‘고통’의 무대화에 대한 재고(再考) -연극 <장기자랑> 분석을 중심으로

서나영 ( Suh¸ Nayoung ) 한국연극학회 2021 한국연극학 Vol.1 No.78

타자의 고통을 무대화 한다는 것은 어떤 의미를 가지는가? 자신의 고통 혹은 타자의 고통에 대한 무대화는 고통의 순간을 무대로 소환하여 슬픔, 분노, 절망과 같은 감정을 다시 불러일으킨다. 그럼에도 불구하고 주로 ‘스토리텔링’을 담당하는 영화나 연극에서는 타인의 고통을 전격적으로 작품의 소재나 주제로 잡는 일이 빈번하다. 전쟁, 학살, 폭력, 사회적 재난 등 역사에 실재했던 비극적 사건이 무대화 되는 것은 결국 무대를 만들어가는 사람들이나 그것을 관람하는 사람들 모두가 비극적 상황 속에서도 서로 소통하고 싶기 때문일 것이다. 그것이 애도의 몸짓이든 정치적 구호이든 치유의 장치이든 사회적 사건에 대한 고통을 사적영역에서 꺼내와 공적 영역에서 함께 다루고 싶은 것이다. 그렇기 때문에 대부분 고통을 무대화 한다는 것은 여러 사람들에게서 나오는 다양한 방식의 증언을 통해 어떠한 사건을 기억하고, 또한 그 무대를 경험한 관객들에게 감정, 정서, 사고(思考), 행동 등을 유발하려는 의도가 전제된다. 이 글에서는 모든 위험과 불안함을 끌어안고도 증언 불가능, 재현 불가능의 사건을 굳이 무대에 올리는 시도들이 이뤄내는 소통의 형식들을 살펴봄으로 인해 고통을 무대화하는 과정을 재고하고자 한다. 특히 세월호 사건이라는 우리 사회의 집단적 경험과 연결된 무대를 통해 타인의 고통 혹은 사회 구성원의 비극적 기억을 무대화하는 것에 대한 의미-그런 무대화들이 이뤄낸 것들, 혹은 그렇지 못한 것들-를 고찰하는 것은 연극이 타인의 고통을 다룰 때 할 수 있는 것과 해야만 하는 것, 그리고 해서는 안 될 것들까지 정리하는 기회가 될 것이다. 특히 ‘4.16 가족극단 노란리본’의 <장기자랑>은 유가족 배우들을 통해 그들이 고통과 그것을 지켜보는 관객의 고통을 섬세하고 안전하게 다루고 있다. 이 작품을 살펴보며 고통을 다루는 연극이 관객과 할 수 있는, 혹은 해야만 하는 소통의 전략을 살펴본다. What does it mean to stage the suffering of others? The stageing of one’s own pain or other's pain summons the moment of suffering to the stage, rekindling emotions such as sadness, anger, and despair. Tragic events that have existed in history, such as war, slaughter, violence, and social disasters, will be staged because everyone who makes the stage and everyone who watches it wants to communicate with each other through tragic situations. Therefore, most stage is based on the intention of remembering an event through testimony in various ways from various people, and also causing emotions, thoughts, and actions to audiences who have experienced the stage. In this article, I would like to reconsider the process of staging suffering by analyzing the forms of communication made by attempts to staging suffering of others. Especially, I will focus on the strategies of communication through < Talent Show > that a play dealing with suffering.

Antioxidant effects of selenocysteine on replicative senescence in human adipose-derived mesenchymal stem cells

( Nayoung Suh ),( Eun-bi Lee ) 생화학분자생물학회(구 한국생화학분자생물학회) 2017 BMB Reports Vol.50 No.11

In most clinical applications, human mesenchymal stem cells (hMSCs) are expanded in large scale before their administration. Prolonged culture in vitro results in cellular senescence-associated phenotypes, including accumulation of reactive oxygen species (ROS) and decreased cell viabilities. Profiling of stem cell-related genes during in vitro expansion revealed that numerous canonical pathways were significantly changed. To determine the effect of selenocysteine (Sec), a rare amino acid found in several antioxidant enzymes, on the replicative senescence in hMSCs, we treated senescent hMSCs with Sec. Supplementation of Sec in the culture medium in late-passage hMSCs reduced ROS levels and improved the survival of hMSCs. In addition, a subset of key antioxidant genes and Sec-containing selenoproteins showed increased mRNA levels after Sec treatment. Furthermore, ROS metabolism and inflammation pathways were predicted to be downregulated. Taken together, our results suggest that Sec has antioxidant effects on the replicative senescence of hMSCs. [BMB Reports 2017; 50(11): 572-577]

Molecular signatures of secretomes from mesenchymal stem cells: therapeutic benefits

Suh, Nayoung,Subramanyam, Deepa,Lee, Mi-Young THE KOREAN SOCIETY OF TOXICOGENOMICS AND TOXICOPRP 2017 MOLECULAR AND CELLULAR TOXICOLOGY Vol. No.

MicroRNA controls of cellular senescence

( Nayoung Suh ) 생화학분자생물학회(구 한국생화학분자생물학회) 2018 BMB Reports Vol.51 No.10

Cellular senescence is a state of permanent cell-cycle arrest triggered by different internal and external stimuli. This phenomenon is considered to be both beneficial and detrimental depending on the cell types and biological contexts. During normal embryonic development and after tissue injury, cellular senescence is critical for tissue remodeling. In addition, this process is useful for arresting growth of tumor cells, particularly during early onset of tumorigenesis. However, accumulation of senescent cells decreases tissue regenerative capabilities and induces inflammation, which is responsible for cancer and organismal aging. Therefore cellular senescence has to be tightly regulated, and dysregulation might lead to the aging and human diseases. Among many regulators of cellular senescence, in this review, I will focus on microRNAs, small non-coding RNAs playing critical roles in diverse biological events including cellular senescence. [BMB Reports 2018; 51(10): 493-499]

Molecular signatures of secretomes from mesenchymal stem cells: therapeutic benefits

Nayoung Suh,Deepa Subramanyam,Mi-Young Lee,M. Y. Lee 대한독성 유전단백체 학회 2017 Molecular & cellular toxicology Vol.13 No.2

Mesenchymal stem cells (MSCs) have been extensively used in both preclinical and clinical studies for a variety of diseases and injury. Accumulating evidence indicates that paracrine function through their secretomes is considered one of the primary attributes for MSC-mediated repair and regeneration. Secretomes from MSCs include both soluble factors and factors released within extracellular vesicles (EVs). Within EVs there are selective subsets of proteins, lipids, and nucleic acids that can modulate recipient cells and disease microenvironments. In this review, we summarize the current understanding of MSC-derived secretomes at molecular and therapeutic levels, focusing on their potential as novel cell-free therapies.

그로토프스키(Jerzy Grotowski) 연기론의 비판적 고찰

서나영 ( Suh Nayoung ) 한국연극교육학회 2019 연극교육연구 Vol.34 No.-

This paper is a critical study of Grotowski's acting theory. In the early 20th century, the belief that human psychology could also be scientifically organized led to a performance training system based on the objectivist acting theory. On the other hand, a series of body-centered movements against rationalism also begin to be made into the language of training. In other words, focusing more on emotions, intuition, instinct, and improvisation rather than human reason, body-centered actor training would be an ideal acting to reveal the true character of an actor without playing a role. This paper aims to concentrate on the actor training of these flows. At first, focusing on the Grotowski’s acting theory, especially ‘via negative’, I will discover the contextual meaning in the content of the exercises and reconsider it from a critical perspective. Forming a specific body technology cannot be separated from discourse and historical contexts that tell how such technology was understood and reproduced. Therefore, the body-centered acting theories should be approached and reinterpreted by contemporary language of acting, which starts from the perspective of reflection and criticism, away from the concept of 'real' and fixed 'self.'

배우 훈련과 젠더 - 페미니즘의 관점에서 살펴본 연기 언어

서나영 ( Suh Nayoung ) 한국연극학회 2018 한국연극학 Vol.1 No.67

그 동안 연기 훈련의 영역은 비판적 시각에서 재고되지 못했다. 개별연기론에 집중하여 연기 훈련법에 대한 연구만 진행되어온 것이 사실이다. 이에 이 논문은 연기 언어 전반을 페미니즘적 관점에서 살펴보면서 주류 연기 언어가 가지고 있는 맥락적 의미들을 밝히고 이것이 배우 훈련의 실제 영역에서 어떻게 왜곡되어 사용될 수 있는지를 밝히고자 한다. 특히 ‘배우-역할’의 관계에 따라 스타니슬랍스키-그로토프스키-브레히트로 대표되는 연기론을 집중적으로 살펴보고 기존의 연기 언어를 젠더 비판의 시각으로 재고한다. Everyday, lots of women and student actress enter acting classes where most of them will receive actor training through sex discriminative or gender-blinded acting language. Yet relatively little acting teachers, coaches and instructors’ consideration has been given to the experience of the student actress: What have been happened to women and student actress in actor training? This thesis confronts the sexism that still exists in actor training and exposes the gender biases embedded within the acting language itself. I will focus on acting languages which have been historically used in actor training from three perspectives. Especially, in relation to actor and role, ‘involvement’ is represented by Stanislavsky; ‘self-renunciation’ is Grotowski, ‘detachment’ is Brecht. Like American Method acting, some variation on the Stanislavsky-based emphasize on ‘truth on the stage.’ However, ‘truth’ in traditional mimesis is inextricably intertwined with cultural assumptions about gender. Also, in Grotowski’s theory of body, it can be confirmed that gender-blinded languages such as ‘neutral’ are used. In Brechtian epic theatre, we can find some alternative acting language yet unpractical. From a feminist perspective, it becomes important to expose the assumptions underlying truth claims made by and on behalf of each acting theory. My research on these three aspect of acting theory and training method represents a brief problematic view of acting languages. It is necessary to bring about new understandings of feminist’s view in acting classroom. It will influence the ways that actor training will be conducted in the future.

어플라이드 씨어터 (Applied Theatre)의 이론과 실제

서나영 ( Suh Nayoung ) 한국연극교육학회 2016 연극교육연구 Vol.29 No.-

In the mid 1990s, Applied Theatre emerged from various theatrical form in England and America. Especially, Applied Theatre was founded out of Theatre such as school, church, prison, hospital, classroom, and so on. However, there is few discourse what is it exactly and how it works. In first chapter, I will make examples several production from different Theatre group as a sample of the Applied Theatre in contemporary Korea. These six different types of Applied Theatre-such as TIE(Theatre in Education), prison theatre, community-based theatre, theatre for development, theatre for health education, social theatre- propose some characters of the Applied theatre. Next chapter addresses a brief historical and theoretical overview of the Applied Theatre and provide a general concept of Applied Theatre. Applied Theatre is a `umbrellal term` which embraces diverse categories of theatrical form. Their commonly determining character as Applied Theatre are `participation` and `transformation`. Then, I will campare the situation if Korean dicourse of the Applied Theatre. Comparing characters of traditional art with participatory art, In the final chapter, I will place Applied Theatre as a participatory art which is socially engaged. Especially, I will focus on some qualities of the Applied Theatre as a `social tern` : liminality, marginality, intervention This process-centered work of collaboration has something beyond in the form itself. Applied Theatre has a intentional strong power as a social transtormation.

Coping with Dementia in the Middle of the COVID-19 Pandemic

Nayoung Ryoo,Jung-Min Pyun,백민재,Jeewon Suh,Min Ju Kang,Min Jeong Wang,Young Chul Youn,양동원,Seong Yoon Kim,박영호,김상윤 대한의학회 2020 Journal of Korean medical science Vol.35 No.42

Multiple neurological complications have been associated with the coronavirus disease-19 (COVID-19), which is caused by severe acute respiratory syndrome coronavirus 2. This is a narrative review to gather information on all aspects of COVID-19 in elderly patients with cognitive impairment. First, the following three mechanisms have been proposed to underlie the neurological complications associated with COVID-19: 1) direct invasion, 2) immune and inflammatory reaction, and 3) hypoxic brain damage by COVID-19. Next, because the elderly dementia patient population is particularly vulnerable to COVID-19, we discussed risk factors and difficulties associated with cognitive disorders in this vulnerable population. We also reviewed the effects of the patient living environment in COVID-19 cases that required intensive care unit (ICU) care. Furthermore, we analyzed the impact of stringent social restrictions and COVID-19 pandemic-mediated policies on dementia patients and care providers. Finally, we provided the following strategies for working with elderly dementia patients: general preventive methods; dementia care at home and nursing facilities according to the activities of daily living and dementia characteristics; ICU care after COVID-19 infection; and public health care system and government response. We propose that longitudinal follow-up studies are needed to fully examine COVID-19 associated neurological complications, such as dementia, and the efficacy of telemedicine/telehealth care programs.

Changes in prevalence of Helicobacter pylori infection after subtotal gastrectomy.

Suh, Seungchul,Nah, Jong Chun,Uhm, Min Sik,Jung, Youn Mu,Kim, Nayoung,Lee, Dong Ho,Jung, Hyun Chae,Song, In Sung G. Thieme 2012 Hepato-gastroenterology Vol.59 No.114

<P>There have been few reports comparing pre and postoperative prevalence of Helicobacter pylori infection and gastritis in patients with gastric cancer surgery.</P>