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한일 작가가 바라본 신정론(神正論)의 문제들 -엔도 슈사쿠와 이문열의 경우를 중심으로-
김정봉 ( Jeong-bong Kim ) 한국일어일문학회 2016 日語日文學硏究 Vol.96 No.2
The present paper examines issues in theodicy reflected in Korean and Japanese literary works. For this purpose, Endo Shusaku`s A Little Green Grape and Yi Munyol`s The Son of Man are analyzed. In perceptive senses of theodicy, Endo`s description of theodicy in A Little Green Grape is something to be developed with "methods" as it is "unknown." Yi Munyol, on the other hand, describes theodicy in a broader sense, using more details based on Biblical Theology and Liberation Theology. Endo`s work involves in his work loving humans as a mediator for overcoming unreasonable adversities in theodicy, whereas Yi`s work involves Messiah with mighty power as the mediator, who is Jesus. As to the ultimate orientation of theodicy, Endo is focused on the issues of "evil" as in the massacre in Auschwitz, while Yi pursues the salvation of people with political and social connotations. The findings of this paper are significant in that the differences in theodicy between the two literary works are interlinked with the perspectives of Korea and Japan towards the Catholic issues of Messiah, evil and salvation.
논문 : 엔도 슈사쿠의 『깊은 강』론 - “악”의 구원의 문제를 중심으로
김정봉 ( Jeong Bong Kim ) 한국문학과종교학회 2013 문학과종교 Vol.18 No.2
The present thesis examines Endo Shusaku`s most representative work of his later years, Deep River, in light of the aspects of evil and its progression towards redemption. The aspects of evil in this work are primarily manifested by the female character, Mitsuko. Her seduction of Otsu at college which leads to the loss of Otsu`s virginal purity depicts the evil that Sade conceptualized as the physical degeneration of godly purity and order. The interior of and the goddesses engraved in the Bhagabati Mandir Temple that Mitsuko wanders into during her trip to India are presented as internalized evil and its extreme opposite, reproduction. Mitsuko`s depiction in her hotel room as being apart from the other travelers is an illusion to Francois Mauriac`s Therese Desqueyroux, in which Therese chooses not to save Jesus when she is confined in Argelouse. Ultimately, Mitsuko`s evilness is brought to redemption through transmigration. At one point, Misuko makes a comment to Isobe, who has come to India in search for his wife`s transmigrated daughter. She notes that Isobe`s wife has transmigrated in his heart which reveals Endo`s supposition that the inner world of someone who has affected another is revived within that other person`s world rather than in the physical world. At the end of the story, Otsu`s sacrificial death under a false charge is predictable, being a projection of Jesus`s crucifixion. With the redemption of evil in Mitsuko, Endo emphasizes redemption through the absorption of concepts and love into an individual person`s inner world rather than through the practice of institutionalized religions or doctrines.