왕릉건축을 통해 본 박자청(朴子靑)의 김사행(金師幸)건축 계승

김버들,조정식,Kim, Bue-Dyel,Cho, Jeong-Sik 한국건축역사학회 2018 건축역사연구 Vol.27 No.2

This study investigates the relationship of two architectures 'Kim Sa-haeng' and 'Park Ja-cheong.' They were the architects whose architecture were established and well known however they were not acknowledged by the people. Because they were not revealed under the large-scale national construction in complicated circumstances at home and abroad. The results were as follows; First, Kim Sa-haeng who was an overseas architect in Yuan dynasty stood out in all areas of architecture. Particularly in making royal tombs; His works were recognized as the most beautiful royal tombs ever existed and was later on followed by the Joseon dynasty. Second, Park completed the construction of Joseon's by faithfully reflecting on the discussed process of Neo-Confucian while coming after the time of the construction of Kim Sa-haeng. Third, although Kim Sa-haeng was a vassal of the Buddhist nation in Goryeo, he built the Moon-myo, a Confucian inspired temple of Joseon. Park Ja-cheong, who continued to build Kim Sa-haeng's architecture, reproduced Kim Sa-haeng's confucian's temple of Joseon dynasty while modifying it according to the situation in Joseon dynasty. The constructions of the two architects' monuments continues unabatedly. Their architecture has continued without massive changes.

항공사품질이 브랜드 이미지, 브랜드 태도 그리고 행동의도에 미치는 영향 -대형항공사와 저비용항공사 비교 연구

김버들,배신영 한국항공경영학회 2013 한국항공경영학회 추계학술대회 Vol.2013 No.-

韓·日 多寶塔 建築에 關한 硏究 : 經典 및 曼茶羅的 解釋을 中心으로

김버들 동국대학교 대학원 2005 大學院硏究論集-東國大學校 大學院 Vol.35 No.-

박자청(朴子靑)의 궁궐건축 감역 연구 -창덕궁 및 이궁을 중심으로-

김버들,조정식,Kim, Bue-Dyel,Cho, Jeong-Sik 한국건축역사학회 2017 건축역사연구 Vol.26 No.1

This study is about the Changdeokgung Palace and detached palaces of architect Park Jacheong who was a representative supervisor having framed the palace architecture of the Joseon Dynasty. The results are as follows. First, Park Jacheong had been in charge of Changdeokgung Palace for 15 years since its founding. The palace was continued to run for the longest time and was the palace on the frame made by him for the years, so Changdeokgung Palace's status has become as good as Gyeongbokgung Palace's. Second, he built a lot of palaces besides Changdeokgung. They were completed about the same time in accordance with the political intentions of King Taejong. Park Jacheong was a former military officer and was well skilled in mobilization of manpower and materials by making good use of the military power. Third, the detached palaces constructed by him were located in the places where military training and testing of new weapons were possible. They were also used as sleeping, dining and office spaces. This can be regarded as a result of the tradition of the storied-pavilion that had been since the Goryeo Dynasty, with the method of approaching to the main hall of the palace.

건축가 심훈의 꿈을 담은 집, 필경사 - ‘그 날’을 포기하지 않았던 건축가 심훈의 집 -

김버들 한국건축역사학회 2023 건축역사연구 Vol.32 No.3

韓國八角願堂石造浮屠와 日本八角願堂型建物과의 聯關性에 관한 硏究

김버들 동국대학교 대학원 2003 大學院硏究論集-東國大學校 大學院 Vol.33 No.-

高句麗 古墳壁畵의 建築要素에 關한 硏究

김버들,조정식 동국대학교 대학원 2001 東院論集 Vol.14 No.-

한국건축사 연구에 있어서 고대건축 분야는 유구의 부족과 기록의 단절로 인하여 아직까지 많은 부분이 규명되지 못하고 있다. 그러나 한국의 고대국가 중에서 고구려는 많은 고분과 고분벽화를 남겼으며 여기에는 상당수의 건축도가 포함되어 있어서 고대건축의 연구에 중요한 단서를 제공해 주고 있다. 본 연구는 고구려의 고분벽화에 나타난 건축도를 통하여 한국의 고대건축의 특징을 파악하기 위한 것으로 그 결과는 다음과 같이 정리할 수 있다. 첫째, 견고한 기단위에 조성되었으며 다각형의 초석과 기둥을 사용하였다. 둘째, 구조와 의장적 이점을 위하여 안쏠림과 배흘림을 사용하였다. 셋째, 공포를 구성하는 두와 공의 부재가 이미 형성되었다. 넷째, 이미 출목의 가능성을 보이고 있으며 다양한 공포의 조성기법을 구현하여 고대에 이미 한국목조건축의 기본적인 구성이 완성되었다. Because of the shortage of ancient architectural relics and written records, the correct examination for the ancient architecture has not been constructed in the field of Korean architectural history. But Goguryo among the Korean ancient countries has bequeathed many tomb mural paintings including architectural pictures. Those are important clues, so as to implement the correct examination of the ancient architectural history. Through a detail review of the architectural pictures in Goguryo tomb mural painting, several characteristics of Korean ancient architecture are extracted as followings: 1) Goguryo architecture utilized the polygonal foundation and column that was built on the solid base(Gi-dan) 2) Goguryo architecture used Anssolim and Huilim including entasis in order to implement the structural and formative characteristics. 3) Goguryo architecture already Du(枓) and Gong(공) as the structural elements that were composed of Gongpo. 4) Goguryo architecture reflected the possibility of Chulmok(出目) use in Korean ancient architecture and already established a perfect wooden structure with a various Gongpo system.

조선시대 측4량가 건축의 구조와 특징

김버들,이종서 한국건축역사학회 2019 건축역사연구 Vol.28 No.6

This study is to find out the design concept of asymmetrical building with 4 purlins mainly in Sungkyunkwan(Confucian Shrines), Changgyeonggung palace and Changdeokgung palace The results are as follows: First, asymmetrical building with 4 purlins has the same height pillars, which was useful to control the side lenght and put a higher pillar without limit. Second, the side length of the asymmetrical building with 4 purlins is between 12 to 14 Ja[尺]. It's relatively longer than the minimum length(12 Ja) of 5 purlins architecture seen in later Joseon dynasty. Third, asymmetrical building with 4 purlins was not an anomalous structure when compared to 3 purlins and 5 purlins. It was actually a traditional style, unlike the current architectural recognition nowadays, which mainly focused on the balanced roof structure. These examples show that the architectures in Early Joseon dynasty were planned and constructed first according to the plane division that fit in a specific use or space. 본 연구에서는 4개의 도리로 비대칭의 상부 가구를 구조하되 전후 평주의 길이가 같은, 조선전기의 건축 수법을 따랐다고 여겨지는 조선후기의 측4량가 건축을 분석하였다. 그 결과는 다음과 같다. 첫째, 측4량가 건축은 전후 평주의 높이가 같아 고주의 위치와 퇴칸의 너비를 임의롭게 조절할 수 있다. 둘째, 측4량가 건축의 양통은 12~14자로 나타난다. 이는 조선후기 5량가의 최소 길이인 12자보다 긴 것이다. 셋째, 측4량가는 3량과 5량 사이의 변칙적인 가구가 아니라, 오랜 가구 수법 중의 하나였다. 이러한 결과에 근거하여 측4량가 건축은, 상부가구 위주로 굳어진 현재의 건축 인식과 달리, 평면을 먼저 구획하고 이에 적합하게 상부 가구를 구조했던 조선전기 이전의 건축 인식을 반영한다고 판단하였다.

마해송의 수필 속 개성 한옥 고찰

김버들 한국건축역사학회 2022 건축역사연구 Vol.31 No.6

개성의 살림집 연구는 북한에 있기 때문에 현장 조사가 어렵다. 한국전쟁을 지나면서 원형도 많이 잃어버렸다. 현재로서는 개성의 경험을 기억하고 있는 사람들의 기록은 이 분야 연구에 매우 중요한 자료이다. 작가 마해송은 개성 출신으로 본인의 개성집을 여러 번 기록으로 남겼다. 개성 이외도 본인이 머물렀던 여러 집들을 기록하였고, 고전속의 이상적인 한옥과 다른 나라의 살림집과 비교하는 글도 남겼다. 한옥에 대한 남다른 관심과 식견이 있었다. 본 연구는 마해송 작가의 개성기록을 바탕으로 마해송의 개성집을 추정하고 그 내용을 큰 아들인 마종기 시인과 이메일을 주고받으며 보완한 것이다. 이상의 과정을 통해 작가 마해송의 개성집은 고급주택지였던 동해랑에 위치하며 상업에 종사하였던 전형적인 부유한 상인의 살림집의 모습임을 확인 하였다.

조선 초기 수선본사(修禪本寺) 흥천사(興天寺) 사리각 영건에 관한 고찰

김버들,조정식,Kim, Bue-Dyel,Cho, Jeong-Sik 한국건축역사학회 2015 건축역사연구 Vol.24 No.1

This is a study on the construction of the Heungcheon-Temple. The results are follows. 1) The Heungcheon-Temple was anticipated to be the Jeongneung. However, when completed, the Heungcheon-Temple was symbolized Buddhism; moreover, there was a stupa enshrined sarira. The stupa was a land mark in Hanyang. While king Sejong repaired the stupa, it disappeared during the regin of King Jungjong. Before it disappeared the stupa signified a Buddhist event and a rite of good fortune. 2) The stupa was constructed using a double-frame, and there was a stone-stupa in an octagonal multi-layer temple. This single location consisted of a sarira space and a worship space. 3) Buddhist Relic(Sarira) worship was to witness holiness and therefore reics could be moved according to need. It appeared as though Buddhist Relic worship occurred in Southeast Asia. 4) The Heungcheon-Temple stupa was considered a new and superior architectural-symbol to comfort people and recognize the new order of Ming and neo-Confucianism. Therefore, the stupa was a good alternative to politics, religion, and external relations during the early Joseon era.