하악 과두 골절의 관혈적 정복시 고정 방법에 따른 임상적 평가

손정희,박지화,김진수,변기정,Son, Jung-Hee,Park, Ji-Hwa,Kim, Chin-Soo,Byun, Ki-Jung 대한악안면성형재건외과학회 2005 Maxillofacial Plastic Reconstructive Surgery Vol.27 No.2

The purpose of this study was to compare a sample of patients who had condylar fractures treated with open reduction using different plating techniques, to evaluate which plating technique is useful for stable fixation for fractures of the mandibular condyle and to evaluate effectiveness of resorbable miniplate. There were 60 patients (41 males, 19 females) whose condylar fractures were treated with open reduction. Rigid fixation was performed with a single miniplate, double miniplate ot one miniplate & one microplate and single resorbable plate. All patients remained intermaxillary fixation for 1 week postoperatively. Active physiotherapy was started after 2 weeks postoperatively. Radiographic evaluation (plate fracture, plate bending, screw loosening, displacement of condyle etc.) was performed at pre-operative, immediate, 2 weeks, 1 month, 3 months, 6 months after surgery. Clinical evaluation included degree of mouth opening, occlusion, mandibular lateral excursion, infection and facial nerve paralysis. In radiographic evaluation, displacement of fractured condylar segment associated with plate bending or screw loosening were showed 6 cases and 3 cases for single miniplate system and resorbable miniplate system. There was no patients who have this problem on double miniplate system. The results revealed that the application of two miniplates were more recommendable than single miniplates. When we select resorbable miniplate system, we should consider the type of fractures, post-operative treatment protocol and surgical technique.

우리회사소개-(주)이테크인터내셔날

손정희,Son, Jeong-Hui (사)한국원적외선협회 2005 한국원적외선협회보 Vol.24 No.-

포항분지 학천-초곡 거대 저탁류에서 확인되는 Supercritical flow 퇴적체의 특징과 퇴적작용

손정희(Junghee Son),황인걸(In Gul Hwang) 대한지질학회 2022 대한지질학회 학술대회 Vol.2022 No.10

세치제 구경크기와 짜는 방법에 따른 만 3∼5세 아동의 일회 세치제 사용량 조사

손정희 ( Jung Hui Son ),마득상 ( Deuk Sang Ma ) 대한예방치과·구강보건학회 2010 大韓口腔保健學會誌 Vol.34 No.2

Objectives. The purpose of this study was to assess and compare the amount of toothpaste used by varying opening diameter and squeezing methods in children aged 3∼5 to prevent the excessive use of fluoride toothpaste. Methods. The amount of toothpaste per brushing was measured from a sample of 176 infants aged 3∼5 in 6 nurseries located in Jecheon City, Chungbuk Province, Korea. We tested two squeezing methods, pea-size and transverse technique, and two openings, 0.6 cm and 0.9 cm. We compared the amount of toothpaste used relative to opening diameter and squeezing methods through paired t-test using SPSS 14.0. Results. For 0.6 cm or 0.9 cm diameters with the pea-size method, the amount of toothpaste used was 0.22 g or 0.51 g, respectively (p<0.001). For 0.6 cm or 0.9 cm diameters and the transverse technique, the amount of toothpaste used was 0.20 g or 0.46 g, respectively (p<0.001). In case of 0.9 cm diameter, the amount of toothpaste showed significant difference according to squeezing methods (0.9 cm: p=0.045, 0.6 cm: p=0.121). Conclusions. Smaller openings restrict the amount of toothpaste used and would reduce unnecessary fluoride ingestion.

공중구강보건학 분야 : 원저 ; 강원도 보건(지)소 치아홈메우기사업 운영현황조사

손정희 ( Jung Hui Son ),박덕영 ( Deok Young Park ) 대한구강보건학회 2007 大韓口腔保健學會誌 Vol.31 No.4

심(心)과 물(物)의 관계로 본 ‘완물상지(玩物喪志)’의 철학적 쟁점

손정희(Son, Jung-Hee) 서울대학교 철학사상연구소 2016 철학사상 Vol.62 No.-

동아시아 완물(玩物) 담론을 이해하는 선행 작업으로 시작된 본고의 목표는 『서경(書經)』의 ‘완물상지(玩物喪志)’에 구축된 철학적 쟁점을 파악하는 데 있다. 『서경』의 ‘완물상지’는 선진시기의 주요한 철학 범주였던 심과 물에 대한 이분법적인 사고의 체계 안에 위치하고 있는데, 여기에는 심물 관계에서 주요 이슈가 되었던 “외물에 부려지는가(役於物)” 아니면 “외물을 부리는가(役物)”에 대한 문제의식이 담겨 있었다. 그리고 이러한 문제의식은 완물상지에 대한 송대 도학자들의 해석에서도 그대로 발견되는 것이었다. 요컨대, 송대 도학자들이 ‘완물상지’에 대해 주목한 철학적 쟁점은 ① 이목(耳目)에 부림을 당하는가의 여부와 ② 그 뜻을 잃는가의 여부로 파악된다. 이 두 가지는 완물상지를 판가름하는 기준이기도 하였는데, 이는 거꾸로 이목에 부림을 당하지 않고 그 뜻을 잃지 않는다면 ‘완물’이 해가 되지 않을 수 있는 논리를 내포하고 있었다. 그리고 이 지점에서 이목에 부림을 당하지 않을 수 있는 철학적 해결 방안이 제시되고 있었는데, 그것은 곧 외물에 대한 ‘마음의 주재’이다. 즉, 마음의 주재를 통과해 완물이 단지 이목에 사로잡히는 것이 아니라 외물을 통한 이치를 완미함으로 이어진다면 이때의 완물은 뜻을 잃음이 아닌 그 뜻을 기르는 논리를 확보할 수 있다. The purpose of this research paper, which started as a work-in-progress to understand the discourse of Wanmul(玩物) in East Asia, is to identify philosophical issues built on “Wanmul Sangji(玩物喪志)” of 『Shujing』(書經). “Wanmul Sangji” on 『Shujing』is located within a Confucian system of dichotomous thinking of the mind and things, which served as a key philosophical category in the pre-Qin(先秦) period. It contained a critical view of the important issue of the relationship between the mind and things, which was whether the mind was “managed by external things” or “managed external things.” And this critical view is also found in the interpretation of “Wanmul Sangji” by Dohak(道學) scholars in the Song Dynasty. In short, philosophical issues derived through “Wanmul Sangji” by Dohak scholars of the Song Dynasty are: ① whether one is managed by external things and ② whether he loses the mind. These two served as criteria to decide “Wanmul Sangji” as well and inversely, it contains the logic that “Wanmul” may not do any harm if one is not managed by external things and he does not lose the mind. And at this point, a philosophical solution was provided, which was not to be managed by external things, and it is the “controlling power of mind” toward external objects. In other words, when Wanmul goes through the controlling power of the mind and it leads to appreciating Li(理, principle) through external objects, the notion of Wanmul here can secure a good logic that one can cultivate his mind.

원저 : 치위생학 및 치의학교육 ; 어린이용 세치제 튜브 구경 크기와 짜는 방법에 따른 사용량조사

손정희 ( Jung Hui Son ),박일순 ( Il Soon Park ),마득상 ( Deuk Sang Ma ) 대한구강보건학회 2008 大韓口腔保健學會誌 Vol.32 No.2

차크라(Chakra)와 차크라 음악의 질병 치유(治癒)

손정희(보경,Son Junghee(Bokyoung)) 한국불교음악학회 2022 불교음악문화 Vol.- No.4

공초점레이저주사현미경을 이용한 레진침윤법 적용우치법랑질의 잇솔질 마모저항성 평가

손정희 ( Jung Hui Son ),임도선 ( Do Seon Lim ),마득상 ( Deuk Sang Ma ),박덕영 ( Deok Young Park ) 대한예방치과·구강보건학회 2013 大韓口腔保健學會誌 Vol.37 No.1

Objectives: The purpose of this study was to evaluate abrasion of Icon® infiltrated, sound bovine enamel by using confocal laser scanning microscopy (CLSM) after toothbrush abrasion tests. Methods: Sound bovine enamel specimens whose Vickers Hardness Number ranged from 280 to 320 were prepared. To measure abrasion, specimens were allocated to groups on the basis of tooth brushing stroke frequencies. Tooth brushing stroke frequencies were categorized into 5 groups: 1,800, 5,400, 10,800, 21,600 and 43,200 strokes. Both infiltration depth of Icon® and the abrasion depth were measured by CLSM. Results: Mean infiltration depth of Icon® for sound bovine enamel was 98.6 μm. There was no statistically significant difference in enamel abrasion depth between groups with 5,400 strokes and 10,800 strokes, but the abrasion depth increased with further increase in tooth brushing stroke frequencies ( P<0.001). The mean abrasion depth of resin infiltrated bovine enamel after 43,200 tooth brushing strokes was 17.45 μm. Conclusions: The magnitude of abrasion after 43,200 tooth brushing strokes, which corresponds to brushing 3 times a day for 4 years, was less than 20 μm. This result suggests that abrasion by tooth brushing would not be a clinical problem for resin infiltrated enamel.

조선시대 ‘완물’(玩物)의 논리 구조 - ‘유어예’(游於藝)와 ‘완물’의 층위를 중심으로

손정희 ( Son Jung-hee ) 한국미학회 2018 美學 Vol.84 No.2

본 연구는 조선 지식인들의 ‘완물’(玩物)에 대한 논리 구조를 ‘유’(游)의 범주에서 ‘유어예’(游於藝)와 ‘완물’이 지니는 층위에 주목하여 살펴본 것이다. 동아시아 전통 미학에서 ‘유’의 개념은 인간의 보편적 유희 관념과 맞물려 있다. 인간의 노니는 활동과 관련되는 ‘유’의 개념은 한편으로는 인간의 본업과 대비되는 여가 활동과 긴밀한 연관성을 지니면서 지식인들은 ‘유’의 방식으로 예술을 인생과 융화시켜나가는 흔적을 남기게 된다. 특히 유가에서 공자(孔子)의 ‘유어예’는 ‘유’의 활동을 통한 미적 인생의 경계를 제시하였으며, 주희(朱熹)의 ‘유어예’와 ‘완물적정’(玩物適情)의 논의를 통해 보다 고차원적인 의미로 자리매김되었다. 그러나 한편으로 ‘유’의 범주는 사람의 일상생활에서 빠트릴 수 없는 각종 오락활동과 밀접한 관련이 있었고, 노닒에 적절함을 벗어난 ‘유’의 경우는 ‘완물상지’(玩物喪志)로 지목되어 저급한 차원으로 이해되곤 하였다. ‘유’의 개념 층위는 ‘완’(玩)의 개념 층위와도 긴밀히 조응되는데, 무언가에 푹 빠져 노니는 ‘완’은 외부 대상을 통해 마음을 빼앗기게 되는지 아니면 그 마음을 기르는 것인지에 따라 ‘완’의 층위가 달라질 수 있다. 즉, 완물의 층위 역시 감각적 차원의 완물과 고상한 차원의 완물로 구분되고 있었던 것이다. 조선시대는 바로 이 두 가지 완물 노선이 팽팽한 긴장 관계를 이루며 완물 담론을 다채롭게 전개시키게 되며, 지식인들이 추구해나간 완물의 논리 구조는 자신들의 완물 행위가 고상한 차원의 완물임을 합리화시키는 방향으로 이루어진다. 그 지점에서 ‘완물상지’의 대응 논리로 내세워진 것이 바로 ‘유어예’와 ‘완물적정’이라고 할 수 있다. 이와 더불어 조선 지식인들은 자신들의 완물 취미를 저급한 취미(俗)와 차별화시키며 고상한 취미(雅) 활동으로 정당화하게 되는데, 이에 따라 고상한 차원으로 표상된 완물은 상층 문화의 고급 취미로 자리잡게 된다. This study is to examine Joseon intellectuals’ logical Construction of ‘Wanmul’(玩物) focusing on the layers of ‘Yueye’(游於藝) and ‘Wanmul’(玩物) in the categories ‘Yu’(游). In traditional East Asian aesthetics, the concept of Yu is connected with the universal notion of play in human beings. Associated with the human’s act of play, the concept of ‘Yu’ is closely related to leisure activities, a contrast to human’s main job, and intellectuals come to leave a trace of harmonizing art with life in the manner of ‘Yu.’ Confucius’ ‘Yueye’ in Confucianism specifically presents the border of aesthetic life through the activity of ‘Yu’ and it has become a higher-level idea through discussions of Zhuxi(朱熹)'s ‘Yueye’ and ‘Wanmul Jeokjeong’(玩物適情). The category of ‘Yu,’ however, is closely linked with various kinds of entertainment, an essential to human’s everyday life and ‘Yu’ beyond appropriateness in play is pointed out as ‘Wanmul Sangji’, which would be understood as inferior. Ambiguous conceptual layers of ‘Yu’ intimately correspond to those of ‘Wan’(玩) as well; ‘Wan,’ the act of being indulged in something, may vary its layer depending on whether one is captivated through exterior things or cultivates one’s mind. In other words, layers of ‘Wanmul’ are also categorized as sensual level and elegant one. With these two directions of extremely tense Wanmul in Joseon period, they diversely developed discourses of Wanmul and the theoretical structure of Wanmul that intellectuals sought was built up in directivity to rationalize their act of Wanmul was at an elegant dimension. At that point, the counterpart to ‘Wanmul Sangji’ was put up as ‘Yueye’ and ‘Wanmul Jeokjeong.’ In addition, Joseon intellectuals differentiate their taste from their low taste and justify it as a high taste activity. As a result, Wanmul which is described as elegant dimension become a high taste for the upper culture.