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김수천(Klm, Su-Chun) 한국서예학회 2021 서예학연구 Vol.38 No.-
일중 김충현은 국한문서예를 통합적으로 연구하여 궁체, 고체, 예서, 행초 등 독창적인 서풍을 개척함과 동시에 서예교본과 서예교육을 통해 한국근현대서예의 근간을 세운 거장이다. 김충현은 국전을 중심으로 서예를 현대미술의 한 영역으로 자리매김하는데 큰 기여를 했다. 본 논문에서는 김충현의 생애를 절기별로 나누어 각 시기마다의 삶과 서예에 대해 의미부여를 하면서 그의 생애사가 주는 교육적 함의를 도출하려고 했다. 이 글을 통해 그를 한 시대의 거목으로 성장하게 한 요인이 무엇이며, 그것이 현시대에 주는 의미가 무엇인지를 이해할 수 있을 것이다. Iljung Kim Choong-Hyun pioneered original fonts such as Gungchae, Gochae, Yeseo, and Haengcho by studying Korean and Chinese calligraphy. At the same time, he is a master who established the basis of modern Korean calligraphy through calligraphy textbooks and education. Kim Choong-Hyun made a great contribution to positioning calligraphy as an area of contemporary art by centering on the national exhibition. The purpose of this thesis is to derive the educational implications of Kim Choong-Hyun s life while dividing his life by season and giving meaning to it and calligraphy of each period. The goal is to understand what made him grow into a master of an era and what this means to the present age.
김수현(KlM Soo-Hyun) 한국프랑스문화학회 2002 프랑스문화연구 Vol.7 No.-
Les fêtes peuvent être classées selon les objectifs de leur création en trois catégories : création, tourisme et image. Mais nous nous manquons pas d’exemples des fêtes qui sont créées pour plus d’un de ces objectifs. Ainsi, le festival d’Avignon est organisé pour présenter des oeuvres de création, mais il a contribué à rendre la ville un site touriste renommé. Parmi de nombreuses fêtes qui ont lieu régulièrement en France, plus de soixante pourcents ont été créés dans les années quatre-vingt. Surtout, l’année 1982 est celle où les collectivités locales sont dotées de plus de pouvoir dans le domaine de la culture. Elles créent des fêtes non seulement pour élever le niveau de la culture en fournissant les habitants des spectacles, mais pour avoir les rendements économiques. Les rapports entre événements culturels et le tourisme sont évidents. L’économie locale se nourrit du tourisme et le tourisme culturel est une donnée nouvelle qui renforce son chiffre d’affaires. Et les événements culturels améliorent ou rénovent l’image des villes qui suivent le vieillissement et la détérioration. Les événements culturels contribuent aussi à l’intégration sociale des habitants de situation difficile ou des immigrés. Dans le cadre de la politique de développement social, le festival peut permettre une occasion à laquelle les jeunes affirment une identité culturelle et sociale. Ces réalisations des événements culturels correspondent bien aux politiques culturels du ministre Jacques Lang. La reconnaissance comme les arts des domaines qui étaient sous-estimés, comme bandes déssinées, rocks, photographie, cinéma, et le respect des cultures des autres sources nationnales se réalisent dans ces divers événements culturels. Dans cet aménagement social et culturel également, se concrétisent les politiques de démocratisation de la culture et de sa décentralisation.
전통주거의 階層間 住文化 交流에 따른 평면 변화에 관한 연구
김경희(Klm Kyung-Hee),유재우(Yoo Jae-Woo),김미나(Kim Mi-Na) 대한건축학회 2010 대한건축학회논문집 Vol.26 No.6
This paper is research on interchange in social different position in traditional dwelling. In general, the study in traditional dwelling has focused on the locality, the local peculiarity of housing architecture, and the contents of acculturation. The paper will show the appearance of eclectic housing pattern between High-class Houses and Folk-Houses caused by interchange in social different position in the era of Chosun dynasty. The area of study is the Coexistence-Area of "Ddeul Jib," a type of High-class Houses, and "Yokhan Jib," a type of Folk-Houses, located in the northern area of Kyung Sang Buk-do and the southern area of Kang Won-do. High-class Houses accepted the practicality of Folk-Houses and these accepted of diginity of those. This is not a consequence of unilateral development but a consequence of acculturation among the members of the society who tried to adapt merits each has.
김창균 ( Klm Chang-kyun ) 한국불교미술사학회(한국미술사연구소) 2018 강좌미술사 Vol.51 No.-
혜곡 최순우 선생은 30 세 때인 1946 년 국립개성박물관 참사를 시작으로 미술사에 입문하시어 1948 년 국립중앙박물관에 전근되어 보급과장, 미술과장, 학예연구관, 학예연구실장을 거친 다음 1974 년부터 1984 년까지 10 년간 국립중앙박물관장을 지내셨다. 선생은 한국미술사 중에서도 주로 도자사와 일반회화사 분야에 대해 관심이 많았으나, 불교회화와 불교조각에 대해서도 학술지와 보고서 및 신문을 통해 꾸준한 발표를 함으로써 지대한 관심을 나타내셨다. 주 연구분야가 아닌 불화연구에 있어 심미안적인 표현만이 아닌 畵記를 통한 조성배경 및 조성목적 파악, 불화 조성의 중요성 및 양식분석에 있어 통찰력을 보여주고 있으며, 불상 연구의 경우에 있어서도 상의 조형성 및 양식특징 파악 등 학술적 분석과 더불어 뛰어난 안목과 식견을 바탕으로 한 각 상들의 특징 기술로 선생의 양면적인 면을 발견할 수 있다. 선생의 연구자료 중 대략적인 면만 살펴보아서도 파악할 수 있듯이 그의 천부적인 심미안과 경험을 통해 얻어진 미의식을 토대로 묘사에 주안점을 두고 있으면서도, 한편으로는 높은 식견를 바탕으로 한 학술적 접근 또한 결코 도외시 하지 않음으로서 깊이 있는 결과를 보여주고 있음을 확인할 수 있었다는데 연구 의의를 둘 수 있겠다. Hyegok, Choi Sun-wu entered into art history as a position of Chamsa at the National Gaeseong Museum in 1946 when he was 30 years old. After being transferred to the National Museum of Korea in 1948, he was the director of the National Museum of Korea for ten years from 1974 to 1984 after passing through the supply department director, art director, curator, and chief curator. He was interested in ceramic history and general art history in the Korean art history. However, he expressed great interest in Buddhist paintings and Buddhist sculptures by making steady presentations through journals, reports and newspapers. In the Buddhist study, which is not the main field of his study, he shows not only the aesthetic expression but also the insight in grasping the background of the composition purpose, importance of composition of Buddhist paintings, and style analysis. Also, in the case of studies of Buddhist paintings, both sides of his can be found by the feature description of each image based on outstanding insights and discernment in addition to academic analysis such as formality and style characterization of the image. As can seen from a rough look at his research, this study is meaningful in that while he focuses on depiction based on his aesthetics and aesthetic awareness obtained through his eye for the beautiful and experience, at the same time, it is confirmed that his academic approach based on high level of insight is also inseparable and shows deep results.