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이토 도요, 이시오카 에이코, 그리고 ‘여성 도시 노마드’ 라는 환상
조나단 레이놀즈(Jonathan Reynolds),육영신(번역자) 한국근현대미술사학회 2017 한국근현대미술사학 Vol.34 No.-
At the height of Japan’s economic bubble in the 1970s and 1980s, one fantasy that circulated widely through advertising posters of the designer Ishioka Eiko, ephemeral “nomadic” architecture of Itō Toyoo, and other media, imagined Tokyo’s young female office workers to be “urban nomads.” These urban tales emerged out of the shared perception that life in the contemporary Japanese city had increasingly become a life of constant movement, a life on the street. The “female urban nomad” might appear to be celebratory figure whose appearance was an emanation of Japan’s dynamic, increasing affluent, and increasingly international urban culture. I will, however, argue that the “female urban nomad” can be interpreted as a symptom of anxiety over rampant consumerism and of estrangement from the dense, mechanistic urban environment of Tokyo and other large Japanese cities.