빛 (光) , 그림자 (影) / The colors of prism

김창경 한국기초조형학회 2000 한국기초조형학회 학술발표논문집 Vol.- No.-

先秦時期의 海洋文化認識

김창경 동북아시아문화학회 2013 동북아시아문화학회 국제학술대회 발표자료집 Vol.2013 No.11

연신비가 초고분자량 폴리에틸렌과 고밀도 폴리에틸렌 블렌드 겔 필름의 열적 및 역학적 성질에 미치는 영향

김창경,조재환,김진사,Kim, Chang-Gyeong,Jo, Jae-Hwan,Kim, Jin-Sa 한국섬유공학회 1990 한국섬유공학회지 Vol.27 No.10

Blend films of ultra-high molecular weight polyethylene (UHMW PE) and high density polyethylene(HDPE) were prepared by gelation/crystallization from p-xylene solution and they were drawn at various draw ratios in order to investigate thermal and mechanical properties of drawn samples. High draw ratio above 100 could be obtained from drawing the blend films of 70/30 and 50/50 weight percent of UHMW PE/HDPE as well as UHMW PE gel film. Melting temperatures of drawn samples were initially decreased with the increase of draw ratio but above a certain draw ratio, were increased. For the samples having the same draw ratio, melting temperatures were decreased with the increase of weight percent of HDPE. Tensile modulus and tenacity of drawn samples were dependent on the blend composition. Modulus and tenacity were decreased with the increase of weight percent of HDPE. Modulus of samples was almost linearly increased with the increase of draw ratio for all the blend compositions. Tenacity was increased with the increase of draw ratio but the rate of increase was lessened for the high draw ratios.

[토론] 「조선(朝鮮) 종성석(鍾城石) 벼루에 대한 고찰」에 대한 토론

김창경 동북아시아문화학회 2020 동북아시아문화학회 국제학술대회 발표자료집 Vol.2020 No.10

杜牧과 李奎報의 氣意論 比較 硏究

김창경 중국어문연구회 2008 中國語文論叢 Vol.0 No.39

王维诗歌画家视角下的审美观照

김창경,黄玥明 중국인문학회 2022 中國人文科學 Vol.- No.81

역대로 문단에서는 왕유의 시를 “시 속에 그림이 있고, 그림 속에 시가 있다”고 평가하고 있지만, 많은 학자들은 시대의 변화와 각기 다른 시각의 연구를 통해 이 평가에 대한 의문을 제기하고 있다. 다시 말해 기존 평가는 왕유 시가의 성취를 한 방면에만 두어 살펴본 것이라 여긴 것이다. 왕유의 작품은 ‘회화’적인 측면에서 그 성취가 뛰어날 뿐만 아니라 동시에 유동성과 음악성을 겸비한 것이기에, 수려한 산수자연의 전경식 ‘파노라마’에 가깝다. 본 논문은 왕유의 풍경시를 연구대상으로 삼아, 그의 시가 창작에서 나타난 독특한 심미적 특징을 화가의 시각에서 분석을 시도하였다. 왕유 시가는 화가 시각의 구도 그리고 시가의 구조와 이미지를 아주 교묘하게 드러내었을 뿐만 아니라, 그 창작에 있어서도 철학적 사유를 지닌 심미적 관조를 드러내고 있다. 그래서 왕유 시가는 이러한 심미적 관조 아래 창조된 의경과 인생 태도를 충분히 구현해 내고 있다.

토정 이지함의 도학사상(道學思想) 연구

김창경 (사)율곡학회 2017 율곡학연구 Vol.35 No.-

Tojeong, Lee Ji-ham was a Confucian scholar during the mid-Joseon era who tried to implement the perfection of knowledge by studying the principles of real things in Confucianism. He continually tried to put primaryrealworth into practice. Tojeong was conscious of the anxiety concerning the nation and of common people with exceptional abilities and academic backgrounds. He was a true scholar who tried to solve problems derived from social discrimination, disease and starvation that people are forced to face in their daily lives. However, he is recognized as an eccentric scholar who transcended all the formality of the mundane world with extra-ordinary behaviors. In the academic world, he is categorized as a Ghi-oriented scholar or a natural philosopher and these labels have caused his academic achievements to be devaluated, overlooked and excluded. However, Tojeong practiced the funeral and ancestral rites according to Confucius’manners and used the noble poverty of Geuk-Gi-Bok-Rye from Yan Hui and Mencius` reduction of desires as the foundation for cultivating one's mind. He also carefully considered the studies of Gyeong and faithfully committed himself to the practice of it. This signifies that he is a true Confucianist who tried to implement the teaching of Confucianism. As incumbent mayor in Pocheon Hyeon and Asan Hyeon, he tried to implement a practical way for people to govern through petition which is similar to the principle of a ruler’s governance. Tojeong's practical spirit has a philosophy that is earnest for patriotism and has affection for people. In addition to this, Tojeong's Confucian ethics reveal his strong will to realize ethical ideas and lessons by not avoiding the present reality which common people face. 토정 이지함은 조선중기 선비로서, 유가 학문이 추구하는 사물의 이치를 궁구해서 당면 현실에 구현하고자 하는 본지를 노력하고 실천하며 살아간 유학자이다. 무엇보다도 토정은 비범한 능력과 학문적 경지를 가지고 있으면서도 국가와 백성들을 걱정하는 우환의식(憂患意識)을 지녀서, 백성들이 당면한 신분차별과 질병 및 굶주림 등을 현실적으로 해결하고자 실천한 선비이다. 다만 그의 행적이 세속을 초월하여 비범한 일들이 많기에, 학계에서도 기(氣)중심론자 내지는 자연철학자로 분류되어 오늘날까지 학문적 위상을 제대로 평가받지 못하고 소외되어 있다. 그러나 토정은 공자의 예법을 따라 상제례(喪祭禮)를 실천하고, 안회와 같은 극기복례의 청빈과, 맹자의 과욕(寡慾)을 수양의 근본으로 삼고 있다. 또 경(敬)을 위주로 학문을 궁리하고 독실하게 실천함을 근본으로 삼아서, 유교의 가르침에 충실한 유학자였음이 잘 드러나고 있다. 더구나 포천현감과 아산현감 재직시에 그가 상소문을 통해 실천하고자 했던 치인(治人)의 실천방법은, 왕도(王道)의 지치(至治)와 다름이 아니다. 이러한 토정의 실천정신에는 절실한 우국애민사상이 자리하고 있다. 아울러 일반 백성들과 더불어 살면서 당면한 현실을 회피하지 않고, 행도(行道)와 수교(垂敎)를 투철하게 실천하고 있는 그의 삶에는 토정의 도학사상이 잘 드러나 있다.

C.I.P.와 디자인 매니지먼트에 관한 연구

김창경 남서울대학교 1996 남서울대학교 논문집 Vol.2 No.-

The purpose of the Design Management is to creat and contribute the 'Good Design' to the industries by applying the general management into scientific, structural and effective ways. The design management is a new field of study that was created and developed through continuous research respected to the relationships between the corporate and the design, design and the technologies after the industrial revolutions. With practice, such as the study for societal functions and the establishment of design concepts from the Great Britain in 1960's, many design methodologies were introduced by a number of researchers including Christopher Jones in 1970's. In 1976, the Design Management Institute was established in Boston and the study of the design management began to heat up. The C.I.P. is the design management, establishes the corporate image by unifying the corporate information elements and its effective adaptation and management operation in order to positively reach the goal of the corporate and to support the practices of the marketing as C.I.P.' s main point. The design management was introduced to Korea quite recently. Also the adaptation and introduction of the concept of C.I.P. was early 1970's. Since then, many large corporates adapted, and resulted with success. But unfortunate thing is that we do not have right minds in respect to societal culture. C.I.P. in Korea was introduced mainly as a visual design in a simple and comparative form and in respect of the corporate, dealt as only a part of visual element. C.I.P. is the living method created within the corporates' competition process and have to be revised and dealt from the design management of multisided view with the respect to the corporate aspects. It is the concept of C.I.P. as a design management reminded the corporate the importance of the design and establishment of the design management as a major part of the corporate management, and respected corporate image creation by effective adapation, management and operation. The practice of C.I.P., a corporate communication system, as a design management clarifies the corporate's true nature through corporate identity unification and establishment of the uniqueness. By managing this way, makes possible to provide the continuous and unique corporate's own characteristics, philosophies and society cultural environment. Also by unifying all corporate practices and members' recognitions would lead into a total unification. The necessity of the establishment of the design management as a major part of the corporate management is increasingly emphasized in today's highly competitive world, since the consumers no longer buy the products with cost or the quality but with the corporate philosophies. The Korean corporates are also began to follow them. Therefore the establishment of the corporate image for competition in corporate level updates the limits of the advertiesements and makes C.I.P. design management adaptation necessary. So the C.I.P. in Korean corporate should throw away the so called 'the concept of visual design unification* and should confirm the position in the corporate management from the point of the corporate communication and society's cultural views to develop the directions of the management and to create the corporate's image.

4차 산업혁명 대비 과학기술정책과 거버넌스

김창경 한국정책학회 2017 한국정책학회 세미나 Vol.2017 No.1

텔레비전 프로그램에서 제품배치(PPL)의 효과연구

김창경 남서울대학교 2002 남서울대학교 논문집 Vol.8 No.-

Brand placement, or product placement(PPL) is a new tool of promotion and marketing communication. The increase of its using in films can be observed easily. The studies on impact of PPL has been done resently sometimes, but the study on evaluative attitudes of the parties concerned with PPL has rarely done up to this time. The parties are advertising agency, client, film industry and public policy. The result of study is a follow: The evaluative attitude of each group to PPL is generally positive, but the advertising agency's view is contrary to the public policy which have a reciprocal position.