서울시 근대문화유산의 스토리텔링을 통한 관광활성화 방안

반정화 ( Jeong Hwa Pan ),민현석 ( Hyun Suk Min ),노민택 ( Min Taek Noh ) 서울시정개발연구원 2009 연구보고서 Vol.2009 No.28

Ⅰ. Introduction The area inside the original city walls of Seoul contains the history of Seoul`s modern culture and played an important part in establishing Seoul`s unique authenticity and identity. However, the level of awareness and utilization of Seoul`s modern cultural heritage is very low. To resolve this situation, this study 1) accumulated references by making a database of Seoul`s modern cultural heritage, 2) researched literature and case studies on storytelling for tourism revitalization, and 3) concluded as to how storytelling techniques could be used to revitalize awareness and utilization of modern cultural heritage inside Seoul`s original four city walls. The modern cultural heritage studied was defined as that within current Jung-gu and Jongro-gu (the area inside the original city walls). Based on material from the Cultural Heritage Administration of Korea and the city of Seoul, a total of 74 modern cultural heritage (45 in Jongro-gu, 29 in Jung-gu) were found for research. Ⅱ. The Current State of Modern Cultural Heritage inside Seoul`s City Walls Modern cultural heritage includes all aspects of the era between the beginning of Korea`s modernization (roughly 1876) to 50 years before today, including among others the spheres of humanities, society, geography, and environment. Most modern cultural heritage cannot be internally changed and have limited utilization in other ways than originally intended. 63.5% of Seoul`s modern cultural heritage is privately owned, and 41.9% (31 items) are non-public, making it difficult to make them into proper tourist capital. Most tourism resources are distributed following the pattern of capital, being focused in the Bukchon and Insadong area, the Jeong-dong area, and the Bukchang/Namdaemun/Myeongdong area. Tourist attractions inside the original Seoul city walls are rarely utilized, being only partially introduced as part of Seoul`s city tour program. Ⅲ. Storytelling of Tourism Destinations ``Storytelling``is a combination of "story" and "telling." Here, "story" means a plot, and "telling" refers to the method of communication appropriate for a particular medium. Storytelling techniques are used in a variety of fields, and is being recognized not only as a way to maximize consumers` experience but also as an effective method of behavioral change. Storytelling in tourism must be understood as a meaning system created in concert between the story surrounding a particular tourist attraction, and the tourist. It is important to use ``interaction`` between the tourist and a particular attraction to bring to the surface an aspect valued by both sides. This study proposes that tourism storytelling be developed through the next five steps: 1) finding stories about tourist attractions, 2) selecting the main goal of storytelling, 3) developing a main theme, 4) selecting media, and 5) realizing the plan. Ⅳ. Revitalizing Tourism of Seoul`s Modern Cultural Heritage Through Storytelling 1. Step-by-Step Strategy for Storytelling of Seoul`s Modern Cultural Heritage Step 1: Discovery of stories surrounding cultural heritage inside the Seoul city walls: after making a database of the modern cultural heritage inside the Seoul city walls and categorizing them, use the information to find stories and themes that could be used to improve tourism in the area. -Facilities related to modern technology and industry, -Changes in modern architecture -Education facilities and changes in education -Portraits of modern personalities(political, cultural, artistic) -History of the Korean interim government and modern Korean history, -Religious facilities, -Socio-cultural facilities Step 2: selection of a goal for storytelling of modern cultural heritage: studying the goals of modern cultural heritage storytelling from the perspective of maximization of tourists` experience, heritage protection, expansion of advertisement, and safe tourism. Step 3: development of a theme for modern cultural heritage storytelling: division of stories found in step 1 between three districts (Bukchon, Jeong-dong, Namchon). Step 4: Planning the media for delivering stories about modern cultural heritage inside city walls: proposal of possible media outlets for storytelling. 2. Expanding Storytelling about Modern Cultural Heritage Inside Seoul City Walls Changing perceptions about modern cultural heritage: the following was proposed as solutions to bring new meaning to the Bukchon, Jeong-dong, and Namchon areas. Expansion and development of tour routes focusing on the Jeong-dong, Bukchon and Insadong, and Namchon areas. Increased utilization of modern cultural heritage through virtual reality and video: creation of virtual tours and documentaries Building of museums on modern culture and history of modern life Changing perceptions about modern culture and creation of educational materials Reenactment of Wongudan and 3/1 protests Ⅴ. Conclusion and Policy Suggestions In order to change perceptions of modern cultural heritage, it is necessary to give new meaning to the Bukchon, Jeong-dong, and Namchon areas, making them an opportunity to introduce "Seoul culture" through modern cultural heritage. The utilization of these heritage must be increased using stories and storytelling media with the help of specialists. The possibilities of the heritage must be carefully studied to develop diverse tourism routes and to select appropriate storytelling media.

가야금산조 생삼청 연구 - 한성기, 최옥삼류 진양조를 중심으로 -

추정현 ( Chu Jeong-hyun ) 남도민속학회 2020 남도민속연구 Vol.41 No.-

생삼청이란 일명 가는목, 외갓집 목이라고도 하며, 선율의 단조로움을 피하고, 연주자가 본청에서 쓰인 주음의 위치를 바꾸어 새로운 청을 중심으로 엮은 가락을 지칭한다. 가야금산조의 생삼청은 최옥삼류 가야금산조 진양조에서 볼 수 있는데, 청의 변화로 인해 가야금의 현을 대부분 역안(力按)하여 연주해야 한다. 따라서 생삼청은 정확한 음정을 구사하기 가장 어려운 대목이라고 해도 과언이 아닐 것이다. 최근 제도권에서 가야금산조를 배우는 많은 학습자들은 명인들의 실연이나 음원을 통해 실체에 접근하기보다는 채보된 악보를 통해 공부한다. 그런데 현재까지 연구된 가야금산조 생삼청 음계의 오류와 부정확한 채보로 인해 실제와 거리가 있는 생삼청이 연주되고 있다. 따라서 이를 바로잡고자 하였다. 또한 오늘날 전하는 생삼청은 최옥삼류 가야금산조 진양조뿐만 아니라, 그 연원이 한성기 가야금산조에 닿아 있음을 밝히고자 하였다. 생삼청의 음악적인 분석을 위해 한성기와 함동정월 두 명인의 음원을 비교 분석하였는데, 그 결과를 살펴보면 다음과 같다. 첫째, 한성기의 연주에서 생삼청의 원형을 확인할 수 있었다. 한성기의 Chieron52 - A 전체 39장단 중 18~26장단의 9장단, Taihei9000 - B 전체 29장단 중 21~29의 9장단이 생삼청이다. 그리고 Chieron52 - A의 21~25장단, Taihei9000-B 24~28장단의 5장단이 음계상의 생삼청에 해당된다. 둘째, 두 연주자의 음원을 각각 분석한 후 공통된 음들을 추출하여 음계를 구성할 수 있었는데, 땅(B♭)본청 우조로 연구되고 인식되어 채보되었던 한성기와 최옥삼류 가야금산조의 생삼청이 지(B)본청 우조로 파악되었다. 셋째, 한성기와 함동정월은 생삼청에서 ‘땅(A) - 지(c#)’줄을 검지와 엄지로 집는 수법을 구사하였다. 이 연주법은 한성기-최옥삼-함동정월을 거치는 60여 년 동안 변하지 않고 이어져 왔으나, 현행 연주에서는 ‘땅(A) - 지(c#)’가 아닌 ‘징(G) - 지(c)’줄을 집어 연주한다. 이 역시 채보상의 오류에서 비롯된 현상이므로 재고가 필요하다. 넷째, 스승의 가락을 변형시키지 않고 원형의 모습을 그대로 간직한 함동정월의 우직함과 뛰어난 음악성을 확인하고, 함동정월이 산조를 악보로 공부하는 것에 대해 우려하던 원인을 알 수 있었다. 악보는 실연을 그대로 담아낼 수 없기에 음원에 대한 보조 수단으로 사용되어야 한다. 그 연주의 실체가 음원으로 존재하고 있다면 우선순위를 악보에 둘 것이 아니라 명인의 실연에 두어야 할 것이다. 가야금을 공부하는 학습자들이 본고를 통해 생삼청에 대해 정확한 음조직을 인식하고, 명인들의 음원을 가까이한다면 모호하게만 느껴졌던 생삼청 연주의 실체에 좀 더 가까이 다가갈 수 있으리라고 확신한다. Saengsam-cheong is said to be so-called Ganeun-mok or Oegasjib-mok, and it refers to the melodies composed around the new Cheong(the tone that is the reference note in the given scale) to avoid the melodic monotony and change the position of main notes used in Bon-cheong by a player. Saengsamcheong in Gayageum Sanjo can be seen in Choi Ok-sam Ryu, and there the most of strings of Gayageum must be played in yeokan(力按-, a method of changing tones by pressing a string with the left hand) due to the change of Cheong. Therefore, it would not be an exaggeration to say that Saengsamcheong is the most difficult section to make the accurate pitches. Nowadays, many learners who are learning Gayageum Sanjo in the institution do not approach the musical reality through performances or sound sources of masters, but rather through the written scores. However, Saengsamcheong being played these days is far from the reality due to the errors of scale and inaccurate transcription of Saengsam-cheong in Gayageum Sanjo studied so far. Therefore, this study tried to correct this problem. In addition, it was attempted to reveal that the origin of Saengsam-cheong passed down today is not only the Jinyangjo of Choi Oksam Ryu Gayageum Sanjo, but also the Han Seong-gi Ryu Gayageum Sanjo. And for the musical analysis of Saengsam-cheong, the sound sources of two performers, Han Seong-gi and Hamdong Jeong-wol were compared and analyzed. The results are as follows. First, the original form of the Saengsam-cheong could be confirmed in Han Seong-gi’s performance. 9 Jangdans (18~26 Jangdan) in the total 39 Jangdans of the Chieron52-A by Han Seong-gi and 9 Jangdans (21~29 Jangdan) in the total 29 Jangdans of the Taihei9000-B are the Saengsam-cheong. And 5 Jangdans (21~25 Jangdan) of the Chieron52-A and 5 Jangdans (24~28 Jangdan) of the Taihei9000-B correspond to the Saengsam-cheong. Second, it was possible to construct a scale by extracting common notes from the two players’ sound sources. Therefore, the Saengsam-cheong of Han Seong-gi and Choi Ok-sam Ryu Gayageum Sanjo, which has been studied and recognized as Woojo of Tang (B♭) Bon-cheong, were identified as Woojo of Ji (B) Bon-cheong. Third, Han Seong-gi and Hamdong Jeong-wol used the methods of grabbing the “Tang(A)-ji(c#)” strings with their index fingers and thumbs in Saengsamcheong. This technique has been continued without changing for more than 60 years through Han Seong-gi, Choi Ok-sam, and Hamdong Jeong-wol, but in the current performance, the strings “Jing(G)-ji(c)” are picked up rather than “Tang(A)-ji(c#)”. This is also a phenomenon caused by an error in transcription, so reconsideration is needed. Forth, it could be confirmed the honesty and the outstanding musicality of Hamdong Jeong-wol, who kept the original sounds without changing the master's melodies, and the cause of the concern that Hamdong Jeong-wol had been concerned about studying Sanjo as a score. The score should be used as an aid to the sound source for it cannot contain the performance as it is. If the substance of the performance exists as a sound source, the priority should be on the masters’ performances, not on the scores. It is convinced that if learners studying Gayageum recognize the exact tone structure of Saengsam-cheong through this paper, and get closer to the sound sources of the masters, they will be able to approach closely the reality of performance of Saengsam-cheong which was only felt vague.

Solubility of TiO2 in NaF‑CaF2‑BaF2 Melts

Jeong‑Hyun Yoo,Sung‑Wook Cho 대한금속·재료학회 2018 METALS AND MATERIALS International Vol.24 No.6

The solubility of TiO2in NaF-CaF2-BaF2 ternary eutectic melts was investigated at the temperature range of 1025–1150 °C. The least-squares equation was obtained from the relationship between the reciprocal temperature and the natural logarithm ofthe titanium concentration in the melts saturated with TiO2. The corresponding partial molar enthalpy of dissolution of TiO2was found to be 188 kJ/mol. The titanium saturation concentration was 3.73 wt% at 1100 °C. From the titanium concentrationchange with the added amount of TiO2at different holding time after a final stirring, it was found that not only completedissolution of TiO2but also enough sedimentation of excessive TiO2should be guaranteed to obtain more reliable solubilitydata. The holding time of 10 h was found to be enough for the excessive TiO2particles to settle down in our experimentalconditions. It is noteworthy that in case of adding TiO2in excess of its solubility, the Ba1.12(Ti8O16) phase was observed atthe lower and bottom of the solidified salt ingots.

古代哲學思想이 東醫病理學에 미친 影響

鄭遇悅,李鎭弘,鄭鉉雨 대한동의병리학회 1997 동의생리병리학회지 Vol.11 No.2

學問은 어느시대를 막론하고 그 胎動當時의 時代的·社會的·政治的·思想的 背景속에서 발전한다. 韓醫學 또한 이러한 背景속에서 발전되었다. 醫學은 환자의 질병을 치료하기 위한 학문으로 인체의 陰陽平衡狀態를 建康이라 정의한다면 疾病이란 인체의 陰陽失調(陰陽偏盛偏衰)라 말할 수 있다. 이러한 疾病을 유발시키는 원인과 그 원인으로 인하여 인체에 나타나는 각종 症狀들에 대 病理機轉을 밝히기 위해서는 韓醫學의 胎動當時의 배경들을 연구할 필요성이 있다하겠다. 그리하여 《黃帝內徑》이 著述되기 前 古代 哲學思想이 韓醫學 理論定立-東醫病理學-에 어떠한 영향을 미쳤는가를 고찰하기 위하여 현재 출간되고 있는 韓醫學 서적을 중심으로 고대 서적들을 참고하여 陰陽五行論과 精氣神論의 형성과정을 살펴보았다. 그 결과 古代 哲學思想인 敬天崇祖思想과 陰陽五行思想, 精氣神學思想들이 그 시대의 學術的 思想을 반영하듯 韓醫學에서도 역시 主流를 이루고 있었고, 이를 바탕으로 病因論도 고찰할 수 있었다. 즉, 韓醫學의 認識方法인 由果析因ㆍ類比推理ㆍ以象測臟 및 以表測裡의 方法을 통하여 疾病의 原因과 病理機轉등을 밝혔는데, 이것이 바로 그 時代的ㆍ學術的 背景에 따른 것임을 알 수 있었다. Because a time, society, politics, thought bring about effect learning, formation of oriental medicine is formed this background also, Before《Nae-Kyung》was written to study numerous effect antiquity philosophically on oriental medicine pathology investigated books from antiquity to presently. The result were as follows. 1. Before the Chroicles of Lu witch docters acted. 2. In the Chroicles of Lu, philosophically were "the Uem-Yang-O-Haeng theory", "Jeong-Chi-Shin theory" and "Chen-Yin-Shang-Ueong theory" etc. 3. This theories were effected formation of oriental medicine(the cause of a disease, course of disease, pathologic change, therapy etc)

神에 대한 硏究 : ≪黃帝內徑≫을 中心으로 focus on ≪Huangdineijing(黃帝內徑)≫

丁彰炫,朴贊國 慶熙大學校韓醫科大學韓醫學硏究所 1996 慶熙韓醫大論文集 Vol.19 No.2

This thesis was written in order to help set the groundwork of a new medicine based on Shin(神). This new medicine is an advanced system of Hyung(形) focused western medicine and Ki(氣) oriented eastern medicine. In this thesis, I examined the text, 《Huangdineijing(黃帝內經)》and analyzed the important points relating to Shin(神), such as classification, faculty, properties. Shin(神) in 《Huangdineijing(黃帝內經)》is classified according to either its hierarchy or its faculty. Hierarchically, Shin(神) in 《Huangdineijing(黃帝內經)》has two levels; "Cosmos Shin"(天神) and "Human Shin"(人神). Cosmos Shin(天神), which is the "Great Law" is the basis of creation, change, development, extinction of all things in the universe including human. "Human Shin" which represents Shin(神) at the mundane level is the "Basic Principle" of human life, speaking broadly and mental function in a narrow sense. In terms of faculty, Shin(神) in 《Huangdineijing(黃帝內經)》is divided into Shin-myung(神明), Shin-ki(神氣) and Jeong-Shin(精神). Shin-myung(神明) is not only the "Basic Law" which has control over the movements and changes of the universe, but also the "Basic Principle" of human life. Shin-ki(神氣), it can be said, forms of Shin's expression. It means that Shin(神) reveals itself by means of Ki(氣). Jeong-Shin(精神) means mental function which dwells in the body and has a control over thinking, consciousness and judgment. In other words, Shin-myung(神明) indicates Shin's property of controlling or regulating, Shin-ki(神氣) indicates Shin's activity, and Jeong-Shin(精神) indicates both the Shin(神) and body united. In conclusion, all of the aforementioned are only classifications dividing the one Shin(神). Although the Shin may be classified according to the particular situation, it is still the one Shin.

Influence of Phase Composition in TiAlSiN Hard Coatings on the Evolution of Structure and Mechanical Properties

Jeong‑Han Lee,Ik‑Hyun Oh,Jun‑Ho Jang,Ju‑Hun Kim,Sung‑Kil Hong,Hyun‑Kuk Park 대한금속·재료학회 2021 METALS AND MATERIALS International Vol.27 No.3

The aim of this study is to investigate the structural evolution and mechanical properties of TiAlSiN coatings when processedby the arc ion plating method. To form a hard coating, Ti, Al, and Si powders were mechanically alloyed by planetary ballmilling; the powders were then densely compacted during a rapid sintering process into a ternary system coating, i.e. TiAlSi. The evolution of the structural phase from a powder to a compact material is dominated considerably by phase states suchas a supersaturated solid solution or intermetallic compounds. In the case of coating layers, the factors that determine thestructural evolution are associated with the phase stability of the nano-crystalline structure that in turn is associated withthe Ti/Al composition ratio. Motivated by this, we performed experiments to investigate the distribution of microstructures;the material’s binding energy, quantitative properties, transformation of crystal structure, and distribution of amorphous/crystalline were all recorded. In particular, the relationship between the physical and chemical properties during the coatingprocess is considered to be the dominant factor controlling the orientation and morphology of that zone (1, T, and 2). TheTiAlSiN coating layer was found to have hardness above 45 GPa and an adhesion above 100 N. In other words, understandingthe evolution and structure of TiAlSin helped us to produce a material with excellent properties that can be used as a hardcoating. Specifically, these properties were induced by a grain refinement of the nano-crystalline structure that correspondsto an increase in the silicon nitride contents.

에어컨 냉각 팬용 브러쉬레스 DC 전동기의 역기전력 분석에 대한 연구

조정현,김지현,정정원,황흥식,이치우 경성대학교 공학기술연구소 2012 공학기술연구지 Vol.18 No.-

Compared to conventional dc motors having the combination of commutators and brushes, a brushless DC (BLDC) motor is one of the highly efficient motors due to its electrical commutation without a brush, and this feature allows the BLDC otor to be more suitable for an application requiring no maintenance due to mechanical wear between a commutator and a brush. Also, the BLDC motor has a few benefits over both a dc motor and an induction motor such as high dynamic response, high efficiency, logn life span, and low noise in wide speed-torque region. This paper investigates the variation of voltage induced in phase windings in a BLDC motor in several cases with respect to stack length, steel grade, and coil material. This study is numerically conducted and it is verified from the theoritical point of view by comparing the result of simulation with that of experimental measurement.

초등학생에서 인두배양과 항-OF 항체 보유율

정현주,김선주,김윤정,맹국영,정현주,김선주,김윤정,맹국영 대한임상병리학회 1998 대한임상병리학회지 Vol.18 No.3

Expansin으로 형질전환 된 담배의 생장 특성

신하정, 성현정, 백승준, 김보미, 엄유리, 조은정, 정찬문, 이이 충북대학교 연초연구소 2008 煙草硏究 Vol.21 No.-

-본문참고-

Rapid Consolidation of WC‑ZrSiO4 Hard Materials by Spark Plasma Sintering: Microstructure, Densification, and Mechanical Properties

Jeong‑Han Lee,Ik‑Hyun Oh,Ju‑Hun Kim,Sung‑Kil Hong,Hyun‑Kuk Park 대한금속·재료학회 2021 METALS AND MATERIALS International Vol.27 No.9

Densely consolidated WC-based hard materials with 5–20 vol% ZrSiO4was fabricated by spark plasma sintering at 1400 ℃ ata constant heating rate of 70 ℃/min−1. To achieve mechanical alloying of WC-ZrSiO4, planetary ball milling was carried outfor 12 h, during which the brittle-brittle components (WC-ZrSiO4) became fragmented and their particles became refined. Itwas observed that certain, specific, non-isothermal sintering kinetics, such as apparent activation energy, sintering exponents,and densification strain, affected the densification behavior. The evolution of phase structure from powder to compact wasfound to be related the lattice distortion and micro-strain in the basal planes of WC. By examining the mechanical propertiesof the samples, it was that the added zircon content leads to enhanced fracture toughness (12.9 MPa m1/2) owing to thepresence of WC-ZrSiO4 in the cemented carbide. In fact, the microcrack propagation of the fracture passed through zirconfrom a transgranular to a ductile component (fcc) where the crack tips could be absorbed.