SOA 및 BPM 기반의 정보시스템 구축 방법론: 고객지향 수주생산 환경에서의 제품 BOM관리 적용사례

신정범 ( Jung Bum Shin ),김재균 ( Jae Gyun Kim ),장길상 ( Gil Sang Jang ) 한국정보시스템학회 2009 情報시스템硏究 Vol.18 No.1

‘경이로운 현실’의 마술적 사실주의 〈스틸 라이프〉

신정범(Shin Jung Bum) 한국영화학회 2009 영화연구 Vol.0 No.40

Upon graduation, Jia embarked on his first feature length film 〈Xiao Wu 1997〉, emerged out of Jia's desire to capture the massive changes that had happened to his home in the past few years. After 〈Xiao Wu〉, he made 〈Platform 2000〉, 〈Unknown Pleasure 2002〉, 〈The World 2004〉, 〈Still Life 2006〉. Jia's films treat themes of alienated youth, contemporary Chinese history and globalization, as well as his realist style. 〈The World〉, in particular, with its portrayal of gaudy theme park filled with recreations of foreign landmarks is often noted for its critique of globalization of China. Taking place in Beijing's World Park, the film was also Jia's first to take place outside of his home province of Shanxi. This time he looks like giving up his realist style but he focus on creation of space of assumption to show us the desire of the lower classes depending on a surrealist's "marvelous". From this We can guess Alejo Carpentier's term "lo real maravilloso americana", "marvelous American reality". Jia returned with his film 〈Still Life〉 along with his experimentation of surrealist's "marvelous". The film is about two people searching for their spouses in the backdrop of the Three Gorges Dam. Jia's work speaks to a vision of "authentic" Chinese life, and his consistent return to the themes of alienation and disorientation fly in the face of the work of older filmmakers who present more idealized understandings of Chinese society. Visually, he creates a new style which looks like magical realism to draw attention to struggling people with natural environment and their own history. The film has also drawn notice for its element of "marvelous reality" including two images : one of a black concrete building, which rather abruptly launches upward like a rocket and a the tight-rope walker near the end of the film, which serves to show us Jia's new style which come from Alejo Carpentier's "lo real maravilloso", "marvelous reality".

다르덴 형제의 영화 공간 연구

신정범(Shin, Jung-bum) 한국영상제작기술학회 2014 영상기술연구 Vol.- No.21

The Dardenne brothers creates an ensemble with the protagonist and an object locked together: the boots in 〈Rosetta〉, the belt and the measuring tape in 〈The Son〉, the pram in 〈The Child〉. They thus reinforce the sense of cinema by highlighting meaning of object. The things could be the objects or the space : the boots, the belt, the pram, the crumpled corners of the city, the river bank or the left-over strips of forest neighbouring the motorway. They are complementary relation to and affected. This relation makes ontological meaning of characters’ weight of a quaint life. These left-over spaces function in relation to the gestures and the objects portrayed in the films, the Dardenne brothers’ cartography coming into existence once these protagonists are anchored, or embedded in a specific environment. This is an environment which they define and which in turn defines them. The left-over spaces in Dardenne films can only be understood in this dual productive relationship. The intensity of the Dardennes’ cinema space is extended by the gestures, and objects which are extended by silence. Through this, the audience Changes actively. The audience can think about what lies behind walls, look over shoulders and imagine the outside of the frame that can perhaps explain the complex facial features of all the characters. Thus, the Dardenne brothers open up the space of resistance and protest.

자크 오디아드 영화 연구 -히치콕 스릴러의 반복과 변주를 통한 장르의 재창조-

신정범 ( Jung Bum Shin ) 한국영상미디어협회 2014 예술과 미디어 Vol.13 No.3

장르영화는 성공으로 인해 확립된 관습의 단순한 반복이 아닌 변용과 변주에 의한 창조성과 다양성이 반영된 반복을 통한 재창조를 이루어내야 관객의 기대를 만족시켜 줄 수 있다.즉 장르의 변주는 장르가 불모화되지 않도록 하는 데 절대적으로 필요하며 장르의 변주는 장르진화의 가장 큰 원동력이라 할 수 있다. 이러한 장르의 진화가 거듭될수록 장르영화는 직선적인 스토리텔링에서 불투명한 자기반영성을 드러내기 시작한다. 이는 장르영화의 진화과정 중 형식과 형식의 장식 그 자체가 ‘실체’이며 ‘내용’이 되는 과정을 통해 보다 화려한 스타일 지향적으로 발전해 나가는 모습을 잘 드러난다. 장르영화의 진화는 명백한 사회적 재확신에서 불투명한 자기성찰로의 진화과정을 보이는데 이는 내러티브의 강조점이 사회적 가치에서 형식의 미학적 가치로 점차 이행하는 모습을 보여준다. 계속된 변주로 인해 관객들이 장르의 사회적 메시지에는 민감해지기 쉬우므로 관객들과 영화 제작자들의 관심사는 메시지 자체에서 분절화로, 이야기에서 스토리텔링을 위한 내러티브의 시각적 예술성으로 확장된다. 오디아드는 히치콕의 <이창>에 대한 오마주와 기존 장르의 주제와 컨셉트에 대한 재해석, 그리고 그것에 기인한 창조적 변주를 통해 직선적인 스토리텔링에서 모호한 자기반영성을 드러내는 보다 스타일지향적인 장르진화과정의 특성을 잘 보여주고 있다. 그는 장르진화과정의 변주 그 자체가 내러티브에 관한 예술성이며 영화의 환영성을 일깨워주는 환기의 방식으로 자기반영성을 드러내는 모더니즘적 색채를 <내 마음을 읽어봐>에서 잘 보여준다. 오디아드의 <내 마음을 읽어봐>는 <이창>의 장르적 반복과 변주를 통해 장르의 고전적 관습들이 세련화되며 직선적인 스토리텔링에서 자의식적인 형식주의로 변화하는 장르의 진화과정을 잘 드러내고 있다. It can satisfy the expectations of the audience must done by creativity due to the transformation and variation, and by recreation due to the repetition reflected the diversity, not by mere repetition of the convention established due to the success in genre films. Variations of the genre is absolutely necessary to avoid being exhausted genre, and it is the driving force behind the evolution of the genre. In development of genre evolution, genres move from linear storytelling to opaque and self-reflexive storytelling. This show us that forms and decoration of forms, themselves can be subjects and contents due to development of more style-oriented. The evolution of the genre show us change from obvious social reassurance to Opaque self-reflexivity. This means the emphasis of the narrative slowly changes from social values to aesthetic value of the form. The attention of the audience and the film-makers are changed from the message itself to fragmentation, and from story to visual artistry for storytelling by continued variation, because the audience are sensitive to a social message. Audiard``s <Read my lips> shows homage to Hitchcock``s <Rear window> and Reinterpretation of the theme and concept of genre by Creative variation, also it shows genres move from linear storytelling to opaque and self-reflexive storytelling in development of genre evolution. In Audiard``s <Read my lips>, Variation itself shows artistry of the narrative and self-reflexivity in genre evolution.

고객지향 수주생산 환경에서 사양 및 설계 변경에 따른 제품 BOM 관리 방안

신정범(Jung-Bum Shin)․,김재균(Jae-Gyun Kim)․,장길상(Gil-Sang Jang) 한국산업경영시스템학회 2008 한국산업경영시스템학회지 Vol.31 No.4

In manufacturing companies, engineering information is a central data which defines a product to be produced. This is changed by various factors such as changes of product configuration, changes of drawings information of a technology's licensor, etc, and these changes essentially accompany the changes of a product BOM (Bill of Materials) structure. Thus, engineering changes gives a heavy burden to information management within enterprise because the changes of product BOM have an influence on each departmental BOM such as a procurement BOM, a manufacturing BOM, a quotation BOM, etc. Especially, these changes of product BOM due to the engineering changes is inevitably and frequently happened by a customer’s requirements in a customer-oriented make-to-order manufacturing environments. In these manufacturing environments, information gap among each department from the first contact point of customer to engineering, materials, production, quality, and management is very close, and thus it is very important that the change information of product BOM due to changes of product specification and engineering information are efficiently communicated among each department. This paper describes a procedure of determining product specification and of generating product BOM, and proposes an efficient management scheme for the change process of product BOM information due to changes of product specification and engineering. Also, to show the effectiveness of the proposed product BOM management scheme, a product BOM management system is implemented for the ship engine division of ‘H’ company, one of customer-oriented make-to-order manufacturing enterprises.

계층분석적 의사결정기법을 이용한 비점원오염 관리지역의 선정

신정범 ( Shin Jung Bum ),박승우 ( Park Seung Woo ),김학관 ( Kim Hak Kwan ),최라영 ( Choi Ra Young ) 한국농공학회 2007 한국농공학회논문집 Vol.49 No.3

This paper suggests a hierarchial method to select the target sites for the nonpoint source pollution management considering factors which reflect the interrelationships of significant outflow characteristics of nonpoint source pollution at given sites. The factors consist of land slope, delivery distance to the outlet, effective rainfall, impervious area ratio and soil loss. The weight of each factor was calculated by an analytic hierarchy process (AHP) algorithm and the resulting influencing index was defined from the sum of the product of each factor and its computed weight value. The higher index reflect the proposed target sites for nonpoint source pollution management. The proposed method was applied to the Baran HP#6 watershed, located southwest from Suwon city. The Agricultural Nonpoint Pollution Source (AGNPS) model was also applied to identify sites contributing significantly to the nonpoint source pollution loads from the watershed. The spatial correlation between the two results for sites was analyzed using Moran's I values. The I values were 0.38~0.45 for total nitrogen (T-N), and 0.15~0.22 for total phosphorus (T-P), respectively. The results showed that two independent estimates for sites within the test watershed were highly correlated, and that the proposed hierarchial method may be applied to select the target sites for nonpoint source pollution management.

〈우작〉 속의 『봉인된 시간』

신정범(Shin Jung Bum) 한국영화학회 2007 영화연구 Vol.0 No.33

Nuri bilge ceylan's Uzak deals with a matter of the communication of modern people. Mahmut is a middle aged photographer in Istanbul. After his wife leaves him, he falls into an existential crisis. Then comes his cousin Yusuf, who left his native village after a local factory closed down, effectively unemployment over half the local men. He looks to Istanbul for a job on board a ship sailing abroad, at once exciting and crucial to supporting his family in the desperately poor village. The distance between the two men is apparent at once, and becomes increasingly pronounced. Ceylan is using the Tarkovsky's aesthetics in order to make a physical distance between the two men, especially the space of Mahumut Who has a problem in communication. It means that he is trying to show us the limit of the Tarkovsky's aesthetics by stylization of Mahumut's space in the film, So he is trying to make the new space of the communication of modem people by mixing Tarkovsky's aesthetics and the theory of montage. Ceylan finds out the essence of film looking through the Tarkovsky's aesthetics. But he tries to show us that the film should communicate with an audience in order to keep up the film as an art not experiment of the style. So he can use long take in order to make the space which isn't edited, also he can use the theory of montage to structuralize the space. It means that the essence of film is not the Mise-en-scene and the montage, also the realism and formalism. So The essence of film art, for Ceylan, is not the Tarkovsky's aesthetics and anti-Tarkovsky's aesthetics. He is trying to show us the most important thing in the film is not the style of film but the communication with an audience. The stye of film is a tool for him to communicate. He is using Tarkovsky's aesthetics to get poetic emotion and he is taking Tarkovsky's aesthetic space to pieces to make a communication. It means that he is bringing into relief the essence of film is the communication by Tarkovsky's aesthetics.

AHP 기법을 이용한 최적관리기법 적용지역 선정

신정범 ( Shin Jung-bum ),김학관 ( Kim Hak-kwan ),박승우 ( Park Seung-woo ) 한국농공학회 2006 한국농공학회 학술대회초록집 Vol.2006 No.-

The purpose of this study is to select the site of Best Management Practices application. Non-point Sources data of the minimum area, Ri-dong in Saemangum watershed was gathered and a slope, a delivery distance, a sediment yields in riverside, a runoff ratio, a impervious area ratio of Ri-dong were defined as Non-point pollution outflow index. We calculated the weight of these indexes by AHP theory and these weights indicated the contributory degrees of Non-point pollution outflow. Using these weights, we selected the maximum area which has a great influence on Non-point pollution discharge load. Consequently, it was suggested that Hae-wol ri in Wanjoo, Tae-pyung dong in Jeonju were calculated as the highest contributory degree area of Non-point pollution discharge load. We showed BMPs which were suited for the selected area. Firstly, in case of BMPs' application in Hae-wol ri, this area needs to be established BMPs as a riparian zone. The next, Tae-pyung dong requires to be established BMPs as a permeable surfaces, a rainfall filtration tank.

Signal Peak Detection Circuit for High Speed Serial Interface

Jong-Hoon Kim(김종훈),Jung-Bum Shin(신정범),Jae-Yoon Sim(심재윤),Hong-June Park(박홍준) 대한전자공학회 2010 대한전자공학회 학술대회 Vol.2010 No.6

농업용수 재이용 타당성 검토를 위한 강우특성 분석

성충현 ( Seong Choung Hyun ),신정범 ( Shin Jung Bum ),장태일 ( Jang Tae Il ),박승우 ( Park Seung Woo ) 한국농공학회 2008 한국농공학회 학술대회초록집 Vol.2008 No.-

In this study, rainfall characteristics was analyzed for a feasibility study of wastewater reuse for agriculture in Jeju island. Selected gauging stations which have long term data are Jeju(north), Seogwipo(south), Gosan(west) and Seongsan(east). While the annual rainfall of Seongsan and Seogwipo was 1,856 mm and 1,821 mm, that of Gosan and Jeju was 1,121 mm and 1,430 mm respectivly. The probability drought analysis was performed with thirty-one years rainfall data for four gauging station. The drought day of 10 year return period was 9~55 days, especially 18-42 days from September to November in Gosan.