛在『雲麓漫抄』第八卷所記錄的史才, 詩筆, 議論在『玄怪錄』中被有機地結合在一起. 把『玄怪錄』的構成方式全部整理如下: 在58篇中, 上昇式結構有13篇, 下降式結構有15篇, 轉禍爲福式結構有8篇, 相互交叉式結構有3篇, 循次還元式結構有19篇. 在『玄怪錄』中, 經歷了神仙ㆍ鬼神ㆍ精傀世界又返回的循次還原式結構最多, 使得『玄怪錄』通過虛構的 想像力在唐代小說史中確立了重要的地位. 영外在生與死, 神仙與陰曺的世界得到承認. 對于精怪世界尋 조文學娛樂性一面, 及體驗讀者樂趣作爲文學事業的一環也應該探尋一下타的原因.
娑羅那夢ㆍ楊林夢ㆍ調信夢故事의 敍事構造考察* -프롭(V. Propp)의 31개 順次的機能과 대비하여
송윤미 중국학연구회 2009 중국학연구 Vol.- No.50
In “Sarana’s Dream,” the person who led the main character to dream and realize his dream was his Buddhist master. In “Yang Lin’s Dream,” it was a shaman in a Taoist temple and the Avalokitesvara in “Cho Shin’s Dream” who took on this role as a mediator. “Sarana’s Dream” affected “Yang Lin’s Dream,” and “Cho Shin’s Dream” was influenced by both dreams. The plot of these three dreams, regarded as a reality-dream-reality restoration cycle, is similar in the way that the main character expresses their interior hope in a dream and then returns to reality. And the main character, through the experience of a powerful dream, learns that reality is the same as his dream, and then asks if reality is different from dreaming. This thesis is written to show readers an analysis of an objective narrative structure of the three dreams. Thereby, V. Propp’s 31 syntagmatic functions were used as the comparison research method. For example, in Sarana’s Dream’s sequence, the schema is α+β3+δ+ε+ζ+η1+θ1+A6+B3+C+D+E9+F3+G+H+I2+↓+Ex+T. The schema of Yang Lin’s Dream is α+a+B+E2+G+K+↓+Ex, whereas Cho Shin’s Dream schema turned out to be α++β+γ2+δ+θ2+a1+B+D1+E1+F3+ G+J1+K+↓+Pr+Rs(Ⅹ-Ⅺbis C+Ⅻbis D+ⅩⅢbis E+ⅩⅣbis F)+O+Ex. The three dreams have the functions of α(initial situation), B(mediation, the connective incident), E(the hero’s reaction), G(guidance), ↓(return), Ex(exposure) as a commonness. Hence, when looking at the structure, we see the following: 1. Explanation of the initial situation before dreaming. 2. The upcoming of the mediator who makes the main character fall asleep. 3. The main character agrees upon the mediator’s actions. 4. Enters the dreaming world. 5. Returns to reality. 6. Reveals the story of the dream world. It can be demonstrated that, along with the main structure, the content of the stories have become more extent and abundant.