두타산의 공간화 전략

권석순(Kweon Seok-soon) 한국비평문학회 2009 批評文學 Vol.- No.32

Mt. Duta has been revered as the mother mountain from the residents in southeastern part of Gangwon Province, and it affected their lives to a great extent. In particular, it has beena significant place for poets, as it frequently appearedin the poems written by poets living or having lived in Donghae or Samcheok city. Mt. Duta has existed depending upon the spirits of human beings. Poets cordially admired Mt. Duta and embraced it into the literature by linking it with the world of human’s spirit. Mt. Duta represents a time-transcendental or eternal space, and it is a transcendental world which not only accommodates reality but also suggests visions for the future. Mt. Duta reveals the history by linking the past with the present, and it is considered as a holy and supernatural place for local poets. Local poets restructure their own experiences and express them with innovative expressions based on sensational thoughts. The subjects in the poems make use of Mt. Duta to solve local problems, so the poems are directly connected with the live of local residents. The expression is not a simple repetition of natural objects or natural phenomena; it represents human lives in the society, through the dynamic relations between conflicts and harmony. In order to solve realistic quandaries, poets accommodate Mt. Duta as the place where suggests refined truth. Mt. Duta offers the place to appreciate beauty of nature and to find peace. Mother Nature offers a small haven to take rest out of harsh daily lives, and human beings can get inspired about how to live right and what to chase in the life by spending time in the nature. Mt. Duta, which still contains mystery, offers transcendental thinking to local residents sharing time and space. It eventually contributes to establishing homogeneous psychological and cultural symbols or prototypes in the community. Moreover, Mt. Duta helps the residents recover wildness of residents, which have been already faded away, so it constitutes the basis for residents’ lives and spirit.

동해지역문학의 ‘바다시’ 연구 - 『동해문학』을 중심으로 : 동해지역문학의 ‘바다시’ 연구

권석순(Seok-soon Kweon) 어문연구학회 2008 어문연구 Vol.56 No.-

Tills is Donghae Literature, which is the representative magazine of Donghae-si. It has been published nineteen series in 2007 since first number published in 1988. Tills magazine have been dealt with many poems which subject to be chosen from "sea" because publishers are writer, who related to Donghae-si, and it means poets can be able to feel sympathy from reality. Regarding locality, If observe in place where to be significant, we can find firm relationship to Donghae area with Donghae history. Donghae-si is the new birth city, where to be conjoined with Mukho-eup and Bukpyeong-eup ; however, scenes of poems about sea lean to Mukho area, because Mukho station and Mukho harbor took charge of every marine products and coal transport, therefore in poems of Donghae literature, the name of "Mukho" have a meaning of will of life that could be able to subsist on difficult economic daily life, also the fact that the East Sea is a part of our country have been noticed. On the sea where the ground of real life could be reflected their difficult living as a fishermen. Naturally it was a cause for their tragic life that aquatic resources to be exhausted. The sea is a important aesthetic object in poems of Donghae literature even except it"s usability for human being. It has been reasonable results that the East sea is reinterpreted and recreated through poetic imagination in announced poetry in Donghae literature which purpose working for literature. But it is lack of part of poetry of the sea published in Donghae area that treat only "Mukho harbor" except "Donghae harbor" starting place to Geumgangsan. In another aspect, poetry of the sea show the problem of the exhausting aquatic resources as personal issue, but others concerned environmental issues through maritime literatures, so it is required Donghae literature to recognize natural environment is exploratory target that makes quality of human life improve. On the other hand, we cannot acquire poetic images with some poetry because sea concerned simply in there. These work are not different with the others written by poets who live other areas and look at ocean merely on sentimental impression. It is not mean, the poetry that written by sentimental and abstract impression can"t get a poetic achievement, but it is need to recognize that too much sentimental poetry are caused of disturbance of others to be refined and poetic significance.

기재 신광한의 『崔生遇眞記』에 관한 일고

권석순(Kweon, Seok-Soon) 아시아강원민속학회 2006 江原民俗學 Vol.20 No.-

문학작품에 나타난 ‘묵호항’의 현주소 - 지역문학을 중심으로 -

권석순 ( Seok-soon Kweon ) 강원대학교 강원문화연구소 2021 강원문화연구 Vol.43 No.-

본 연구의 목적은 지리적으로 ‘바다’와 인접하고 있는 묵호지역의 정체성이 해양문학에 투영된 양상을 밝히는 데 있다. 이에 지역문인들의 작품을 대상으로 ‘묵호항’과 지역성의 맥락이 의미화되는 공간에 주목하였다. ‘묵호항’의 명칭을 차용한 작품에서는 한때 성황을 이루었던 묵호지역이 쇠락의 길에 들어선 현실을 고발하는 양상으로 나타난다. 이는 1980년대 석탄합리화정책으로 경제공동화가 심화된 데에서 온 것이다. 이러한 역사를 안고 사는 ‘묵호항’ 인근 지역민들의 실제 삶은 어족고갈이 겹치면서 경제적 어려움을 드러낸다. 한편 최근에 각광을 받고 있는 ‘묵호등대’와 ‘논골담길’이 활력소가 되어, ‘묵호항’과 관련된 서사적 공간으로서의 맥을 함께하고 있다. 이처럼 지역문학장에서는 역사적인 맥이 내포된 지역민들의 삶의 의지가 ‘묵호항’을 통하여 드러나고 있다. The purpose of this study is to clarify how the identity of the Mukho area, which is geographically adjacent to ‘the sea’, is projected into maritime literature. This paper, accordingly, focuses on the space which has geographical and contextual meaning related to ‘Mukhohang’ i n the works of local writers. The local literary works describing ‘Mukhohang’ tend to narrate the reality that the once prosperous Mukho area has entered a path of decline. This came from the growing deindustrialization of this area resulted from the policy of restructuring the coal industry in the 1980s. Along with this historical circumstances, local residents near ‘Mukhohang’ experience economic difficulties as fish stocks are depleted. And yet, ‘Mukhodeungdae’ and ‘Nongoldamgil’, recently drawing attention, have become lively and acquired some significant meanings as narrative spaces related to ‘Mukhohang’. The works of local literature, therefore, reveal the will of life of local people, which has been influenced by historical contexts, through narratives related to ‘Mukhohang’ space.

김지하 시에 나타난 ‘검은 산’의 생명의식

권석순(Kweon, Seok-soon) 한국언어문학회 2013 한국언어문학 Vol.85 No.-

Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ sets a scene in Mt. Doo-ta, Donghae Si, Gangwon-Do. 13 poems in the collection are significant in the sense that Kim Ji-ha first captured the literary space after leaving prison in December, 1980, and they were not adjusted, touched and polished off by his dictation. Kim Ji-ha who was a symbol of a fighter for democracy, and experienced existent extremes of ‘passing’ and ‘killing’ approaches the history of horrible pains and passing in the Mooreung Valley, Mt. Doo-ta through an anarchic viewpoint of the sense of Nihil and resistance in the Part 2. Facing the crippled history offetters, Kim Ji-ha showed the aspect of the will to overcome them and pledge, for he wrote poems with not an idea of Mt. Doo-ta but its vitality. For Kim Ji-ha, the history of killing is only not to move away from the human world. The poet’s will that he can be born again as a real being emerges as a poetic diction of ‘water’ in the end of many poems. ‘Water’ represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Thus, ‘water’ is a manifestation of vitality that Kim Ji-ha aims. The present being for returning to the life represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Kim Ji-ha condenses a solution to the sad history of Mt. Doo-taand further of Korea as ‘the wave of life.’ This is in direct contact with his opinion that a confrontation between killing and saving is the life movement. He who desires a freedom of transcendental world meditates the meaning of life through ‘Black mountain’ after experiencing death. This life thought is to care about the life of the community beyond looking after oneself. As people are a living being, life has a wish, and they experience the polishing of life forthe wish. In short, Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ that sets a scene in Mt. Doo-ta is significant in the sense that they reflect the poet’s trace of suppressed life, and Mt. Doo-ta is a captured space in atime of tribulation of our generation. Moreover, Kim Ji-ha's poems about Mt. Doo-ta are important, because they are in direct contact withthe life movement that he has consistently pursued.

적색, 녹색, 청색 발광 형광체와 보라색 발광 다이오드를 이용한 백색 광원의 광 특성

권석순,박종윤,허영덕,Kweon, Seok-Soon,Park, Jong-Yun,Huh, Young-Duk 한국재료학회 2006 한국재료학회지 Vol.16 No.3

Various colors of light emitting diodes(LED) and four-band white light sources are obtained using a violet LED and various phosphor films. $BaMg_2Al_{16}O_{27}:Eu\;(blue),\;SrGa_2S_4:Eu\;(green),\;and\;Eu(TTA)_3(PTA)$ (red) phosphors are dispersed in poly-vinyl-alcohol aqueous solutions, and phosphor films are prepared by coating the suspensions to PET film. The narrow band emission of $Eu(TTA)_3(PTA)$ phosphor has excellent red luminescent property for four-band white light excited by the violet LED.

유기-무기 복합소재로부터 CuO합성

허영덕,권석순,국원근,Huh Young-Duk,Kweon Seok-Soon,Kuk Won-Kwen 한국결정성장학회 2005 한국결정성장학회지 Vol.15 No.5

층상 구조의 유기-무기 복합 소재 $Cu_2(OH)_3(CH_3COO){\cdot}H_2O$를 전구체로 사용하여 CuO를 합성하였다. 외부의 다른 유기화합물 주형이 없이 단순한 $Cu_2(OH)_3(CH_3COO){\cdot}H_2O$의 열분해 방법을 사용하였다 이 방법은 저렴한 가격으로 단일 결정의 CuO 입자를 양산하는 방법을 제공한다 응집된 CuO 입자의 형태는 전구체의 구조에 크게 영향을 받는다. CuO has been synthesized using the layered organic-inorganic hybrids, $Cu_2(OH)_3(CH_3COO){\cdot}H_2O$ as precursor. The simple thermal decomposition of $Cu_2(OH)_3(CH_3COO){\cdot}H_2O$ is used without any external organic templates. This method provides large-scale production at a low cost of the single-crystalline CuO particles. The morphology of CuO aggregated particles is strongly dependent on structure of the precursor.

정치적 상상력과 지역문학

남기택(Nam, Gi-taek),권석순(Kweon, Seok-soon) 한국비평문학회 2013 批評文學 Vol.- No.47

이 글은 지역문학 연구의 일환으로서 강원영동남부지역의 문학을 대상으로 정치적 상상력이 발현되는 양상에 주목하였다. 이는 기존의 미학적 관점으로부터 벗어나 지역문학의 가치와 의미를 묻는 하나의 방법론일 수 있다. 또한 지금까지의 문학사적 공백을 보완하고 한국문학의 총체성을 사유하려는 시도일 수 있겠다. 하지만 문학과 정치의 관계는 그 범주가 방대한 까닭에 연구자 나름의 구체적 방법론이 우선 정립되어야 한다. 이 연구는 강원영동남부지역의 문학과 정치적 상관성을 구명하기 위한 기초 단계로서 대표적인 장르와 사건을 중심으로 전반적 양상을 개관하였다. 이에 따라 본 연구에서는 우선 해당 지역의 정서와 삶의 양태를 반영한 대표적 장르 양상으로서 최호길, 정일남 등의 해양문학과 탄광문학을 들었다. 강원영동남부의 지역과 환경적 특성을 표상하는 핵심 기제가 바로 해양과 탄광이다. 보편 서정의 형상화 양상이 주류인 이곳 지역문단 실정이 실재함에도 불구하고 해양과 탄광이 대표적인 지역문학적 장르로 거론될 수 있는 것 역시 마찬가지 맥락이다. 여기에는 지역문학이라는 범주가 텍스트의 표면적 정량으로 정의될 수 없으며, 따라서 그것은 지역적 정체성과 특수성이 반영되는 구성적 개념이라는 입장이 내포되어 있다. 다음으로 정치적 역사와 현실의 전유 양상으로서 김시래, 김익하 등을 통해 역사적 공간을 재현하거나 시대 상황을 지역적 요소로써 형상화하는 경우를 살폈다. 이러한 방식은 한국 근현대문학의 전개 과정에서 이른바 정치적 문학의 흐름을 형성했던 대표적 기제와 연동된다. 정치적 역사와 저항시 장르의 긴밀한 연관은 문학과 정치의 경계를 사유하는 데 주요 논거가 되어왔다. 강원영동남부지역 역시 다단한 역사적 사건과 현실의 모순에 문학적으로 대응해 왔고, 이는 현단계 문학과 정치의 지역문학적 관련을 증거하는 주요 논거가 될 수 있다. The purpose of this paper is to shed light on the meaning of relation between literature and politics in Southern Gangwon-Yeongdong regional literature. There has been a handful of theoretical or historical research on literature, with the focus having been on the analysis and criticism of political implication with regard to the resistance poems. This paper, while conscious of relation between literature and politics which is innate to the Southern Gangwon-Yeongdong regional literature, brings up the discussion on the proper status of the regional literature in the history of literature by virtue of conceptualizing the political literature, which has been neglected from the perspective of literature theory. Southern Gangwon-Yeongdong regional literature faced litearary its modern surroundings. Therefore, it can be referred to as problematic objects which shared converging and diverging points in looking into and understanding the problems of the modernity reflected in literature. This paper tries to apply the political imagination in broad sense to its literary works based on the efforts to resist modernization in various lights. The literary world which emphasizes the universal lyricism is occupying a conspicuous position in Southern Gangwon-Yeongdong regional literature. There is also the trend of reflecting the regional traits. The examples include coalmine literature and sea literature. And the good examples are literary attributes as the spirit of the historical native place. Its resistance based on the realism is a symbol of political imagination. Its spirit and works prove our negative surroundings and the typical pattern of living in unreasonable modern times by performing effects. Efforts needs to be made to revitalize Southern Gangwon-Yeongdong regional literature through various means. For this, voluntary efforts as well as a scholarly, critical-minded approach on the part of the regional writers are essential.

김영준 시 연구

남기택(Nam, Gi-Taek),권석순(Kweon, Seok-Soon) 강원대학교 인문과학연구소 2014 인문과학연구 Vol.0 No.40

김영준은 1960년대 강원영동지역의 초기 문학단체인 ‘동예문학회’의 창립회장으로 활동한 시인이다. 본고에서는 김영준 시세계의 특질을 장소성을 중심으로 고찰하였다. 김영준 시는 지극한 반성과 참회, 생의 회한을 담은 비탄의 내면 공간 속에서 제작되었다. 이는 주로 어둠의 시간인 밤을 배경으로 주조된다. 그럼에도 불구하고 그의 생과 시는 비극적이지 않다. 그가 실천한 문학적 삶, 그리고 특유의 페이소스는 지역문학에 지배적인 리리시즘의 관성을 넘어서는 독특한 개성이요 특유의 어법일 것이다. 김영준 시는 구체적인 장소를 시화하는 과정에서 서정적 장소성을 창출하고 있다. 바다와 관련하여 주목되는 양상은 모성성의 이미지가 강조되고 있다는 점이다. 나아가 중층적 바다를 통해 체험적 모성애의 공간으로부터 구체적인 장소성에 이르기까지 다양한 스펙트럼을 보여주고 있다. 또한 고향을 위시하여 다양한 장소적 요소는 김영준 시세계를 관류하는 중심 요소로서의 의미를 지닌다. 김영준 시의 장소는 지역성과 삶의 체험이 결합되어 나타나는 시적 구체태이다. 또한 대부분의 시작을 계기하는 문학적 경험의 장소가 강원영동지역이다. 김영준 시의 특장 중 하나인 비극적 세계관 역시 강원지역의 삶이라고 하는 실존적 조건과 긴밀히 연동된다. 이러한 문학 내외부적 사실은 그 시세계를 지역성의 관점에서 접근해야 하는 필연적 이유와 당위성을 제공하고 있다. 다양한 측면에서 문학적 로컬리티 양상에 주목하는 것은 김영준 시 이해의 지평을 확장하는 데 기여하리라 본다. The purpose of this paper is to shed light on the meaning of Kim Yeong-jun"s poems. Especially, maritime literature, sense of hometown, locality are the main subject of this paper. He can be referred to as problematic objects who shared converging and diverging points in looking into and understanding the problems of the modernity reflected in poetry. This paper tries to apply the locality in broad sense to his poetic works based on the efforts to resist existence in various lights. Kim"s view of poetry is characterized by regional attitude. The meaning of region can be called the spirit of lyricism, and Kim’s poems are the typical showcase of it. The good examples are poetic attributes as the spirit of the undetermined native place. And his sense of hometown and sea based on the emigration is a symbol of locality. The simple formality deriving from Kim’s lyricism is sometimes accompanied by the lack of aesthetic realms. Nonetheless, his spirit and works prove our centralized surroundings and the typical pattern of living in unreasonable modern times by performing effects.