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한국·미국·베트남의 베트남전쟁 소설 연구: 부르디외의 ‘장’과 ‘아비투스’ 이론을 적용하여
김현생(Hyunsaeng Kim) 한국영미어문학회 2016 영미어문학 Vol.- No.121
This study analyzes the relation between ‘war space’ and soldiers’ actions depicted in Vietnam War novels, employing Bourdieu’s concepts of ‘field’ and ‘habitus.’ According to Bourdieu, field is a structured social space with its own rules and it is relatively autonomous from the wider social structure in which people relate and struggle through a complex of connected social relations. Whereas, habitus is a system of acquired, generative dispositions functioning on a practical level as perception and assessment, as well as the organization of action. The Distant Songba River by Korean writer, Park Young-han, Going after Cacciato by American writer, Tim O’Brien, and Novel without a Name by Vietnamese writer, Du’o’ng Thu Hu’o’n, deal with the same Vietnam War, but in these novels the same war varies dramatically from one another. In this regard, the effect of field upon soldiers’ actions, and the implication of spatial actions can be examined. Ultimately, these Vietnam War novels describe the ambivalent but creative power of war discourse shared both by the concepts of field and habitus.
김현생(Hyunsaeng Kim) 한국영미어문학회 2017 영미어문학 Vol.- No.125
This study analyzes eroticism and otherness in Beckford’s Vathek from the perspective of Orientalism. Beckford depicts the title role, Vathek, as totally dissolute, addicted to pleasure and the extremes of luxury, far too proud, and sadistic, who deliberately chooses the path of evil. Vathek devotes himself, partly under the influence of his sorceress mother, Carathis, in the direct service of Eblis. Crime follows crime, and in his journey towards the haunted site of the inferno of Eblis himself, Vathek conceives a passion for the beautiful Nouronihar who is as much intoxicated by the prospect of supernatural power as he is himself. Through this process, the whole culture is presented as a culture of voluptuousness, sensuality, decadence, indolence, and ease. Furthermore, Vathek, in furthering the negative portrayal of the East, directly contributed to the myths of Oriental eroticism and Otherness, which created division and conflict between the East and the West.