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( Phùng Ngọc Kiên ) 부산외국어대학교 아세안연구원 2022 Suvannabhumi Vol.14 No.1
This paper compares the French Gustave Flaubert (1821- 1880) and the Vietnamese Vũ Trọng Phụng (1912-1939), and explores transformations of their aesthetic experiences that led to the autonomization of French literary field in the nineteenth century and Vietnamese in the early twentieth century. Inspired from the term “archive” coined by Michel Foucault, this article argues that Flaubert, in abandoning the bourgeois tastes, contested realism and built his own writing ideology and style, which is called subjective realism. On the other hand, it also argues that Vũ Trọng Phụng, through the popular report genre, he gained success and evolved his own novel writing style, aptly called the realism of speech. It is ostensible that the transformation in the two authors' writing style and aesthetic experience was derived from the way they distanced themselves from their contemporaries' common tastes while making use of free indirect speeches, all with the aim of granting readers the autonomy of reading.
Giao tiếp lịch sự với kính ngữ tiếng Hàn
Ph?m Th? Ng?c 동아인문학회 2018 동아인문학 Vol.44 No.-
In Koreans’ polite communication, honorifics play an important role and are seen as a key element in polite communication strategies. Honorifics are far different from polite languages. While the polite languages have their wide scope and amplitude including the interactions between symmetrical and asymmetrical roles, the honorifics are mainly used among asymmetric roles. It is possible to assert that honorifics are indispensable in Koreans’ polite communication and so that they are considered as a means of communication and an intrinsic part of the communication strategies. In Korean polite communication, therefore, the communication roles should focus on honorifics and their expressive ways in order to achieve the most effective communication.
La Duy Tân,Phùng Thị Thanh Xuân,Trần Minh Quý 한국베트남학회 2023 한국베트남학회 학술대회 Vol.2023 No.10
Today, when reiniscing the achievement of Korea’s economic development over the past decades, it is easy to find positive recognitions of President Park Jung-hee's national management throughout the 60s and 70s. Similarly, when assessing the success of Korean populace culture worldwide, very few would expect that the forerunner of the appealing entertainment industry was once restricted for the protection of political stability. The policy of banning popular music was influenced by the policy of suppressing Korean culture during the Japanese colonial period. Songs that are banned due to its negative effects are called keumjikok (prohibited song), which restricts the singer's artistic activities consequently. This paper is written to study mainly on the process of forming and implementing the policy related to keumjikok. Thereby, the authors attempted to historically present the societal and political features of Korea during President Park Jung-hee period.