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박미경 민족음악연구소 1991 음악과 민족 Vol.1 No.-
종족음악학(Ethnomusicology)이라는 학문은 서양의 학문이다. ‘사양의’라는 수식어를 사용하는 것은 어쩌면 과장된 제스추어인지 모른다. 왜냐하면 물리학이 서양에서 길러진 학문이라 해서 서양물리학이라 할 필요가 있을까라고 할지 모르기 때문이다. 그러나 음악을 연구하는 학문을 크게 자기네(서양)음악연구, 음악학(Musicology)과 남의(비서구)음악 연구, 종족음악학(Ethnomusicology)이라는 두갈래로 키운 것은 극히 서양적인 조망의 결과이다. 음악학이 역사적음악학(Histoical musicology)와 체계적음악학(Systematic musicology)으로 나누는 분류체제가 많은 문제점이 있음에도 불구하고, 대부분의 교과서에 문헌에 교과과정에 학위수여체제에 편의상 그대로 적용되는 것처럼, 음악학과 종족음악학의 이분법도 점차로 편의상의 분류로 그대로 남아 있게 될 것이다. 그 연구범위와 영역이 학문 이름과의 관련해서 서로 전도되어 있다는 문제점 등이 지적되고는 있지만 말이다.(이러한 이분법을 그대로 우리의 학계에 적용시킬 수 있는 것인가의 문제는 필자의 다른 논문에서 논의하였다(박미경 1988:300-304)
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A Study of Learning/Teaching English Intonation in Middle School and High School: Survey-based
박미경,손선아 한국현대영어영문학회 2012 현대영어영문학 Vol.56 No.1
This study presents the current situation of English intonation teaching/learning in Korean middle and high schools. To see if English intonation was instructed properly and to assess the current problems in real classroom situations, a survey of 797 Korean students (399 middle school students and 398 high school students) and 29 Korean teachers who are teaching English at middle and high schools was conducted. Results indicated that students and teachers recognized the importance of intonation in communication and the necessity of intonation instruction in the classroom. However, the time spent for the implementation of intonation instruction in the classroom was fairly short. Moreover, the majority of students and teachers were not satisfied with the intonation materials presented in the textbooks in terms of its amount and contents. Teachers also claimed difficulties in teaching intonation due to a lack of sufficient explanation in the textbooks.
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박미경,박민서 경상대학교 농업생명과학연구원 2014 농업생명과학연구 Vol.48 No.5
The potential application of surface-enhanced Raman spectroscopy (SERS) was investigated todetect Salmonella Typhimurium and Escherichia coli. The silver colloidal suspension withoptimum optical characteristics was obtained for SERS detection. The SERS spectra werecollected the wavelengths from 500 to 1200 cm-1. The characteristic SERS spectra were obtainedfrom both S. Typhimurium and E. coli; however the observed SERS peak profiles for bothpathogens exhibited similar peak profiles. Therefore, the results suggest that even though SERSpossesses the potential capability to detect pathogens rapidly, further study is required to resolvethe ambiguous spectra profiles for S. Typhimurium and E. coli.
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Wordsworth’s Re-Formation of Individuality: “Spots of Time,” the Fragment and the Autobiography
박미경 한국영어영문학회 2010 영어 영문학 Vol.56 No.6
This paper argues that it is possible to construct an analogy of the literary fragment to an organic individual on the basis of an autonomous system of organic unity by reading William Wordsworth’s ways of self-writing in The Prelude. The organicity of a fragment is borrowed from Friedrich Schlegel’s theoretic and literary approach to the Romantic fragment. Focusing primarily on the two “spots of time” in Book Twelfth, I attempt to formulate a reciprocal relationship between a work of art and a literary autobiographer in terms of the self-generativity of the fragment. To be precise, both the fragment and the autobiographical project presuppose and at the same time depend on the engendering force of an organic unity and its resistance to discontinuity, which ironically affirms the persistent threat of disruption and death. Rewriting traumatic childhood experiences as rites of passage into adulthood, the two specified “spots of time” show the dominant mode of memory operative in the poem. Asserting the prominence of the individual as the very vehicle of realizing universal humanity, Wordsworth tries to re-form his individuality grounded in his childhood memories in a literary fashion. Under the premise that the poet is remembered by his posterity, The Prelude is constituted and reconstituted in conjunction with different versions of each memory. The poem also marks the poet’s unachieved project of writing a philosophical poem, namely, The Recluse; for this very reason, The Prelude, which is complete in itself, points to an eternal work in progress, turning the truth of every fragment complete in its incompletion. As a trope of fragmentation, an autobiographical individuality is reformed in the poet’s process of writing and re-visioning while simultaneously being dispersed once again between words, sentences, and pages.
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박미경 한국음악학학회 2007 음악학 Vol.14 No.-
What is musicology? Are we also 'doing' musicology in Korea? If the musicology is originated in Western world, what is its identity? If we imported the Western discipline to our academic society, does our scholarship exist here and now? How and through what phenomena can we know that any one scholarship exist in one society? If our musicology has a future, what are immediate problems we are to face? These questions attempted I to answer in this paper. Musicological study in Korea has been dichotomized into musicology of Western music history, and musicology of Korean traditional music. This means that many areas, such as studies of popular music and world musics, are unestablished as subdisciplines of music study yet. It also means that we academics are failing to reflect the drastically changing reality and are seriously retarded in theorizing the present here. Such an unbalanced and lacunal environment mainly has been due to our performance-oriented college education, making any scholastic activities merely subsidiary and even unnecessary. Similarly in this article were the current status of major subdisciplines of musicology in Korea reviewed and problems that Korean musicologists face now discussed.
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Sensitivities of generalized RRI method for CSAMT survey
박미경,설순지,김희준 한국지질과학협의회 2006 Geosciences Journal Vol.10 No.1
This paper presents sensitivity analysis for general-ized rapid relaxation inversion (GRRI) algorithm, which was orig-inally developed by modifying the RRI algorithm to recover a two-dimensional (2-D) conductivity structure from MT data, to inter-pret controlled-source audio-frequency magnetotelluric (CSAMT)data. The GRRI algorithm can be extended to invert CSAMT datasourceeffect. GRRI approximate sensitivities are validated by comparingwith exact 1-D and 2.5-D sensitivities. The comparison shows thatthe GRRI sensitivity is a good approximation to the exact sensitivityand has about half magnitude of the RRI sensitivity. Although themagnitude of the GRRI sensitivity is still slightly larger than that ofthe 2.5-D sensitivity, both sensitivities are broadly similar in shapewhen source-receiver offsets are greater than one skin depth in theearth. This suggests that the GRRI approach can be sucesfully
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