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金準玉 여수대학교 1997 論文集 Vol.11 No.1
This project seeks to examine expressive aspects of Lee Sebo's Shijo, analyzing 458 sequences. I sort out them into two types in terms of contents, and I describe them as three different style in terms of their form, adding expressive characteristics to the two sides I mentioned. I deal with Lee Sebo's works, dividing then into the following two : diadactic and individualistic ones in their content. In formalistic aspects, first of all, he uses lines and phrases of his works by appending additional phrases to the lines of ancient Chinese poem: second, he wrote his wrote as sequence from January to December: third, I find that he habitually uses exclamatory word in the first phases of last lines. These facts indicate that Lee Sebo's Shijo sequence possesses the two different aspects in both content and form: adherence to tradition and acceptance of change. Also, I believe that such a contradictory fact comes from both the poet's bureaucratic status and his anti-bureaucratic inclination.
金準玉 여수대학교 1998 論文集 Vol.12 No.1
This essay seeks to analyze both Lee Yi's poems dealing with nature and his views on literature in terms of an explication of artistry in the Chosun Dynasty literature. Although Lee Yi was not the man of literature, he had an independent and advanced literary views. He considered literature as an illustration of Tao or an expression of clean and sincere emotion, which we cannot find in other scholars. Such a literary view is based upon his academic theory, Sungriron. His poems of nature express his pure self as well as cleared spiritual world. In those poems, he does not show moralistic, didactic, and philosophical interest. That is, his literary views and works, we find that he sought to build a literature free of moral, ethical, philosophical interest, even though he was a philosopher. This element indicates that sungrihak itself pursued the ultimate virtue and beauty.
金準玉 여수대학교 1992 論文集 Vol.6 No.-
The purpose of this paper is to examine the idealistic background and expressive aspects of Sansu Shi sung by scholars in Chosun danasty and further to demonstrate the diversity and artistic properties of Korean classical literature. The scholars in Chosun dynasty persisted in living their lives in Nature so that they could find their purely good minds or obtain the profound truths behind nature. Such an intentional lives are mirrored in the Sansu Shi. The verification of these facts are made by examining the expressive aspects of Sansu Shi. It is first treated how the scholars understand nature, and then the literary significance of Sansu Shi. This paperis confined to discuss works of three representative Confucianists, that is, Hwang Lee, In-hoo Kim, and Yi Lee. The study of the scholars made us find the fact that they used to live in nature in order to cultivate their characters very well and beautifully and to understand the profound truths from nature. The nature, where they began to live with the idea of accepting the original lives of Confucianists, Provided them with a place to cultivate the right and pure minds and made them acquire Confucian learning, Thus, it can be said that Sansu Shi underlay this consciousness. The Sansu Shi is divided into three types: one which depicts nature as it is, one which represents pleasant lives in nature, and one which is written in Confucian poetic diction. The important thing is that these types can be only explained by Confucianism. It is the literary significance of Sansu Shi that it has a status as pure literature in spite of their idealistic expression. The research on the expressive aspects of the Sansu Shi permits us to find the facts that the Chosun literture had excellent artistic properties and various types. Now, all that we have to do is to analyze many writers and literary works together with many other poems from this point of view.