정인지(鄭麟趾)의 시문학사적 의의에 관한 연구

정상균 한국고시가문학회 2003 한국시가문화연구 Vol.0 No.12

Jeong-In-ji(1396~1478) lived in the historical turning point that a new Confucian culture was really created on the ground of introspection of Buddhistic one. He had a confucian didactic view point of poetry and led the creation of Yong-bi-eo-cheon-ga(The Song of Six Dragons Rising in the Sky) which is appraised as 'it mirrors the ideas not only of the new government Yi dynasty but also of the entire people.' And he also took the leadership in writing Go-ryeo-sa(The History of Go-ryeo Dynasty). In the music chapter of the book, Jeong-In-ji maintained firmly Chu-hsi(1130-1200)'s poetic view which was expressed in the comments of Shih-ching. Jeong-In-ji wrote Hae-rae-bon-Hun-min-jeong-eum(The Interpretative Book of the King Se-jong's Korean Alphabet). He fellowed faithfully the king Se-jong's independent view of Korean in the book. However Jeong-In-ji's original linguistic attitude was not different from Choi-Man-ri's one who opposed the creation of Him-min-jeong-eum(The king Se-jong's Korean Alphabet). Choi-Man-ri thought the Korean language as 'a secular, boorish and vulgar one'. Jeong-In-ji also used the same words. The creation of Yong-bi-eo-cheon-ga was the most important matter in the development of the Korean poetic history. In the result of the creation, the linguistic tradition of the popular songs of Go-ryeo dynasty was inherited and they achieved the new poetic dimension accommodated the senior Chinese artistic thought. Jeong-In-ji interested in the figurative words of popular song's of Go-ryeo dynasty. He used the figurative way on the creation of Yong-bi-eo-cheon-ga. The senior figurative ways had been used by Chu-hsi in his comments of Shih-ching.

성악 전공 학생의 가칭 시 음성의 SPR(Singing Power Ratio)에 관한 연구

조성미,정옥란,이상욱 한국음성과학회 2004 음성과학 Vol.11 No.4

This study attempted to provide a spectrum analysis for quantitative evaluation of singing voice quality of singing students rather than the presence or absence of the singer's formant. The regression analysis was used to analyse the relationship between ringing quality, SPR, and SPP of singing voice of college student subjects majoring in music. This study measured singing power ratio (SPR) in 41 singing students. Digital audio recordings were made in sung vowels for acoustic analyses. Each sample was judged by 1 experienced singing teacher and 4 voice pathologists on one semantic bipolar 7-point scales (ringing-dull). The results showed that the SPR and SPP had significant correlations with ringing Quality. The SPR had a significant relationship with ringing quality on singing voice in singing students. The SPR can be an important quantitative measurement for evaluating singing voice quality.

색계(色界)의 한 연구 -박상륭의 『죽음의 한 연구』론

정도상 ( Do Sang Jeong ) 현대문학이론학회 2013 現代文學理論硏究 Vol.0 No.54

박상륭의 『죽음의 한 연구』는 한국문학이 개척하지 못한 색계(色界)를 탐구하고 형상화한 관념소설의 정수라고 해도 과언이 아니다. 색계가 공계의 비대립적 상대성의 세계가 되기 위해서는 색즉시공의 동시성과 전환, 그리고 그것을 추동하는 용(用)이 필요했다. 달마는 용의 핵심을 마음으로 봤지만 박상륭은 남근으로 보았다. 이것은 선어(禪語)와 소설의 차이일 뿐이었다. 이어 ‘나’는 확정된 존재(Being)가 아니고 ‘되어가는 존재(becoming)``라는 관점에서 볼 때 색신(色身)임이 분명했다. 하지만 공신(空身) 달마로부터 원효에 이르기까지의 인물들이 색신에 투영되어 있다는 것도 확인할 수 있었다. 유리와 읍내, 그리고 큰 형장으로 이어지는 색신의 삶과 색계의 주유는 결국 공계(空界)로의 이동이란 궁극적 목표 때문이 아니었다. 공계로의 이동이 모든 색신의 궁극적 목표가 아닌 이유는 공이란 깨달음으로 가는 불성(佛性 혹은 自性)의 도구에 불과하니 집착하지 말라는 붓다의 가르침이 때문이기도 했다. 박상륭의 『죽음의 한 연구』에는 이와같은 내용들이 ‘나’라는 인물을 통해 색계가 잘 형상화되어 있는 소설이었다. It is no exaggeration to say that Park Sang-ryung`s 『A Study on Death』 is the quintessence of an ideological novel which embodies the world of r?pa(=form) that Korean literature has never discovered before. In order for the world of r?pa to exist with the world of s?nya(=emptiness) in a non-oppositive way, the simultaneity and conversion of the both as well as the medium that drives them are required. Dharma saw "heart" as the key of the medium, but Park Sang-ryung saw men`s penis as the key. It is just the difference between words of zen and a novel. In the sense that myself(in the novel) is not defined as "being", but more of a "becoming", it is clear that "I" am the body of r?pa. However, I could see that a variety of individuals in the body of s?nya from Dharma to Won-hyo were also reflected in the body of r?pa. Eventually, the ultimate goal of the journey of the body of r?pa from Yury to the downtown and the place of execution was not to travel to the world of s?nya. The reason why the ultimate goal of all bodies of r?pa is not moving to the world of s?nya is partially because of Buddha`s teachings that we should not be obsessed with s?nya since it is just one of the methods that lead us to the realization. The void is not Nothing. Park Sang-ryung`s 『A Study on Death』 is a novel that well-describes these contents through the character "myself".

백야 이상춘의 신소설 연구

배정상(Bae, Jeong-Sang) 부산대학교 한국민족문화연구소 2022 한국민족문화 Vol.81 No.-

백야 이상춘은 신소설 작가 중에서도 보기 드문 이력을 가진 흥미로운 인물이다. 그는 『박연폭포』와 『서해풍파』라는 꽤나 인상적인 작품을 저술했지만, 평생을 교사이자 국어학자로 살았다. 지금까지의 연구에서는 신소설 작가 이상춘이 『매일신보』와 『청춘』의 현상문예에 당선된 특별한 이력이 있다고 정리한 바 있다. 하지만 본 연구에서는 이러한 이상춘의 이력에 대한 오류를 바로잡고, 같은 시기 동일한 이름을 사용했던 두 명의 이상춘(李常春)이 존재했음을 처음으로 밝혀냈다. 신소설 작가이자 교육자였던 개성의 이상춘과 『매일신보』와 『청춘』의 현상문예 당선자이자 『매일신보』 기자였던 경성의 이상춘은 같은 이름을 사용했던 각기 다른 인물이었다. 신소설 작가 이상춘은 개성에서 태어나 한영서원에서 수학했으며, 이러한 경험은 그의 작품을 이해하는 데 중요한 토대가 된다. 『박연폭포』와 『서해풍파』는 고향인 개성을 주된 공간배경으로 삼고 이를 핍진하게 묘사하고 있으며, 작품 속 무대를 일본과 미국, 더 멀리 남극에까지 확장하고자 했다. 또한 한영서원에서 배운 근대 지식과 기독교 사상, 외국어 등은 작품 속 주제로 형상화 되었다. 한편, 택견 유단자와 매력적인 장애인 여주인공, 조선학과 항해학을 전공하고 남극탐험에 도전한 인물 등 이전의 신소설에서는 보기 드문 새로운 인물형상을 창조한 것도 중요한 특색이다. 이처럼 이상춘과 그가 남긴 신소설은 1910년대 신소설의 다채로운 성격을 이해하기 위한 의미 있는 사례가 된다. ‘Baekya’ Lee Sang-chun is an interesting character with a rare history among ‘Sinsosul’ writers. Although he wrote quite impressive works called ‘Bakyeonpogpo’ and ‘Seohaepungpa’, he spent his entire life as a school teacher and Korean language scholar. In the research so far, it has been summarized that ‘Sinsosul’ writer Lee Sang-chun has a special history of being selected for the prize-winning literary arts of ‘Maeil Shinbo’ and ‘cheongchun’. However, in this study, it was discovered for the first time that there were two Lee Sang-chun (李常春) who used the same name at the same time by correcting these errors in Lee Sang-chun’s history. Lee Sang-chun of ‘Gaeseong’, who was ‘Sinsosul’ and educator, and Sang-chun Lee of ‘Gyeongseong’, who won prizes for ‘Maeilsinbo’ and ‘cheongchun’ and ‘Maeilsinbo’ and reporter, were different people who used the same name. ‘Sinsosul’ writer Lee Sang-chun was born in Gaeseong and studied at ‘Hanyeongseowon’, and this experience is an important factor in understanding his work. ‘Bakyeonpogpo’ and ‘Seohaepungpa’ use his hometown ‘Gaeseong’ as the main spatial background and depict it richly, and he wanted to extend the stage in his works to Japan and the United States, and further to Antarctica. In addition, modern knowledge, Christian thought, and English learned at ‘Hanyeongseowon’ were embodied as themes in the work. Another important feature is the creation of a new character, which is rare in previous ‘Sinsosul’, such as ‘Taekkyeon’ master, an attractive female heroine with a disability, and a person who majored in shipbuilding and navigation and took on the challenge of exploring Antarctica. In this way, Lee Sang-chun and the ‘Sinsosul’ he left behind serve as meaningful examples for understanding the colorful aspect of the ‘Sinsosul’ of the 1910s.

우발성으로 투여된 척수강내 고용량 모르핀에 의한 호흡정지 : 증례보고

성상훈,유수봉,류시정 고신대학교 의과대학 2010 고신대학교 의과대학 학술지 Vol.25 No.1

Epidural or intrathecal morphine injection is a useful method for management of postoperative pain and cancer pain. But the effect of intrathecal morphine is ten to twenty times more potent than epidural morphine. So inadvertent intrathecal injection of morphine during epidural injection can induce serious side effect. The authors report a patient who experienced respiratory arrest and loss of consciousness due to inadvertent intrathecal injection of high dose morphine during epidural injection for management of cancer pain. The patient was treated with intravenous bolus and infusion of naloxone for 8 hours and assisted ventilation with Ambu and she was recovered completely without any sequela.

生活 Energy 消費量에 對한 調査硏究 : 釜山敎育大學生을 中心으로 Based on the Case of Busan Teacheres College Students

尙貞基 釜山敎育大學 1972 부산교육대학 논문집 Vol.8 No.1

The writer has surveyed how the students of Busan teachers College are spending their time, in what sorts of activities they are Partici pating, and how much caloric they are consuming every day individually; and has made an estimation of the energy expendituve for one student and of the calorie required for him. And the following conclusion has been resulted. 1) The calorie expeonditure of the female students, 1971 of this college is more than than that of the female students, 1959 of the nation.(no record to be compared with is available for the male students.) 2) It is still less than the recommended calorie of F. A. O or of Japan 3) The calorie expenditure for the students of this college may be the basis of the every day nutritional requirement of them and the basis of the recommended calorie. And so it can be said that they must take a certain amount of calorie at meal times every day in order to keep healthy; 2700∼3000 cal. for the male student of about 60kg weight, and 2100∼2300 cal. for the female student of about 51kg weight. 4) The writer suggests that the students should be encouraged to keep a well balanced dietary life in order to intake an adequate amount of calorie.

익산 연동리 반룡경과 마한의 대외교섭

성정용,남궁승 한국고고미술연구소 2001 고고학지 Vol.12 No.-

1957년 국립부여박물관에 입수된 익산 연동리경(蓮洞里鏡)은 처음 홍사준에 의해 태경(太庚)3년명 신수경과 명문 내용이 유사하다고 하여 육조(六朝)시기의 신수경(神獸鏡)으로 소개되었으며 이를 근거로 백제와 서진(西晋)과의 교섭 관계를 보여주는 유력한 자료로 간주되기도 하였다. 이후 김원룡은 이 동경을 후한(後漢) 신수경으로 일본에 소개하였으며, 김정배도 이를 후한경(後漢鏡)으로 비정하고 익산의 건마국(乾馬國)세력이 군현(郡縣)과 교섭한 자료로 이해하였다. 그러나 연동리경은 공반 유물이 없었던 탓인지 마한지역의 대외교섭을 이해하는 자료로서 이후 그다지 주목받지 못해왔다. 그런데 최근 이를 위대(魏代)의 반룡경(盤龍鏡)으로 비정하고 위(魏)가 한(韓)의 재지사회(在地社會)에 대한 위무책(慰撫策)을 펴는 과정에서 분여되었을 것이라는 적극적인 해석이 다시 제기되었다. 이처럼 연동리경에 대한 다양한 연대 비정과 해석이 제기되었지만 경(鏡) 형식의 비정이 잘못되었거나 비교 근거들이 취약하여 선뜻 어떤 견해를 취신하기가 어렵다. 이에 본고에서는 이 거울의 내용을 좀 더 자세히 소개하고자 하였다. A bronze mirror was found from Yeondong-ri, Iksan in 1957. Hong Sa-joon reported that it is a Sinsumun mirror made in the Liu-Chao Dynasty. Later Yoo U-sang presented that this mirror rather shows the close relationship between Baekje and Hsi-Chin. Recently Park Soon-bal argued that this was made in the Wei Dynasty, and was distributed to the Samhan as an appeaser. Careful examination of the mirror reveals that this is a Balryong-Gyeong with a design of two dragons and one tiger and seems to be manufactured during the middle to late period of the Hou-Han Dynasty. It is highly possible that the mirror was distributed to the Mahan area via Nangnang during the 2nd century. The Mahan area showed dynamic political developments since the 3rd century; however, there are few archaeological evidence to study the Mahan society during the 2nd century. The mirror from Yeondong-ri would be one of the few artifacts to understand the Mahan society during the 2nd century.

견실 H_∞ 제어를 이용한 ATM 전송률 기반 트래픽 제어

정상섭 경운대학교 산업기술연구소 2001 産業技術硏究論文誌 Vol.4 No.1

In this paper, we design the robust H_∞ controller for congestion control in ATM(asynchronous transfer mode) networks with the variation of other higher priority sources(e.g., constant bit rate, variable bit rate). Satisfactory time response and closed-loop damping can be achieved by forcing the closed-loop poles into a suitable subregion of the unit circle. The proposed robust H_∞ controller with regional pole placements can minimize the variation of the queue size at the predetined desired level rapidly. And we also show its robustness and performance through simulation for the ATM networks with time delay and disturbance.

정착촌 주민 및 재가나환자에 대한 나균 특이항원 phenolic glycolipid의 혈청학적 연구

정구원,김도일,조상래 大韓癩學會 1988 癩學 會誌 Vol.21 No.1

단어생성시 기능적 자기공명영상을 통한 운동 언어중추의 국소화

정상욱,김주용,송인찬,이경민,이상건,장기현 대한신경과학회 1998 대한신경과학회지 Vol.16 No.5