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남기헌 ( Ki Heon Nam ) 한국현대영미소설학회 2013 현대영미소설 Vol.20 No.3
F. Scott Fitzgerald openly denounced popular literature for its obscenity and vulgarity. Nevertheless, his work willingly engages in the popular discourses of the Jazz Age. This paper focuses on how popular culture operates in constructing Fitzgerald`s The Great Gatsby. The cover jacket of the first edition of The Great Gatsby published in 1925 includes an Art Deco style drawing of a woman with big eyes in the sky over an amusement park made bright with electric lights. The cover is emblematic of Fitzgerald`s keen awareness of emergent arts and innovated technology, both of which are deeply related to the advent of modernism. References to popular culture continue and abound in The Great Gatsby. For example, the colossal advertisement of T. J. Eckleburg signifies the pervading dominance of advertising industry. Many characters also recognizes the persuasive force of commodity culture along with advertising. Myrtle is the female consumer who emulates celebrities and their fashions advertised in such popular magazines as Town Tattler, a typical scandal magazine of the 1920s. Gatsby`s schedule is written on the last fly-leaf of Hopalong Cassidy, a popular novel based on the frontier cowboy. Along with Dan Cody, whose name combines Daniel Boon with Buffalo Bill Cody, this novel represents the secularization of the frontier spirit. Fitzgerald also makes a reference to a popular novel titled Simon Called Peter, which is related to a murder case which took place in 1921. Without a doubt, Nick writes a book--perhaps a biography or fiction--about Gatsby, as an author-narrator and a character. Nick`s choice of the epithet “great,” however, must be considered along with “characters” found in popular culture, such as Hadji Ali, the “Great Magician of Egypt.” Other associations that Fitzgerald tried to make include his tentative title for the novel, “Trimalchio in West Egg,” which obviously implies a negative view of Gatsby`s lifestyle. Thus, Gatsby`s “greatness” becomes ironical when measured against references to popular culture.
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“Dirty Cleans”: 조이스, 음란성, 그리고 검열
남기헌 ( Ki Heon Nam ) 한국제임스조이스학회 2011 제임스조이스저널 Vol.17 No.1
This paper deals with the problem of censorship in regard to Joyce`s Ulysses, not only in his time, but also in our time. The Throwaway Horse Project initiated a series of webcomic versions of Joyce`s Ulysses. It became so famous that the Apple company allowed the iPad version of this webcomic to be sold only if some part of the obscene descriptions were modified. In the end, the Apple company was forced to succumb to the protest. The serialization of Ulysses in the Little Review through Ezra Pound was suppressed because of its obscene contents in America. The New York Society of the Suppression of Vice waged a crusade against obscene literature, which is supposed to smudge the innocent minds of the young. In 1935, Judge Woolsey`s decision salvaged Joyce`s Ulysses from being condemned as obscene. But it is true that Joyce must have intended to include obscene materials in his work. Why? The answer is: Joyce must have been aware of the dominance of pornography along in commodity culture. Joyce`s inclusion of pornographic novels and erotic picture cards makes his work ``obscene,`` which strategically undermines the edifice of Victorian discourses of purity and hygiene. Joyce tries to be honest about his sexual desire, which is embodied through a character, Leopold Bloom, whose sexual perversity is supposed to be embraced as ``normal.`` Although so many characters in ``Circe`` denounce Bloom`s perversity, they reveal their own sexual fantasies. In a scene of hanging the Croppy Boy, a kind of metamorphosis of Robert Emmet, a radical nationalist, those ladies in the high society of England run to sob the sperm emitted by the hanged man. By scattering pornographic novels and erotics pictures throughout Ulysses, Joyce attempts to show his awareness of the transition of sexual discourses and criticizes the repressive hypothesis of the period in which he lives. Joyce deploys obscene materials as a Trojan horse to attack the Victorian idealization of prudence and reticence about sexuality. He must have been aware that the distinction between high culture of classicism and popular culture of pornography will be blurred. So his inclusion of obscene materials in Ulysses is his aesthetic strategy.
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남기헌 ( Ki Heon Nam ),장태우 ( Tai Woo Chang ),박진우 ( Jin Woo Park ) 한국로지스틱스학회 2010 로지스틱스연구 Vol.18 No.2
자원 고갈과 폐기물 처리가 사회적 이슈가 되고 있고, 그에 대한 기업의 책임도 확대되고 있다. 본 연구는 폐자동차 처리 과정에 자동인식 기술을 도입하는 것을 제안하고, 기술 도입에 따른 경제적 타당성을 확인하기 위해 시뮬레이션을 통한 정량적인 분석을 수행하였다. 자동인식 기술을 도입함으로써 정보 추적에 따른 고객의 신뢰도 증가, 재사용부품의 정확한 잔존가치 측정을 통한 이익 증가 등이 가능하다. 시뮬레이션 결과에 따르면, 자동인식 기술의 도입에 따라 재사용부품의 판매가 증가하고 재사용 및 폐기 비용이 감소하였다. 또한 고객 불만 비용과 기회비용이 감소하였다. 추가적으로 개별 요인이 성능에 미치는 영향을 알아보기 위해 감도분석을 수행하였다. 본 연구의 시뮬레이션 모형은 자동인식 기술을 도입하고자 할 때 유용하게 사용될 것으로 판단되며, 대부분의 RFID 기술이 공급사슬관리를 중심으로 응용되는 현 상황에서 연구 범위의 폭을 넓히는 계기가 될 것으로 기대된다. As depletion of natural resources and disposal of waste matter become social issues, the responsibility of the companies extends to the product recovery and disposal. In this study, we proposed adoption of automated identification technologies in End-of-life Vehicle (ELV) management process. And we conducted a quantitative analysis and simulation to figure out the economic feasibility of the implementation of the automated identification for the solutions we proposed. By implementing the automated identification technologies, customer reliability is increased due to the information tracking. And the profit is maximized as the estimation for the salvage value of the ELV parts becomes more accurate. Based on the results of the simulation studies, sales for the reusable parts are increased and the costs for reusing and disposing are decreased due to the implementation of the automated identification technologies. And the customer dissatisfaction costs and opportunity costs are decreased. Besides, we conduct the sensitivity analysis to figure out the effect of each factor that affects on the system performance. We believe that the simulation model is very helpful for the companies who try to implement the automated identification technologies in their system. Also, this study broadens the study field of the RFID application in the situation that the most of RFID application studies are focused on the supply chain management.
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이우천,남기헌,박현수,라종득,이철,고강훈,Lee, Woo-Chun,Nam, Ki-Heon,Park, Hyun-Su,Rha, Jong-Deuk,Lee, Cheol,Ko, Kang-Hoon 대한족부족관절학회 2001 대한족부족관절학회지 Vol.5 No.1
Purpose: to investigate the etiology and the results of surgical treatment of the symptomatic accessory navicular in adults. Materials and Methods: Between 1996 and 2000, 17 cases in 16 adult patients who were older than 20 years were diagnosed as painful accessory na vicular. 11 patients could recall a twisting injury of the ankle, and 8 of them were inversion sprain. 4 patients had tibialis posterior tendon lesions. 13 feet of 12 patients were treated by resection of accessory navicular, the synchondrosis, the medial portion of the navicular and reattachment of tibialis posterior tendon without transposition. 9 feet in 8 patients were followed for more than one year after surgery. In 4 patients with tibialis posterior tendon lesions, additional procedures were performed according to the state of the lesion. Results: All were type II accessory navicular bone which had synchondroses. There was gross motion of the synchondrosis in 'the operating field in all feet. Of the 9 feet which were followed for more than one year after surgery, results were excellent in five and good in four. Conclusion: The painful accessory navicular in adult might be closely associated with inversion ankle sprain, and also with the tibialis posterior tendon lesions. Satisfactory result could be obtained without transposition of the tibialis posterior tendon to the undersurface of the navicular and immediate postoperative weight bearing does not have harmful effect on the result.
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