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강규한 ( Gyu Han Kang ) 한국로렌스학회 2009 D.H. 로렌스 연구 Vol.17 No.2
After the Second World War D. H. Lawrence left `the waste land` of England and searched for the possibility of a new `place` while living and experiencing a sense of place in several locations including Italy, Ceylon, Australia, Mexico and New Mexico in Northern America. He attempted to put his experience of each of those places in "The Spirit of Place," the first chapter of Studies in Classic American Literature, which significantly demonstrates what his sense of place means. The idea of `the spirit of place` is essential to appreciating St. Mawr, which was written in a wild and mystical place called Toas in New Mexico. Lou, the female protagonist of St Mawr, has been to so many places in Europe that she is `at home anywhere and nowhere.` An encounter with St. Mawr, however, leads her into the reality of `another world,` so that life in London becomes unreal to her. Coming into contact with Lewis, the Welsh groom, and understanding his Celtic tradition also opens up `another world` of others in human society, while the encounter with St. Mawr can be seen to reveal the world of other of non-human beings. Experiences with `another world` through St. Mawr and Lewis bring Lou into a significant communion with the spirit of place as the supernatural other in the wild America. Such encounters with others, in particular the guard/spirit of place, can contribute to an examination of the new possibility of restoring the `placeless` area into a resuscitated place.
강규한(Gyu Han Kang) 한국영미문학교육학회 2017 영미문학교육 Vol.21 No.1
A Day No Pigs Would Die and Charlotte’s Web both feature a child protagonist who develops a close relationship with a baby pig. This common factor that comprises the narrative plot makes the reader wonder whether the pig will survive its fate of ending up at the butcher’s store. The final outcomes are different: Pinky in A Day No Pigs Would Die is not redeemed from her fate of becoming “smoked bacon and ham” while Wilbur in Charlotte’s Web outlives Charlotte to welcome her descendents every spring. The different fate of the two pigs derives from the disparity in the growth of the child protagonist. When Robert in A Day No Pigs Would Die becomes a man, he comes to accept his father’s notion of pig as meat provider. On the other hand, Fern in Charlotte’s Web saves Wilbur from her father’s axe and raises him, but becomes estranged from the pig (and other animals in the barn) after she becomes attached to Henry. Instead, it is Charlotte the spider that protects Wilbur from the butcher’s knife. If Charlotte’s Web explories the fantastic realities of animal life, A Day No Pigs Would Die remains realistic to the end and focuses on the growth of Robert who becomes the responsible head of his family and farm. Significantly, A Day No Pigs Would Die vividly dramatizes a boy’s intense struggle against his duty of slaughtering his beloved animal friend, and, in the course of the dramatization, successfully portrays animal reality that humans do not see. The paper ultimately shows how teaching A Day No Pigs Would Die and Charlotte’s Web can encourage students to imaginatively engage and appreciate the world of animals.
강규한(Gyu Han Kang) 문학과환경학회 2011 문학과 환경 Vol.10 No.2
The first thing to make Charlotte's Web a 'good' children's book may be its denseness of texture as observed by Peter Neumeyer. Obviously the text is excellent in the author's artistry ranging from diction to sentence structure, to rhetorical and authorial stance. It is not just artistry, however, that makes Charlotte's Web great as a children's book. Charlotte's Web basically presents a phantasy world in which animals talk and behave like humans. However, it does not one-sidedly project anthropocentric perspectives on animals as many animal fables do. It is worthwhile to note that the animal phantasy harmonizes with human-leveled realism in the text. Futhermore, it portrays a significant attempt to encounter animals as living beings without elimination of 'difference.' In particular, the young protagonist's gaze on the main animal character represents the possible communion between the child and animals. The child can be understood as a kind of nature before turning into Man while the child is obviously a human being though yet young. Therefore, the child can be given the better chance to encounter living animals. Charlotte's Web encompasses not only the possibility of an encounter with animals through her gaze but also the change of young protagonist, which opens up a new interpretation of the work as a product of Man's yearning for the nature before being divided into the present state as well as a possible encounter with animals only through the child's eyes.
현대영미소설 : 안젤라 카터의 『피로 물든 방』에 형상화된 인간과 동물의 이분법 넘어서기
강규한 ( Gyu Han Kang ) 한국현대영미소설학회 2015 현대영미소설 Vol.22 No.1
The adventure of the young protagonist in "The Bloody Chamber" dramatizes the growth of female subjectivity and thus epitomizes the attempt to transcend the dichotomy between Man and Woman in The Bloody Chamber. The stories of animals or of interactivity between humans and animals in The Bloody Chamber demonstrate, however, that what the work tries to go beyond is not only the dichotomy between Man and Woman but also between Man and Animal. Whereas the homocentric dichotomy between Man and Animal has strongly influenced human perspectives toward animals since fairy tales began to capture the human imagination, Carter``s rewriting of various fairy tales raises the possibility of reconstructing the long-preserved dichotomy between Man and Animal. It is suggested that the two opposites in the dichotomy can be reversed into Animal and Man instead of Man and Animal as in "The Courtship of Mr. Lyon" and "Puss in Boots," and can overlap with each other as in "The Werewolf`` and "Wolf Alice." Furthermore, as in "The Tiger``s Bride" and "The Company of Wolves," the two opposites of Animal and Man can be unified into one through humans`` becoming animals instead of animals`` becoming humans, which has long been recorded in fairy tales. The new horizon opened up by The Bloody Chamber conveys a significant revision of the relationship between Man and Animal.