우리나라와 서양 복식에 나타난 계층표식에 관한 연구

권현주(Hyun Ju Kwon),이순홍(Soon Hong Lee) 한국복식학회 2000 服飾 Vol.50 No.4

This thesis examines the origin, the change and the symbolic meanings of class representation, and offers a comparative study on the differences of class representation in the history of Korean and western costume on the basis of class representation methods and types shown from ancient times to 18C. In both eastern and western costume, the differences in status are commonly represented in the width and length of costume, color, textile, ornamental design, wearing, decoration, etc. The costume of noble class was wide and long, while that of common class was narrow and short so that it could be convenient for them to move around. Especially, from 16C to 18C in the west the costume of noble class was expanded to the extent that it was inconvenient for them to move around not only by skirt swelling by using hoop, but also by pad, ruff, lace, etc. This appears to show that they are not working class. Wearing and decoration of noble class were much more colorful, complicated and varied, while those of common class were simple and plain. In the west, the wearing of chiton and toga in Greece and Rome was different depending on social status. More specific look at the differences in class representation shown in the eastern and western costume reveals that the higher the rank, the more the women in both Gothic and Chosun period covered the body, thereby representing rank. In 18C, the women in both Rococo and Chosun period commonly showed excessive decoration and lavishness on their hair, and in this period the width of skirt was also commonly expanded to the longest extent, with a slight difference put aside.

척암(瘠菴) 이기경(李基慶)의 가사 연구

권현주(Kwon, Hyun-Ju) 한국어문학회 2017 語文學 Vol.0 No.137

Yi Kigyǒng(penname: Chǒ’gam) is a Confucian scholar, known for antiforeign attitude especially against Catholicism. He was sent into exile for three times, and during the first exile in 1791, he composed two poems of “Simjingok” and “Nangyusa” while staying in Kyǒngwǒn of the Hamgyǒng Province. As the both poems deal with his exile experiences, they have been categorized as “Pyǒgwi kasa”(Poems with a message of rejecting heterodoxy). This type of poems has drawn scholarly attentions due to the scarcity of the lyrics dealing with the theme of anti-Catholicism among many exile poems. This article, however, focuses on the characteristics of Yi’s poems and redefines them as exile poems. The investigation on the Yi’s social circumstances before and after the exile from November 1791 reveals that he has been isolated from the people during the exile. Yi was put into exile three times due to the following three reasons: First, he was punished, as he submitted his memorial to the king during the mourning period. The second case is related with the disagreement between the draft and the memorial composed by Yi. The third exile was triggered by the specific words and phrases Yi used in the memorial. He was accused of using vulgar and vicious expressions that were accused of violating the human decency. In “Simjingok,” Yi Kigyǒng intends to show his embodiment of The Doctrine of the Mean through a means of poems as public representation. The poem is structured into the two themes of the implementation of the orthodoxical study and the criticism against the foreign study. On the other hand, “Nangyusa” is a short poem, in which he rationalized his philosophical and political position with a reference of Mencius.

투르크제국의 복식문화

권현주 ( Hyun Ju Kwon ) 중앙아시아학회 2012 中央아시아硏究 Vol.17 No.1

근거기반 공공공간 디자인 교육사례 연구

권현주(Kwon, Hyun Joo),한정원(Han, Jeongwon),김동식(Kim, Dongsik) 한국실내디자인학회 2018 한국실내디자인학회 학술대회논문집 Vol.20 No.2

The purpose of this study is to introduce an evidence-based capstone design project and to examine students’ perception on the evidence-based design method. The project topic was public space design which lasted for thirty-six weeks. Students were asked to conduct a literature review, observation, and interview to collect design evidence. Students’ survey results regarding the three types of research showed that conducting research during the programming phase enhances overall design quality. Students presented positive perception on the three research methods and the interview was the most frequently mentioned method that improved design quality. It is needed to integrate research-based design methods in the interior design studio curriculum and to develop systematic teaching methods for evidence-based design.

오든의 전체주의 비판

권현주(Hyun-joo, Kwon) 한국영미어문학회 2011 영미어문학 Vol.- No.98

W. H. Auden's poetry can be interpreted in terms of Hannah Arendt's political philosophy. Auden directly used Arendt's political action theory in his writings. It is not hard to find crucial political ideas shared by Auden and Arendt and, drawing these ideas, the pages that follow intend to analyze Auden's political poems. It is essential for Auden and Arendt to overcome a totalitarian individual completely conditioned in social needs and to be a free citizen to choose one's reality through spontaneous and communicative political actions. Arendt's politically acting subject is free from inner necessities, and can be applied to seek political solutions free from economic interests such as the green movement, the anti-war movement or the anti-globalization movement. To them, 'the public realm' was crucial to prevent an individual from being instrumental in the historical process and to participate in making one's own history. A free individual meant a citizen as a subject of a political action as seen in Auden's lines "a political duty/nobody else can perform," in "Aubade". In conclusion, citizens transcending private and intimate life have to be political subjects. Auden and Arendt struggled to illuminate the origins of various kinds of totalitarianism and to decentralize or disperse all the power among citizens. Citizens' independent critical thinking and responsible judgement was the door to get out of the consumption-oriented unidentifiable mass. Deconstructing production-oriented goals was their main strategy to reveal and resist instrumentalization of totalitarian collective subjects and undemocratic actions. Their political discussion was goal-constructive and related to freedom.

실크로드 주변의 민족복식

권현주(Hyun Ju Kwon) 한국복식학회 1995 服飾 Vol.24 No.-

The Xinjiang Uighur Autonomous Region to form the most of Eastern Turkistan is located at North-western part of China, and it is the center to form the famous silk-road historically. In the Xinjiang Uighur Autonomous Region, there are 47 nationalities. In this study, the researcher studied the historical background, and the traditional culture about dress and ornaments of 4 nationalities (that is Uighur, Kazakh, Kirgiz, and Tajik). The results of the present study are as follows : In the basic structure of traditional costume by races, there is not big difference. Then, in men, the trousers and the shirts of tunic type become the basis with the style which is convenient to act. And, to wear vest, or jacket, or chaban, over it makes a little dfference. In women also, same structure shows with the form to wear vest or outerwear, on the basis of one piece. But, in a small hat, head wear, color contrast, and decoration element etc., strict difference is showing. After all, they show very simiar clothing life culture basically in natural environment, religion, and life habit etc. But, the discrimination is made in the detailed side. So, it can be said that they show the conservative nature of nationalities, and have preserved the unigue identity of their own culture.

조직의 서비스지향성이 직무만족, 조직몰입과 고객지향성에 미치는 영향 연구: 골프장 중심으로

권현주(Kwon, Hyun-Joo) 한국관광레저학회 2020 관광레저연구 Vol.32 No.11

논문 : 일본 내 한국어 교재의 명칭에 대한 실태 분석

권현주 ( Hyun Ju Kwon ) 국제한국어교육학회 2006 한국어 교육 Vol.17 No.2

This essay is to research titles of Korean language and titles of its course subject, which had been available in Japanese universities, collages and high schools from 1995 to 2003 and also inquire into related problems. Firstly, there is no preferable popular textbook among universities and colleges. Each of the colleges and universities uses apposite textbooks of theirs own choice. The titles of textbooks varies Choseoneo, Hangugeo, Koreaeo, Hangeuleo. Comparatively national universities tend to prefer the title of Choseoneo. High school course book titles of Korean language varies Hangeul, Hangugeo, Choseoneo, and Hanguk·Choseoneo. Mostly it is titled as Hanguk·Choseoneo. It can be confirmed that the usage of Choseoneo as subject title is on the decrease, although it is hard to assure that Hangugeo will prevail over Choseoneo in public educational system in near future. (Jeonju University)

에밀리 디킨슨의 시에 나타난 “화산”의 사회적 의미

권현주 ( Kwon Hyun-joo ) 대한영어영문학회 2009 영어영문학연구 Vol.35 No.1

Emily Dickinson was regarded as “Vesuvius at Home” by Adrienne Rich because she frequently used the images of formidably destructive power including volcanos, bombs, earthquakes, and madness. Having huge energy, these images were found to be not so easy in elucidating the meaning of that huge power. Some critics considered this energy Emily Dickinson’s inner explosive power and creative desire without any social connection. This horribly destructive power, however, can be interpreted as revolutionary energy even though she did not express her social idea overtly. She presumed huge lava under the ground to negate the real negativity. Active volcanos connoted social unconsciousness desiring social changes strongly. (Daegu University)

오든 시에 나타난 ‘몸’의 현재적 의미

권현주 ( Kwon Hyun-joo ) 대한영어영문학회 2010 영어영문학연구 Vol.36 No.1

W. H. Auden viewed human body as the ideal model which showed a dialectical process of body and spirit to overcome the dualistic point of view. He put more value on man’s perception rather than conception. For Auden, the emphasis on human perception could be the best way to recognize man’s uniqueness and wholeness. In Auden’s poetry, such view was regarded as a precondition for heteronomy and interexistence. Terry Eagleton diagnosed that in postmodern situation, the shift from Merleau-Ponty to Foucault was one from the body as subject to the body as object. For Merleau-Ponty, the body was ‘where there is something to be done’; for the new somatics, ‘the body is where something-gazing, imprinting, regulating-is being done to you’. (Daegu University)