Charles Jeffrey LOVERBOY 컬렉션에 나타난 젠더 뉴트럴 특성

권하진 한국복식학회 2024 服飾 Vol.74 No.1

This study delves into the fascinating world of gender-neutral fashion through Charles Jeffrey LOVERBOY, which is lauded for its boundary-pushing creations. This research meticulously analyzed 14 collections designed by Charles Jeffrey—from 2018 Spring/Summer to 2024 Spring/Summer—to uncover the unique, expressive methods and internal values embedded within his gender-neutral approach. First, LOVERBOY employs decompositional compromise by disassembling the typical and the conventional in the collection. With ever-changing experiments and challenges, LOVERBOY dismantles norms, crosses boundaries with non-traditional varieties, and implements original compositions. Second, the multi-dimensional fluidity of designs shows how non-traditional combinations shatter boundaries and give birth to daring compositions that sing with originality. Third, creative playability expands gender identity and embraces the kaleidoscope of self, welcoming self-expression and a body-positive spirit. Fourth, LOVERBOY expresses interest in practical communication within the public sphere. This article shows how LOVERBOY's humanist mantra empowers individuals to rewrite their narratives by shattering the shackles of labels. LOVERBOY’s artistic creations ignite the runway, transforming garments into living, breathing expressions of individual freedom. Theatrical elements flourish and transcend utility, elevating fashion to a canvas for artistic exploration. With this label, social connectivity and fashion interweave with activism, responding to and advocating for social causes. In LOVERBOY’s work, empathy becomes a weapon against inequality, and the call for fundamental change echoes through every stitch.

대학생들의 생활 행태가 학업성취도에 미치는 영향에 대한 연구

권하진,김시우,김재완,이창준,주지원,김지혁 한국지역사회건강관리협회 대한건강과학학회 2020 대한건강과학학회지 Vol.17 No.2

PURPOSE : The purpose of this study was to investigate the factors affecting academic achievement by living behavior for students enrolled in one university in busan. METHOD: Analysis program SPSS v25. Correlation analysis, mean comparison, and one-way distribution analysis were used to investigate the correlation between academic achievement and life behavior. RESULT: The relationship between commuting time and academic achievement was 3.75±0.49 for the highest academic achievement(grade) for less than 30 minutes. The relationship between dormitory type and academic achievement was 3.70 ± 0.46 for the highest academic achievement in catering or lodging. As for the relationship between breakfast type and academic achievement, the highest academic achievement was 3.70 ± 0.42. As for the relationship between alcohol consumption and academic achievement, the highest academic achievement was 3.81 ± 0.42 once or twice every 6 months. The relationship between sleep time and academic achievement was 3.77 ± 0.40, the highest academic achievement for 3 to 5 hours.As for the relationship between smoking status and academic achievement, the highest academic achievement was 4.01±0.13 in 16-20 ratios. As for the relationship between the presence or absence of exercise and academic achievement, the highest academic achievement was 3.79±0.41 with exercise. As for the relationship between dating and academic achievement, the highest academic achievement was 3.76±0.48 among dating. As for the relationship between daily cell phone usage time and academic achievement, the highest academic achievement was 4.02±0.24 for less than 1 hour. As for the relationship between weekly assignment time and academic achievement, the highest academic achievement was 3.84±0.45 for 16-20 hours. As for the relationship between daily study time and academic achievement, the highest academic achievement was 3.83±0.23 for 16-20 hours. DISCUSSION & CONCLUSION : Study time and homework time had a positive effect on academic achievement (grade) as the proportion of time increased, exercise and breakfast had a positive effect, and cell phone usage time and commuting time had a negative effect as the proportion of time increased. It is considered that additional studies are needed because complex factors such as psychological, physiological and time investments affect the type of residence, drinking and smoking, dating, and sleeping time.

크리스토퍼 케인 컬렉션의 추상적 표현 특성 - 바실리 칸딘스키의 ‘내적 필연성의 원칙’을 중심으로 -

권하진 한국패션디자인학회 2017 한국패션디자인학회지 Vol.17 No.2

현대 예술은 20세기를 맞이하며 기존 예술과는 다른 형태, 개념으로 발전하기 시작했다. 특히 추상이라불리게 되는 장르는 현대 예술의 많은 부분들을 예견했고 예술을 보는 시각에 새로운 개념을 정립하였다. 추상의 형태는 광범위하게 존재해왔으나 이론으로 정립되던 시기는 20세기 초 빌헬름 보링거와 바실리 칸딘스키와 같은 이론가들에 의해 구체화 되었고, 특히 스스로가 작가이자 교육자이기도 했던 칸딘스키의 ‘내적필연성’ 이론은 자유 추상을 정의하는 개념이 되었다. 본 연구는 ‘내적 필연성’을 통해 살펴본 추상의 내적특성을 ‘고유성, 긴장성, 진동성’으로 분석하고 이를 현대 패션을 살펴보는 도구로 적용하였으며, 사례 분석대상으로 혁신적 디자이너로 평가받고 있는 패션디자이너 크리스토퍼 케인의 여성복 컬렉션을 살펴보았다. 케인 작품은 아이쇼킹한 컬러감과 여성적 디테일의 이질적인 조합으로 디자이너의 고유성이 드러나고, 예상치 못한 또는 불안정한 디테일의 사용은 탈일상적인 이미지의 완성으로 긴장성이 나타난다. 한편, 많은 작업은 그가 자라온 환경에 영향을 받으며, 이때 케인 디자인의 내적 가치가 시각적으로 표현됨으로써 진동성이발견된다. 추상의 특성으로 살펴본 케인 컬렉션의 표현 특성으로 내면의 진실성, 경험적 독창성, 그리고 자율적 창의성을 유추할 수 있었다. 이는 디자이너의 내적 감성의 융합이 디자인의 혁신성을 유도하는 것이며, 개인의 두려움과 혼란을 시각화함으로써 내면의 정신적 가치를 실현하는 의미를 가진다. 또한, 불규칙한 혼합과 구성으로 고전적인 패션으로부터의 일탈을 꾀하고, 패션의 보편성과 개인의 특수성의 조화로운 해석이확장된 미적 취향을 구현하는 것으로 파악된다. 케인은 평범한 것을 비범한 것으로의 변화를 지속적으로 시도하고 있으며, 이질적이고 비유기적인 구상으로 패션의 창작성을 가시화 하고 있다. Upon welcoming the twentieth century, the modern art started to expand and develop further from the existing art forms and concepts. Especially, abstract genre foresaw artistic varieties of modern art and suggested new concepts for visual art. The concept of the abstract form existed comprehensively throughout the years in art history until early twentieth century when Wilhelm Worringer and Wassily Kandinsky materialized and theorized it’s concept. Particularly when Kandinsky, who was an art theorist and artist himself, conceptualized ‘inner necessity’ found in abstract forms, it started to take a shape. This article discussed Kandinsky’s ‘inner necessity’ to analyze Christopher Kane’s women’s collections and examine abstraction in modern fashion based on three characteristics as theoretical apparatuses such as ‘inner need, tension, and vibration’. Kane emphasizes heterogeneous mix of eye-shocking colors and feminine details to create the inner need. Insecure details represent the tension to show non-daily images with new and traditional materials in fuse. Kane’s personal experience like his childhood and environment influenced his work that creates the vibration. Within these specific characteristics of the abstract quality, the aesthetics of inner integrity, experienced originality, and autonomic creativity are emphasized in Kane’s collections. In general Kane’s concept visualizes new design innovations based on fusion of inner feelings that challenges fear and confusion in his personal experiences. Kane also creates irregular embracing to deviate from traditional fashion by re-materializing universality in fashion and specificity in personal characteristics of harmonic interpretations of the aesthetic preferences. Kane attempts to transform the design from the ordinary into the extraordinary by visualizing heterogeneous thoughts and non-organic designs by in fusing creativity in fashion.

2000년대 이후 나타난 펑크 패션의 미학적 고찰

권하진 한국패션디자인학회 2015 한국패션디자인학회지 Vol.15 No.1

뉴욕과 영국에서 시작된 펑크스타일은 20세기 중반에 발생한 청년하위문화 스타일 중 지속적인 관심의 대상이 되어 왔다. 그들은 가난이라는 시대적 배경 속에서 국가와 사회에 대한 불만 그리고 기성세대에 대한 실망과 절망 속에서 자아 절규적이고 무정부적인 삶의 태도를 갖게 되면서 동시에 분노와 파괴적 성향을 표출했다. 펑크의 사회에 대한 저항적 자세는 1970년대가 마감하면서 서서히 도태했지만 펑크가 남긴 스타일과 DIY 에토스는 패션계에 지대한 영향력을 펼쳤다. 본 연구에서는 2000년대 이후 나타난 펑크 패션을 살펴보고 조형적 특성과 그에 따른 미학적 해석을 시도하고 패션의 새로운 해석을 모색해보고자 하였다. 펑크 패션은 많은 디자이너들에 의해 반복적으로 패션 콘셉트로 적용되었는데 그에 대한 조형성을 고급화된 하드웨어의 장식성, 브리콜라주의 예술성, 낙서와 선전문구의 디자인성, 정교한 구성의 파괴성으로 분류하고 살펴보았다. 그에 따른 조형적 특성으로 절제적 융합성, 상호침투성, 창의적 가치성이 분석되었는데 이는 21세기의 펑크 패션이 펑크의 재해석과 재구성의 맥락을 형성하면서 새로운 형으로서의 펑크 패션을 구현하고자하기 때문이다. 포스트모던시대 디자이너의 자율적 해석은 펑크의 DIY 에토스를 정교함과 완성도 높은 작품으로 구현하고 있으며 내적으로 패션의 아름다움과 인간 가치성에 대해 끊임없이 질문하고 있다. 빈곤의 미학으로서의 펑크 패션은 하이패션의 전문적 구성으로 고급 반미학에 가까워지기 까지 하였고 반미학적인 패션의 범주에서 해석될 수 있으며 현대 문화의 중요한 문화적 유산으로서의 가치를 지닌다. Punks created in the middle of the Twentieth century from New York and London has become one of the major concerns of all youth-subcultural styles. In those days, the world was in a big economy crisis, having an effect on all young contemporaries who suffered from their lives. They were angry, desperate, and disappointed towards the country, the society and their parents-generation while imputing poverty to them with no hope at all. Youths were relying on the anarchy and self-cry out as well as increasing their angers and destructive tendencies. Those emotions were expressed through their clothing style and the ugliness was treated as a symbol of punk style. After 1970s, punks’ spiritual values faded away slowly, however, the fashion style and DIY ethos continued to remain having a profound effect. This research aims to conducting the aesthetic analysis on the punks fashion revealed after 2000 considering its formative characteristics; decorativeness of luxurious hardware, artistry of bricolage, designed graffiti & agitprop, and exquisite destructibility. Punk fashion achieved restrained convergence, interactive penetrability, and creative values as a result of reinterpreted and reconstructed punk style to realize a new formation. Contemporary fashion designers who create the fashion in an autonomous manner evaluate inner beauty and humanity of fashion through completing it in perfection of DIY ethos in the postmodern era. Punk fashion, as the aesthetic of poverty, is approaching the (anti-)aesthetic of luxury through a professional composition of high fashion and it can be analyzed in the anti-aesthetic category as a continuing legacy.

Synthesis of PVDF-Based Terpolymers and Their Piezoelectric Performances

권하진,이지영,김주현,김종민,박인준,백지훈,소원욱,오명석,이상구,장봉준,박철민,손은호 한국고분자학회 2023 한국고분자학회 학술대회 연구논문 초록집 Vol.48 No.2

현대 패션에 나타난 골계미(滑稽美)

권하진,김민자 한국의류학회 2011 한국의류학회 학술대회논문집 Vol.2011 No.-

아시안 에스닉 룩의 조형성과 미적가치에 관한 연구

권하진,김민자 한국복식학회 2005 춘계 학술대회 Vol.2005 No.-

Textile vs. Fashion

권하진 ( Kwon Ha Jin ) 한국기초조형학회 2018 한국기초조형학회 작품집 Vol.2018 No.1

조선후기 풍속화에 표현된 여성복식의 해학미

권하진(Ha Jin Kwon),김민자(Min Ja Kim) 한국복식학회 2010 服飾 Vol.60 No.2

국제패션학생공모전 "아트 오브 패션"

권하진 ( Hajin Kwon ) 한국의류학회 2015 패션정보와 기술 Vol.12 No.-