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고영진 ( Young Jin Go ) 현대문학이론학회 2012 現代文學理論硏究 Vol.0 No.51
대중의 문제가 자본주의와 직결되면서, 취향에 관한 접근 개념이 소비나 생산이라는 차원으로 확대되었지만, 언제나 예술이 향하는 누빔점에는 인간의 문제가 있었다. 이 중 소설이라는 장르가 오랜 시간 본래의 가치와 질문들을 크게 손상시키지 않을 수 있었던 것은 인간 삶에 관하여 재현과 제안이 가능한 장르라는 기초적인 성질을 위반하지 않기 위해 노력한 때문일 것이다. 하지만, 현재의 소설이 가장 주목하는 있는 인간의 내면의 다층적인 지점을 고려할 때 가장 중요한 것은 소통의 문제이다. 본고는 현재 한국의 환상 소설 또는 환상적 방법론이 문학이 사회적 진실과 관계 맺는 방법을 제안하는 차원과 문학 내적인 영역에서 미학에 관한 실천 윤리를 구현하는 차원으로 구분하여 다시 한 번 생각해 보는 데 첫 번째 의미가 있다. 이는 한국의 환상 소설사에서 가장 다양한 변혁을 꾀하는 최근 20년 이내의 사회학적 책무와 미학적 유희 사이에서 기획과 전략으로 기용되는 환상 서사의 측면을 살펴보고자 하는 것이다. Even though the matter of the public has been directly related to capitalism and the approaching concept of one `s taste has been expanded to the level of consumption and production, the matter of human being existed at the quilting point that art is oriented towards all the time. Among these the genre of the novel did not seriously damage the original values and questions for a long time and it was because they tried not to violate the fundamental qualities that the novel is the genre which is capable of reproducing and suggesting about human life. However, the multi-layered point of the inner world of a human being, that is to say, the aspect of humanity that the contemporary novels take notice of is not the human nature as it is the pre-existing literature pursued, but the product of the modified and developed realm in the situation literature exchanged influence on the society closely. What matters most here is the matter of communication. This research has been started from the point that this abnormal communication and concerns about the discord of communication contemporary novels are interested in is related to the strategy worthy enlarging the extension of the novels. Among them, I am going to mention the way contemporary novels approach the external field in literature through the strategy of fantasy, keeping the borrowing of the quality of fantasy is the most significantly noticeable project. This article carries the most important meaning in the way that we muse the question once more by dividing into two perspectives: First, from the perspective that contemporary Korean fantasy novels or the methodology of fantasy suggest the methods that literature relates to the truth of society. Second, from the perspective of realization of the ethics of practice of esthetics in the inner realm of literature. Through this I would like to look into the aspects of fantasy epics appointed as the project and strategy between sociological duty and esthetic amusement through the literary works written within the past 20 years that attempt the most changes in the history of Korean fantasy novels.
일반논문 : 오타쿠와 한국문학 -현대소설의 새로운 방법론-
고영진 ( Young Jin Go ) 현대문학이론학회 2015 現代文學理論硏究 Vol.0 No.60
본고는 현대소설의 내외부에 드러난 오타쿠적 특징을 통해 이를 좀 더 긍정적인 방향으로 이끌 수 있는 방안을 찾아 현대소설을 읽는 새로운 방법을 제안하는데 목적이있다. 우선, 일반적인 오타쿠에 관한 논의를 통해 오타쿠를 양산하는 문화환경의 특징과 더불어 서브컬처가 문학환경에 미치는 영향을 살피고, 이러한 오타쿠에게 추출한 특징 중 대표적인 요소들을 통해 우리 소설과 소설환경에 다각도로 접근해보고자 한다. 그 네 가지 특성은 가상놀이, 몰입, 콘텐츠, 공감이다. 이는 오타쿠의 대표적인 속성인 동시에 궁극적으로 현재의 소설이 가진 특징이면서도 과제와도 연결되어 있다.가상의 세계에서 오로지 개인적인 취향에 몰입해서 생산한 콘텐츠가 공감을 전제로 타자에게 영향을 준다는 오타쿠의 방식은 예술을 매개로 인간과 사회가 관계를 개선해 온 방법과 다르지 않기 때문이다. 이는, 결국 최근 다른 문화장르가 대중에게 주는 감동이나 주의환기, 담론형성, 또는 충격 등에 관한 기능이 정지靜止상태인 소설이 예술의 한 영역을 유지한 채, 현실세계에 실효적 영향력을 얼마나 발휘할 수 있는가에 관한 문제제기이다. 위협적인 경제의 논리를 비웃고, 착실하게 자신의 욕망에 몰입하는 오타쿠를 통한 본고의 제안은 낯선 것에 대한 능동적이고 긍정적인 관심에 관한 것이었다. 지금 우리에게 필요한 것은 세상 모든 문화에서 가치충돌의 가치를 통해 장場을 넘기는 역할을 담당해 왔던오타쿠일 것이다. When we search Korean contemporary fiction, moving it to a level of culture study, looking around its surroundings could suggest a new perspective about the phenomenon and context of Korean contemporary fiction. It also means the examination of Korean fiction if it possesses initiative for forming a new carnivalistic market, apart from the monopolistic market of culture industry in the current cultural environment which has the multinational monopolistic capital beyond national boundaries and the multiple multimedia form that enables us to use one content in various ways. This paper aims to find out the method that leads it toward more positive direction through studying the characteristics of Otaku manifested by Korean fiction inside and outside and then propose a new method of reading contemporary fiction. Otaku, a representative character that summarizes Japanese society and culture from the late 1980s to the early 2000s, was formed actively relating to the Japanese society which went through the unprecedently rapid growth and compact modernization-different from Koreans’ prejudice. Especially it is the noticeable element that the process of reorganization of cultural levels with various aspects has been naturally achieved through private commitment to realize individual desires rather than with a sense of duty as a national cultural subject. Most of all, Otaku’s passion, constant affection and their energy from intensive commitment to their respective objects loved was so powerful that they could change the cultural topography of a nation and that is the very reason we try to examine the current environment of Korean fiction and themethodology of Otakuu. First, looking through the effect of subculture on the environment of literature as well as the trait of cultural environment producing Otakus with the discussion over a typical Otakuu, we are going to approach the Korean fiction and its environment through the representing elements among the characteristics extracted from Otakus from various angles. The four characteristics are pretend play, commitment, content and sympathy. These are the representative properties of Otakus and ultimately the traits of contemporary fiction at the same time, besides, they are linked to their challenge. The way of Otakus that the content they produce by merely committing to their individual tastes in the virtual world have an effect on others based on sympathy is not different from the way that humans and human societies have improved their relations by the medium of art. In the end, this is to raise a question about how fiction could bring an influence to bear effectively about the real world, preserving an area of art, since fiction has the function with a stationary condition about sensation, calling attention, forming discourse or shock that other genres of culture offer to the public recently. Our suggestion through Otakus who mock the threatening economic theories and are engaged in their individual desires steadily was about the active and positive interests in something new. What we really need at the moment could be Otaku who has played a role of breaking new ground through the value of value conflict in every culture around the world.
고영진 ( Go Young-jin ) 충남대학교 인문과학연구소 2020 인문학연구 Vol.59 No.1
이 논문은 한국 청소년문학을 출판시장이라는 전제 아래 다각도로 점검하는 과정을 통해 그 장르적 위치를 확인하고 새로운 가능성을 확보하기 위한 방법론을 찾는데 목적이 있다. 이를 위하여 본고는 주로 텍스트 자체가 가진 미학이나 문학성의 차원에서 다뤄졌던 기존 청소년문학의 논의들을 출판과 유통의 범위까지 확장하여 살폈다. 이를 통해 가장 먼저 확인할 수 있었던 것은 청소년 문학이 생산자와 소비자 그리고 다양한 시스템 사이의 이견으로 여전히 장르적 정체성이 명확하지 않다는 잠재적 문제를 가지고 있다는 것이었다. 2000년대에 들어 청소년문학이 대중들과 다층적인 접속을 위한 활로를 모색하는 것과는 별도로 여전히 강력한 입시제도의 영향력과 권장·추천도서 시스템이 동시에 작용하고 있다는 사실은 주목할 필요가 있다. 청소년문학이 문화산업의 왜곡된 힘에 저항하고, 창조적인 의식을 지닌 문화생산의 주체로서의 청소년들이 스스로 새로운 문화지층을 형성하는데 도움이 되기 위해서는 새로운 방법론이 필요하다. 이를 위해서는 첫째 ‘청소년’과 ‘청소년문학’에 관한 전제의 폭을 좀 더 유연하게 하는 것과, 둘째, 청소년문학을 유통하는 다양한 서사 플랫폼에 대한 폭넓은 수용과 적극적인 연구, 마지막으로 생산자와 소비자 그리고 공적시스템의 협업적 독서환경과 출판환경의 조성에 대한 지속적인 관심이 요구된다. 한국 청소년문학이 현재 출판시장에서 확보하고 있는 장르적 위치는 우리 현대문학이 겪고 있는 몇 가지 고질적인 문제에 관한 의미있는 시사점을 제시한다. 청소년문학이 우리 문학시장에서 예술성과 시장성을 지속적으로 유지하기 위해서는 미학적 가치에 대한 연구와 지원과 더불어 소비자와 생산자 그리고 연구자, 유통담당자들의 좀 더 전문적이고 현실 밀착적인 차원의 논의가 지속적으로 이루어져야 한다. This article aims at confirming the position of its genre and finding the methodology to ensure a fresh possibility through the process of inspecting Korean young adult literature from various angles on the premise of the publication market. For this purpose the article expanded and examined the existent discussion of young adult literature that had been mainly handled at the level of aesthetics of the text itself or literary value into the range of publication and distribution. The first thing confirmed through this was that young adult literature has a potential problem, which is the lack of identity of its genre, because of the different views among producers, consumers and various systems. Apart from the fact that young adult literature has been seeking solutions to the multiple access to the public in the new millennium, it has to be notified that still strong influence of college admission system and recommended and suggested reading system are functioning at the same time. A new methodology is needed so that young adult literature resists the retorted power of cultural industry and enables the young adults as the subject of cultural production with creative awareness to build a new ground layer of culture for themselves. The following are required for this: first, more flexibility in the range of the premise of ‘young adult’ and ‘young adult literature’; second, broad acceptance and active research on various narration platforms distributing young adult literature; last, consistent interest in fostering cooperative reading environment and publishing environment among producers, consumers and the public system. The position of its genre that young adult literature obtains in the current publication market suggests a significant implication of some endemic problems Korean modern literature is struggling with. In order that young adult literature maintains consistent artistry and marketability, more professional and down-to-earth discussions among consumers, producers and researchers, distributors should be made continuously in addition to the research and support on the aesthetic value.
일반논문 : 이기호 소설에 드러난 글쓰기 방법으로서의 환상과 윤리
고영진 ( Young Jin Go ) 현대문학이론학회 2011 現代文學理論硏究 Vol.0 No.44
소설의 의무감이 점차 가볍고 불투명한 것으로 변화하는 지금, 이기호는 인물과 문체 두 가지 고민에 대한 실험적 해법을 제시하고 있는 "젊은" 작가 중 하나이다. 특히 그의 "말하기"에 대한 고민은 계획적이고 실험적인 작가의 노력은 역사를 외면하지 않는 굵직한 서사성과 맞물려 재미와 깊이를 동시에 획득하는 효과를 가지고 있다. 이와같은 서사양식에 대한 다양한 시도의 요점은 작가가 독자에게 소설을 읽히는데 만족하지 않고 소설을 들려주려 한다는데 있다. 물론 장르의 태생적 속성상 묵독의 소설이 주관하는 주체의 권력과 헤게모니에 대한 기존의 관념은 그의 소설읽기에 정면으로 배치될 수 있다. 본고는 이기호의 인물들과 그의 말하기가 부정적인 위치에서 시작된다는 점을 주목한다. 그리고 그것이 결국 "고백"이라는 접점을 기준으로 분산되고 있다는 것을 다시 확인하면서 고백이라는 형식에 압도되어 고백의 내용이 쉽게 드러나지 않는 것이 현상인지, 설정인지를 확인해보고자 한다. 이는 본래 소설가의 고민에 관한 것이지만, 장치 된 전략 이후를 읽는 것은 언제나 독자의 몫이다. 그것은 결국 소설가의 의도가 어디에 있는가를 알아보는 데 있다. 이기호가 부정적인 것을 환상을 통해 이야기하는 방식과 고백이라는 윤리적 말하기를 동시에 도전하고 있기 때문에 이 시도는 유효할 것으로 보인다. 때문에 본고는 말하기 자체에 대한 고민을 통해 소설적인 것을 완성해가는 과정에 주목하면서, 현재 서사가 가야할 방향의 일부를 짚어보는데 궁극적인 목적이 있다. 결국, 대상에 대한 제법 진지한 오해를 바탕으로 소설가의 상상을 고백하는 이기호는 독자와의 소통에 중점을 둔 화법의 파괴를 통해 작가의 목소리를 낸다. 하지만, 그 이면에 숨어있는 것은 수사학 본래에 관한 문제와 근대적 서사양식에 대한 고민으로 결부된다. 삐딱한 인물들의 삐딱한 응시를 통해 세상의 말과 법, 즉 상징적 질서에 포획되지 않겠다는 환상적인 무의식을 드러내면서도, 세상의 질서와 소통할 윤리적인 소설을 모색하는 것이다. Nowadays, when the duty of novels is gradually changing into somewhat uncertain and weakening, Yi Gi-ho is one of the "young" writers suggesting experimental solutions to both problems of character and style. Especially his concern about "storytelling", the writer`s intentional and experimental effort, is effective in acquiring fun and depth at the same time, engaged with strong epical trait without ignoring history. The focus of these diverse attempts towards epics is that the writer tries to have his readers listen to his novel rather than he is satisfied to have them just read it. Surely, from the viewpoint of the genre`s born properties, the existing concept of the subject`s authority and hegemony that silently read novels dominate can be against his reading novels aloud. In this paper I pay attention to the point that Yi Gi-ho`s characters and his storytelling begin from the negative position. And I am going to reassure that it is finally dispersed at the standard of the contact point of "confession" and try to find out if it is a phenomenon or a setting that the content of confession is not shown easily overwhelmed with the form of confession. Originally this is the concern of the writer, however it is always the readers`s lot to read the story after a strategy is set. In the end it matters that you recognize where the writer`s purpose is. Since Yi Gi-ho challenges the way of telling something negative through fantasy and ethical storytelling of confession at the same time, this attempt seems to be effective. Thus, this paper takes notes of the process of achieving novel`s characteristic through the concern about storytelling itself, and aims at going over the parts of direction of contemporary epics. At last, Yi Gi-ho, who confesses the writer`s imagination based on quite serious misunderstanding on the object, voices as a writer by destroying the style of speech focusing on the communication with readers. However, what lies behind is connected to the matter of rhetoric itself and the concern about the modern epical style. He reveals the fantastic subconsciousness that he would not be captured by the worldly speeches and laws, the symbolic order, through distorted characters` distorted staring and at the same time he searches the ethical novels to communicate with the orders of the world.
고영진(Go Young-jin) 한국비평문학회 2008 批評文學 Vol.- No.30
Every epics in the modem age has focused on human being again, and monsters in today’s novels are representing and symbolizing some nature of violent revelation in original desire of inner part of human being. In accordance with this, humans are defined as potential monsters in modem epics. In Catching a Ghost of the Village Headman in Bu-yeo by Kim, Tack-whan and Cabinet by Kim, Un-soo, writers show active reproduction of familiar monsters in myth using great contemporary senses. Also, the writers concentrate on the actual existence through the intense plot about monsters in modem pathological situation. These novels are testimonies of chosen chroniclers who can read the intention of monsters. People who wants to leave records on monsters are the ones desiring for “newie” whether it is problems of past which have been existing or portents of future happenings. Even though the distance between “I trust for certain” and “I cannot help trusting” still remains, epical state of first record is already determinated. Existing recorders cognize the aesthetic of weirdness in the rule of reality, and solve the grudge of monsters, and work as a reconciler drawing monsters to the safe territory. While, today’s recorders don’t hesitate to communicate with reality through monsters, and desire continually for confronting with monsters, and want to open the pathway which leads to the world of fantasy. One and only being that creates monsters and make monsters genuine ones appears when first eyewitness and first recorder are all the same, Therefore we have to always write and read about monsters and be responsible for conveyance. Because the story appearing in the middle of the epic creates another monster and complicated work can be repeated to understand whole story line. The fantasy is not the aspiration and nostalgia for actual reality, but the active deeds and playing that choose and construct various tangible realities.
고영진(Young-jin, Go) 어문연구학회 2010 어문연구 Vol.64 No.-
If you consider the desire for stories is the true definition of epics, what you must declare is the characteristic of fantasy that epics contain. Especially, the epic that the fantasy operated in the law of ethics is reflected in means the essence of the epic itself and the possibility of drawing a new line against the surroundings. Therefore, it is necessary that we review fantasy and ethics at the same time as two axes applying to contemporary novels. The approach viewing fantasy epics from a point of ethics has the purpose of establishing an independent narrative characteristic of Korean fantasy epics. Searching for the origins of unique fantasy in Korean literature and applying the ethics inside Korean history and society to them will provide a head start for interpreting existing fantasy epics newly. Discussing fantasy, considering the aspects of producing contemporary epics, becomes synonymous with examining the identity of ideology of Korean modern literature closely. Fantasy is operated keeping an ideology in mind all the time. Thus, considering ethics of an author, readers and his times is essential to study fantasy. Of course, to read all modern fantasy epics with the methodology of ethics is also dangerous to form another prototype. Ethics in this article is a suggestion to read fantasy epics with a new reading method. The new possibility and the old value of Korean modern epics lie in the very desire for fantasy and the taboo against the desire based on human instinct to make stories endlessly, conclusively the ethics deciding the border of the taboo. Literature is born considering ethics for others or minority group at all times. At the same time it is made up of fantasies about others. Furthermore, it can be expanded to the unborn considering social ideology and cultural training again. Ironically fantasy began to fill the gap of unrealistic phenomenon to explain reality. This epic satiety is the ethics of fantasy and the reality of fantasy.
대학 신입생의 쓰기과제물 제목구성지도교수법 제안- 리포트, 포트폴리오를 중심으로
고영진 ( Young Jin Go ),오수연 ( Su Youn Oh ) 충남대학교 인문과학연구소 2015 인문학연구 Vol.51 No.1
본고는 대학 신입생들의 쓰기과제물(리포트와 포트폴리오)의 작성법 중 제목구성에 대한 교수법을 제안하고자 하는 목적으로 작성되었다. 실제 학습자가 자신의 사고와 의견 또는 학습결과를 드러내는 언어구성물에 적절한 제목을 붙이고 창의적인 구성을 고안하는 훈련은 쓰기과제물의 결과와 평가에 많은 영향을 줄 뿐 아니라, 연구한 대상에 대하여 요약하는 기술방법을 습득할 수 있도록 도와준다. 이는 더불어 조직적 구성력과 표현력을 향상시켜주고, 동시에 창의적인 발상을 하는 훈련이 될 수 있다. 그리고 이러한 연습이 좋은 학습습관으로 자리 잡는다면, 전공에 대한 학습이 심화된 고학년으로 올라가서도 교과목의 전문성과 더불어, 독자를 고려한 감성설득의 융합을 시도하는 전제로 작용할 수 있다. 마지막, 결정적으로 스스로 “이름 붙이기”한 쓰기과제물은 학습자로 하여금 애정과 책임감을 갖도록 하며 이는 자연스럽게 작성목적을 이해하고 수용하는 결과로 이어질 수 있다. 기과제물의 제목과 구성에 관한 이름붙이기와 스토리텔링에 대한 안내는 대학 신입생 학습자들로 하여금 쓰기과제물에 대한 부담을 줄이고, 자신의 표현능력을 신장하는데 도움을 줄 수 있을 것이다. 교수자는 이를 위하여 과제물의 목적과 평가기준은 물론, 기본전제로서 구성에 대한 자세한 의미를 안내해야 한다. 이를 통해 대학에서의 쓰기과제물이 일방적인 평가를 위한 절차가 아니라, 그 본래의 목적을 다할 수 있을 것이다. 그리고 나아가 현대 대학교육이 지향하고 있는 교수자와 학습자 사이의 원활한 의사소통의 가능성을 쓰기과제물이 담당할 수 있게 될 것이다. This article aims to suggest teaching methods of the significance of entitling writing assignments of college freshmen. The subjects of discussion are limited to the report, which is a form of writing assignment that college freshmen face the earliest and the most frequently from their freshman year, and the portfolio, which is the form that becomes substantially effective only if the foundation is set up from their freshman year. It does not only influence on the result and assessment of writing assignments that learners get trained to design the title and composition of their own writing assignments for themselves. It also helps them to acquire the description methods of summarizing the objective once acquired that learners give appropriate titles and design creative organization to the compositions that reveal their own thoughts and opinions or study result. This can be the training to enhance the ability of systematic organization and expression, and at the same time to have an imaginative idea. Besides, if this practice develops good work habits, it could work as the requirement in trying merging emotion and persuasion considering the expertise of their degree subjects and readers when they enter their senior year. Finally, the writing assignment titled by a learner himself definitely lets the learner have affection and responsibility and it can lead to the result that he understands the goal of his composition and accept it. The guidance of entitling writing assignments and storytelling helps a college freshman reduce the pressure of writing assignments and enhance his expressivity. Therefore, it is necessary for a lecturer to guide the detailed meaning of composition as a requirement as well as the goal and valuation criteria of the assignments. Through this college writing assignment is not merely the unilateral evaluation element but it achieves its original purpose, furthermore, it will be possible to take charge of communication between the lecturer and learners.
역경지수가 신규간호사의 이직의도에 미치는 영향: 현실충격의 매개효과를 중심으로
고영진(Go, Youngjin),한수정(Han, Sujeong) 한국간호행정학회 2020 간호행정학회지 Vol.26 No.5
Purpose: This study was done to identify the effect of adversity quotient and reality shock on the turnover intention among new nurses in general hospitals. Methods: Participants were 158 new nurses in general hospitals. A survey was used and data were collected in April 2019. Data were analyzed using the IBM SPSS/WIN 22.0 program. Results: The significant predictors for the turnover intention of new nurses were training status (β=.38), age (β=.19) and reality shock (β=.51). These variables explained 46.3% of the variance in turnover intention of nurses. Also, reality shock had a total mediating effect on the relationship between adversity quotient and turnover intention. Conclusion: Findings indicate that adversity quotient and reality shock are important factors for turnover intention of new nurses in general hospitals.