소아 호흡기계 감염증에 대한 Biostim^(�)(RU 41740)의 임상적 효과

고경옥,변상현,이건수,정용헌 최신의학사 1991 最新醫學 Vol.34 No.12

일본 유료노인홈의 임대비와 공간규모 특징 분석

고경옥,김태일,박철민,정별아 대한건축학회 2001 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.21 No.1

It is said, by extension of life, that our country will enter into Aging society at soon. Being entered into Aging society mean not only increasing of population of The elderly but also increasing of industry for The elderly with housing and welfare service and so on. In our country, we are not yet recognized industry for The elderly as next industrial part ,but fee charging home for The elderly will be evaluated as a kind of new residential style in aging society. It isi aim of this study of this study to get basic data of fee charging home for The elderly. This study is based on researching of fee charging home for The elderly. Plan of fee charging home was collected from 32 facilities and analyzed. A result of analysis are the following: 1)Rentable rate is 0.45-0.69 and it mean that rate of public space to total scale of facility is 30 sspercent. It seem that Rentable rate is depended on location of fee charging home, its function. In a next research, it is required to analyze relation of between Rentable rate and location of Fee charging home and its function. 2)In case of fee charging home related with administration and welfare foundation, its scale is large and contained medical service within facilities. But in case of Fee charging home, its scale is not large and medical service is provided by other medical facilities.

Dermatophagoides pteronyssinus항원 유도성 말초혈액 단핵구의 cytokines 유전자 발현 양상에 관한 연구

고경옥,민들레,박정규,정용헌 대한 소아알레르기 및 호흡기학회 2001 소아알레르기 및 호흡기학회지 Vol.11 No.2

留置導尿管 患者의 肪胱 洗滌에 따른 尿路 感染 發生 頻度에 關한 硏究

高景沃 한국간호과학회 1990 Journal of Korean Academy of Nursing Vol.20 No.1

‘재현불가능성’의 맥락에서 본 한국전쟁 사진

고경옥 동서미술문화학회 2023 미술문화연구 Vol.26 No.26

Since the (disastrous) genocide called the Holocaust, the issue of representing suffering emerged in modern philosophy. This study sheds light on the discussions of such “unrepresentability” through Korean War photographs. Specifically, this study focuses on the issues of ethics and race raised in the discussions of “unrepresentability.” The ways of otherizing non-Western races in Asia and Africa are studied through the photographs of Western war correspondents who documented the Korean War. The development of philosophical discussions of “unrepresentability” is explored, and modern art and film products that deal with suffering are also examined. This study determines the issues raised in the representation of suffering through the medium specificity of photography. Through Susan Sontag and Jacques Rancière’s discussions, the medium specificity — the position of the voyeur or spectator — is elaborated. By criticizing the othering of non-Western races (e.g., Asians and Africans) in war photographs, this study analyzes the “neocolonial gaze,” which posits that cruelly and unjustly inflicted suffering is far removed from the West. Through photographs gathered from war correspondents who recorded the Korean War such as David Douglas Duncan, Marguerite Higgins, Max Desfor, Werner Bischof, and others from the National Archives and Records Administration of the United States, this study examines how Western white people otherize Asians. This study sheds light on the issue of race in the white-centered war documentary photographs and studies how the races from third-world regions are represented. This makes it possible to understand the otherness inherent in the Korean War press photographs in a detailed manner. Furthermore, this study suggests the ethical implications regarding the creation of a “fair image” by modern artists.

1990년대 현대미술에 나타난 여성 신체의 문제 : 이불(Lee Bul)의 초기 퍼포먼스와 조각을 중심으로

고경옥 예술과미디어학회 2022 예술과 미디어 Vol.21 No.1

2010년 중반 이후 한국사회에서는 페미니즘이 다시 활기를 띠며, 다양한 분야에서 담론을 형성하고 있다. 이러한 시의성과 맞물려 본 논문은 파격적인 예술실천을 통해 여성 신체 재현의 문제를 다룬 작가 이불의 1980년대 말부터 1990년대까지의 초기 작품을 재소환하고, 한국의 1990년대 페미니즘 미술을 논하고자 한다. 페미니즘 미술이 활발하게 개진된 1990년대를 중심으로 당시의 대내외적 사회상황과 화단의 주요 흐름을 확인하며, 신체 담론과 성별 정치학으로서의 페미니즘 미술이 대두된 미술사적 자취를 살핀다. 또한, 당대의 시대변화 속에서 진행된 이불의 초기 퍼포먼스를 현재적 의미로 재해석함과 더불어, 조각과 설치 작품을 통해 나타난 타자로서의 괴물과 사이보그 이미지의 의미 분석을 시도하고, 제3세계 여성으로서의 정체성 문제를 고찰한다. 이 연구를 통해 백인 중심으로 형성된 젠더 논의의 한계에서 확장한 유색인 제3세계 페미니즘 미술의 다양성을 확보할 수 있으며, 한국 페미니즘의 특수성과 한국 현대미술의 역동적인 현장성을 동시에 파악할 수 있다.

정신분석학으로 바라본 영화 〈시네마 천국〉-‘오이디푸스 콤플렉스’, ‘애도와 멜랑콜리’를 중심으로-

고경옥(Ko, Kyong-Ok),김석원(Kim, Seok-Weon) 동서미술문화학회 2021 미술문화연구 Vol.21 No.21

본 연구는 주세페 토르나토레(Giuseppe Tornatore) 감독의 영화 〈시네마 천국(Cinema Paradiso)〉(1993)을 정신분석학 논의로 고찰한 것이다. 지그문트 프로이트(Sigmund Freud)의 ‘오이디푸스 콤플렉스(Oedipus complex)’ 이론과 ‘애도와 멜랑콜리(Mourning and Melancholia)’라는 관점에서 영화를 분석하고, 자크 라깡(Jacques Lacan)의 상상계(the Imaginary), 실재계(the Real), 상징계(the Symbolic)에 대한 논의 가운데, 상징계 질서 안으로 포섭되는 한 인간 삶 속에서 상실과 애도를 통한 영화라는 예술창작의 의미를 해석하고자 한다. 이에 주세페 토르나토레 감독의 영화적 특징을 살피고, 이탈리아 영화사에서 차지하는 위치를 확인해 본다. 본 연구에서는 〈시네마 천국〉에서 나타나는 오이디푸스적 상황을 해석하는데 있어서, 전쟁으로 인한 아버지의 죽음과 대체된 아버지인 알프레도(Alfredo), 그리고 영화라는 예술의 관계를 집중적으로 조망하고, 알프레도, 살바토레(Salvador), 엘레나(Elena) 사이에 재현된 삼자 관계 속의 불안과 갈등에 주목한다. 이로써 주인공과 엘레나 사이의 이별, 그리고 고향을 떠남으로써 해소되지 않은 오이티푸스적 상황이 어떻게 주인공 인생에 집요하게 걸쳐 ‘반복강박(repetition compulsion)’으로 재현되는지를 살펴본다. 이자관계(binary relationship)에서 삼자관계로의 이행, 즉 오이디푸스적 상황에 대한 해결되지 않은 것들이 알프레도라는 상징적 아버지의 죽음, 그리고 극장 파라다이소의 상실로 해소되는지를 분석한다. 이때 실제 아버지와 상징적 아버지 알프레도, 그리고 사랑하는 연인 엘레나에 대한 이별과 상실에 대한 애도가 재현하는 것들, 즉 살바토레가 창조한 영화는 애도의 원동력이었음을 밝힌다. This study examines the movie Cinema Paradiso(1993) directed by Giuseppe Tornatore as a psychoanalytic discussion. It attempts to interpret the meaning of artistic creation through loss and mourning in a human life that is subsumed into the Symbolic in the theory of Jacques Lacan that deals with the Imaginary, the Real, and the Symbolic, analyzing the film from the perspective of “Oedipus Complex” and “Mourning and Melancholia” by Sigmund Freud. In this regard, this study examines the cinematic characteristics of director Giuseppe Tornatore and check his position in Italian film history. In this study, the focus is placed on anxiety and conflict in the tripartite relationship reproduced among Alfredo, Salvador, and Elena highlighting the death of his father in war Alfredo, the replaced father, and the relationship with the art of cinema in interpreting the Oedipal situation appearing in Cinema Paradiso. It is examined how the separation between the main characters Salvatore and Elena, and the Oedipal situation that has not been resolved by leaving their hometown, is reproduced as a “repetition compulsion” throughout the life of the protagonist. The artist"s inner side and psychology are identified through things that are not subsumed into the order of the symbolic from the imaginary, in other words, through the portrayal of real-world characteristics in the film. It analyzes transition from a binary relationship to a tripartite relationship, in other words, whether unresolved issues in the Oedipal situation are resolved through the death of the symbolic father Alfredo and the loss of the theater Paradise. Here, it reveals that things that the farewell with the real father and the symbolic father Alfredo, and the beloved Elena, and the absence of mourning for the loss reproduce, in other words, the film created by Salvatore was the driving force behind melancholia.

공공미술의 페미니즘 실천 연구 -2000년대 이후 한국 사례를 중심으로-

고경옥(Ko, Kyong-Ok) 동서미술문화학회 2020 미술문화연구 Vol.18 No.18

한국 현대미술에서 페미니즘에 관한 연구는 연대기적으로 작가(그룹)의 작품이나 주요한 전시를 중심으로 진행되어왔다. 연구자는 기존의 한국 페미니즘 미술 연구의 확장으로서 2000년대 이후의 공공미술에서 페미니즘의 행동주의적 경향성을 내포하는 프로젝트를 중심으로 페미니즘과 공공미술의 담론이 어떻게 친연성을 이루는지 연구했다. 먼저 본 논문은 서구에서 시작된 공공미술과 행동주의 미술, 그리고 페미니즘 미술의 교차점을 확인하고, 이것이 수잔 레이시(Suzanne Lacy)에 의해 새로운 장르 공공미술(New Genre Public Art)로 다시 안착되는 과정을 분석했다. 그리고 한국의 페미니즘 미술에서 공공미술의 주요한 키워드인 ‘공동체성’이 어떻게 발현되는지를 1980년대 민중 미술계열의 페미니즘 미술인 ‘여성미술’의 활동으로 확인하고, 이를 통해 한국의 1980년대 페미니즘 미술이 사회에 대한 적극적인 개입으로서 행동주의 미술의 특성을 지님을 탐구했다. 마지막으로 한국의 2000년대 이후 붐을 이룬 공공미술에서 페미니즘 실천적 양상을 분석하고, 페미니즘 미술의 새로운 경향을 해석했다. 이러한 공공미술의 페미니즘 실천에 관한 연구는 동시대 한국 현대미술의 역동적인 현장성을 파악하는 동시에, 한국 공공미술의 특수성과 페미니즘 논의를 동시에 살펴볼 수 있다는 데 의의가 있다. The studies on feminism of Korean contemporary art have been focused on works of artists (group) or major exhibitions chronologically. It studied how affinity was formed by the discussion of feminism and public art focusing on projects that imposes activism tendency of feminism at public art in 2000s as an expansion of Korean feminism art study. First, this paper studies the intersecting point of public art, activism art and feminism art that were started in the west. Then it studied the process how Suzanne Lacy produced ‘New Genre Public Art’. It studies how community spirit, which is the keyword of public art of Korean feminism art, is activated through the activity of ‘Feminism Art’ which is feminism art of Minjung art line in 1980s. Then it studies the characteristics of activism art that is formed through engaging in the society with feminism art in 1980s in Korea. Lastly, it analyzes the practical system of feminism in public art which was boomed after the year 2000 and studied the new trend of feminism art. The study on feminism practice of public art is meaningful in the points that it understands the dynamic situation of current Korean modern art and the discussion of the specialty of Korean public art and feminism at the same time.

Comparison of Birth Outcomes Based on Maternal Ethnicity in Korea: Korean, Vietnamese, and Chinese, 2010–2015

송영화,고경옥,이영혁,임재우 대한신생아학회 2017 Neonatal medicine Vol.24 No.2

Purpose: The purpose of this study is to compare birth outcomes based on maternal ethnicity in Korea. Methods: Using the birth data of Statistics Korea from 2010 to 2015, this study selected data from infants with a Vietnamese mother and Korean father (Vietnamese/Korean group), and a Chinese mother and Korean father (Chinese/Korean group), to compare them with that of a Korean mother and Korean father (Korean/Korean group). The newborn infants’ birth outcomes and parental characteristics were investigated, and trends in annual changes were compared. In addition, this study investigated whether the mother’s ethnicity affected the mean birth weight. Results: Gestational age and birth weight were highest in the Chinese/Korean group, and were slightly lower in the Korean/Korean and Vietnamese/Korean group, in that order. The highest rate of preterm birth before 37 weeks and low birth weight rate were observed in the Vietnamese/Korean group; 4.62% and 4.26%, respectively. From 2010 to 2015, the mean gestational age decreased in all the three groups, and the preterm birth rate increased at gestational ages less than 37 weeks. However, the birth weight decreased only in the Korean/Korean group, but increased in the Chinese/Korean and Vietnamese/Korean groups. In addition, we found that factors such as parents' educational levels, percentage of hospital births, and appropriate maternal age improved in the Vietnamese/Korean group. Conclusion: This study confirms that the mean birth weight and low birth weight rate are affected by maternal ethnicity in Korea. Therefore, careful research and active national support policies are needed.

Increase in Aminotransferase Levels during Urinary Tract Infections in Children

박주이,고경옥,임재우,전은정,윤정민 대한소아소화기영양학회 2013 Pediatric gastroenterology, hepatology & nutrition Vol.16 No.2

Purpose: The aim of this study was to evaluate the prevalence of increased aminotransferase levels and to identify associated factors in children admitted to hospital with urinary tract infections (UTIs). Methods: The study included children with a diagnosis of UTI who were admitted to the Konyang University Hospital from January 2007 to May 2011. The total number of patients was 249 and the mean age was 15.88±28.21 months. UTI was defined as a positive urine culture (>105/colony forming unit [CFU]) with pyrexia. Patients were treated by intravenous antibiotics, such as ampicillin/sulbactam, aminoglycoside, cephalosporins or vancomycin. Patients with neonatal jaundice or other liver disease were excluded. We investigated the relationship of aminotransferase levels with the type of antibiotic, degree of vesicoureteral reflux (VUR), and causative organisms. Results: Children with increased aminotransferase levels were younger than those with normal levels (p=0.001), but white blood cell count, platelet count, causative organisms, type of antibiotics and presence of VUR were not associated with aminotransferase levels. Aminotransferase levels became normal within 1 month after discharge without special measures, except in 1 case. Conclusion: We found that many children with UTI have abnormal aminotransferase levels. In most cases, this change is mild and self-limiting. We conclude that increased aminotransferase level increase during UTI do not require unnecessary tests and excessive treatment. (Pediatr Gastroenterol Hepatol Nutr 2013; 16: 89∼94)