미당 시의 나르시시즘과 미적 근대성

김점용(Kim Jeom-yong) 한국어문학회 2007 語文學 Vol.0 No.98

This thesis focuses on Midang Seo Jeong-ju’s poetry and clarifying the modern characteristics of it through the narcissism in his. The range of it is limits to his early works. The characteristic of Midang’s early poetry is the view of strong body-nature and primitive vitality in the way of sexual sensualities. This proves that the Korea poetical circles began aesthetic takeoff in the new ways of its own poem in 1930s. The strong narcissism on the base helps them to achieve this. I think that narcissism reveals an original energy of life as the instinct of selfpreservation, the narcissism of Midang also causes them to manifest basic human voice by introverted concentration. That narcissism divides it into self-absorptive narcissism and self-destructive narcissism. The two are deeply related to the formation of a modern subject and the birth of a poetic ego. Especially, the series of 〈A rooster〉 are great works. It formed the rough process for being born the poem poetic subject symbolical at the same time mythological. The birth of the poetic subject shows an aspect of consciousness to be independent from unconsciousness as well as the process of rebirth from the power of tradition to modern subject. Thus his early poetry seems to be an obvious result that built modern aesthetic over sentimental romanticism at that time.

김소월 시 「왕십리」의 의미 구조

김점용(Kim Jeom-Yong) 한국시학회 2004 한국시학연구 Vol.- No.11

This paper aims at revealing the meaning of ‘Wangshimni,’ one of Kim Sowol’s famous poems. Explication of this poem, ‘Wangshimni’ has been a controversial issue because of its ambiguity and unintelligibility. The most unintelligible part of the poem is line one through three of the second stanza. Only when this indirect narrative part is explicated correctly, we can make our way through the ambiguity and unintelligibility of the poem. Among the existing points of view are a position which describes those lines as a short period of time seeing a sweetheart(‘Nim’), a position as a rainy season, a view as the wax and wane of the moon, and a view as a relation between the ebb and flow of the tide. The present writer thinks the last opinion is most adequate. By the way to my judgement, the subject going and coming means not only “the rain” but also “a person”. Only if then explained, this poem can be understood properly. If so, the subject of “going and going” also covers both ‘na(I)’ and ‘nim(the sweetheart)’. ‘Cheonan Samgori(three forked road)’ which appears abruptly at the third stanza should be reinterpreted. It is understood as extended space of Wangshimni or as the realm of the fatherland in colonial situation. But it should be pointed out that Wangshimni at that time also as well as Cheonan Samgori was a place of great importance for traffic, leading to three southern provinces. Thus spatial meaning of Wangshimni in this work refers to a mental space where separation from the sweetheart are grieved at. In conclusion, Wangshimni is understood as lamenting the separation from the sweetheart on the one hand and at the same time as entreating falling rain earnestly to prevent the sweetheart from leaving on the other.

이육사 시의 숭고미

김점용(Kim Jeom-yong) 한국시학회 2006 한국시학연구 Vol.- No.17

This study investigates the sublime beauty of the poems written by Yi, Yuk-sa. His poems are not only resistant but also masculine, which most Korean poems lack. This characteristic is linked to sublime experience. The sublimity is a kind of aesthetic attitude which lifts up the internal resistance against the external power. This is dramatically expressed in "The Climax", Yuk-sa's representative poem. In this work, the speaker shows us how strong and big his spirit is by holding out against the cruel reality which he faces through the sublimity. This is crucial in understanding where the characteristics of Yuk-sa's poems come from as resistant poetry and why the readers are still impressed by his poems without referring to the colonial reality in which he lived and his record as a resistant. This also explains us how such a big poetic world which includes an image of huge nature could be made. In addition, Yuk-sa's poems express the sublimity originated in his own belief and idea as well as that caused by confronting with external enemies. His "Wilderness" is under this case. This was the method he could use to cope with the coercion power by building another huge world when he couldn't make his idea come true in the reality, which gives us the possibility that we can interpret Yuk-sa's poems variously without considering the background situation in which they were written.

김소월 시의 심층 심리와 미적 원리

김점용 국어국문학회 2003 국어국문학 Vol.- No.135

The purpose of this paper is to show depth psychology and aesthetic feature in So-Wol's poetry. At the bottom of his works, there is a principle of the change and creation that is based on the transformation myth. The principle of the change and creation is the essential to understand life and death, it is embodied as a image of the death and rebirth in his works. However, the image of the death and rebirth in his works has a special feature. So to speak, it reached the holy and sacred space, the same as many other ceremonies do. The poetic space which is spiritualized help the reader to broaden his aesthetic experience and pull up to a kind of religious experience. And also this special feature means that “the death and rebirth” is related to “Nim”(Thee), the core of his works. Till now, most debaters have concentrated on separation from Nim and have read consciousness of deprival, feeling of separation, sense of futility and hopelessness, but in the other side we could know that it premise strong belief in resurrection of Nim. The belief and expectation of rebirth makes another axis and dual structure of confrontation and unification, and at last give a tension and vitality to his works. But the belief in rebirth of Nim is possible just mythologically not really. It is embodied as the consciousness of irrevocability(non-resurrection) in his works. The idea, as we couldn't go back to our dead Nim. Nim also couldn't come back to us, is the basic sense of the consciousness of irrevocability. In the end the core of the mentality in his works is the process that the death of “Nim” bring about rebirth, the rebirth lead to the consciousness of irrevocability. It is a trace of his poetic consciousness.

창상조절인자들이 창상수축에 미치는 영향:FPCL model을 이용한 실험적 방법

조을제,남성한,박준석,김점용,이호남,김동현 大韓成形外科學會 1999 Archives of Plastic Surgery Vol.26 No.5

Many investigators have reported that collagen gel contraction reflects the mechanism of wound contraction. In 1995, Tsai et al. reported that hypertrophic scar-derived fibroblasts in a connective tissue model possessed the greatest contraction potency when compared with those of normal skin and normal oral mucosa-derived CTMs. In this study, we studied the effect of collagen gel contraction by growth factors such as epidermal growth factor, platelet-derived growth factor, transforming growth factor-β1, and transforming growth factor-β3, Skin fibroblasts used in this study were obtained from the explant of rat skin culture. Fibroblasts were cultured in Dulbecco's modified Eagle's medium containing 10% fetal bovine serum. Growth factors were added per FPCL in the desired concentrations and we measured the collagen gel diameters in growth factor-treated FPCL on day 1,2,3, and 4 respectively after starting incubation. We examined the effects of EGF, PDGF, TGF-β₁, TGF-β₃ and the effects of combinations of TGF-β₁+ EGF, TGF-β₁+ PDGF, and TGF-β₁+ TGF-β₃ to contract a collagen gel. EGF has little influence on collagen gel contraction. TGF-β₁ and TGF-β₃ increase the collagen contraction. TGF-β₁ enhanced the contractility of collagen gel according to the concentrations. While TGF-β₃ alone had stimulatory contraction effects at low dose, high doses of TGF-β₃ decreased the potency of collagen gel contraction. A combination of TGF-β₁ and EGF minimally decrease TGF-β₁ activity. A combination of TGF-β₁and PDGF had an effect similar to TGF-β₁ activity. A combination of TGF-β₁ and TGF-β₃ decreased TGF-β₁ activity. According to reports that FPCL contraction is equivalent to the process of wound contraction, growth factors which enhance gel contraction may be related to wound contraction and wound healing. TGF-β₁ is reported to enhance scar formation in fetal wound. EGF accelerates wound healing and inhibits the promotion of hypertrophic scar formation. Compared to the effect of collagen gel contraction in this study, the combination of TGF-β₁ and TGF-β₃ that inhibited the promotion of collagen gel contraction are thought to diminish the formation of scar tissue. As well, EGF that has not enhanced collagen gel contraction is thought to diminish the production of scar tissue. We will study the interactive effects of TGF-β₃, EGF and TGF-β₁ on the contraction of collagen gels in the future.