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Home on the Range : the Cowboy and the Noodle Chef
Holberg, Amy Ewha Institute of English and American Studies 2008 Journal of English and American studies Vol.7 No.-
Juzo Itami's 1985 film Tampopo, the story of a cowboy who rescues a female noodle chef, relies on the exchange of iconic images of masculinity within a cinematic economy which refers to itself rather than to any national culture, but which still results in a film that describes a particular experience of urban Japan in the 1980s. Tampopo's frame story, that of a yakuza who loves food, sex, and cinema, announces the film's self-conscious, self-reflexive nature from its opening, and highlights the cinematic economy at work, one in which questions of gender performance are paramount. As this is a social satire centered around food, food preparation becomes a vehicle for the public performance of other standards of behavior, consumption, and exhibition. Recent studies on Japanese masculinity are discussed to investigate the central role of the cowboy in Tampopo, a character and hero who is pure cinema-neither from Japan or the city, but, who, as expected, saves the day.