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Introduction: W. B. Yeats : The Poems
Daniel Albright 한국예이츠학회 2013 한국예이츠 저널 Vol.41 No.-
이 논문은 필자가 편집하고 해설을 한 저서 『W. B. 예이츠의 시』(런던: J. M. 덴트 & 선, 1990)(xvi-li쪽)를 『한국예이츠저널』41호(2013년 여름)에 전재한 것이다. 저자 대니엘 올브라트와 그의 출판사 오리온 출판 그룹의 전재허락에 대해 감사드린다. This essay is a reprint1) of the general introduction for his edited and annotated book, W. B. Yeats: The Poems (London: J. M. Dent & Sons Ltd, 1990), pages xvi-li. Our thanks are due to the author Daniel Albright and his publisher The Orion Publishing Group Ltd, London for permission to reproduce this Introduction in The Yeats Journal of Korea, Vol. 41 (Summer 2013).
Yeats’s A Vision as a Map of Modernism
Daniel Albright 한국예이츠학회 2014 한국예이츠 저널 Vol.45 No.-
모더니즘은 거대한 끈적거리는 생물체와 같거나, 아니면 생태계의 하나의 움직임 같아서, 혹은 생존을 위해 투쟁하는 다양한 주의들 속의 변덕스러운 피막 같아서, 각 이즘은 과거의 이즘(피터 비어랙의 우스운 조어인데)이 되는 것을 피하려고 한다. 미 래파, 입체파, 추상, 신조형주의, 모두 허둥대면 서로를 잡아먹으려고 하는데, 이들 중 하 나는 서로 경합하는 이즘의 한 부분이나 일부를 삼키는데 성공하여 소화시켜 자신의 몸 의 일부를 형성한다. 내 생각에는 예이츠의 『환상록』(본인은 의도하지 않았지만) 조직 적인 약도 혹은 천체도가 되어서, 모더니즘의 여러 요소들을 통합하여 하나의 디자인을 만든다. Modernism can be understood as a huge blobby creature, more like an ecosystem than like a movement—a capacious membrane inside which various subordinate isms struggle for survival, each engaged in a desperate attempt to avoid becoming (as Peter Viereck joked) a wasm. Futurism, Cubism, Abstractionism, Neo-Plasticism all jostle there and try to eat each other up—one of them will often succeed in swallowing an appendage or two of some competing ism and incorporating the digested member into its own body. I believe that Yeats’s A Vision offers (though Yeats did not intend this) an organized schema or star-chart, fitting together the component isms of Modernism into a single design.
Yeats, A Vision, and Art History
Daniel Albright 한국예이츠학회 2011 한국예이츠 저널 Vol.36 No.-
예이츠는 자신이 카멜레온의 길(호도스 카멜네온토스)이라 부르는 곳에 너무 깊이 방황하면 자신의 시가 파괴되지 않을까 걱정했다. 그 길에서는 상상력이 지나치게 넘쳐서 독자가 그 이미지들을 이해하지 못하게 되지 않을까 걱정했다. 그의 많은 희곡 작품에서 그는 이런 여러 이미지들을 실험한다. 그는 그가 읽은 페르시아 미술사에서 호도스 카멜레온토스와 동일한 이미지들을 발견했다. Yeats worried that his poetry might be destroyed if he wandered too far down what he called the hodos chameliontos, the chameleon road, in which the imagination became so replete, overstimulated, that it kept producing images in such profusion that the images became unintelligible. In a number of passages deleted from his plays, we can see Yeats experimenting with these wild profusions of images. In the art historical writings he studied, Yeats found visual analogues to the hodos chameliontos in the world of Persian art.
Daniel Albright 한국예이츠학회 2013 한국예이츠 저널 Vol.42 No.-
벨기에 극작가 모리스 매터링크는 새로운 드라마를 창조하기 위해서 셰익스피어와 입센을 연구하여, 가냘프고 다소 있을법하지 않은 주인공들을 괴롭히는 일종의 좀 몰인정한 운명론과 인생의 무의미성을 결합한다. 이런 종류의 극은 예이츠, 싱, 그리고 무엇보다 새뮤엘 베켓트를 예상하게 한다. 사실, 메터링크의 미궁 같은 성(城)의 무대장치는 많은 모더니스트 극의 이해 불가하거나 이해하기 어려운 무대장치를 예상케 한다. The Belgian playwright Maurice pondered Shakespeare and Ibsen in order to create a new sort of drama, combining a sense of the nothingness of human life with a sense of some implacable fatality that tortures the wispy, more-or-less non-existent characters. This sort of theatre anticipates that of Yeats, Synge, and, most of all, Samuel Beckett — indeed the labyrinthine designs of Maeterlinck’s castle-sets anticipate the incomprehensible or half-comprehensible plots and settings of many Modernist plays.
Moving with An Other: Embodied Research at the Intersection of Dance and Anthropology
( Ann Cooper Albright ) 대한무용학회 2016 대한무용학회논문집 Vol.74 No.6
What would it mean to re-envision the anthropological project as a dance? How might we replace the study of a culture as an object with a moving with people as subjects? What are the methodological implications of this paradigm of mutual responsiveness - a reciprocal dancing in which both partners are moving and being moved? In this essay, I propose bodily sensation as a critical intervention in the interpretation of cultures and use the opportunity presented by this conference on dance and anthropology to think through various issues at stake in my research project comparing Capoeira, Contact Improvisation and Queer Tango.
Song, Kiwon,Shin, Sejeong,Jwa, Miri,Albright,Charles F. The Korea Science and Technology Center 1999 BMB Reports Vol.32 No.1
Cytokinesis and septation should be coordinated to nuclear division in the cell division cycle for precise transmission of the genome into daughter cells. byr4, an essential gene in fission yeast Schizosaccharomyces pombe, regulates the timing of cytokinesis and septation in a dosage-dependent manner. We examined the intracellular localization of the Byr4 protein by expressing byr4 as a fusion of green fluorescence protein (GFP). The Byr4 protein localizes as a single dot on the nuclear periphery of interphase cells, duplicates before mitosis, and the duplicated dots segregate with the nuclei in anaphase. The behavior of Byr4p throughout the cell cycle strongly suggests that Byr4p is localized to the spindle pole body (SPB), a microtubule organizing center (MTOC) in yeast. The presence of the Byr4 protein in the SPB is consistent with its function to coordinate mitosis and cytokinesis. We also mapped the domains of Byr4p for its proper localization to SPB by expressing various byr4 deletion mutants as GFP fusions. Analyses of the diverse byr4 deletion mutants suggest that the indirect repeats and the regions homologous to the open reading frame (ORF) YJRO53W of S. cerevisiae in its C-terminus are essential for its localization to the SPB.