李箱 시의 근대성 연구

박성필(Park Sung-Pil) 부산대학교 한국민족문화연구소 2008 한국민족문화 Vol.31 No.-

This study discussed 'modernity' in Lee Sang's poetry. A human being runs life in the fantasies which are linked with his desire. There are some importance poet in 1930's, but we must attend his poetry. Because the 'modernity' in his writing is very unique. In the concrete, he expressed 'sense of inferiority' and 'distrust' by the medium of writing. I think that reason are one way of resistance to Japanese imperialism. In chapter 2, I examined 'sense of inferiority' in Lee Sang's poetry. Therefore I make certain of special aspect. He expressed 'self-command' while expressed 'sense of inferiority' against modernity. In chapter 3, I wished to make clear the way of resistance. On the concrete, the way related with a feeling of uneasiness to attachment. In last chapter, I wished to examined 'a form of configured modernity'. His poetry is great in the way, that pervert the modem world. For instance, special number '13' or sign' ?/\?' is presumed that way.

이상화(李相和) 시 비평사에 나타난 해석공동체의 이념 : 한국 현대시(단)에서 이상화가 "저항시인"이 되기까지

박성필 ( Sung Pil Park ) 경희대학교 인문학연구소 2009 인문학연구 Vol.15 No.-

미당 서정주의 친일 기점에 관한 연구

박성필 ( Sung Pil Park ) 한국어교육학회(구 한국국어교육연구학회) 2013 국어교육 Vol.0 No.142

In this article, we would like to explained the Pro-Japanese start point of in Mi-dang``s poetry· In order to achieve this purpose, in this paper, we would like to the next two kinds item was important looked into with the important· As to that, the reason in which his record of achievements was not well clarified is what, whether the start point is that it of the pro-Japanese, when and this poetic logic is what· For the cause which the pro-Japanese activities of Midang did not inform clearly, the record of achievements in which Midang is already clarified even when its own pro-Japanese activities disliked exceedingly to be released was due to take the defensive attitude admitted the recognizes· And the creation of the city genre thanked drastically since it came out on the pro-Japanese· When it showed up in the conclusion till the phenomenon that genre of poem disappears from his chronological record· In conclusion, It cooperated with Japan from April, 1941· In it after this time, two phenomena shows· When looking at the appearance 2 specimens were confined, which deviated through the consideration and which it leaves from the specific space as the back to be, it could grasp to be put at the process where these specimens progress with ‘pro-Japanese’·

美國의 知的財産權 擔保制度에 대한 考察

박성필(Sung-Pil Park),고영희(Young-Hee Ko),김용길(Yong-Kil Kim) 충남대학교 법학연구소 2010 法學硏究 Vol.21 No.1

The economic success of a business in the future will be determined by its capability to strategically manage intellectual capital, whose major elements will be intellectual property rights (‘IPRs’). The IPRs are becoming promising source of financing even in today’s economic environment. Thus we will explore issues regarding the collateralization of IPRs under the UCC Article 9 and asset-backed IPR securitization. We will further review some exemplary IPR financing practices in the United States including the Pullman Group’s Bowie Bonds. Finally we will draw a few business and policy implications for companies and government of Korea.

김광균 시의 소리 표상에 관한 연구

박성필 ( Sung Pil Park ) 한국어교육학회(구 한국국어교육연구회) 2009 국어교육 Vol.0 No.130

The purpose of this treatise is to establish the meaning of correspondence of the poetry that Kim Kwang-Kyun showed in development of the modernization through the `sound` representation which appeared at the time. His poetry is different from what Kim Ki-Rim did in visual sense as sensation of synchronism at the time of modernization absolutely, he made full use of unique technique to build an image via `sound` representation to show by various methods while paying attention to visual sense. At first his poetic description lets you convert a sound by dynamic movement. It appears in the reason that must pay attention to such a technique very frequently, and as for the poetic element generating unique atmosphere is because is it. It prescribed character of such an image in a kind of `sensory image` by this treatise. Though `sound` representation is an image as a border of pre -modern/modern times and appears, it means correspondence of the poetry that he showed in full-scale development of the modernization.

이승훈 시론의 의미 지향성 연구

박성필(Park Sung-Pil) 국어국문학회 2008 국어국문학 Vol.- No.150

This study aims at clarifying the inclination to 'meaning' and continuity of poetics's development through exam about 'The Non-object poetry'. Especially we attended to that poetics, because not only that on representation, but also it shows a stage of development. In this paper, we take notice of an esthetic feature, to put it concretely that transcend objective world, In order to, we refer to 'non-sense' by Gilles Deluze, 'Emptiness(空)' in Buddhism, and 'Nothing(無)' in Taoism, To sum up this article be as follows. First of all, through out exam about background of the dawn of The Non-object poetry'. we can notice that his poetry came under the influence Kim Chun-Su's poetics that is called 'The Non-sense poetry', Kim wanted remove poetic object exhaustively, but Lee noticed that impossible so that he instituted notions 'Non-object'. Second, we discussed that effect of 'non-sense', because pursuit of 'Non-object' don't mean that exclusion of meaning unqualifiedly. It is a effect of 'sense' through 'non-sence', it means change over from individual existence to universal that. Third, in this article, we groped about intention of 'The Non-object poetry' It is not different from S?n(禪), we founded competition 'Emptiness (空)' and 'Nothing(無)' in Lee's poetry. That means resistance to universal existence for the purpose get out of suffering in reality.

한국인 성인의 머리뼈 방사선사진에서 아래턱뼈 계측치와 턱뼈가지굽이의 남녀 차이

박성필(Sung Pil Park),김희진(Hee Jin Kim),허경석(Kyung Seok Hu),박광균(Kwang Kyun Park),고기석(Ki-Seok Koh) 대한체질인류학회 2000 대한체질인류학회지 Vol.13 No.1

20세 이상의 한국인 성인 241 명을 대상으로 머리뼈계측 방사선사진올 촬영하고 아래턱뼈와 머리뼈의 체질인류학적 계측을 시행하여, 남녀에 따른 머리뼈와 아래턱뼈 계측치의 차이를 조사하였다 또한, 아래턱뼈에 서 턱뼈가지 뒤모서리의 굽이정도를 계측하여 남녀차이를 확인하고, 턱뼈가지굽이와 아래턱뼈 성장 양상파의 연관성, 턱뼈가지굽이와 씹기근육과 연관된 턱뼈각앞패임, 그리고 턱뼈각과의 상관관계를 조사하였다. 그 결과 턱뼈각을 제외한 대부분의 계측항목에서 남자의 계측치가 컸으나 머리뼈바닥각은 여자가 남자보다 컸으며, 턱 뼈가지굽이의 위치는 여자가 남자보다 높았다 남녀 모두에서 턱뼈가지굽이는 턱뼈각이 작은 경우, 턱뼈가지가 긴 경우, 그리고 턱뼈각앞왜임이 깊은 경우에 깊은 경향을 나타냈다 또한 SNB 각(뇌하수체정 코뿌리정 B점)각 이 클수록 턱뼈폼통길이는 큰 경향을 보였으며, 머리뼈바닥각도가 큰 경우에는 턱뼈몸둥길이. 턱뼈가지높이와 SNB 각 통은 작은 경향을 나타냈다 또한, 아래턱형연각이 클수록 머리뼈바닥각과 턱뼈각은 큰 경향을 보였고 , SNB 각과 최대머리뼈높이는 작은 경향을 나타냈다 그라고 최대머리뼈길이가 클수록 턱뼈몽통길이 , 턱뼈가지높아 ,SNB 각은 큰 경향을 보였으며 , 최대머리뼈높이가 농은 경우에는 턱뼈몸통길이와 턱뼈가지높이 항목에서 큰 양상인 반면, 턱뼈각은 작은 경향을 나타내였다.

그록스터(GROKSTER)판결에 나타난 유도침해이론의 시사점

박성필(Sung Pil Park),김용길(Yong Kil Kim) 중앙법학회 2006 中央法學 Vol.8 No.4

일반논문 : 한국 현대시에서 "흰 그늘의 시학"의 계보

박성필 ( Sung Pil Park ) 서울시립대학교 도시인문학연구소 2011 도시인문학연구 Vol.3 No.1

이 연구는 한국 현대시에 나타나는 ``억압``의 양상을 계보학적으로 살펴보는 데 논의의 목적이 있다. 그 동안 한국 현대시에서 ``억압``은 이른바 ``한(恨)`` 담론이라는 특수한 키워드로 분류되어 왔다. 그러나 ``한``이 한민족 고유의 정서, 즉 다른 언어/문화로 번역될 수 없다는 인식은, 의도된 것이든 그렇지 않든 간에 한국문학(문화)의 특수성을 획득하기 위한 하나의 수단으로 작용되어 왔다. 한국문학을 동아시아권 문학, 그리고 그 너머 비교 문학의 시각에서 논의하기 위해서는 좀 더 보편적인 방식으로 설명할 수 있어야 한다. 이를 위해 이 연구에서는 한국 현대시에 나타나는 ``억압``의 양상, 특히 가장 특수한 시적 특질이라 할 수 있는 ``흰 그늘의 시학``을 계보학적으로 살펴보고자 한다. 특히 이 연구에서는 이러한 시적 특질을 계보학적으로 살피되, 그 문학적 함의를 정신 병리학적 관점에서 조망함으로써 한국 문학에 나타나는 ``억압``의 양상이 비교 문학의 장에서 논의될 수 있음을 밝히고자 한다. This article scrutinizes past works for the aspect of ``repression`` in Korean modern poetry, which has been classified as the word ``Han(恨)`` in modern poetical discussion. It recognizes that ``Han,`` which is a feeling unique to the Korean race and which cannot be translated into other languages or cultures, has been a means to acquire the particularity of the Korean language and culture, whether intended or not. However, in order to discuss Korean literature from the viewpoint and the context of East Asian literature and world comparative literature, it should be able to be explained by a more universal method. To achieve this goal, this study tries to look at the aspect of ``repression`` emerging in Korean modern poetry taken from past works, especially in the ``Poetics of White Schattens``, in which it can be said to be the most unique poetic characteristic. While the study examines this poetic characteristic`s past by looking at its literary implication from the psychopathological point of view, it also shows that the aspect of ``repression`` in Korean literature can be discussed in the context of its comparative literature.

디지털시대의 법률환경(法律環境) 변화(變化)와 미디어산업(産業)의 대안적(代案的) 비즈니스모델의 모색(摸索)

박성필 ( Sung Pil-park ),김용길 ( Yong Kil-kim ) 한국지식재산연구원 2006 지식재산연구 Vol.1 No.2

The digital revolution has been the catalyst for rapid and overall socio-economic and political changes since the end of the 20th century. The digital age enabled people to transfer and receive information beyond border lines at the light speed through the internet. This sea change could be no exception in the field of copyright law. The state-of-the-art digital technologies have been developed and they have had a significant impact on the copyright law and the business of media industry. The copyright war between P2P network developers and media industry has been the hottest issue, and probably the representative of all such economic, philosophical and political fights. This paper reviews the changed legal environment, especially in the United States, with regard to the digital copyright law. We will evaluate the pros and cons of the technical and legal reactions taken by media industry against all threats from P2P network developers and the individuals who use such networks. This will require the review of the theory of secondary liability including the contributory infringement, the vicarious infringement, and the recently introduced inducement infringement. The brief discussion on the Betamax case and the Grokster case would give us many implications. By doing so, we will try to show that their traditional reactions have been in vain so far and alternative strategies are to be taken to survive and succeed in this rapidly changing digital age. This paper will then introduce exemplary business models which are being discussed or under experiment by media industry recently. The Digital Media Store Model is to be easily adopted by media industry and is already adopted by some media companies. The P2P Store Model is more advanced form of business which requires active use of P2P networks. The Collective Blanket Licensing Model is analogous to the system adopted in the United States through the entities like ASCAP and BMI. It is a good idea for the benefit of technology developers and consumers, because it will completely exculpate them if only they pay designated fees. This model, however, would inevitably alter the revenue generation structure of media industry and thus significant social-economic changes will be required. The Ancillary Products and Services Model would create the most radically changed form of media business and it would not be easy to be adopted by media industry. The business models illustrated here are not the options which media industry should take one as is out of them. Rather they are some conspicuous parts of the broad spectrum of possible business models having been considered so far. Korean media industry will also need to respond to the socio-economic changes in the near future. This paper could be a starting point for active discussions on viable business models of media industry in Korea.