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RISS 인기검색어
- 검색키워드
- 저자 : 張乃禹(Zhang, Nai Yu) (검색결과 5 건)
- 무료
- 기관 내 무료
- 유료
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張乃禹(Zhang Naiyu) 중국어문학연구회 2015 중국어문학논집 Vol.0 No.90
The inner contradiction of Liang Qichao’s religious ideas reflected in two aspects, one is the attitude to religion and religious choice has experienced several changes, show some confused and tangled in a religious affiliation; two is the Buddhist conception of rationality in logic there are certain contradiction and paradox. Liang Qichao on the Confucian attitude from follow and support into opposition and criticism, is the inner conflicts constantly struggle results. The reason why Liang Qichao indulging in Buddhism, Liang Qichao attempts to use the Buddhist jurisprudence “epistemology” to explain the nature of the Buddhism thought of Western learning, full of passion; frustrated besides politics also to some extent make Liang Qichao want to find self comfort and relief from Buddhism, which believes in Buddhism, nihilism has produced great influence on the China intellectuals, Liang Qichao is no exception. In fact, contradiction of Liang Qichao religious affiliation, in addition to the psychological motive of saving the nation from subjugation, the fundamental reason lies in the “shear continuously, the reason also disorderly” perplexing religious sentiment. Liang Qichao from the point view of epistemology, “the five skandhas theory” as the core of epistemology to prove “without my theory”, showing a certain rational spirit, but the essence is between faith and reason of Buddhism in the contradictory attitude of the true reflection of Liang Qichao. Argument that contains psychology and rational contents of Buddhist teachings, not at the same time that faith and reason, reason and emotion can be harmonious organic fusion, cannot directly explain the Buddhist belief accords with rationality, contradiction between faith and reason can not overcome.
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張乃禹(Zhang Naiyu) 중국어문학연구회 2021 중국어문학논집 Vol.- No.129
Chinese modern and contemporary popular literature was formed in line with the development and context of Chinese literature, established in the course of negotiation and convergence with full-scale literature, and is placed on an extension of Chinese traditional literature by utilizing Chinese characteristics in cultural ideas and aesthetic ideas. In accordance with the development of the times, numerous modern elements such as pop culture, electronic media and market operation are melted, forming another form of modern Chinese literature. So "modern city," "popular media" and "citizen consciousness" can be said to be three basic elements closely related to Chinese modern and contemporary popular literature. However, the phenomenon of "patterning" in the narrative and aesthetic expression of Chinese modern and contemporary popular novels, which have both been influenced and constrained by mass media and marketability, emerges as one of the prominent features. Popular literature is inseparable from popular culture. The formation of large cities with the background of the development of popular culture, the development of media, the emergence of civic groups, and the composition of civil society provided indispensable premises and foundations for the development of popular literature. Citizenship" is a basic component closely related to Chinese modern and contemporary popular literature. China"s distinctive urban pop culture has now been shaped by the huge Chinese citizen class, and the prosperity of popular literature has developed in this very stable yet rapidly changing pace of the city"s pop culture atmosphere. The mass media has changed the concept of creation and aesthetic form of modern and contemporary Chinese novels. The fact that mass media have mechanical characteristics of mass input and production affects popular literature. Thus, popular literature secures its identity as a media product based on the premise of mass production and distribution. The patterned popular novels are welcomed and loved by readers because, above all, the combination of patterns itself is full of joy. Patterns are an important means of expression of popular novels, which cannot be popular novels without formalized structures, certain creative patterns and formalized paradigms.
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張乃禹 ( Zhang Naiyu ) 중국어문학회 2022 中國語文學誌 Vol.- No.79
In terms of the number of works translated into China and their influence, there are few Korean writers comparable to Kim Ae-ran. Almost all her works have been translated into Chinese, and have been continuously praised in Chinese mainland and in Taiwan. From the centralized reports of major Chinese media, the response of literary critics and the reading feedback of ordinary readers, Kim Ae-ran’s works have been highly praised, refreshing China’s existing cognition of Korean pure literature and female literature, and thus driving the translation, introduction and publication of a large number of works of other contemporary female writers in Korea. This paper aims to sort out the translation and introduction of Kim Ae-ran’s works in China as a whole, deeply explore how they are read and accepted by Chinese readers, and explore the Enlightenment of the Chinese translation and acceptance of Kim Ae-ran’s works to the globalization of Korean literature. The translation and reception of Kim Ae-ran’s novels in China has the characteristics of comprehensiveness and continuity. Chinese readers have deeply recognized the value of Kim Ae-ran’s works in the parallel integration of “seeking common ground” and “seeking differences”. In the harmonious resonance of realistic care and self reflection, Chinese readers recognize the content beyond national boundaries and cultural heterogeneity in Kim Ae-ran’s works. At the same time, on the basis of deep psychological resonance, they have carried out multi-dimensional and in-depth interpretation of his works. Through the investigation of the dissemination and acceptance process of Kim Ae-ran’s novels in China, we can find that whether the works are close to the social reality, whether they face the social contradictions, whether they truthfully show the current spiritual crisis and ethical dilemma, and whether they have the “universality” beyond the cultural gap are the fundamental decisive factors for Korean literature to break out of Asia and go to the world.
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