작품 「Polyeucte」속에 나타나는 내적 갈등의 여러 양상

박무호 한국불어불문학회 1985 佛語佛文學硏究 Vol.20 No.1

Les critiques du 17^e et 18^e sie`cle n'ont pas estime´ 「Polyeucte」 de P. Corneille a` son juste titre. C'est parce qu'ils ont mis trop d'accent sur l'aspect religieux du caracte`re des personnages de cette oeuvre. Contrairement a` cela, nous allons mettre au point dans cet essai le conflit inte´rieur des personnages de 「Polyeucte」. Conforme´ment a` notre but, nous allons analyser respectivement les conflits inte´rieurs des personnages et, comme conclusion, nous allons formuler le sens structural que ces conflits apportent dans l'ensemble de cette oeuvre. Les personnages dans 「Polyeucte」 se heurtent a` des conflits divers selon la situation dans laquelle ils se trouvent. D'abord, Pauline sent le conflit d'une part entre le devoir pour son mari et l'amour pour son amant, et d'autre part entre le devoir pour son mari et celui pour son pe`re. Ensuite, Polyeucte sent le conflit entre le respect pour Dieu et l'amour pour sa femme. Quant a` Fe´lix, sa situation conflictuelle est compose´e de l'amour pour son beau-fils et le de´sir pour le pouvoir et enfin, celle de Se´ve`re est compose´e de l'honneur a` son propre compte et la tentative de rattraper l'amour de son ex-amante. Vu dans le cadre global de la lutte ouverte entre le christianisme et l'ordre e´tabli, les conflits auxquels les personnages se heurtent cre´ent un groupe de personnages qui sont subordonne´s dans l'ensemble du dilemme personnell pour produire la tendresse et la beaute´ morale. D'ou` vient l'e´motion dramatique de 「Polyeucte」.

작품 「Nicomede」에 나타난 대립의 이중성

박무호 한국불어불문학회 1992 불어불문학연구 Vol.27 No.1

Sur les sources de 「Nicome`de」 de Pierre Corneille, les critiques proposent diverses ide´es, mais ils sont tout d`accord sur le caracte`re de cette oeuvre : la trage´die politique. Bien su^r, 「Nicome`de」 a le me^me caracte`re avec les oeuvres ante´rieurs - 「Horace」, 「Cinna」, 「Polyeucte」. Cependant, dans le contenu, il y a deux diffe`rences; l`une est l`absence de conflit inte´rieur, l`autre l`image de Rome. Alors dans ce me`moire nous analysons cette oeuvre en mettant le point sur ces deux questions. D`abord dans les chapitres 1 et 2, nous analysons le rapport entre l`individu puissant et les autres infe´rieurs. C`est-a`-dire, Nicome`de qui a l`exploit excellent et le droit d`ai^nesse, Prusias qui est inquiet sur son pouvoir en raison du complexe d`infe´riorite´ sur son fils, et Arsisoe´ qui a l`ambition de faire roi son propre fils -Attale. En analysant nous de´couvrons l`opposition ine´vitable entre les trois personnages. Ensuite dans les chapitres 3 et 4, nous analysons l`image de Rome que Prusias et Arsinoe´ exposent devant eux pour triompher de l`individu puissant, et la nature de Rome qui est de´couverte a` travers les rapports avec Attale. En Somme, nous de´couvrons que Nicome`de a deux affrontements en me^me temps, c`est-a`-dire les individus infe´rieurs et Rome. Et a` travers cette oeuvre, Corneille peint la politique exte´rieure qui est <diviser pour re´gner>. Ce qui est le plus important, c`est que Corneille fait le mode`le de la trage´die politique en expe´rimentant le passage de l`ordre interpersonnel a` l`ordre intere´tatique.

박물관 전시부문의 사인체계와 관람행동의 변화분석

박무호,임채진 대한건축학회 2005 대한건축학회논문집 Vol.21 No.7

The ultimate goal of this study was to plan an exhibition space of a museum by investigating the audience behaviors and experiences in one. For that purpose, a multilateral analysis was conducted of the changes to the audience behaviors in terms of the composition and development of exhibition items and spatial structure while giving alterations to the sign system affecting the audience behavior patterns observed at the Seoul Museum of History. The analysis results were as follows : First, the audience behaviors were examined for correlations. The findings revealed that the stopping points and traveling distance and time were valid as the analysis indices to represent the entire audience behaviors. Second, for such audience behaviors as representing conversations and experiences, the inclination of individual audience turned out have the deciding influences. Thus they were rather unfit to show the degree of in-depth viewing. Third, the findings implied that small changes to the signs increased the path of traveling in the aspect of exhibition environment. But it seemed that they didn't cause changes to the traveling time, conversations, use of items for experience, and stopping points of the audience. Fourth, in analyzing the spatial structure using the space syntax and predicting for the audience behaviors as many researchers have, it's important to consider the sign system for the sake of validity. The scope of the study was restricted to the Seoul Museum of History. In the future they should make ongoing efforts to deal with the lack of its diversity with the audience behavior codes considering the objects of analysis from the perspective of exhibition environment.

DDP(동대문디자인플라자) 방문객의 분포특성

박무호 한국문화공간건축학회 2018 한국문화공간건축학회논문집 Vol.- No.61

Research on the movement of visitors in the spatial environment and design field of cultural facilities is relatively active. However, from the experiential point of view, it mainly analyzes the behavioral characteristics through the investigation of the viewing time, the viewing line and the moving distance. However, in the case of the visitor survey in this way, it is necessary to select the target audience selectively due to the limitation of the survey time and the input resources, and it is a reality that it is difficult to include a large number of visitors as the survey target. In order to secure these disadvantages, this study surveyed the distribution of the total visitors over 2 days (48 hours) - to grasp the present situation of the space utilization of the target facilities in detail. A total of 25 researchers were added and the distribution of visitors was surveyed based on 30 minutes every hour. For this purpose, the DDP internal space is divided into 9 survey areas, and the external space and Dongdaemun History and Culture Park exhibition hall are divided into 12 survey areas. Through this study, it was possible to elucidate spatial planning implications for the space planning and strategy establishment by analyzing the visitor usage status of DDP (Dongdaemun Design Plaza) space. According to the distribution of visitors and the distribution density of visitors, various methods could be conceived for space planning and strategy establishment. For example, a space with a high number of visitors and a high density should function as the publicness and circulation distribution of the entire DDP, and the provision of viewing information and sufficient guide information should be provided as a space for pre-orientation. Especially, it is considered that the space with high density of visitor distribution should be strengthened in comparison with other spaces such as operational personnel (security, beautification, etc.) and material resources related to civil service. On the other hand, it is possible to plan a space with a low distribution of visitors and a low distribution density as a space for a special class such as an enthusiast, or a method of constructing a deep viewing area for general visitors.

스포츠를 통한 정치외교적 갈등해소에 관한 고찰

박무호 용인대학교 1995 體育科學硏究論叢 Vol.5 No.1

코르네이유의『티트와 베레니스』연구 : 극적 구성의 변화를 중심으로

박무호 울산대학교 인문과학연구소 2002 人文論叢 Vol.21 No.-

Cette e´tude a pour but d´e´clairer les caracte´ristiques de Tite et Be´re´nice, qui est de 1670. Pour ce but nous analysons les caracte´ristiques de Tite et Be´re´nice, qui se sont re´ve´le´es lors de notre comparaison entre cette pie´ce et Cinna. Tout d´abord nous examinons les personnages. Dans Tite et Be´re´nice l´Empereur y paral^t presque toujours, mais les autres ne le respecte pas. Pour la confidente, nous analysons la confidente qui dans Cinna joue un ro^le tre´s limite´. Dans Tite et Be´re´nice le confident/la confidente prennent de l´importance. Ensuite, nous traitons les aspects du conflit qui est l´essence me^me du theva^tre. Dans Tite et Be´re´nice les conflits inte´rieurs qui sont du^s a`des passions opposeves dans le me^me personnage, sont diminue´es, et presque tous les conflits ne sont pas re´solus. En revenche, dans Cinna tous les conflits sont re´solues par la volonte´ des personnages. Enfin, nous cherchons a`voir le changement du ro^le the´a^tral selon les sexes. C´est-a`-dire que dans Cinna, les hommes tre`s privile´gie´s dirigent la pie`les a` leur devoir. Mais dans Tite et Be´re´nice, leur ro^le est inverse´. En conclusion, nous expliquons le cause de ce changement: l´abandon des lde´es politiques.

「문학과 현대문명의 문제」에 관한 토론

박무호 울산대학교 인문과학연구소 2001 人文論叢 Vol.20 No.-

본 토론자는 영문학에 대한 기초 지식도 아주 미약하고, 현대문명에 관한 담론에 대해서도 큰 관심이 없었을 뿐만 아니라 특히 90년대 이후 유행(?)처럼 번지던 포스트모더니즘에 대한 관심도 상식 수준을 벗어나지 않습니다. 따라서 영문학 작품을 중심으로 한 근ㆍ현대문명의 문제에 대한 발표자의 깊은 모색에 대해 중요한 문제들을 심도 있게 논의한다는 것은 거의 불가능한 일이지만, "보다 자유롭게 얘기할 수 있다" 는 세미나의 성격에 맞추어서 이후에 전개될 토론의 단초를 제공한다는 점에서 몇 가지 이야기를 나누고자 합니다.

문화·지원시설로서 서울새활용플라자의 공간기능 분석

박무호 한국문화공간건축학회 2018 한국문화공간건축학회논문집 Vol.- No.64

The Seoul Metropolitan Government promoted the construction of the Seoul Upcycling Plaza in order to provide the space for the production of up-cycling products and the opportunity for citizens to understand and experience up-cycling. In order to operate successfully, it is necessary to utilize buildings appropriately according to the original purpose set and to establish operating programs that encourage up-cycling businesses and citizens to share and visit frequently. This study analyzed the spatial function of Seoul Upcycling Plaza as facilities to support the production of up - cycle products and cultural facilities which experienced and understanded by citizens. Through this, we tried to grasp the way of coexistence of upcycle companies and citizens' spaces in terms of proliferating resource circulation culture. As a result, it aims to provide implications for similar facilities operation and planning. The Seoul Upcycling Plaza coincided with the process by which residents experience a series of processes that take place in residential companies that manufacture up-cycle products. In other words, it is operated in a way that the production activities of the enterprise coexists with the citizens' experience process. Second, the up-cycling education program is run under the slogan of "Daily life of up-cycling". First-time visitors receive opportunities to improve awareness rather than learning specific information through up-cycling training programs. Third, unlike the physical space configuration, the environment experienced in the Seoul Upcycling Plaza does not have the boundary of exhibition, publicity, and education in operation. The Seoul Upcycling Plaza is the first and largest facility to coexist with up-cycle companies and visitors' facilities. It will take a considerable amount of time and effort to become a sustainable operation model through up-cycling training programs and operation methods.

La Vraisemblance와 La Bienseance의 규칙에 관한 연구

朴茂豪 울산대학교 1988 연구논문집 Vol.19 No.1

17세기 프랑스 문학, 특히 고전극에 있어서, 극을 둘러싸고 있는 여러 규칙의 문제는 매우 중요하게 다루어지는 것들 중의 하나이다. 그러나 3단일의 규칙에 치중한 나머지, 우리는 대중(관객)까지도 포함하는 두 규칙 la vraisemblance와 la bienseance의 규칙을 간과하기 쉽다. 따라서 본 논문에서는 이들 두 규칙에 대해, 각 이론의 기원에서부터 17세기 프랑스문학에 정착되기 까지의 이론적인 측면과, 어떻게 실제 작품에 적용되는가를 Pierre Corneille의 작품을 중심으로 살펴 보았다. 그리고 이들 두 규칙이 지니는 상호관계에 관한 논의에 의해, 결국 la vraisemblance의 규칙은 넓은 의미에 있어서의 la bienseance 규칙에 통합할 수 있으며, 바로 이러한 의미에서 <고전주의 시학, 그것은 바로 Bienseance의 시학> 이라 불릴 수 있는 것이다. Dans la litterature francaise du 17siecle, speciallement dans la theatre classique, le probleme des regles est un des problemes les plus importants. Mais, parce que nous avons seulement souligne les trois unites, il est facile de negliger les deux regles, qui renferment l'opinion commune(ou le spectateur). L'une est la regle de la vraisemblance, l'autre celle de la bienseance. Alors, dans cette etude, nous discutons les points suivants: ⅰ) les aspects theoriques--des origines theoriques de ces regles, les conceptions des divers theoricients, et les theories perfectiones dans le theatre classique. ⅱ) les aspects reels--comment les regles sont-elles adaptees les oeuvres(celles de Pierre Corneille). Et apres, nous discutons les liaisons mutuelles de ces regles. En somme, la regle de la vraisemblace peut etre integree dans la regle de la bienseance en un sens elargi et en ce sens,<la poetique classique, c'est la poetique des bienseances>.

박물관 전시공간구조와 관람객 움직임의 다양성

박무호 한국문화공간건축학회 2019 한국문화공간건축학회논문집 Vol.- No.66

박물관의 공간구조는 적절한 양의 관람을 가능하게 하고 일정한 만족감을 제공해야한다. 이러한 공간구조의 평가는 특히 전시공간의 경우 관람객의 움직임과 직결된다고 할 수 있다. 즉 박물관의 공간구조에 대응하는 관람객의 움직임을 파악하는 것은 건축계획적인 측면에서 구체적인 대안을 제시할 수 있는 중요한 단서를 제공할 수 있음을 의미한다. 지금까지 진행된 선행연구들을 통해 전시공간의 위상학적 특성과 관람객의 움직임과 상관성에 관한 다양한 연구가 진행되었다. 박물관 전시공간구조와 관람객 경험의 상관성의 측면에서 전시공간의 구조적 형태에 따라 발생하는 관람객 움직임의 다양성에 미치는 요인을 파악하고자 하였으며 다음과 같은 결론을 도출하였다. 첫째, 관람객 움직임은 전시공간구조를 형성하는 건축공간의 구성적 특성에 따라 다양성이 유발될 수 있음을 시사한다. 이러한 관람객의 다양한 움직임은 전시공간에 대한 전반적인 이해가 쉬운 환경 내에서 경로선택이 다양할 때, 다양한 움직임의 패턴이 나타날 수 있음을 의미한다. 즉 전시공간에 대한 전반적인 이해가 쉬운 전시환경은 관람패턴의 다양성을 유발시킬 수 있다고 할 수 있다. 둘째, 박물관의 중심공간(Major Space)의 구성과 동선분배는 다양한 관람객 움직임을 형성하는 전시공간구조를 형성함에 있어 결정적인 역할을 하였음을 확인하였다. 박물관의 중심공간은 관람객의 전반적인 움직임에 있어 중요한 축(hub)의 역할을 하며 시지각적인 공간탐색에 있어 중요한 역할을 한다고 할 수 있다. 또한 중심공간의 구성은 선택적인 관람동선체계를 구축하여 관람객의 선택에 따라 다양한 관람패턴을 다양하게 유발시키고 있음을 알 수 있다. 본 연구는 박물관의 유형별로 충분한 사례를 대상으로 연구되지 않은 한계점을 내포하고 있다. 이에 따라 관람경험의 다양성에 미치는 영향을 보다 면밀히 파악하기 위해 박물관의 규모적 차이, 관람객의 개별적인 목적, 성향 등에 대해 추가적인 후속연구가 진행되어야 할 것으로 판단된다. The spatial structure of the museum should provide a reasonable amount of viewing and a certain satisfaction. This evaluation of the spatial structure can be said to be immediately related to the movement of visitors in the exhibition space. In other words, understanding the movement of visitors in response to the spatial structure of the museum means that it can provide important clues to suggest specific alternatives in terms of architectural planning. Various researches have been conducted on the topological characteristics of the exhibition space and the correlation with the movement of the visitors through the preceding studies conducted so far. The purpose of this study is to investigate the factors affecting the diversity of visitors' movement according to the structural form of exhibition space in terms of the correlation between museum exhibition space structure and visitor experience. For this purpose, the research method was divided into the analysis of the exhibition space structure and the visitor survey, and the correlation was analyzed based on the analysis results. In order to understand the structural characteristics of the exhibition space, Space Syntax analysis method was used. The above analysis led to the following conclusions. First, the movement of visitors suggests that diversity can be induced according to the characteristics of the architectural space that forms the structure of exhibition space. The various movements of the visitors mean that various patterns of movement can occur when the route selection is varied within an easy-to-understand environment of the exhibition space. In other words, the exhibition environment that is easy to understand overall exhibition space can induce diversity of viewing patterns. Second, the composition and circulation distribution of the Major Space of the museum confirmed that it played a crucial role in forming the structure of the exhibition space to form various visitor movements. The Major Space of the museum serves as an important hub for the overall movement of the viewer and plays an important role in visual perception. Also, it can be seen that the composition of the Major Space is constructed to create a selective viewing system, which induces a variety of viewing patterns according to the viewer 's choice.