「무녀도」읽기 : 환경 비평의 시각에서

김한성(Kim Han Sung) 문학과 환경학회 2010 문학과 환경 Vol.9 No.2

Eco-criticism tends to be defined as “the study of nature writing by way of any scholarly approach or, conversely, the scrutiny of ecological implications and human-nature relationships in any literary texts” (Slovic, 27). Examining the negotiation between human and nature has tackled the field of Korean “pure” literature called Sunsumunhak. These writers advocate the purity of literature by turning their eyes to nature from socialist realism or Western “modernism.” Kim, Dongni(1913-1995) represents this flow of literature when Japanese colonial rule controlled Korean literary circles in late 1930's and early 1940s. His representative work, “The Shaman Painting”(1936) describes the atmosphere of Korean nature in a remote village near Gyeongju, the ruined capital of ancient Korea. In this fiction, Kim attempts to reinvigorate shamanism as Korean tradition against Western religion, Christianity. He treats Christianity as an unwelcome guest which persecutes shamanism. For this reason, literary critics tend to understand this work as a religious struggle between East and West. This point of view is plausible; however, his obsession with shamanism seems to divert from a religious category. I want to explore Kim's obsession with shamanism from an ecological and feministic perspective. The death scene of a heroine, a shaman, and fictional characters' and a narrator's ruined identity enlighten me that these characters are deeply connected with nature, stage, and background. Thus, I explore how human beings negotiate with the nature in “The Shaman Painting.” Then, I examine the essence of the Korean spirituality that Kim portrays here.

김기림 초기 시 연구

김한성(Kim, Han Sung) 한국현대문학회 2013 한국현대문학연구 Vol.0 No.40

동시대의 비평가와 후대의 연구자가 입을 모아 지적하였듯이, 김기림 텍스트에서 일본 모더니즘의 흔적은 분명 발견된다. 하지만 그는 일본 모더니즘의 흔적을 영미 모더니즘으로 곧 대체한다. 해방 후 기존의 비평을 편집한 선집 『시론』(1947)에서 일본 문인들의 이름은 해방기의 민족주의 정황상 지워지며, 해방 후 출간된 시집 『바다와 나비』(1946)와 『새노래』(1948)에서도 일본 모더니즘 색채가 가미된 시는 제외되었다. 이 글은 일본대학에서 1차 유학(1926-1929)을 마친 김기림의 시 「슈르-레알리스트」(1930.9.30), 「시론」(1931.1.16), 「첫사랑」(1934.1) 세 편을 독해하여, 김기림 텍스트가 일본 모더니즘의 자장에서 벗어나 영미 모더니즘으로 전환하는 순간을 추적해 본다. 일본을 매개로 한 모더니즘의 굴절된 수용에서 직수입의 길로 나아가는 과정에서 한국 모더니즘 문학의 이론적 지도자를 꿈꾸는 저자의 욕망을 읽을 수 있다. This paper sheds light on the transition from the indirect reception of French surrealism via Japanese surrealism to the direct and immediate reception of English modernism in Kirim Kim’s early poetic works. I compare Kim’s poems with contemporary Japanese and Western ones and explore how Kim’s poems are intertextualized with them. The trace of Japanese surrealism shows in his early poems such as “Surrealist,” “Poetics,” and “The First love,” and his essays in some degree, but becomes lost when he applied T. S. Eliot’s literary theory and poetic skills. When he collected his selected poems and critical works after WWII, he erased all Japanese writers’ names in his essays and removed their surrealistic skills in his poems. He desires to liberate his works from the anxiety of Japanese influence and to establish the literary tradition of Korean modernism after the liberation from Japan.

칼럼 - 한국 FTA 현황 및 향후 대응 과제

김한성,Kim, Han-Seong 대한석유협회 2016 석유와 에너지 Vol.299 No.-

6자유도 병렬형 모션 시뮬레이터 개발

김한성,Kim, Han-Sung 한국생산제조학회 2010 한국생산제조학회지 Vol.26 No.2

This paper presents the development of a new 6-DOF parallel-kinematic motion simulator. The moving platform is connected to the fixed base by six P-S-U (Prismatic-Spherical-Universal) serial chains. Comparing with the well-known Gough-Stewart platform-type motion simulator, it uses commercialized linear actuators mounted at the fixed base whereas a 6-UPS manipulator uses telescopic linear ones. Therefore, the proposed motion simulator has the advantages of easier fabrication and lower inertia over a 6-UPS counterpart. Furthermore, since most forces acting along the legs are transmitted to the structure of linear actuators, smaller actuation forces are required. The inverse position and Jacobian matrix are analyzed. In order to further increase workspace, inclined arrangement of universal joints is introduced. The optimal design considering workspace and force transmission capability has been performed. The prototype motion simulator and PC-based real-time controller have been developed. Finally, position control experiment on the prototype has been performed.

Pulse Electrodeposition 방법에 의한 고분자 전해질형 연료전지의 전극제조 및 특성화

김한성,박영준,최경환,이승재,이태희 ( H . S . Kim,Y . J . Park,K . H . Choi,S . J . Lee,T . H . Lee ) 한국화학공학회 1996 화학공학의이론과응용 Vol.2 No.2

"온병조변"에서 "임증지남의안" 의 온병관련 의안을 변형하고 첨삭한 방법

김한성,임진석,이충열,Kim Han-Sung,Lim Jin Seok,Lee Choong Yeol 대한동의생리학회 2005 동의생리병리학회지 Vol.19 No.3

The Wenbing tiaobian(온병조변) is the first systematic disease monograph on warm factor disease(온병), written by Wu Jutong(오국통). It was most influenced by the Linzheng zhinan yian(임증지남의안), which was a book of gathering medical case records of Ye tianshi(엽천사). Therefore, there are plenty of quotations from this book in the Wenbing tiaobian. This study investigates the quotations from Linzheng zhinan yian, especially focusing on the way of transformation and correction of the original medical case records on the warm factor disease. The results are as follows: About 104 of 265 provisions in the Wenbing tiaobian were directly quoted from the Linzheng zhinan yian. The provisions quoted from Ye's case records were rearranged according to the categories of the triple burners pattern differentiation(삼초변증) and the causes of warm factor disease. And eve case record was transformed into more general descriptive form in order to put it into the book. For example, the specific figures, and some patients' peculiar symptoms, causes, sex and disease names were omitted. On the other hand, the tongue moss, pulse shape and some symptoms, which were necessary for differentiating patterns, were added. In the case of the formula, some formulas originated from Ye's case records were named newly. And the dose of each herb consisting a formula was determined, and therapeutic principle, taking method and detailed explanation was added to every formula.

외투세포 림프종의 세침흡인 세포학적 소견 - 1예 보고 -

김한성,박성혜,Kim, Han-Seong,Park, Sung-Hye 대한세포병리학회 2001 대한세포병리학회지 Vol.12 No.1

Cytologic features of a case of mantle cell lymphoma is presented, which was obtained by fine needle aspiration cytoloby and confirmed by excisional biopsy of axillary lymph node. A 67-year-old female alleged palpable masses in both axillae for several months. Additional multiple lymphadenopathies were found in the both neck and inguinal areas. The main cytologic feature was carpeting on monotonous slightly atypical small lymphocytes without heterogeneous components. The nuclei of these lymphocytes are slightly larger than benign small lymphocyte and relatively round with some Indentation. Nucleolus was not prominent and no mitosis was found. Their cytoplasm was scanty and cyanophilic in Papanicolaou's stain. The histiocytic cells, which had bland-looking banded nuclei and abundant cytoplasm, corresponding to pink histiocytes were shown. Excisional blopsy of lymph nodes was diagnosed as mantle ceil lymphoma, diffuse type.

섬유의 혼합율과 꼬임 구조가 2합 방직사의 굽힘 특성에 미치는 영향(II)-합사의 굽힘 특성-

김한성,오애경,김승진,Kim, Han-Seong,O, Ae-Gyeong,Kim, Seung-Jin 한국섬유공학회 1993 한국섬유공학회지 Vol.30 No.7

The bending propertied of the 2 folded yams such as the bending rigidity, the coercive couple, the hysteresis energy and the residual curvature with various wool/polyester blend ratios and with variations of the single and 2-folded yarns twists were stylied for analyzing twist characteristics, inter and intra frictional effects. The value of the experimental specific bending rigidity of two folded staple yarns were in the range of 1.2 and 2.5 times of the estimated values, and the experimental specific bending rigidities of 2 folded yarns divided by the power of 1.2 of its linear density were almost same as the experimental specific bending rigidities of single yarns. The experimental specific bending rigidities of the 2 folded staple yarns were found to show the maximum values in the range of the same twist between the single and 2 folded yarns with increasing 2 folded yarn twist with fixed single yarn twist. The values of the coercive couple, the residual curvature and the hysteresis energy of the 2 folded staple yarns showed almost sane tendency as that of the specific bending rigidity. Maximum bending rigidity to wool/polyester blend composition was shown around the range of same blend composition, and maximum bending recovery was also shown in this range, then coercive couple and hysteresis energy were increased with polyester colnposition.

『기상도』(1936)와 『황무지』(1922) 비교

김한성(Kim, Han Sung) 한국현대문학회 2012 한국현대문학연구 Vol.0 No.38

영향관계(Influence)는 인유(Allusion), 빌리기(Borrowing), 메아리(Echoing), 번안(Adaptation)을 모두 함축시키는 폭넓은 함의를 지닌 용어이기 때문에 이를 세밀화하는 작업이 요구된다. 이 글에서는 원천이 되는 작품의 우월성을 강조하는 기존의 용어 사용을 배제한 채 상호텍스트성(Intertextuality)에 기초하여 텍스트를 독립적인 지위에 놓고 비교해보려고 한다. 김기림의 장시 『기상도』(1936)를 이해하기 위하여 엘리엇의 장시 『황무지』(1922)를 고려해야 하는 이유로 몇 가지를 들 수 있다. 첫째, 장시의 구성을 교향악에 비유하고 있는 점에서 유사성을 보인다. 둘째, 김기림이 1936년 4월 동북제국대학에 입학하여 리차즈(I. A. Richards) 시학을 연구하기 이전, 시론에서 가장 많이 언급하고 있는 시인이 엘리엇이다. 셋째, 『기상도』가 『황무지』의 영향을 받았다는 기존 연구 역시 『황무지』에 대한 고찰을 필요로 하게 만든다. 하지만 이런 연관성에도 과연 『기상도』와 『황무지』를 과감히 일대일로 비교할 수 있는 지 의문이 남는다. 식민지와 제국, 동양과 서양 등 비교 불가능한 몇몇 지점이 있지만, 『기상도』는 인간문명에 대한 비판을 주제로 한 장시라는 점에서 『황무지』와 비교 가능하다. 이 글에서는 『기상도』와 『황무지』에 드러난 문명에 대한 관점이 두 텍스트 사이에서 어떻게 교섭하고 있는지 살펴봄으로써 『기상도』에서 드러나는 문명 비판과 역사 감각을 고찰해보고자 한다. The study of The Waste Land (1922) and T. S. Eliot’s literary criticism helps to figure out the works of Korean modernist Kim Kirim in 1930’s. Kim confessed that his long poem, The Weather Map (1936), is inspired by The Waste Land. Both works share the poetic style that deconstructs the nature of the poem by jumping from one manners and styles to another. It is arguable that The Weather Map acquires an equivalence to compare with The Waste Land. Although both works were composed during the period of high modernism that came after the end of World War I, the geographic spaces where each lyric speaker positions himself and portrays is distant from each other; whereas The Waste Land’s background is London during and after World War I, The Weather Map is set in the semi-colonized Shanghai and the colonized Seoul in the 1930s. Both works need to be compared with the “incommensurability” of their spatial differences in mind. In this paper, I focus on the symbol of the Tarot card, “The Wheel” among the intellectual accounts of various symbols that appear in The Waste Land. Eliot’s use of the symbol of “the wheel” presents the subject of the rise and fall of civilizations throughout history. Kim intertextualizes this “wheel” in the seventh chapter of The Weather Map, titled “The Song of Wheel,” and uses shifts in the weather as a metaphor for the “circulating civilization.” This paper will examine how the poetic motif of “The Wheel” in The Waste Land has been transmitted and transferred to The Weather Map.

김기림, T. S. 엘리엇, 니체

김한성(Kim, Han Sung) 한국현대문학회 2015 한국현대문학연구 Vol.0 No.46