간호실무에서 신봉이론(Espoused theories)에 대한 탐색적 연구

서문자,김혜숙,이은희,박영숙,조경숙,강현숙,임난영,김주현,이소우,조복희,이명하,지성애,하양숙,손영희,권성복,김희진,추진아 성인간호학회 2001 성인간호학회지 Vol.13 No.1

As a nursing practice involves nurses' actions in a specific context of health care, this study has focused on exploring the espoused theories in nursing practice within the action science perspectives, Espoused theories are the belief, principles, and rationale expressed by the practitioner as guiding her/his actions in a situation of practice. The data were analysed qualitatively and 25 elements of espoused theories of nursing action were identified and clustered into 6 categories. The 25 elements of espoused theories are as follows: The clinical nurse worked in wholistic and individual nursing, focussed on the patient's needed, comfort and supportive nursing (5 theories of nursing goal) ; excellent skills, knowledge based, assessment and data collection, explaining, educating or a scientific basis(6 theories of nursing intervention): advocacy, value oriented, treatment, account- ability and commitment(4 theories of nursing ethics) ; human respect. partnership, trust(3 theories of patient-nurse relationship) : knowledgable, accumulated clinical experiences and personally lived experiences. positive perspectives(4 theories of nurse), role of intervention. rewarding peer relationship(3 theories of situations) The above mentioned espoused theories are similar to that of nursing textbooks which students learned through basic nursing education and almost the same as the Acts ofa Nurse in Korean. However, we are doubtful whether nurses actually do as they think. Therefore. it is recommended to review the theories-in-use in order to and any discrepancies between the espoused theories and the reality of nursing actions

한의학(韓醫學)의 좌우리론(左右理論)에 관(關)한 고찰(考察)

박승미 ( Seung Mi Park ),박히준 ( Hi Joon Park ),이향숙 ( Hyang Sook Lee ),손양선 ( Yang Sun Son ),임사비나 ( Sabina Lim ),이혜정 ( Hye Jung Lee ) 대한경락경혈학회 2001 Korean Journal of Acupuncture Vol.18 No.1

We could summerize the concept of the right and left mentioned in Nai-Gyung and some literature of oriental medicine as follow At first the right and left is a directional right and left which implys left-liver-right-lung(左肝右肺), left-yang-right-eum(左陽右陰), secondly it is also the road of eumyang which implys man-left-woman-right (男左女右), left-blood-right-ki(左血右氣), left-sinsu-right-myungmon(左腎水右命門), and left-right of pulse. left-liver-right-lung(左肝右肺), left-yang-right-eum(左陽右陰) and man-left-woman-right(男左女右) are expressions of the movement of yang which is a core of chang, at the same time, left-blood-right-ki(左血右氣), left-sinsu-right-myungmon(左腎水右命門), and left-right of pulse are expressions of the eum in response to the movement of yang. (go up and down of water and fire) Finally, both a directional right and left and a road of eumyang mean a road of going up and down of eumyang so, this is very important index in circulation and keeping ballance of eumyang (ki-Hyul: 氣血) in the human body therefore, we can treat a disease with acupuncture in the use of this charater, for example when a disease occurs in the left side, we can treat it with acupuncture in the right side, the same applys to right.

한의학(韓醫學)의 좌우이론(左右理論)에 관(關)한 고찰(考察)

박승미,박히준,이향숙,손양선,임사비나,이혜정,Park Seung-Mi,Park Hi-Joon,Lee Hyang-Sook,Son Yang-Sun,Lim Sa-Bi-Na,Lee Hye-Jung 경락경혈학회 2001 Korean Journal of Acupuncture Vol.18 No.1

We could summerize the concept of the right and left mentioned in Nai-Gyung and some literature of oriental medicine as follow At first the right and left is a directional right and left which implys left-liver-right-lung(左肝右肺), left-yang-right-eum(左陽右陰), secondly it is also the road of eumyang which implys man-left-woman-right(男左女右), left-blood-right-ki(左血右氣), left-sinsu-right-myungmon(左腎水右命門), and left-right of pulse. left-liver-right-lung(左肝右肺), left-yang-right-eum(左陽右陰) and man-left-woman-right(男左女右) are expressions of the movement of yang which is a core of chang, at the same time, left-blood-right-ki(左血右氣), left-sinsu-right-myungmon(左腎水右命門), and left-right of pulse are expressions of the eum in response to the movement of yang. (go up and down of water and fire) Finally, both a directional right and left and a road of eumyang mean a road of going up and down of eumyang so, this is very important index in circulation and keeping ballance of eumyang (ki-Hyul:氣血) in the human body therefore, we can treat a disease with acupuncture in the use of this charater, for example when a disease occurs in the left side, we can treat it with acupuncture in the right side, the same applys to right.

장애영유아를 위한 국공립 유치원 편의제공 현황 분석

양숙미 남서울대학교 2014 남서울대학교 논문집 Vol.S No.-

The purpose of this study is analyzed the accommodation for the young early childhood with disability in national and public kindergarten. Researcher review the Discrimination Prohibition Law for the handicapped people and the standards of the kindergarten's accommodative facilities realities. The research results are as follows: First, the suitable facilitative rate of the obligatory facility is 47.0%, simple facilitative rate is 89.5% and suitable facilitative rate include the recommended facilities is 45.1%, simple rate is 86.4%. Generally, it is insufficiently facilitated the accommodative facilities. Second, There are technical assistance such as low vision assistance(7.8%), crutches(6.8%), wheelchair(6.5%), expansion of the screen(5.4%) in the kindergarten. In conclusion, they didn't seldom offer the technical assistance. It is necessary to increase the budget and institutional improvement. Key words : the Discrimination Prohibition Law for the handicapped people, accommodative facilities, technical assistance

오페라의상과 무대조명의 시각적 효과 : 리골렛토(Rigoletto)를 중심으로 Rigoletto

양숙희,김현수 숙명여자대학교 건강ㆍ생활과학연구소 1997 生活科學硏究誌 Vol.12 No.1

The purpose of study to show 1) that, based on the concep of opera costum throuht consideration of visual effect, the situation of costume on the syage shall be firmly set up, 2) that the visual effect of opera costume is divided by the visual effect of the formal and abstract antities which is percived in the situation of audience, and so the audience shall be oneness whith works, 3) that, by observing and analizing visually the features of the costume which is chainging according to wake the its importance as the factor controlling the ostchological state of the audience and by lighting, it is possible to perform the effective state by providing the interest and visual statisfaction to the play. Briefly summarizing the conclusion of this thesis as follows; 1. An opera costume is expressed with the close relationship with other visual elements, and especially for the costume designed in a major consideration of illumination will bring an increased modern sensibility and dramatic uniformity as a silent language. 2. The symbolic personal descriptions of the characters is exposed and adjusted along the variety of the illumination to the extent that it would deliver the psychological state of the figures in the drama. 3. The illumination which increases the visual effects of opera costume will express and create the essential phenomena, including shapes, colors and qualitative touch and will offer the visual singification and creative imagination, by harmonizing with the abstract entity of the psychological state of the audience and that of the characters. 4. By inquiring into Opera 'Rigoletto' as a sample study, the result of the analysis on the visual effect of the opera costume, varies along the illumination, are following as; 1) The formal and abstract entities by the illumination was varied and adjusted along the characters at Act Ⅰ Scene 2, Act Ⅰ Scene 2, Act Ⅱ Act Ⅲ respectively, and was formed a dramatic relationship between the natures of the costumes and the characters. 2) The stage illumination for each Act helped the audience increase their comprehension and attention along the psychological state of the characters, places and times. 3) The variety of costume through the effects of color filter influenced not only the changing appearance of the costumes but also the qualitative touch and its shape with possible expectation of the various visual effects. 4) The function of illumination offers the unique and broad possibility of the visual arts as sell as effective design options creating the variety of the elements of costume design, including the changes in silhouette, qualitative touch and creation of patterns.

무대의상에 나타난 그로테스크 이미지 연구 : 1990년 이후 무대의상을 중심으로

양숙희,김유경 숙명여자대학교 건강·생활과학연구소 2004 生活科學硏究誌 Vol.- No.21

Stage art diversifies the aesthetic values, and therefore, exaggerate the normal or ordinary images to feature them as grotesque or shocking. Such an exaggeration is more peculiar in stage costume or make-up. The stage costume delivers a message to the audience by using a visual language, while it is expressed as grotesque to allow the audience to experience a shocking catharsis. With such basic conceptions in mind, this study was aimed at reviewing the relationship between stage costume and grotesque art form under the circumstances where stage costume pursues an 'ugly aesthetics' and approaching the grotesque stage costumes from a viewpoint of aesthetics. To this end, the stage costumes were analyzed ranging from Renaissance when the term 'grotesque' emerged to symbolism, expressionism and surrealism. The grotesque image during Renaissance period was shown in the stage costumes for commedia dell'arte and court ballet, At that time, costumes were exaggerated for a comic or abnormal or grotesque image. Symbolists personified the dolls or produced Sphinx-like grotesque costumes to create a shocking mood for the audience. On the other hand, expressionist distorted or exaggerated the stage costume designs or silhouettes or changed their colors in order to express men's inside emotion. The result was a grotesque image. Surrealists used surreal objects for the stage costume, while combining the alienated ones, to express a grotesque inharmony. Based on the above discussions, the grotesque images shown in the stage costumes since 1990 were analyzed. To be more specific, based on P. Thomson's theory which attempted to define the grotesque in the 20th century, the researcher categorized the images of the stage costumes into demonic, playful, animal-like and mechanic images and thereby, determined the implications and values of the grotesque art. First, the stage costumes of demonic image appears in the stage costume for the villain characters. Black or red colors are frequently used for this purpose, and in terms of design and details, worn costume, abhorrent decorations or patterns, inconceivable bizarre styles or distorted proportion, balance or unity are used to express a grotesque image. In addition, such make-up properties as mask, mannequin, skeleton, fork-like long nails are used to highlight demon's aggressive and destructive image. The demonic characters are make up for black eyes or bloodless skin. Such costumes invoke a sense of aggression, shocking effect, cruelty, terror, weirdness or abhorrence and thereby, render a grotesque image. Second, the stage costumes of playful image use playful or bizarre styles to express comic but grotesque images. Such costumes use the primary colors mainly, and apply a kitch object to invoke a laughter. For example, the skeleton which is a bizarre object may be painted with the primary colors to look funny, or bisexual or personified costumes are used to invoke laughter and terror simultaneously and thereby, express inharmony and duality of the grotesque. Such playful costumes drive the audience into playful or satirical laughter, sick humor, demonic humor, jest or comic pleasure. Third, the stage costumes of animal-like image puts emphasis on the animal-like instinct inherent in men and thereby, personifies animals or make men and animal coexist. Mainly, hairs, horns, limbs, paws, sharp teeth, tiger felt or other objects invoking the image of beast are used. In other words, the different subjects or men and animals are combined to create an inharmonic, inhumane, abnormal grotesque image. The animal-like stage costumes are reminiscent of inhumanity, ugliness or grotesqueness. Fourth, the stage costumes of mechanic image emphasizes fusion of men and machines or their coexistence in the cyber age, and thereby, highlights anti-machine and inhumane grotesque images. These images are primarily surrealistic, while emphasizing the unbalance of colors or forms. These images use metals or acryl or other new materials, and add the electronic circuit board or sound effect devices to the costumes to predict an age of wearable computer. In addition, they emphasize an inhumane, grotesque image with a geometric make-up. After all, the mechanic image costumes induce the audience to feel an inhumanity and alienation. As discussed above, the grotesque images shown in the stage costumes since 1990 are demonic, playful, animal-like or mechanic, each of which has its own characteristics. As P. Thomson classified, inharmony, comicalness, shock, exaggeration and abnormality are overlapped with each other to express dualistic and insoluble conflicts.

장애유형별 장애여성의 임신, 출산, 육아경험에 관한 연구 : 시각, 청각, 지적장애 여성을 중심으로

양숙미 남서울대학교 2010 남서울대학교 논문집 Vol.16 No.2

The purpose of this paper provides the fundamental data of the support service development for the handicapped womens' motherhood rights protection. This paper is composed of parts as follows. First, Tries to observe the motherhood rights and parent role of the handicapped women. Second, Analyzes the pregnancy, child birth, and child care experience of the handicapped women. The research method was used literature review, FGI for the handicapped women and the related experts. The research results are as follows : the handicapped women are afraid of the disability of their child during the pregnant, child birth. And they experienced deficiency of informations and education and helping. And they experienced the difficulties about emergency, outdoor life, and their child development. It is necessary to develop the support plan about information provision, education and many related service supports. Key words : the handicapped women, support plan, the pregnancy, child birth, and child care experience

직업재활센터의 중증장애인 직업재활 지원 사업 평가지표 개발

양숙미 남서울대학교 2009 남서울대학교 논문집 Vol.15 No.2

The purpose of this paper develop the evaluation index for the vocational rehabilitation centers which implement the vocational rehabilitation support program for the severe handicapped persons. This paper is composed of parts as follows. First, researcher presents the contents about the vocational rehabilitation support program for the severe handicapped persons. Second, researcher will try to review the theories which is composed of evaluation index and develop the evaluation index for the vocational rehabilitation centers. Finally, the researcher Presents the application plan of evaluation index. Key words : evaluation index, vocational rehabilitation support program for the severe handicapped persons, vocational rehabilitation centers.

성인지적 관점에서 여성장애인을 위한 직업재활예산 분석

양숙미 남서울대학교보건의료개발연구소 2004 보건복지 연구 논집 Vol.1 No.1

The aim of this research is to analyze the budget expenditures and to propose the necessity of gender sensitive budgets. We make an analysis budgets for the job placement and vocational rehabilitation ones among general budgets areas. This study found that the handicapped women's budgets are very small and they are rarely gender sensitive perspective in budgets. And they are not included the budgets for after management and contents development, so they result in gender inequality in terms of women's participations and costs. This study will contribute to identify the reality of gender blinded budgets and to propose the necessity of gender budgets for the handicapped women' s equality, the construction of gender statistics, and the education for the public officials.

장애인 고등학생의 졸업 후 진학진로와 장애인 초등교원 임용에 대한 인식

양숙미 남서울대학교 2010 남서울대학교 논문집 Vol.16 No.1-2

The purpose of this paper research the handicapped high students' awareness on vocational course after graduate high school and employment of the handicapped primary school teacher. This paper is composed of parts as follows. First, researcher will try to review the disabled elementary teacher employment system, employment reality and a vocational course of the disabled person high student after graduate through the literature review. Second, researcher will try to investigate about the disabled high students' vocational course plan after graduate and preference about the employment expandition of the handicapped elementary teacher. Key words : vocational course, the handicapped elementary teacher, teacher employment system.