http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
죠르지오 아감벤의 “시의 끝”으로 본 김명미와 오규원의 시세계
김대중(Daejoong Kim) 한국동서비교문학학회 2017 동서 비교문학저널 Vol.0 No.39
This paper explores and examines philosophical meanings and significance of ‘the end of poem’ utilizing Giorgio Agamben’s poetics in his The End of the Poem as a theoretical scaffolding. The paper delves into two poetic worlds: a Korean American poet, Myung Mi Kim’s avant-garde poetic world and a Korean poet, Oh, Kyu-Won’s philosophical and satirical poetic world. Agamben, tracing the genealogy of poetic meanings of conflict between sound and sense, enjambment, caesura, and the end of the poem in Western, especially Italian poems, claims that enjambment is a mark of existential significance of poem and that the end of poem signals the end of sound and meter as well as the beginning of philosophical thoughts. Accordingly, the paper claims that Myung Mi Kim in Penury unfolds the philosophical dialectic of the sound and the sense, which disinters a skeleton of fragmentary words saturated with speaker’s painful experience of war and exploitations perpetrated by global capitalism and xenophobia. Meanwhile, Oh, Kyu-Won’s poems reveal philosophical meanings of the clash between pure language and reified language which results in philosophical inquiries of the meaning of the end of poem.
논문 : 『시경(詩經)』『큰 쥐(碩鼠)』와 김시습의 「큰 쥐」 비교 연구
김대중 ( Dae Joong Kim ) 민족문학사학회·민족문학사연구소 2013 민족문학사연구 Vol.51 No.-
본고는 김시습(金時習, 1435∼1493)의 「큰 쥐(碩鼠)」와 『시경(詩經)』 「큰 쥐」의 비 교 연구이다. 김시습의 「큰 쥐」는 『시경』「큰 쥐」에 바탕을 둔다. 따라서 김시습이 『시경』의 어떤 전통을 자각적으로 계승했는지, 그와 동시에 어떤 창의적인 전변(轉變)을 이루 었는지, 김시습의 「큰 쥐」는 『시경』「큰 쥐」에 비해 어떤 변별적인 특징을 갖는지 등등을 구체적으로 밝히기 위해서는 두 작품 간의 비교 고찰이 필요하다. 비교 연구의 궁극적인 목표는 현실 비판시를 새롭게 인식하기 위한 연구 방법을 모색하는 것이다. 과거에 민족문학론이 힘을 얻었을 때 현실 비판시에 대한 연구는 활기를 띠었지만 이제는 그렇지 않다. 본고는 이런 상황에서 현실 비판시를 『시경』이라는 고전적 전통과의 관계 속에서 재인식하기 위한 시도이다. This is a comparative study on Kim si-seup(金時習, 1435∼1493)`s ``Big Mouse``(碩鼠) and the poetry of the same title included in the Book of Poetry(詩經). Kim`s ``Big Mouse`` is based upon ``Big Mouse`` of the Book of Poetry. Therefore, it is necessary to compare these two works in order to explain how Kim appropriated the literary tradition of the Book of Poetry, and what the peculiarity of Kim`s ``Big Mouse`` is. The ultimate aim of this study is to investigate new methodology which can help new understanding of critical poetry written in classical Chinese during Choseon period. When the realistic literary theory based on counter-nationalism got wide consent, many scholars studied the critical poetry written in classical Chinese during Choseon period. But such studies are seldom found nowadays. This study is an attempt to reconsider critical poetry written in classical Chinese during Choseon period in relation to classical tradition.
한국계 미국인 남성 작가 소설들에 나타나는 식민지/탈식민주의 정체성 탐색
김대중(Daejoong Kim) 한국동서비교문학학회 2016 동서 비교문학저널 Vol.0 No.37
This paper aims to explore how Korean American male writers construct and deconstruct the Korean American male subjectivity by closely reading and analyzing three novels: Richard Kim’s Lost Names, Younghill Kang’s East Goes West, and Chang Rae Lee’s Gesture Life. These fictions are selected on purpose to reflect chronological changes of Korean male subjectivity in literature. As theoretical scaffoldings, I used postcolonial theories, especially Homi Bhabha’s concept of ambivalence. In Lost Names, an unnamed Korean boy, the protagonist and the narrator of the novel, experiences colonial violence to find his way of forming decolonial subjectivity by resisting it; yet, this subjectivity cannot but embed the fragility of the subjectivity imbued by nationalism. Kang, Younghill’s East Goes West critically deconstructs cosmopolitan dream of a Korean American male, Chungpa Han, by showing how farcical it is regarded in American society where colonialism is contextualized with racism and capitalism. Last, Chang Rae Lee’s A Gesture Life reveals how Korean American subjectivity is compromised by postcolonial ambivalence that lacks its resistance, which transforms Hata, the protagonist, into a pathologically faked life, mere gesture without authentic humanity.
강용흘의 『동양, 서양으로 가다』에 나오는 코스모폴리탄 멜랑꼴리아
김대중(Dae-Joong Kim) 한국동서비교문학학회 2014 동서 비교문학저널 Vol.0 No.30
This paper aims to explore Young Hill Kang’s East Goes West with thematic inquiries of so-called cosmopolitan melancholy. East Goes West, written in 1937, has been acclaimed as a harbinger of Korean American fiction though in numerable aspects it has raised serious questions of its themes and characters due to dominating geographical, ideological judgments. This paper, avoiding falling into the pit of politically bipolar understanding, maintains that the characters, Chungpa Han and Dowan Kim, are allegorical figures unfolding their cosmopolitan melancholia as political unconsciousness persevering in the most capitalistic urban space in the U. S. Alienation, reification, exile, diaspora, and melancholia form a constellation of allegory reflecting characters’ unstable identity, resistance to assimilation to capitalistic culture, and interstitial obscurity confronting imperialism and intricate machine of capitalism in the U. S. as well as global space. As theoretical scaffoldings, to explore melancholia as both creative force and ideological fantasy, this paper uses Sigmund Freud’s idea of the difference between mourning and melancholia, Walter Benjmain’s understanding of Baudelaire’s themes?flaneur, poetic hero?and melancholia as galvanizing source of creativity. Embracing these themes and theoretical ideas, the paper consists of three parts: First, it throughly analyzes Chungpa’s melancholia using Freud’s theory of melancholia focusing on ideological fantasies of cosmopolitanism; In turn, using Benjamin’s understanding of flaneur in Baudelaire’s poetry, it delves into the limit of Chungpa’s recognition of capitalistic system as a symptom of his melancholia; Last, focusing on Dowan Kim’s eternal exile and his suicide, the paper suggests power of melancholia as creativity.
김대중,Kim, Dae-Jung 사단법인 한국당뇨협회 2005 당뇨 Vol.188 No.-
건강검진의 주 목적을 보면 암을 찾기 위한 것이 첫번째라면 심혈관질환의 위험인자라고 하는 당뇨병, 고혈압, 고지혈증, 비만 등을 찾는 것이 두번째 중요한 목적이다. 대표적으로 당뇨병을 예를 들어보면 당뇨병을 진단하기 위한 기준 126mg/dl 는 임의로 정한 기준이다. 5년전 만해도 140mg/dl를 기준으로 하였다. 어쩌면 10년 후에는 다른 기준을 사용할지도 모른다.
EPC 시스템간의 인증 및 암호화 방법의 설계 및 구현
김대중,김정재,이승민,전문석,Kim, Dae-Jung,Kim, Jung-Jae,Lee, Seung-Min,Jun, Moon-Seog 한국정보처리학회 2008 정보처리학회논문지 C : 정보통신,정보보안 Vol.15 No.6
최근 EPCglobal Network의 중요성과 RFID 기술 및 응용에 대해 활발한 연구가 계속해서 증가하고 있으며, 유통 및 물류 분야뿐 아니라 각 산업 분야에서 다양한 응용 시스템들이 제안되고 있다. 현재 표준안이 제정되고 있는 EPCglobal Network에서 암호화 방법에 대해서는 X.509를 이용한다는 것만 명시되었으며, 정확한 스펙에 대해서는 아직 나오지 않은 상황이다. 따라서 본 논문에서는 EPCglobal Network를 구성하는 웹서비스에 대해 메시지를 안전하게 전달하고, 보내온 메시지가 유효한 메시지인지 검증하는 방법, 안전하게 전달하기 위한 암호화 방법, 시스템간의 인증기법을 제안하고 구현한다. Recently, the importance of EPCglobal Network and brisk researches on the RFID technologies and application have been increasing, also a number of industries including distribution and logistics are proposing various systems of the application. The Standard for EPCglobal Network, as now being in the process of its legislation, stipulates X.509 only for the method of encryption, without accurate specifications. This paper is, thus, to suggest the way of sending safely messages for the web-based service constituting EPCglobal Network, of verifying whether the received messages are effective, of encoding the messages for safer sending and of certifying between systems, and then to implement the way.