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崔晳元(Seok-Won Choi) 중국어문논역학회 2022 中國語文論譯叢刊 Vol.- No.50
주지하듯이 전통 시기 중국 사회를 지탱하던 ‘文’에 대한 기존의 질서는 근대로 접어들면서 균열과 붕괴를 경험하였다. 본고는 이렇듯 문학에 대한 새로운 인식이 배태되었던 중국의 ‘근대’ 그 중에서도 20세기 초 혼란과 변화를 경험한 시공간을 통해 중국 전통 사대부 문학의 대표라고 할 수 있는 唐詩에 대한 시각과 인식에 대한 고찰을 진행하고자 한다. 일찍이 ‘정전’이라 함은 텍스트가 처한 사회문화적 맥락 속에서 그 지위가 획득되거나 상실되는 과정을 포함한다고 할 수 있는바, 본고는 20세기 전반기 唐詩와 관련한 전반적인 문헌의 대략을 살펴봄과 함께 20세기라는 새로운 시대적 맥락 속에서 唐詩는 어떻게 읽혀지고 있었는가를 고찰하고자 하였다. 함께 담론화 그리고 계몽을 목적으로 한 근대 교육의 제도 속에서 새롭게 위치지워졌던 唐詩의 모습을 확인함으로써 고전이 아닌 정전으로서의 唐詩 그 일면을 고찰하고 이에 내재된 문학적, 문화적 의미 규명에 다가가는 데 그 목적을 두었다. As is well known, as we entered the modern period, the perception of “Wen” in the traditional Chinese period experienced a crack. This study intends to examine the perspective and perception of T’ang poetry, which can be said to be the representative of intellectual literature among traditional Chinese literature, through the ‘modern’ in China, where a new perception of literature was born. ‘Canon’ can be said to include the process of acquiring or losing its status in the cultural context in which the text is placed. This paper intends to examine the outlines of the publication of anthology related to T’ang poetry in the early 20th century and how it was read in the context of the 20th century. In addition, the purpose of this study was to examine T’ang poetry as a canon by confirming the appearance of the time in the literary discourse and system of modern education, and to approach the identification of the literary and cultural meanings inherent in it.
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崔豪元(Choi Ho Won) 한국사연구회 2012 한국사연구 Vol.157 No.-
King p’y?ngw?n’s ascension to the throne during the late 6th century coincided with Kogury?’s overcoming of the crisis it had experienced in terms of its power during the mid-6th century via the strengthening of its royal authority and settling of public sentiment. Thereafter, during the reign of King Y?ngyang, Kogury? attacked Silla. While this first attempt is best remembered for marking the rise of Ondal, who had first been appointed during the reign of King p’y?ngw?n, as a new power figure, this attempt ultimately ended in failure. Kogury? subsequently attacked Liaoshi in 598 however, this campaign also failed amidst a counterattack on the part of the Sui(隋) dynasty. Having led the campaign against Liaoshi. King Y?ngyang found himself in a precarious political position following its failure. However, he was able to overcome these difficulties by initiating a second round of attacks on Silla in 603. In 608, King Y?ngyang was able to achieve some victories on the battlefield against Silla. However, King Y?ngyang’s policy came under both domestic and international pressure following the Sui dynasty’s decision to dispatch a second expedition to Kogury? in 612. On thedomestic front, strong resistance emerged amongst the aristocrats to the attempts to further invigorate the royal authority. The strong dependence of the figures appointed and actively engaged in politics during the reigns of King P’y?ngw?n and Y?ngyang on royal authority meant that their political power vis-a-vis the aristocrats was quite limited. On the other hand, the campaign against Silla facilitated Silla’s overture tothe Sui dynasty and in essence caused the latter’s expedition to Kogury?. The combined forces of Silla and Sui were able to wrest some 500-ri of territory from Kogury?. This denouement was the result of the weakening of the ability to resist against external shock occasioned by the stretching of its front line defense to the breaking point amidst a two-pronged attack by Sui and Silla. As such, although King Y?ngyang made efforts to continue the policy course set by King P’y?ngw?n and strengthen the royal authority, his efforts were frustratedby a limited understanding of the political situation at the time. His attack on Silla implemented as part of this policy also ended in failure because of the Sui dynasty’s invasion of Kogury?. These results greatly influenced his attempts to strengthen the royal authority.
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崔晳元(Seo- Kwon Choi) 중국어문논역학회 2017 中國語文論譯叢刊 Vol.0 No.41
본 연구는 그간 주목하지 않았던 유희적 시체에 대한 이해의 제고와 그 문화적 함의 규명을 통해 유희적 시체가 지닌 가치를 고찰하기 위해 진행되었다. 잡체시 가운데 하나인 聯句詩는 그 유희성과 집체 창작이라는 속성에서 말미암은 문학성 결여라는 인식에도 불구하고 당시 문인들의 생활상과 문학적 교유를 보여주고 있다는 점에서 가치를 지닌다고 하겠다. 이에 본 연구에서는 그간 진행되지 않았던 宋代 聯句詩를 연구대상으로 삼아 그 창작 상 특징에 대해 고찰하고 동시에 당시 문인들의 문학적 교류에 대한 연구를 진행하였다. 이를 통해 宋代 聯句 창작은 당대에 비해 그 소재에 있어 문인들의 아취를 담아내는 등 그 범위가 확대됨과 동시에 유희성이 강화되는 모습 역시 보이고 있음을 확인할 수 있었다. The purpose of this study was to enhance the understanding of the playful poems, pay attention to its cultural implications. In this work, to study the interference poetry in the Chinese ancient form of a poem, i conducted a literature search for the Song Dynasty’s interference poetry. At the same time i was studied for the exchange of Song Dynasty literary writers. interference poetry is a special format that two or more literary is created by alternate type, which is the origin of 漢武帝 and his servants created together in the 柏梁臺, Unlike the usual poems, interference poetry was primarily created in banquet and excursions etc, we can easily quantifiable it’s playful nature. For this reason, interference poetry do not receive academic interest. But It is important data that we can look at the Song Dynasty literati’s literary association. So, in this study is conducted a search for the Song Dynasty’s interference poetry. I was based on this data, discussed about feature of the Song Dynasty literati’s literary association.
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