『침구극비초(鍼灸極秘抄)』 연구(硏究)

박상영,오준호,Park, Sangyoung,Oh, Junho 한국한의학연구원 2012 한국한의학연구원논문집 Vol.18 No.3

Kim Deok-bang(金德邦)'s "Chimgu-kukbicho(鍼灸極秘抄)"(Secrets on acupuncture and moxibustion) hasn't been known throughout Korea yet, let alone its existence. Kim Deok-bang was the person who was taken to Japan as a prison during the Imjin war(Japanese invasion of Korea in 1592), and he is known to have initiated Japan's noted doctor Nagada Tokuhon(長田德本), who is comparable to Huh Jun in Korea, into the acupunctural method. Nagada Tokuhon healed many patients with the unusual blood-drawing method, which was one of the very unfamiliar scenes in Japan at that time. "Chimgu-kukbicho" shows that the very blood-drawing method was used for not a few medical treatments. This aspect can be said to be an unprecedented point of the acupunctural method in the first half of the Choseon Dynasty period as shown in "Chijong-jinam(治腫指南)" in our country, and from such a context, it is understood that the medical skills were widely distributed in Japan by Kim Deok-bang. This paper is going to lay a foundation for the argument hereafter related to this by including Provision 114 stating Kim, Deok-bang's acupunctural method like this.

節稅賣却假說에 대한 追加的 證據

朴相瑩 西原大學校 經營科學硏究所 1997 經營硏究 Vol.6 No.1

문체반정의 논리구조와 18세기 문학담론에 끼친 영향

박상영 한국언어문학회 2010 한국언어문학 Vol.72 No.-

The purpose of this study is to present the logical structure of Munchepanjung(文體反正) and its influence in the late 18th century's literary discourse. The Munchepanjung(文體反正), which is the restoration of literary style, reflects Jeong-jo's efforts, which tried to establish the classical standard of writing in the confusing social atmosphere as one of kings in Choseon dynasty. It also shows the reality of changing literature which was important in making the reasonable path of righteousness and keeping the system with it. This Munchepanjung(文體反正) shows the unfolding aspects dually within the trigonal system of "'subject주체' - 'Subject대주체' - 'counter-subject반주체'", once in 1787 and the other in 1792. The former event shows strong political disposition in the relationship of identification between 'subject' - 'Subject(a')'. The latter shows a much stronger aspects in policy making than the relationship of counter-identification. Either way, King Cheong-Jo wanted to leave his legacy on the development of the classical standard of writing in the right way, making a diversion in both of them who threatened public order of a state. These kinds of efforts showed various types of attitude of the anti-imitation of ancient style(反擬古) This style focused on the Six Confucian Classics(六經) & the old literature of Eight Men of Letters in the Tang and Song Dynasties(唐宋八家文) as a canon of literature, the publication of these anthologies reveal the examples of poetry and prose, the strict prohibition of Paekansopum(稗官小品), redressing the abuse of the state examination(科擧) ect. In the relationship of counter-identification with the 'Subject대주체'', the Munchepanjung(文體反正) has meanings which accepted the change of times to some extent and at the same time showed practical aspects. This was related with the tendency of national literature which was showing up strongly at that time. The literary historical value of the Munchepanjung(文體反正) lies on that the Munchepanjung(文體反正) was executed as a central policy and part of cultural reformation by 'subject주체' doing many things such as the intensification of institutional characters through the purification of Gwan-gak literature(館閣文學), innovation on luxurious trends of kyunghwasagok(京華士族), the privilege rank that monopolized an honored and official post in the 18th in Korean governing class. This also has meaning historically in that the Munchepanjung(文體反正) was carried out in the relationship of 'subject' - 'Subject' - 'counter-subject".

타이어 공기압 비대칭이 무증상 대상자의 골반높이, 둔부압력, 근동원패턴에 미치는 영향

박상영,박세연,Park, Sang-Yeong,Park, Se-Yeon 대한고유수용성신경근촉진법학회 2021 PNF and Movement Vol.19 No.3

Purpose: The objectives of the present study were to investigate the disadvantages of tire pressure asymmetry of a wheelchair tire and recommend the criterion for appropriate tire pressure without generating negative changes in the musculoskeletal system in asymptomatic participants. Methods: Fourteen asymptomatic participants were asked to sit in pressure-controlled wheelchairs and perform desk work for 20 minutes in each tire condition. The asymmetry of the tire conditions was set as 0% difference, 25% difference, and 50% difference from the recommended pressure. The pelvic alignment and muscular recruitment represented as a flexion-relaxation ratio (FRR) were measured at pre-test, and after each condition of desk work. The displacement of the center of pressure (COP) was measured during the desk work. Results: The tire air pressure condition significantly affected the FRR and COP (P < 0.05). Both sides of the FRR values were significantly higher under the symmetrical tire conditions (0% difference) and pre-test, compared with the asymmetrical tire condition of 50% difference (P < 0.05). The mediolateral COP displacement of the asymmetrical tire conditions (25% and 50% difference) was significantly higher than that of the symmetrical tire conditions (0%) (P < 0.05). Conclusion: Asymmetrical tire conditions could cause changes in the muscle recruitment pattern of the erector spine and mediolateral COP displacement. Tire pressure asymmetry higher than 50% could be a risk factor for prevalence of back pain, so this level of asymmetry in tire pressures should be cautioned against for wheelchair users.

4차산업혁명 시대 정치참여 양상의 변화와 시민교육적 함의

박상영 한국사회교과교육학회 2021 한국사회교과교육학회 학술대회지 Vol.2021 No.-

발전주의와 신자유주의의 혼재성에 대한 고찰: 90년대 이후 한국 발전국가의 변화와 혼재성의 다양성

박상영 경희대학교(국제캠퍼스) 국제지역연구원 2015 아태연구 Vol.22 No.4

This article aims to analyze the continuing cohabitation of developmentalism and neoliberalism in the Korean state since the 1990s. Three different kinds of developmental-neoliberal mixes are discussed. First, ‘residual’ mix is the temporary coexistence of developmentalism and neoliberalism as a series of radical neoliberal reforms in Korea have transformed the nature of the Korean developmental state into a neoliberal state since the 1990s while most of institutional legacies of the Korean developmental state are fading away. Second, ‘path-dependent’ mix is a somewhat long-term and stable combination of developmentalism and neoliberalism mainly due to the strong path-dependence of the Korean developmental state institutions. Third, ‘synthetic’ mix is a hybrid mixture of developmentalism and neoliberalism as the two elements constantly interact and interpenetrate with each other, giving rise to something that belongs to neither of them. In this paper, these three mixes of developmentalism and neoliberalism in relation to the Korean state and its changes since the 1990s are discussed with a focus on their causes of origin, institutional outcomes, and theoretical implications. This paper suggests that we understand the currently existing mixes of developmentalism and neoliberalism in the Korean state not so much as one homogeneous and passing phenomenon but as a set of diverse phenomena with distinct internal dynamics. 본 연구는 1990년대 이후 한국 국가에서 나타나고 있는 발전주의와 신자유주의의 혼재성에 대한 분석적 고찰을 목적으로 한다. 90년대 이후 한국 국가에서 나타나고 있는 발전주의와 신자유주의의 혼재성은 크게 세 가지 유형으로 구분된다. 첫째, ‘잔여적(residual) 혼재성’은 한국 국가가 90년대 이후 급격한 신자유주의 개혁을 단행함으로써 과거 발전국가적 유산들이 점차 소멸해 가는 과정에서 발생하는 일시적 혼재성이다. 둘째, ‘경로의존적 (path-dependent) 혼재성’은 90년대 이후 실시된 일련의 급격한 신자유주의적 개혁에도 불구하고 한국의 발전국가 제도들이 강한 경로의존성을 띠면서 지속되는 과정에서 발생하는 지속적인 혼재성이다. 셋째, ‘융합적(synthetic) 혼재성’은 90년대 이후 가속화되고 있는 신자유주의 개혁의 결과물들이 이전부터 존재하고 있는 발전국가 제도들과의 상호작용을 통하여 발생하는 혼재성이다. 본 논문에서는 이러한 세 가지의 혼재성을 그 발생 원인과 제도적 결과를 중심으로 논의해 본고, 각각의 혼재성 개념이 가지는 이론적 효용성과 한계에 대한 비판적 분석을 시도한다. 이러한 분석을 바탕으로 본 논문은 현재 한국의 국가에서 나타나고 있는 혼재성 현상이 단순히 발전주의와 신자유주의가 단순 결합된 동질적인 현상이 아닌 내부 동학에 따라 다양한 형태로 나타날 수 있음을 상정하는 ‘혼재성의 다양성’ 관점을 통해 더 잘 이해될 수 있음을 제안한다.

대역폭 가변이 가능한 대역통과필터를 이용한 비화기 ( Scrambler Using the Band Pass Filters With Variable Bandwidth )

박상영,김영수,이홍섭 대한전자공학회 1994 대한전자공학회 학술대회 Vol.1994 No.1

사설시조 속 ‘죽음’의 인식 층위와 그 시학적 의미

박상영 한국시조학회 2023 시조학논총 Vol.58 No.-

This study aimed to examine the awareness of death in Saseolsijo and its poetic implications, which has not been a focus in the study of classical poetry. Three aspects were identified in Saseolsijo: cases where life and death are perceived as disconnected; cases where it is recognized continuously to connect the temporal life to the afterlife; and cases that show a critical consciousness of reality beyond these problems. The first case is discovered in one of two ways: poetic speakers accept death as it is and express their sad feelings; or poetic speakers show an aspect of secular entertainment as part of their refusal to die. The second case is also discovered in two ways: recognition of death is revealed while the ideal world is presented; or the continuity of life and death is shown in cyclical structure of death-regeneration without an ideal world. While the former shows cyclical perceptions in spatial aspects, there are differences in the latter, offering a cyclical perception through death-regeneration on an ontological level. The last case expresses in one of two ways: death is as an auxiliary means of expressing the emotions of the poetic speaker; or death is a criticism of reality, along with the leading aesthetic concepts such as grotesqueness. It is meaningful that each case provides a clue about the tragedy in a manner contrary to the optimistic aesthetics such as humor, which has previously been pointed out as a key aesthetics of this genre. This research provides a starting point for understanding the relationship between Taoist transcendence and Confucian reality. The foundings are poetically significant in that they suggest the possibility of eroticism, which is a long-standing controversy in the field. Furthermore, this research is necessary to have thorough awareness and education on death, beyond the boundary between daily life and non-daily life(death). 본 연구는 지금껏 고전시가 연구에서 주목한 바 없는 사설시조 속 죽음에 대한 인식의 층위와 그것이 갖는 시학적 함의를 한번 살펴보고자 한 것이다. 그 결과, 사설시조에는 크게 삶과 죽음을 ①단절로 인식하는 경우, ②연속적으로 인식하는 경우, ③이를 초월해 현실 비판 의식을 보여주는 경우의 세 가지가 발견된다. ①은 다시 죽음을 있는 그대로 수용하며 슬픔을 즉자적으로 토로하는 경우와 죽음 거부의 일환으로 현세 유흥적 측면을 보이는 경우(노세류 및 탄로를 읊은 사설시조)로 나뉜다. ②는 理界가 제시되는 가운데 죽음 인식이 드러나는 경우와 理界는 없는 대신, 죽음과 재생의 순환 구조 속에서 生死의 연속성을 보여주는 경우가 있는데, 전자가 주로 공간적 차원에서 순환적 인식을 보인다면, 후자는 존재론적 차원에서 순환적 인식을 보인다는 차이가 있지만, 모두 죽음을 이승의 연장선상으로 이해한다는 점에서는 하나로 묶인다. 마지막 ③의 경우는, 생사의 단절/연속의 문제를 넘어 죽음이 작품 내에서 어떻게 활용되는가 하는 면을 보여주는데, 여기에는 시적 화자의 정서를 표현하는 도구 및 보조적 수단으로 활용되거나 반언어, 그로테스크 등 주요 미적 개념과 더불어 현실 비판의 수단으로 차용되는 경우를 볼 수 있다. 이러한 다양한 층위의 죽음 인식 문제는, 지금껏 이 갈래의 핵심 미학으로 지적되어 온, 해학, 웃음 등 긍정적이고 낙관적인 美感 너머로, 그와는 대척되는 지점에 선 비극성의 관점을 한번 들여다볼 단서를 제공할 뿐만 아니라 도가적 초월이나 유가적 현실 인식에 대한 이해의 단초를 마련해 준다는 점에서, 나아가 사설시조 연구에서 해묵은 핵심 논쟁거리인 에로티시즘의 문제를 새롭게 바라볼 가능성도 제시한다는 점에서 그 의의가 깊다. 본 연구는, 또한 죽음이 삶과 뗄 수 없는 것이라면, 이제 일상(삶)-비일상(죽음)의 경계를 넘어, 이에 대한 철저한 인식과 교육도 아울러 선행될 필요가 있음을 역설하였다.

포스터 : 한센병 환자에서 발생한 다발성 보웬병 1예

박상영,김지연,오지원 대한피부과학회 2008 초록집 Vol.46 No.10

『鍼灸極秘抄 硏究』

박상영,오준호 한국한의학연구원 2012 한국한의학연구원논문집 Vol.18 No.3

Kim Deok-bang(金德邦)'s 『Chimgu-kukbicho(鍼灸極秘抄)』(Secrets on acupuncture and moxibustion) hasn't been known throughout Korea yet, let alone its existence. Kim Deok-bang was the person who was taken to Japan as a prison during the Imjin war(Japanese invasion of Korea in 1592), and he is known to have initiated Japan's noted doctor Nagada Tokuhon(長田德本), who is comparable to Huh Jun in Korea, into the acupunctural method. Nagada Tokuhon healed many patients with the unusual blood-drawing method, which was one of the very unfamiliar scenes in Japan at that time. 『Chimgu-kukbicho』 shows that the very blood-drawing method was used for not a few medical treatments. This aspect can be said to be an unprecedented point of the acupunctural method in the first half of the Choseon Dynasty period as shown in 『Chijong-jinam(治腫指南)』 in our country, and from such a context, it is understood that the medical skills were widely distributed in Japan by Kim Deok-bang. This paper is going to lay a foundation for the argument hereafter related to this by including Provision 114 stating Kim, Deok-bang's acupunctural method like this.