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      • 離騷의 性格

        金學主 서울대학교 동아문화연구소 1979 東亞文化 Vol.16 No.-

        Since Ssu-ma Ch'ien eulogized Ch'u¨ Yu¨an as a great patriotic poet and his Li-Sao (Encountering Sorrow) as a song of"loyalty to his king and love to the people," from Wang Yi (Ch'u Tz'uˇ Chang Chu¨楚辭章句) to modern Chinese scholars (Ch'u Tz'uˇYen Chiu Lun Wen Chi 楚辭硏究論文集), most of the scholars have interpreted Li-Sao as a patriotic poem. But lately some scholars, such as Liao P'ing(Ch'u Tz'uˇ Chiang Yi 楚辭講義), Ho T'ian Hsing (Ch'u T'zu¨ Tzo Yu¨ Han Tai K'ao 楚辭作於漢代考), and Chu Tung Jun (Ch'u Ko and Ch'u Tz'uˇ 楚歌與楚辭, Writer of Li-Sao 離騷的作者, etc.), denying the existence of Ch'u¨ Yu¨an, contended that Li-Sao is a song of "fairy excursion."In this paper, I have examined the above mentioned two directions of interpretation of Li-Sao, and analogized it's character through the analysis of the text. For the convenience of quotation of the text, I gave numbers from 1 to 188 to every line (two phrase for one line) of Li-Sao. (2) In the text of Li-Sao, lines 17-20, 40-41, 44 and 188 directly express the poet's loyalty to his king or love to the people (or the country). But most of the general purport arrives at the despair and resentment to this world. Besides, on the lines 13-16, 19, 38-39, 53, 72-87, and 145-149, we can find a description of the conduct of great sages and tyrants. These also show that Li-Sao is a patriotic poem. On the other hand, in most of the text of Li-Sao the poet describes his visionary excursion to the fairyland and heaven. On lines 54-64, we find his desire of the long journey, and on lines 72-185, we find his three-time fairy excursions. Consequently, we can say that Li-Sao is a song of fairy excursion. (3) Of course there are far more lines which support Li-Sao as a patriotic poem or song of fairy excursion. But both of these two interpretations have a good many negative expressions in themselves. We find in them defects not sufficient to assert the character of the poem as such. So I analyzed the text various ways to obtain the clear character of it. As a result, I draw a deduction that this originated from an early shaman of Ch'u. In concluding the character of Li-Sao, most important factor is an interpretation of P'eng Hsien, which is stated in the last paragraph: "Since none is worthwhile to work with in making good government, I will go and join P'eng Hsien in the place where he abides.(旣莫足與爲美政兮, 吾將從彭咸之所居)" Wang Yi commented on P'eng Hsien as a "sage of Shang dynasty, who drowned himself because his king disregarded his advice," and the last line of Li-Sao has been taken as the poet's statement of his intention to drown himself. But it is clear that his explanation has no basis. As Ho T'ien-Hsing (at Ch'u Tz'uˇ Tzo Yi Han Tai K'ao) pointed out, it is very reasonable to explain P'eng Hsien as ancient shamans, Wu P'eng and Wu Hsien, shown in: Shang Hai Ching, and "to join P'eng Hsien" means rather the poet's, intention to devote himself to occult training as a shaman. At the beginning of Li-Sao, the poet described his family lineage because early shamans were handed down from father to son as a profession. And he introduced his name(字) as Ling Chun(靈均). When we think of Wang Yi's commentary "靈, 巫也" and other shaman's name Ling Hsiu, Ling Fen, and Ling Pao of the Ch'u Tz'uˇ, the name Ling Chu¨n bespeaks itself a name of a shaman. Before his first visionary excursion, the poet paid a visit to the spirit of Emperor Shun to get his advice, which means that Shun was one of the spirit enshrined by the poet shaman. This fact also, explains why Li-Sao has so many descriptions of loyalty to the Kingand love of the country. And most of the works of Ch'u Tz'uˇ, which recorded under the, name of Ch'u¨ Yu¨an and his student Sung Yu¨, such as Chiu-Ko, T`ian-Wen, Yuan-You, P'u-Chu¨, Chiu-Pian, Chao-Hun, and Ta-Chao preserve more obvious tinges of shaman than Li-Sao. Consequently, it might be maintained that Li-Sao is a early song of shaman, neither a patriotic poem nor a song of fairy excursion.

      • KCI등재

        Exploring the Effect of Comprehensibility in K-content Titles on Behavioral Intention: A Need for Cognition Perspective

        Chu,Kyounghee(Kyounghee Chu),Kim,Ji Yoon(Ji Yoon Kim) 한국상품학회 2024 商品學硏究 Vol.42 No.1

        This study empirically explores the impact of the comprehensibility of K-content titles on consumer evaluation. The specific objective of the research is as follows: to analyze the influence of the comprehensibility level of K-content titles on behavioral intentions (intention to watch). More specifically, this study aims to verify whether the patterns of influence of comprehensibility levels of K-content titles on consumer evaluations differ based on need for cognition(NFC) levels. The experimental results revealed differences in intention to watch K-movies depending on cognitive needs levels. In other words, viewers with lower need for cognition have higher viewing intentions towards movies with titles that are more comprehensible compared to those with less comprehensible titles. On the other hand, viewers with higher need for cognition have higher viewing intentions towards movies with less comprehensible titles compared to those with more comprehensible titles. Prior research has primarily focused on consumer responses to the comprehensibility of key messages or information within the field of communication. In this regard, by applying the concept of comprehensibility to the titles of K-Contents, this research strengthens the theoretical foundation concerning the effectiveness of message delivery and consumer response, while also deepening the understanding of global marketing strategies for K-Contents. In terms of practical implications, it emphasizes to K-Content creators and marketers that the comprehensibility of titles significantly influences consumer interest and viewing intentions. This offers critical guidance in the selection of titles and formulation of marketing strategies for K-Contents. Furthermore, optimizing content titles for a global audience with diverse cognitive needs can contribute to the successful international spread of K-Contents. Therefore, by comprehensively understanding the impact of K-Content titles on consumer evaluations, this study is expected to make significant contributions both academically and practically.

      • KCI등재

        龜玆樂 關聯의 개存 硏究成果 檢討 : A Critical Review

        홍주희 한국음악사학회 2002 한국음악사학보 Vol.29 No.-

        In order to make a systematic approach to the study of Kuei-tzu˘ music 龜玆樂, this paper is intended to investigate the outcomes of existing studies on Kuei-tzu˘ music by Korean and Chinese scholars from the 1950s to the present. Most outcomes have been studied by Chinese musicologists including P'an Huai-su 播?素, Ch'ang Jen-hsia 常任俠, Chou Chi 周吉, Ho Ch'ang-lin 何昌林, Ch'iu Ch'iung-lin 丘璟蓀, Li Ping 呂氷 and so on. Also included are such Korean scholars as An Hwak 安廓, Lee Hye-ku [Yi Hye-gu] 李惠求, Song Bang-song [Song Pang-song] 宋芳松, Cho˘n In-p'yo˘ng 全仁平 and Hong Chu-hu˘i 洪周希, and also such Japanese musicologists as Kishibe Shigeo 岸邊成雄 and Hayashi Kenzo― 林謙三. The outcomes of existing studies on Kuei-tzu˘ music can be divided into two groups in a broad sence : the first group is the outcomes related directly with Kuei-tzu˘ music, while the other group, the outcomes related indirectly with Kuei-tzu˘ music. This paper consists of three parts : Ⅰ. Introduction, Ⅱ. The Main Issue : 1. Studies on Kuei-tzu˘ Music : 1) Studies on Kuei-tzu˘ Music in Ancient Period; Modal Theory Called We-tan-ch'i-sheng 五旦七聲 by Su Chih-p'o 蘇祗婆, Historical Change of Musical Scale, Musical Instruments, and General Approach to Kuei-tzu˘ Music, 2) Relation between Ancient Kuei-tzu˘ Music and Current Makam, 2. Studies of Indirectly Related with Kuie-tzu˘ Music : 1) Outcomes by Cultural Approach, 2) Outcomes by Iconographic Materials, 3) General Survey, Ⅲ. Conclusion. In conclusion it is pointed out that the outcomes of existing studies on Kuei-tzu˘ music by Korean scholars are very poor in comparison with those by Japanese and Chinese scholars. Translations of studies on Kuei-tzu˘ music by Kishibe Shigeo and Hayashi Kenzo― made a contribution to the study of Kuei-tzu˘ Music in Korea. The author, therefore, emphasizes that it is necessary to translate works on Kuei-tzu˘ music by Chinese scholars into Korean.

      • SCISCIESCOPUS

        ADGO: analysis of differentially expressed gene sets using composite GO annotation

        Nam, Dougu,Kim, Sang-Bae,Kim, Seon-Kyu,Yang, Sungjin,Kim, Seon-Young,Chu, In-Sun Oxford University Press 2006 Bioinformatics Vol.22 No.18

        <P><B>Motivation:</B> Genes are typically expressed in modular manners in biological processes. Recent studies reflect such features in analyzing gene expression patterns by directly scoring gene sets. Gene annotations have been used to define the gene sets, which have served to reveal specific biological themes from expression data. However, current annotations have limited analytical power, because they are classified by single categories providing only unary information for the gene sets.</P><P><B>Results:</B> Here we propose a method for discovering composite biological themes from expression data. We intersected two annotated gene sets from different categories of Gene Ontology (GO). We then scored the expression changes of all the single and intersected sets. In this way, we were able to uncover, for example, a gene set with the molecular function <I>F</I> and the cellular component <I>C</I> that showed significant expression change, while the changes in individual gene sets were not significant. We provided an exemplary analysis for HIV-1 immune response. In addition, we tested the method on 20 public datasets where we found many ‘filtered’ composite terms the number of which reached ∼34% (a strong criterion, 5% significance) of the number of significant unary terms on average. By using composite annotation, we can derive new and improved information about disease and biological processes from expression data.</P><P><B>Availability:</B> We provide a web application (ADGO: http://array.kobic.re.kr/ADGO) for the analysis of differentially expressed gene sets with composite GO annotations. The user can analyze Affymetrix and dual channel array (spotted cDNA and spotted oligo microarray) data for four species: human, mouse, rat and yeast.</P><P><B>Contact:</B> chu@kribb.re.kr</P><P><B>Supplementary information:</B> http://array.kobic.re.kr/ADGO</P>

      • KCI등재

        유치열과 혼합치열기 어린이의 상악 절치부 외상

        정주현,이제호,김성오,최병재 大韓小兒齒科學會 2004 大韓小兒齒科學會誌 Vol.31 No.2

        현대인의 생활양식과 환경이 도시화 및 인공화되고 취미활동이 다양화됨에 따라 외상을 받을 수 있는 요인들을 증가하고, 특히 어린이 활동량이 많아져 외상의 기회가 잦아지고 있다. 어린이에서 외상이 발생하는 경우, 어린이의 일상적인 활동 뿐 아니라, 사회성 및 정서 발달에도 영향을 미칠 수 있으며, 그 보호자에게도 부정적인 영향을 미칠 수 있기에 외상의 발생 빈도를 줄이고 예방하는 것이 중요하다. 본 연구는 유지열과 혼합치열기에 발생하는 치아 외상을 예방하기 위한 기초 자료를 얻기 위하여, 특히 구강악안면부의 외상시 치아 외상을 가장 많이 받는 상악 유절치와 영구절치를 연구하기 위하여, 2002년 6월부터 2003년 5월까지 연세대학교 치과대학병원 소아치과에 내원한 유치열과 혼합치열기의 신환 8.799명중 상악 절치부 외상을 주소로 내원한 어린이 487명(남자 316명, 여자 171명)의 상악 절치 955개(유절치543개, 영구절치 412개)를 조사하여 다음과 같은 결과를 얻었다. 1. 상악 절치부 외상이 호발하는 나이는 유절치에서 1~3세, 영구절치에서 7세였으며 남자대 여자의 비율은 1.85:1이었다. 2. 상악 절치부 외상은 유절치와 영구절치 모두 오후 시간에 많이 발생하였으며, 유절치는 외상 장소로 집이 가장 많았고 (44.1%), 영구절치는 길에서 다치는 경우가 가장 많았다(17.5%). 3. 외상의 원인으로 유절치와 영구절치 모두 넘어져 다치는 경우가 가장 많았으며(39.8%, 12.9%), 다음으로 부딪히는 경우가 많았다(22.2%, 6.0%). 유절치에서는 다음으로 떨어져 다치는 경우, 교통사고, 폭력과 운동에 의한 외상 순이었으며, 영구절치에서는 폭력, 운동, 교통사고, 떨어져 다치는 순이었다. 4. 조사대상 어린이 1명당 유절치는 1.6개, 영구절치는 2.8개에 외상을 입었다. 5. 유절치와 영구절치 모두에서, 치관 파절 양상은 치수미노출 치관 파절이 많았고, 치주조직 외상 양상은 아탈구가 가장 많았다. 최근 어린이의 단체 생활이나 운동과 취미 활동에 참여하는 나이가 예전에 비하여 점차 낮아지고 있어, 이번 연구 결과와 같이, 외상이 발생하는 나이 역시 지속적으로 낮아질 수 있다. 나이에 따른 어린이의 외상을 받는 장소는 특별한 곳이 아닌, 집이나 학교와 같은 일상의 생활공간이기 때문에 단순한 주의만으로도 외상의 발생을 예방할 수 있을 것으로 사료된다. In children, change in lifestyles such as an increase in participation of physical activities has increased the chance of receiving an injury, harming the child and their parents. This study was carried out to give basic information of traumatic injuries to the upper anterior teeth which can be used in prevention of future complications that may arise. From June, 2002 to May, 2003, of the 8,799 children in their primary and mixed dentition visiting Department of Pediatric Dentistry, College of Dentistry, Yonsei University. 955 upper anterior teeth(primary 543, permanent 412) of 487 children(ma1e 316, female 171) with traumatic injures to the upper incisors were studied. The results were as follows: 1. Trauma to the primary teeth prevailed at the age of 1-3 and to the permanent teeth at the age of 7. The male to female ratio was 1.851. 2. Trauma to the upper incisors for both the primary and permanent teeth occurred in the afternoon. Primary teeth were injured most frequently in the home(44.1%) and the permanent teeth outdoors, in the street(l7.5%). 3. Both the primary and permanent teeth were most injured by fall-down injuries(39.8%, 12.9%), and next were collisions(22.2%, 6.0%) :For the primary teeth, high fall, traffic accident, violence and sports are next in order, and for the permanent teeth, violence, sorts, traffic accidents were next. 4. Average number of 1.6 primary teeth and 2.8 permanent teeth were injured with the right central incisor most prevailing. 5. Crown fracture without pulpal exposure and subluxation injures were highest in frequency in both the primary and permanent teeth.

      • 여성복 재킷의 치수 적합성에 관한 연구

        서추연 동아대학교 생활과학연구소 2001 생활과학연구 논문집 Vol.9 No.-

        This study is to compare and analyze the body size of Middle-aged women group (40∼49 years old) and Ms group (25∼29 years old) and to identify any difference between the two groups in terms of jacket patters of B88 size (old size specification 66). The followings are the results of this study. 1. Although the Ms group is younger than Middle-aged women group, their body size is almost same as Middle-aged women group as they are growing stout. About 75% level of Ms group showed almost same size as Middle-aged women group in most of body part only except in waist and shoulder area. 2. When it comes to overall body shape, the Ms group tends to be tall and broad-shouldered compared to the Middle-aged women group. The waist and abdomen size of Ms group are smaller than that of the Middle-aged women group, implying that the two parts tend to be changed a lot as getting old. 3. The basic size for women's apparel applied by brands tend to be different regardless of the standard measure, KS K 0051. For example, size specification for the B85 (old size specification 55) was unlike among brands, which increases consumers confusion. 4. When analyzing pattern size difference between the two group, with the same B88 size apparel, jacket for Ms group is short in back area, shallow in armhole depth small in bust girth and shoulder length compared to that of Middle-aged women group. Based on the results from this study, we can conclude that the basic measure for the ready-made apparel is different among current brands, which makes consumers have a trouble to choose a well-fitting apparel. Since there exists a significant difference in body shape and size between the Ms group and the Middle-aged women group, the size specifications for the two different groups need to be different according to their somato-type.

      • 한국 춤의 자연미 연구

        김추자 창원대학교 체육과학연구소 2001 경남 체육연구 Vol.6 No.1

        본 연구는 한국 춤의 자연미에 대하여 연구하였다. 한국에서 추어지고 있는 춤에서 ‘우리 것’이라는 개념이 사라지고 있다는 사실은 한국 춤의 존재와 가치에 대한 의구심을 갖게 한다. 이러한 현상은 한국 춤을 사상적 가치, 형성의 환경과 배경을 무시한 채 단지, 행위 모방적으로 이해한 결과이다. 이러한 한국 춤의 문제점을 극복하기 위해서는, 한국 춤이 지니고 있는 자연미적 가치와 춤으로서의 표현형식 그리고 사상적 원형의 재고가 한국 춤의 현대화에서 필수적으로 거쳐야 할 과정이다. 한국 춤이 저절로 추어지는 춤으로 자연적으로 숨쉬고 살아가듯 우리 몸에 익숙한 춤이라는 사실에 착안하여, 자연미를 토대로 한국 춤의 정신적·양식적 가치를 살핀 이 논문은, 논제에 접근하기 위해 자연미의 개념, 한국 전통예술의 자연미, 한국 춤에 나타난 자연미의 양상, 한국춤의 자연미적 가치와 현대적 수용을 탐구하는 과정으로 이루어졌다. 이러한 한국 춤의 자연미는 민족의 심상에 바탕을 두고 있기 때문에 민족사와 더불어 발전하였고, 민족사와 함께 존재할 수 있다. 한국 춤이 지니고 있는 자연미는 정신적 영역에 그 가치를 두고 있는 사실로 즉, 환경변화에 따른 사고체계의 변모에 의해 파생되는 춤 형식의 다양성과는 연계 지울 수 없다. 그러나 인간이 본능적으로 지니는 가치로 춤의 본질과 상통하기 때문에 표현의 다양성 속에 접목시킬 수 있다. 한국 춤의 자연미적 가치는 이 자연의 형상과 이치에 순응하는 스스로 그러함과 저절로 그러함에 바탕을 둔 탈인위적으로, 한국 춤의 현대화는 한국 춤의 정신적 배경을 바탕으로 형식의 현대화가 아닌 정신의 현대화의 개념으로 이루어져야 한다. 이러한 한국 춤의 자연미는 전통의 한계를 벗어난 창작의 영역에서도 한국 춤의 방향성을 설정할 수 있는 토대가 될 것으로 가늠된다.

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