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      • KCI등재

        한국과 일본 축제의 백제복식 재현에 관한 연구: 백제문화제와 사천왕사왔소축제의 행렬복식을 중심으로

        마유리 ( Yoo Ree Ma ),김은정 ( Eun Jung Kim ) 대한가정학회 2011 Human Ecology Research(HER) Vol.49 No.5

        This study aimed to suggest more appropriate and accurate festival costumes based on a comparative analysis on various reproduced costumes and a period review of traditional festival costumes. In particular, the comparative analysis examined festival costumes which appeared in Korean and Japanese festival parades during the Baekje Period. The Baekje Cultural and Sacheonwangsawasso Festivals were examined. A literature review as well as field research and digital restorative techniques were used in the study. The reproduction patterns of Baekje costumes from both festivals were compared with original Baekje costumes, demonstrating several differences in the configuration, material, color, and shape of the costumes in addition to the way they were worn. Based on the comparative analysis, Baekje costumes used in Festivals were grouped into three categories: King`s Costume, Queen`s Costume, and Government Official`s Costume. Dress sketches and 3D illustrations also have been presented.

      • KCI등재
      • KCI등재

        4대왕 추모제,백제고분제·왕인박사춘향대제에 나타난 제례복식 연구

        마유리 ( Yoo Ree Ma ),김은정 ( Eun Jung Kim ) 한국기초조형학회 2015 기초조형학연구 Vol.16 No.5

        축제에 나타난 제례복식은 축제 개최 시작과 함께 행해지는 프로그램에서 가장 먼저 접하게 되는 전통복식인 동시에, 축제 주제의 이해를 돕고 시각적 효과를 부여하는 중요한 요소라 할 수 있다. 본 연구는 동일한 시대를 배경으로 하는 다양한 전통역사문화축제에 나타난 제례복식의 유형을 분류하여 재현양상을 제시하는데 목적이 있다. 이에 축제의 배경이 백제시대인 백제문화제, 한성백제문화제, 영암왕인문화축제의 제례의식에 착용된 제례복식을 중심으로 비교분석하였다. 다양한 백제관련 축제에서 연행되고 있는 제례의식에 나타난 제례복식을 비교해보면 복식품목의 구성, 소재, 색상, 형태, 착장 방식면에서 차이가 나타났다. 이러한 비교분석을 통해 도출된 백제관련 축제에 나타난 제례복식의 특성은 제례복식의 유형이 조선시대 제복(祭服)과 백제복식의 절충형, 복합형, 단독형으로 다양하게 나타나고 있다는 점이다. 이러한 현상은 제례의식을 축제 프로그램 속에서 함께 공연화시킨 결과로 생각되며, 제례복식의 다양함으로 축제행사의 극적인 효과를 추구하고자 했던 목적을 염두에 두더라도 제례절차에 적합하면서 제례복식의 대표적 속성인 제의성을 수반한 전통제례복식을 적용해야 할 것으로 생각된다. Ritual costumes in festivals are traditional costumes that are first encountered in the programs performed simultaneously with the beginning of holding a festival and at the same time, important factors to help understand the theme of festivals and give visual effects to the festivals. This study aims to classify the type of ritual costumes appeared in various traditional historic-cultural festivals in the background of the same era and present the patterns of reproduction. Accordingly, this study makes a comparative analysis of the ritual costumes used for ritual ceremonies of three major festivals: Baekje cultural festival, Hanseong Baekje cultural festival, and Yeongam Wangin cultural festival in the background of Baekje period. In the comparison of ritual costumes used for ritual ceremonies in various Baekje-related festivals, there appeared a difference in composition, materials, color, shape, and mode of wearing of costume items. This comparative analysis suggested that as one of the characteristics of ritual costumes appeared in Baekje-related festivals, the type of ritual costumes appeared in various ways: compromised type, combined type, and single type in ritual costumes of Joseon Dynasty and those of Baekje period. This phenomenon is deemed as the result of integrating ritual ceremony into festival programs. So it can be concluded that the traditional ritual costumes having rituality, a representative property of ritual costumes as well as suitability for ritual procedures need to be applied, while considering the purpose of pursuing for the dramatic effects of festivals by varying ritual costumes.

      • KCI등재
      • KCI등재

        서울 · 경기지역 굿거리에서 강신무가 착용하는 무복 몽두리 비교연구

        김은정(Kim Eun-Jung),윤은영(Yoon Eun-Young),마유리(Ma Yoo-Ree) 한복문화학회 2015 韓服文化 Vol.18 No.2

        The present conditions of shaman"s costume which Gangsin-mu (possessed shamans) wear in modern Gutgeori were examined through a field survey and a phenomenon. The type of shaman"s costume Mongdoori worn to symbolize the dancing expression of calling an ancestor spirits. From this acting, regardless of the type of exorcism was observed which suggesting the need to analyze the traditional and the modern shaman"s costume Mongdoori. For the method of study, bibliographic data related to the origin of traditional Mongdoori was used and the pictures were taken while witnessing exorcisms for two years from 2013 to 2014. First, comparison of the type between traditional shaman"s costume Mongdoori and modern shaman"s costume Mongdoori were showed. While shaman"s costume Mongdoori has foundation in traditional costume Mongdoori, it has been put through changes with increasing multicolored stripes or embroidery to be looked gorgeous partially. Second, there were formative differences between traditional shaman"s costume Mongdoori and modern shaman"s costume Mongdoori. In addition, most of shamans wore Mongdoori which were pleated around their waist in the form of a skirt and jacket with an influence of dance costume. Third, in the modern Gutgeori, shamans could not completely adjust their dresses because they should be able to wear multiple pieces of Mongdoori at once in the dance symbolizing their ancestor spirits and take them off in the manner of divine conversion. Therefore, a band worn around Mongdoori became unnecessary and a part of the configuration of shaman"s costume seemed to be disappeared.

      • KCI등재후보

        한국 상례복에 관한 연구-광주ㆍ전남지역의 상례복 제작업체를 중심으로

        김용서(Kim Yong-Seo),최은아(Choi Eun-A),마유리(Ma Yoo-Ree),윤은영(Yoon Eun-Young) 한복문화학회 2003 韓服文化 Vol.6 No.2

        The mourning garments that reflect well the filial piety for our ancestor are our traditional dothes. But time goes by, the mourning garments are simplified and the composed factors of the mourning garments are changed with modern life styte and it is substituted for the western dothes step by step.<br/> So we compared the mourning garments that were existed in historical documents with manufactures to inherit and<br/> develope them.<br/> As a result of that we could know that there are a lot of differences in forms, types, production methods, materials and<br/> colors between the mouming garments that we make and the mourning garments that are existed in historical documents.<br/>

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